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*Mozart K. 458, mvmt. 3 Adagio
1.
String Quartet No.
17 in Bb Major, K. 458 (“The Hunt”) Mvmt. 3 Mozart Form: Sonatina
2.
Piece starts out
in Eb Major, right into Theme 1
3.
All voices contribute
to melodic line but first violin is the leader.
4.
Everything very smooth
and melodic.
5.
A transition from
Theme 1 to Theme 2 begins, no set key, hints at C Minor, C Major, and Bb Major.
6.
First violin is
in control of the melody
7.
2nd violin and
viola in sixteenth notes making the transition even more rugged and desiring to be resolved or brought back to a strong key area.
8.
Cello and first
violin start trading off a melodic fragment.
9.
Theme 2 starts,
key Bb Major (dominant of Eb Major)
10.
1st Violin has
the melody
11.
Other three voices
are providing harmonic support and driving the piece forward with sixteenth notes, sounds aggitated.
12.
Cello takes melody
and repeats what violin stated (almost how they traded off during the transition but only once)
13.
Closing Theme starts,
still in Bb Major, first violin has melody
14.
2nd violin and
viola now playing 32nd notes that are bouncing between two tones in chords, cello in 16th notes; creates even more tension
15.
Finally! Return to
the comfort of slow, calm, melodic Theme 1 material (slightly altered). Recapitulation starts.
16.
Transitional material from
beginning of piece returns but in Eb Major (tonic key)
17.
Theme 2 comes
back in Eb Major.
18.
Closing Theme comes
back in Eb Major.
19.
Coda begins
20.
Borrows material from
the end of Theme 1, alters some of that material, and adds some new material.
21.
Returns to material
from beginning of Theme 1, sounds very pleasant and conclusive.
22.
Ends on a
PAC
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