Waardecreatie - Arjo Klamer | congres podiumkunsten 2012
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Andere tijden vragen om een andere aanpak. Hoe te realiseren wat voor mijn gezelschap of mijn theater van belang is, wanneer de overheid zich terug trekt? Wat te doen? Het cultureel economisch perspectief biedt andere inzichten alsook uitzichten op een betere manier om belangrijke waarden te realiseren. www.congrespodiumkunsten.nl
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Op het congres Cultuur in Beeld van 3 december jl. vertelde minister Jet Bussemaker graag de discussie met het veld aan te gaan over de maatschappelijke waarde van cultuur. Weet jouw organisatie precies welke waarde ze vertegenwoordigt en wie de belanghebbenden zijn?
Na een korte inleiding door Martine Fransman over maatschappelijke waarde in de culturele sector, gaat Mart Voorsluis in op een praktijkvoorbeeld: Hallo Muziek, voortgekomen uit Holland Symfonia . Hallo Muziek heeft tot doel muziekles terug te brengen in het curriculum van alle basisscholen op duurzame basis: van groep 1 t/m groep 8. Dit wordt bewerkstelligd met een professioneel leerplan dat is opgesteld volgens de laatste inzichten en met orkestmusici die als vakdocent lesgeven. Hallo Muziek is mogelijk voor iedere basisschool dankzij een innovatief businessmodel én commitment van vooral lokaal betrokken burgers. Voorsluis laat zien hoe dit project maatschappelijke waarde, waarde voor haar klanten en persoonlijke waarde concreet oplevert en dat deze kunnen worden ingezet om een inspirerende en vruchtbare samenwerking aan te gaan tussen bedrijfsleven, burgers en overheid. www.congrespodiumkunsten.nlcongres podiumkunsten 2013 | Maatschappelijke waarde van jouw organisatie | C...
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Studies on cultural and art participation often show a notable blind spot for non-attenders. In this presentation we provide insight in the non-audience. First, we sketch the lifestyle space in Flanders, revealing both the size as the specific characteristics of segments that are not intensely involved in attending cultural events. Second, we zoom in on the non-attenders and look at differences within this group, that too often is considered to be homogeneous. Subsequently, we examine what the most important barriers are that non-attenders indicate as reasons for their non-participation. Finally, we assess whether and to what extent attenders and non-attenders differ in their perceptions of cultural activities. The main focus of this presentation is then on identifying and characterising different segments of non-participants, each possibly requiring different strategies for cultural communication. The data that is used concern two large-scale representative surveys on (cultural) participation in Flanders (2003, 2009).
www.congrespodiumkunsten.nlThe non-attender: Who is (s)he ? And what is (s)he to you? - John Lievens | c...
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In 2007, EMC Culture Studies built - on behalf of Rotterdam Festivals - a segmentation model for cultural entertainment in Rotterdam. The findings of research into cultural data transaction among locals and transaction data of visitors from Rotterdam cultural institutions were interrelated, there were 8 groups found who were more or less interested in local art and culture. After almost 5 years, this model was due for revision. Based on an entirely new set of data, EMC Culture Studies once again mapped the Rotterdam market for cultural entertainment.
The application of this new segmentation model is key during this workshop. You are going to create a marketing plan based on profiles of more or less promising targetgroups. This gives you insight into the workings of the model and helps you to determine how far such an approach is applicable to your situation.
During the workshop Willem Wijgers introduced the new Rotterdam Target groups for arts and culture and you get the chance to move into the needs of various types of culture users. As director / chief marketing officer of a virtual Rotterdam institution you set up a campaign to attract new visitors, by making use of the information about their housing and living situation, their leisure and their use of media (online and offline), as from the description of the new target appears.
