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1. Hamdan Bin Mohammed Award for Innovation in Project Management (2018)
Innovative PMO Manager Award
Superposition Wave Function
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Entrant details
Yes, I have downloaded theApplication Guide
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How did you hear about us?
Social Media Message (LinkedIn, Other).
Application country of Origin
France
Application details
1. Applications must be filled in English only.
2. All Applications should be submitted within the stated submissions period.
3. Incomplete applications will be subject to disqualification.
4. There are no application fees to apply for applying to any of the Award categories.
5. Each Award category has specific eligibility criteria.
6. Applications that do not comply with the general rules and conditions will be subject to disqualification.
7. Projects submitted in the application must be the product of the applicant’s work.
8. Applications based on submitted projects that are completed must not have a completion date longer than 48 months prior to the date of application submission, while Applications
based on submitted Programs and Portfolios that are still ongoing, must have produced sufficient results to demonstrate the impact of the used innovation.
9. The same innovation can be used to apply for multiple awards, given each application meet that specific award eligibility criteria.
10. All supporting materials and evidence must be submitted prior to the submission deadline and clearly referenced, Additional information may be requested in which case it has to
be provided within 5 working days from the request date.
11. For applicants for (Innovative Project Manager Award, ++), permission for the use of the Project information must be obtained from the project sponsor/owner.
12. The applicant will have the copyright for the submitted content. However, some of the information provided in the application form maybe used for promotional and marketing
purposes, including but not limited to videos and case studies.
13. The judging panel decisions are final and cannot be disputed by the applicant.
14. The allocation of the judging panel members for evaluation of each entry will ensure no conflict of interest.
15. Award might be divided between two or more applicants within the same Award category.
16. Award Board of Trustees has the right to withhold any Award in case none of the received applications meet the award standards.
I agree to the Rules and Conditions listed above
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Please note the Eligibility Criteria:
Submitted application must be:
1. Based on a completed or ongoing Program or Portfolio.
2. Submitted by an individual PMO Manager, who is the assigned PMO Manager by Program/Portfolio owner or sponsor.
Award Prize will be granted to applicant PMO Manager.
Nominee details
Full Name
Carlo M. Rosa
Designation
Carlo M. Rosa, the sole author of the project Superposition Wave Function
Professional Credentials
/PHD in B/W printing at New York University/assistant of Antonin Kratochvil from 2002 until 2005
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2. Phone number
+39035219207
Email
focalordemo696969@gmail.com
Project details
(Details of project the submitted application is based on)
Project Name
Superposition Wave Function
Project Location
Italy
Project Budget / value
50.000$
Project Start Date
2000
Project End Date
2009
Organization details
(Details of Organization that executed and the Project Manager belongs to)
Organization Name
Black Rose Agency
Location
Italy
Phone number
3391691147
Email
focalordemo696969@gmail.com
Project Sponsor/Client
(Details of project owner or sponsor who commissioned the project)
Name
Carlo M. Rosa
Location
Italy
Phone number
3391691147
Email
focalordemo696969@gmail.com
Screening questions
For completed Program or Portfolios, What is the actual total duration of the submitted Program or Portfolio?
9 years
What are the main results achieved of the completed phases of the submitted Program or Portfolio?
-"THE SAME VALUE AS GOLD"-
Based on the characteristics of the work, based on how the work was welcomed, above all, by the New York community:
Paraphrasing ***The New York Luminaries people’ words(above mentioned they wanted to help me) "...in essence, the NYC-Work -it has, due to its characteristics , the same value as
gold”.
^They explained me, through a precise reasoning , with a wise cognition and an unexceptionable analysis of the mechanisms of the Art Market,- moved by the competent lobby, so:
°The contemporary art history , from now to the future , because political social-economic cultural contributing factors and causes ,“will set out- the actual specific weight" of a work like
"My NYC Kabbalah Dance Quantum Project - Looking for my Teddy Bear” as "priceless".
§ I have also to share the work's images, which are for an acknowledgement and high-level public , also to better understand the existence of irrefutable certain "things" shown by the
pictures, that are not for everyone.
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3. So They Said.
https://www.linkedin.com/pulse/kabbalah-23-i-dont-give-fk-carlo-m-rosa-/?
lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_view_base_post_details%3B6D%2FC%2FWdxThiIgfYNo4FPZQ%3D%3D
The first chapter of the NYC-work, under the title of "VISIONS", was entirely produced and then shown by the “Flemish in
Antwerp” , they granted me “The entire Museum of the Flemish painters “of the city. The exhibition was "an event".
The mayor of the city of Antwerp personally thanked me, as the Director of the Flemish Museum, for "having enlightened
them".
The catalogue of that exhibition can be consulted at the library of "The Art Institute of Chicago".
(In the "painting-section" library).
They believe and affirm:
°It seems I have “ended the old semiotics level", to create-reach “a new visual -semiotics structure”,
conceiving , by using-shifting an innovative, method to “portrait” the Mankind’s things” .
