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Scholarly Use of
Web Archives
Web Archives
Dr. David M. Berry
University of Sussex
Web Archives
• Interested in theorising computational
approaches in A&H and social sciences – digital
humanities, etc.
• Digital is becoming a research programme and
how the condition of possibility for research.
• Starting premise is to avoid the dangers of a
“truth machine” – critical approaches to the
digital (Liu).
Web Archives
• We are moving into what might be thought
of as a third wave in the use of
computational media in relation to archives.
• The first was mass digitalisation and
curation of digital content.
• The second was the curation of born-digital
content and the web as an archival source.
Web Archives
• But now we need to think about how to
develop new kinds of cultural practices in
relation to digital archives.
• This includes the use of scholarly archives in
combinatory forms, new forms of access (APIs),
digital humanities approaches such as distant
reading, etc.
• In other words thinking about post-”web”
archiving techniques and practices.
Web Archives
• But also a closer attention to the
materiality of these digital forms, for
example investigating the extent of “lock-
in” manifested by previous technical
decisions.
• This also means moving beyond the
“comprehensive” mentality of web archives
and towards “accessibility” and “practices”
Web Archives
• This requires the archivist to augment
existing skills and shift from a notion of a
“static” archive towards an “archive in
motion”.
• New forms of digital engagement also mean
that existing disciplinary apparatus in
relation to the archive may be insufficient
or unproductive for digital methods.
Web Archives
• Scholars too are grappling with the
possibilities and methods that are
transformed in using digital archives.
• This includes questions of access, throttling,
closed standards, refreshing archives (and
formats), and so on.
• This materiality of the digital archive
therefore needs to be kept more in mind.
Web Archives
• Especially when we consider that we need
to cope with what might be called the
“dark web”, that is DRM and difficult to find
materials.
• How to handle the plethora of formats,
structures, and so forth, esp. negotiating the
interconnected nature of network media.
Web Archives
• It is often taken for granted that if you build
digital archives then people will use them.
• This is not necessarily the case, and the lessons
from the software industry is that users need
to be educated in how to use technology.
• This is inevitably hard work in interface and
API design, sample code, lectures and so forth.
Web Archives
• But there is a lot of potential in new web
archives, particularly if they have the
commitment to open access and open data
and can open up historical “closed” materials.
• Especially if they can be built around a
community of use (scholarly or otherwise),
which develops a user base and expertise for
others to draw from.
/// end ///
// end //
/ end /

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David Berry's slides from Digital Conversations event on 26/09/2013

  • 1. Scholarly Use of Web Archives Web Archives Dr. David M. Berry University of Sussex
  • 2. Web Archives • Interested in theorising computational approaches in A&H and social sciences – digital humanities, etc. • Digital is becoming a research programme and how the condition of possibility for research. • Starting premise is to avoid the dangers of a “truth machine” – critical approaches to the digital (Liu).
  • 3. Web Archives • We are moving into what might be thought of as a third wave in the use of computational media in relation to archives. • The first was mass digitalisation and curation of digital content. • The second was the curation of born-digital content and the web as an archival source.
  • 4. Web Archives • But now we need to think about how to develop new kinds of cultural practices in relation to digital archives. • This includes the use of scholarly archives in combinatory forms, new forms of access (APIs), digital humanities approaches such as distant reading, etc. • In other words thinking about post-”web” archiving techniques and practices.
  • 5. Web Archives • But also a closer attention to the materiality of these digital forms, for example investigating the extent of “lock- in” manifested by previous technical decisions. • This also means moving beyond the “comprehensive” mentality of web archives and towards “accessibility” and “practices”
  • 6. Web Archives • This requires the archivist to augment existing skills and shift from a notion of a “static” archive towards an “archive in motion”. • New forms of digital engagement also mean that existing disciplinary apparatus in relation to the archive may be insufficient or unproductive for digital methods.
  • 7. Web Archives • Scholars too are grappling with the possibilities and methods that are transformed in using digital archives. • This includes questions of access, throttling, closed standards, refreshing archives (and formats), and so on. • This materiality of the digital archive therefore needs to be kept more in mind.
  • 8. Web Archives • Especially when we consider that we need to cope with what might be called the “dark web”, that is DRM and difficult to find materials. • How to handle the plethora of formats, structures, and so forth, esp. negotiating the interconnected nature of network media.
  • 9. Web Archives • It is often taken for granted that if you build digital archives then people will use them. • This is not necessarily the case, and the lessons from the software industry is that users need to be educated in how to use technology. • This is inevitably hard work in interface and API design, sample code, lectures and so forth.
  • 10. Web Archives • But there is a lot of potential in new web archives, particularly if they have the commitment to open access and open data and can open up historical “closed” materials. • Especially if they can be built around a community of use (scholarly or otherwise), which develops a user base and expertise for others to draw from.