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In 2003 and 2009 a large-scale screening for the leisure participation of Fleming was conducted in Flanders. Further doctoral research on these datasets presented a number of lifestyle profiles of the Flemish participants. We at Flanders CultuurNet went to work with the findings from these studies in order to make them suitable in the practice of promoting participation. This resulted in a strategic toolkit ‘view on culture’ that allows the user of the toolkit to create an action plan to attract more potential participants in 5 steps *, taking into account their tastes, preferences and thresholds. The toolkit concludes with a series of references that will lead to the improvements needed which surfaced following the 5 steps (amongst others communications, supply, multiculturalism, accessibility, family friendliness etc. ...).
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www.congrespodiumkunsten.nlToolkit lifestyle profiles: view on culture - Davy de Laeter | congres podium...
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Consumers make decisions every day: we buy a cold cola to quench our thirst, a car seat for our children, a trip to the Chinese Wall. We make decisions whether to visit the cinema or to go the museum instead. What drives a consumer to make these decisions? Niels Vink talked about the drivers of consumer behaviour and how to take differences between consumers into account. He provided insights about how you can turn these differences between consumers into an advantage. He also shared some recent cases to illustrate how you can start increasing visitors to your event, museum or theatre tomorrow!
www.congrespodiumkunsten.nlHow your visitors behaviour is affected and how to use this to your advantage...
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This workshop involved looking at various methods of approaching segmentation of audiences and examine some of the existing models popular in the UK. It will provide participants with an opportunity to discuss current approaches used in their organisation and share ideas with a view to enhance their approach.
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Op het congres Cultuur in Beeld van 3 december jl. vertelde minister Jet Bussemaker graag de discussie met het veld aan te gaan over de maatschappelijke waarde van cultuur. Weet jouw organisatie precies welke waarde ze vertegenwoordigt en wie de belanghebbenden zijn?
Na een korte inleiding door Martine Fransman over maatschappelijke waarde in de culturele sector, gaat Mart Voorsluis in op een praktijkvoorbeeld: Hallo Muziek, voortgekomen uit Holland Symfonia . Hallo Muziek heeft tot doel muziekles terug te brengen in het curriculum van alle basisscholen op duurzame basis: van groep 1 t/m groep 8. Dit wordt bewerkstelligd met een professioneel leerplan dat is opgesteld volgens de laatste inzichten en met orkestmusici die als vakdocent lesgeven. Hallo Muziek is mogelijk voor iedere basisschool dankzij een innovatief businessmodel én commitment van vooral lokaal betrokken burgers. Voorsluis laat zien hoe dit project maatschappelijke waarde, waarde voor haar klanten en persoonlijke waarde concreet oplevert en dat deze kunnen worden ingezet om een inspirerende en vruchtbare samenwerking aan te gaan tussen bedrijfsleven, burgers en overheid. www.congrespodiumkunsten.nlcongres podiumkunsten 2013 | Maatschappelijke waarde van jouw organisatie | C...
congres podiumkunsten 2013 | Maatschappelijke waarde van jouw organisatie | C...Promotie Podiumkunsten
Studies on cultural and art participation often show a notable blind spot for non-attenders. In this presentation we provide insight in the non-audience. First, we sketch the lifestyle space in Flanders, revealing both the size as the specific characteristics of segments that are not intensely involved in attending cultural events. Second, we zoom in on the non-attenders and look at differences within this group, that too often is considered to be homogeneous. Subsequently, we examine what the most important barriers are that non-attenders indicate as reasons for their non-participation. Finally, we assess whether and to what extent attenders and non-attenders differ in their perceptions of cultural activities. The main focus of this presentation is then on identifying and characterising different segments of non-participants, each possibly requiring different strategies for cultural communication. The data that is used concern two large-scale representative surveys on (cultural) participation in Flanders (2003, 2009).
www.congrespodiumkunsten.nlThe non-attender: Who is (s)he ? And what is (s)he to you? - John Lievens | c...