The -Level- I have "shaped" and “moulded”, it is "designed” with an unique imagery, made of "a matter" that is aesthetic- conceptually-philosophically universal recognized as, in
retrospect, not existing yet: easily decipherable, when compared with “the current context” of our Historical-Time.
*They told me I have developed “the Seed” for a “ new visual full form to portray the reality ”and so I have, as a matter of the facts, created “a different art”:
A configuring turning point that "can be made" only by using photographic tools.
They also think that historically, the only, possible, conceivable kind of Contemporary Art(especially over the future shape),will
be the one “able” to portray with extreme precision and in an absolute realistic way our Time , our present and future history.
***§***
https://www.linkedin.com/pulse/aliens-diner-carlo-m-rosa-/
https://www.linkedin.com/pulse/looking-my-teddy-bear-from-today-is-sale-market-carlo-m-rosa-/?
lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_view_base_post_details%3Bv4T52i7oSF2g%2BP9TGO68zw%3D%3D&lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_view_base%3BXYAaVjH5SE%2Bh
feed
The rest of the contemporary art ,“made up” only with decorative purposes, designed to impress , shock or “transmit” only
aesthetic pleasure to the observer etc. etc. etc . ,“it will be totally forgotten and It will completely lose any economic and artistic
value” .
§Through a "new point of view “ , with an easily interpretable unique language, "THE-NYC-Work”, they “said” , transmits and shows, “like a
mirror”, representatives, fundamentals core, values and ancestral, universal meanings :
***Looking to the images of the work, the interlocutor, the observer is able to universally recognize and acknowledges “ his own reflection , his shape , his everyday life-time” .
What is the completion percentage (if applicable)?
the percentage of completion is 100%***NOW THE WORK IS COMPLETE AND FINISHED. >>>The final title is: -”LOOKING FOR MY TEDDY BEAR- N.Y.C.- KABBALAH DANCE QUANTUM
PROJECT”-(2000-2004) - >THE "BODY OF WORK" IT IS COMPOSED BY 111 IMAGES; 111 IN B/W (two in colour), printed by myself 30x40 /fibber base- selenium-prints/ ,then scanned at
high resolution and printed with a Lambda Printer to produce “the pieces of art in high digital resolution”. Some eminent people have said that the final result it is noticeable, almost
perfect and three-dimensional.
Introduction and Executive Summary
Give a brief description about the project/program/portfolio
-” THE SUPER POSITION -MOMENTUM- SPACE WAVEFUNCTION”-
in the art and photography “field” that, through an “unique and innovative use” of Photography
The Analog Photocamera as a“filter between me and the reality”, I managed to get
into the metaphysics.
***I was also told that not many people in the world are able to perform this exercise
§ In his manuscripts on painting, Leonardo wrote:
“The air is full of an infinite number of radiant pyramids caused by the objects
located in it. These pyramids intersect and interweave without interfering with each
other.…The semblance of a body is carried by them as a whole into all parts of the
air and each smallest part receives into itself the image that has been caused.”
-Nowadays, scientists and engineers prefer to think in terms of light rays rather than
Leonardo’s more poetic “radiant pyramids.” But light-field photography is based
precisely on his idea that the light arriving at any point—what he called the
“smallest part” of the air—carries all the information necessary to reproduce any
view that can be had from that position.
An ordinary digital camera do that?.
Not at all.
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4. -In a conventional digital camera, the light rays hitting each point on the image
sensor combine.
So the best like a typical analog camera can provide is the familiar two-dimensional
photograph, which has a fixed point of view and a focus determined entirely by how
the lens was set when the photo was snapped.
Light-field photography is far more ambitious.
***Instead of merely recording the sum of all the light rays falling on each
photosite, a light-field camera aims to measure the intensity and direction of every
incoming ray.
§With that information, you can generate not just one but every possible image of
whatever is within the camera’s field of view at that moment:
the subject’s face is in focus, leaving what’s behind purposefully blurry.
-Others might want to blur the face and make a tree in the background razor
sharp.With light-field photography, you can attain either effect from the very same
snapshot.
***The information a light-field camera records is, mathematically speaking, part of
something that optics specialists call the plenoptic function .
This function describes the totality of light rays filling a given region of space at
any one moment. It’s a function of five dimensions, because you need three
(x,y, andz) to specify the position of each vantage point, plus two more
(often denotedθand(φ) for the angle of every incoming ray.
-When measuring light in a region that’s free of any obstructions, you have to keep
track of only four dimensions rather than five.
Evaluation Criteria #1: Project Complexity
Question 1. Describe the Project complexity
GENERAL DESCRIPTION OF THE WORK<<<
*DURING THE THREE AND A HALF YEARS I have been working in New York(2000-2004), before,- during and after 9/11,a very special historical period , I "structured","created",
a"Concept- WORK" with the City as a scenario.
