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The Ballet Russes
Sergei Diaghilev- 1872 to 1928
Russian
In 1906 he took a Russian visual art exhibition to Paris
followed by a Russian Ballet and Opera
founded Ballet Russes 1909-1929
Company director (not dancer/choreo/composer)
Organizer of performances—story
Wanted to bring together all of the arts
Used popular dancers, composers, artists for the ballets
Igor Stravinsky
Composed many ballets for Ballet Russes
Became well known because of “The Firebird”
“Rite of Spring” and “Petrushka” are most well known ballets
Musical style for Ballet Russes- Harsh and dissonant. Odd tempos that
changed mid piece. Broken up into abrupt sections. Emphasized important
parts of the ballets with loud aggressive sounds.
Michael Fokine 1880-1942
1st Choreographer for Ballet Russes
Russian
Member of Maryinsky Ballet- excellent dancer and performer
Joined Ballet Russes as a choreographer
1909-1912 his Ballets dominated
“Les Sylphides” 1909
restaged- most commonly the one we see now
Michael Fokine (cont.)
“Firebird” 1910
Based on Russian fairytale
“Petrouchka” 1911
A very dark and odd story
Read the plot outlines provided in “assignments”
folder
Fokine’s Style- dance should be expressive
Brought back the male dancer as the
central figure
Transition between classical Petipa and
Modern Ballet
Condensed story line—1 act ballets
Left company in 1912
Moved to US in 1919 founded a ballet school and
continued to choreo.
Vaslav Nijinsky
1890-1950
Russian –trained in Russia
Joined Ballet Russes as a dancer in 1909
Wowed audiences with his airtime
Became 2nd choreo. in 1912- 1917
Vaslav Nijinsky
(cont.)
DANCES
“L’Apres-midi d’un faune”/”Afternoon of a Faun”
Music composed by Claude Debussy
Controversial Choreography
Rejected conventional/traditional ballet
technique
Flexed feet/Flat profile
movements
Unusual costumes
Sexual overtones
Music-flowing and lush/Choreo. angular, and
turned in
Le Sacre du Printemps (The Rite of Spring)
Music composed by Igor Stravinsky
About a prehistoric tribe and their rituals
Girl dances herself to death for the gods
Again, rejected conventional/traditional ballet technique
Unusual costumes
Leonide Massine 1896-1979
Russian- trained in Moscow
Joined Ballet Russes as a dancer in 1913
Choreographer from 1917-1921 (3rd choreographer in Ballet Russes)
Style- witty with quirky movements and gestures
“Parade” 1917
worked with Picasso on the set design
“La Boutique Fantasque” 1919
About dolls coming to life
Bronislava Nijinska 1891-1972
4th choreographer for Ballet Russes
Sister of Nijinsky
Studied Ballet in St. petersberg and joined Maryinsky Theater in 1908
Joined Ballet Russes as dancer in 1910
Became choreographer in 1923-1924
“ Les Noces” or “The Wedding
combines more traditional ballet elements AND her brother’s influence
about the restrictive nature of marriage for women at this time
End of Diaghilev’s Ballet Russes
George Balanchine is 5th (and final) choreographer for Ballet Russes
(we will discuss him later)
Ended in 1929 due to Diaghilev's death
too much debt for the company to continue without him
In 1931 Wassily de Basil (a Russian entrepreneur living in Paris) revived the company
Brought back Massine Balanchine, and Nijinska

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The Ballet Russes

  • 2. Sergei Diaghilev- 1872 to 1928 Russian In 1906 he took a Russian visual art exhibition to Paris followed by a Russian Ballet and Opera founded Ballet Russes 1909-1929 Company director (not dancer/choreo/composer) Organizer of performances—story Wanted to bring together all of the arts Used popular dancers, composers, artists for the ballets
  • 3. Igor Stravinsky Composed many ballets for Ballet Russes Became well known because of “The Firebird” “Rite of Spring” and “Petrushka” are most well known ballets Musical style for Ballet Russes- Harsh and dissonant. Odd tempos that changed mid piece. Broken up into abrupt sections. Emphasized important parts of the ballets with loud aggressive sounds.
  • 4. Michael Fokine 1880-1942 1st Choreographer for Ballet Russes Russian Member of Maryinsky Ballet- excellent dancer and performer Joined Ballet Russes as a choreographer 1909-1912 his Ballets dominated “Les Sylphides” 1909 restaged- most commonly the one we see now
  • 5. Michael Fokine (cont.) “Firebird” 1910 Based on Russian fairytale “Petrouchka” 1911 A very dark and odd story Read the plot outlines provided in “assignments” folder Fokine’s Style- dance should be expressive Brought back the male dancer as the central figure Transition between classical Petipa and Modern Ballet Condensed story line—1 act ballets Left company in 1912 Moved to US in 1919 founded a ballet school and continued to choreo.
  • 6. Vaslav Nijinsky 1890-1950 Russian –trained in Russia Joined Ballet Russes as a dancer in 1909 Wowed audiences with his airtime Became 2nd choreo. in 1912- 1917
  • 7. Vaslav Nijinsky (cont.) DANCES “L’Apres-midi d’un faune”/”Afternoon of a Faun” Music composed by Claude Debussy Controversial Choreography Rejected conventional/traditional ballet technique Flexed feet/Flat profile movements Unusual costumes Sexual overtones Music-flowing and lush/Choreo. angular, and turned in Le Sacre du Printemps (The Rite of Spring) Music composed by Igor Stravinsky About a prehistoric tribe and their rituals Girl dances herself to death for the gods Again, rejected conventional/traditional ballet technique Unusual costumes
  • 8. Leonide Massine 1896-1979 Russian- trained in Moscow Joined Ballet Russes as a dancer in 1913 Choreographer from 1917-1921 (3rd choreographer in Ballet Russes) Style- witty with quirky movements and gestures “Parade” 1917 worked with Picasso on the set design “La Boutique Fantasque” 1919 About dolls coming to life
  • 9. Bronislava Nijinska 1891-1972 4th choreographer for Ballet Russes Sister of Nijinsky Studied Ballet in St. petersberg and joined Maryinsky Theater in 1908 Joined Ballet Russes as dancer in 1910 Became choreographer in 1923-1924 “ Les Noces” or “The Wedding combines more traditional ballet elements AND her brother’s influence about the restrictive nature of marriage for women at this time
  • 10. End of Diaghilev’s Ballet Russes George Balanchine is 5th (and final) choreographer for Ballet Russes (we will discuss him later) Ended in 1929 due to Diaghilev's death too much debt for the company to continue without him In 1931 Wassily de Basil (a Russian entrepreneur living in Paris) revived the company Brought back Massine Balanchine, and Nijinska