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In 2007, EMC Culture Studies built - on behalf of Rotterdam Festivals - a segmentation model for cultural entertainment in Rotterdam. The findings of research into cultural data transaction among locals and transaction data of visitors from Rotterdam cultural institutions were interrelated, there were 8 groups found who were more or less interested in local art and culture. After almost 5 years, this model was due for revision. Based on an entirely new set of data, EMC Culture Studies once again mapped the Rotterdam market for cultural entertainment.
The application of this new segmentation model is key during this workshop. You are going to create a marketing plan based on profiles of more or less promising targetgroups. This gives you insight into the workings of the model and helps you to determine how far such an approach is applicable to your situation.
During the workshop Willem Wijgers introduced the new Rotterdam Target groups for arts and culture and you get the chance to move into the needs of various types of culture users. As director / chief marketing officer of a virtual Rotterdam institution you set up a campaign to attract new visitors, by making use of the information about their housing and living situation, their leisure and their use of media (online and offline), as from the description of the new target appears.
www.congrespodiumkunsten.nlSegmentation as the base for succesful public outreach: The new Rotterdam Tar...
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In 2003 and 2009 a large-scale screening for the leisure participation of Fleming was conducted in Flanders. Further doctoral research on these datasets presented a number of lifestyle profiles of the Flemish participants. We at Flanders CultuurNet went to work with the findings from these studies in order to make them suitable in the practice of promoting participation. This resulted in a strategic toolkit ‘view on culture’ that allows the user of the toolkit to create an action plan to attract more potential participants in 5 steps *, taking into account their tastes, preferences and thresholds. The toolkit concludes with a series of references that will lead to the improvements needed which surfaced following the 5 steps (amongst others communications, supply, multiculturalism, accessibility, family friendliness etc. ...).
This session introduces you to the five steps that the user of the toolkit follows and you'll get an interactive taste of some of the methodologies and models.
* (1) lifestyle profiles, (2) lifestyle profiles in your population /audience, (3) your growth groups, (4) the barriers and how to tackle them, (5) Action Plan.
www.congrespodiumkunsten.nlToolkit lifestyle profiles: view on culture - Davy de Laeter | congres podium...
Toolkit lifestyle profiles: view on culture - Davy de Laeter | congres podium...Promotie Podiumkunsten
Consumers make decisions every day: we buy a cold cola to quench our thirst, a car seat for our children, a trip to the Chinese Wall. We make decisions whether to visit the cinema or to go the museum instead. What drives a consumer to make these decisions? Niels Vink talked about the drivers of consumer behaviour and how to take differences between consumers into account. He provided insights about how you can turn these differences between consumers into an advantage. He also shared some recent cases to illustrate how you can start increasing visitors to your event, museum or theatre tomorrow!
www.congrespodiumkunsten.nlHow your visitors behaviour is affected and how to use this to your advantage...
How your visitors behaviour is affected and how to use this to your advantage...Promotie Podiumkunsten
This workshop involved looking at various methods of approaching segmentation of audiences and examine some of the existing models popular in the UK. It will provide participants with an opportunity to discuss current approaches used in their organisation and share ideas with a view to enhance their approach.
www.congrespodiumkunsten.nlSegmentation tools used in the UK - Vishalakshi Roy | congres podiumkunsten ...
Segmentation tools used in the UK - Vishalakshi Roy | congres podiumkunsten ...Promotie Podiumkunsten
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Waardecreatie - Arjo Klamer | congres podiumkunsten 2012
- 1. Waardecreatie Arjo Klamer, hoogleraar in de economie van kunst en cultuur Erasmus Universiteit Rotterdam Congres voor de Podiumkunsten
- 3. Het goede om na te streven Transcendentaal Maatschappelijk Persoonlijk Sociaal
- 4. Middelen
- 10. Je steeds weer afvragen: wat aan waardevols heb ik de ander te bieden?
- 12. Hoe zorg ik voor de gesprekken die er toe doen? Wat draag ik bij?