-In that "period" of time in the City “there was a very special energy”, I would write, using an euphemism"a very dark-powerful permanent tension on the island of Manhattan”.
§From 2000 to 2003- so I have been “shooting” almost everyday in Town -producing the material which later it would be structured the work.
The first chapter of the work, under the title of "VISIONS", was produced and shown by the Flemish in Antwerpen , they
granted me “The entire Museum of the Flemish painters”of the city.The catalog of that exhibition can be consulted at the
library of "The Art Institute of Chicago".(In the "painting-section" of the library).
NOW THE WORK IS COMPLETE AND FINISHED
The final title is:
-”LOOKING FOR MY TEDDY BEAR- N.Y.C.- KABBALAH DANCE QUANTUM PROJECT”-(2000-2003)-
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5. THE "BODY OF WORK" IT IS COMPOSED BY 111 IMAGES; 111 IN B/W (two in color), printed by myself 30x40 /fiber base-
selenium-prints/ , then scanned at high resolution and printed with Lamda Printer to produce “the pieces of art in digital”;-let
me admit that the final result it is noticeable almost three-dimensional.
-The 70 %percent of the work was photographed before September 11.
***§***
Area: Innovation management
Question 2. Describe the Nature of the innovation used in the Project?
Quantum physics is the physical theory that describes the behavior of matter, radiation and all their interactions views as both wave phenomena as either particle phenomena (wave-
particle duality), unlike the classical Newtonian physics based on Isaac Newton's theories or, which sees for example the light just like wave and the electron just as a particle.
***In May 1926, Schrödinger proved that Heisenberg's matrix mechanics and his own wave mechanics made the same predictions about the properties and behaviour of the electron;
mathematically, the two theories had an underlying common form. Yet the two men disagreed on the interpretation of their mutual theory. For instance, Heisenberg accepted the
theoretical prediction of jumps of electrons between orbitals in an atom, but Schrödinger hoped that a theory based on continuous wave-like properties could avoid what he called (as
paraphrased by Wilhelm Wien) "this nonsense about quantum jumps."
Question 2.1. Please specify the type of the innovation implemented in the project:
Methodology
Question 2.2. Please specify one or more of the Project Management aspect/s or competency/s that were impacted by the innovation implemented in the project:
Resource
Question 3. How Novel was the innovation implemented in the project?
Visualization
There are two ways to visualize the wave-particle behaviour: by the "standard model" and by the Broglie–Bohm model, where no duality is perceived.
The more localized the position-space wavefunction, the more likely the particle is to be found with the position coordinates in that region, and correspondingly the momentum-space
wavefunction is less localized so the possible momentum components the particle could have are more widespread.
Conversely the more localized the momentum-space wavefunction, the more likely the particle is to be found with those values of momentum components in that region, and
correspondingly the less localized the position-space wavefunction, so the position coordinates the particle could occupy are more widespread.
When we do ,we form a the "superposition" of the individual matter waves,these superpositions turn out to have a central role in the theory of matter waves and in quantum theory as
a whole.
Innovation Areas: impact on Project Management and Outcome
Question 4. Describe the actual impact resulting from implemented innovation on project during thelifecycle of the Project.
How is the subjective nature of phenomenal experience – our ‘inner life’ - to be explained in scientific terms? What consciousness actually is, and how it comes about remain unknown.
The general assumption in modern science and philosophy - the ‘standard model’ - is that consciousness emerges from complex computation among brain neurons, computation
whose currency is seen as neuronal firings (‘spikes’) and synaptic transmissions, equated with binary ‘bits’ in digital computing.
Consciousness is presumed to ‘emerge’ from complex neuronal computation, and to have arisen during biological evolution as an adaptation of living systems, extrinsic to the makeup
of the universe. On the other hand, spiritual and contemplative traditions, and some scientists and philosophers consider consciousness to be intrinsic, ‘woven into the fabric of the
universe’.
In these views, conscious precursors and Platonic forms preceded biology, existing all along in the fine scale structure of reality.
Innovation Areas: Transferability
Question.5 Demonstrate how to transfer and adopt the used innovation (Methodology, Process or Technique) to other Projects, Project Management Domain or other industries. (Please
support with practical examples)
-”A CONCISE EXPLANATION”-
°Obviously I am not a scientist but ( almost “personally”unexpected) I was told and explained by authoritative international characters, “Absolute Enlightenment” in the art and
photography “field” that, through an “unique and innovative use” of The Photography as a“filter between me and the reality”, I managed to get into the metaphysics.
***I was also told that not many people in the world are able to perform this exercise with noticeable and undeniable results .
§“Photo manent ,verba volant”.
Let me just say with great humility that the “feeling” (although at the time quite unconscious) boosting “my own climax TO FIND
THE SUPER POSITION -MOMENTUM- SPACE WAVE FUNCTION” ,It is a wonderful feeling ,both physically than mentally, also
having regard to the concrete results.
-“These are just words ... let the images communicate the concept”-.
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