Potd13 Fauves

Painting of the Day #13 ,[object Object]

Fauvism- Influences ,[object Object],Paul Gauguin Nave, Nave Moe 1894 Oil on Canvas Hermitage Museum, St. Petersburg George Seurat Evening, Honfleur, 1886 Museum of Modern Art, NYC Oil on canvas 30.75x37”

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Maurice de Vlaminck ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Andre Derain ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Henri Matisse- aka: The King of the Fauves ,[object Object],[object Object],[object Object],[object Object],[object Object]

Fauvism really only lasted from about 1905-1908. Afterwards, Matisse continued with his study of color and began to dick around with perspective and the flattening of space. In The Dessert: Harmony in Red you’ll notice a strong primary color palette. The Dance is more about joy and excitement. The figures in the background are even larger than the figures in the foreground, once again showing his push toward a skewed perspective. ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Here, the figure at the left moves purposefully; the strength of her body is emphasized by the sweeping unbroken contour from her rear foot up to her breast. The other dancers seem so light they nearly float. The woman at the far right is barely sketched in, her foot dissolving in runny paint as she reels backward. The arm of the dancer to her left literally stretches as it reaches toward the leader's hand, where momentum has broken the circle. The dancers' speed is barely contained by the edges of the canvas. -from MoMa.org

Cut Outs ,[object Object],[object Object],[object Object],[object Object]

Potd13 Fauves

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