Folio_2016_CNorbury

F O L I O
C H A R L E S N O R B U R Y

+61 410 739 395

chnor1@student.monash.edu
Work Experience
Architectural Skills
Awards
Education
Snap Printing, City
Summer Casual, 2011
Victorian Parliament, Intern
Office of David Southwick, Semester 2, 2012
Sand Bar, Middle Park
Summer Casual, 2012
Hockey coach
Assistant Coach 1st XI, 2012-13;
Head Coach 2015 - present
Cricket coach
Boroondara Cricket Club, 2010-2013
Sport manager
Monash University, 2011 - present
- Proficient in both 2D and 3D production
- Understand the importance of design development
- High levels of leadership
- Strong verbal communication skills
- Digital fabrication
- Model making
- Sketching
- Rendering
- Excellent writing skills
- Rhino
- Illustrator
- Photoshop
- Indesign
- Cinema 4D + Vray
- QGIS
- Finalist ARCH2.0 Students Week 2014 Tree Bridge
- Letter of Commendation Monash University 2015
Carey Grammar School
2004 - 2009
Prefect, House Captain, Captain of Hockey
Monash University
Bachelor of arts 2010-2012
Bachelor of architecture 2013-2015
Masters of architecture 2016-2017*
PWC student leadership program 2011-2015
I have a Bachelor degree in Arts with majors in history
and politics and am currently completing my fourth
year of Architecture at Monash University as a Masters
student.
My current employment history is predominantly based
on coaching sports teams in both hockey and cricket. I
have been sport manager for Monash University Varsity
Hockey team for four years where I regularly organise
trips for 40+ athletes to compete at the University
Games twice a year. My role includes booking flights
and accommodation, organising training and coaching
staff, doing paperwork for the team and dealing with
officials from Monash and other Universities.
As an arts student I developed an interest in politics,
particularly surrounding issues of urban planning and
population growth. In 2012 I wrote a report for the
Parliament of Victoria on issues associated with urban
planning and Victoria’s future. Later that year I ran
for local council in the ward of Cotham Boroondara
on issues associated with urban planning and use of
outdoor spaces.
Roles in sport and politics have allowed me to develop
many skills, including communication, leadership, time
management and collaboration within a team. I have
found that I am able to show initiative in challenging
situations, balance a large number of commitments, and
very much enjoy working with people.
C H A R L E S N O R B U R Y

ALYSIA BENNETT
ARC3002 | Semester 2, 2015
STEALTH DENSITY
GLENORCHY
Charles Norbury
T R E E B R I D G E
R E D E F I N I N G
O F F I C E F U R N I T U R E
K I N G L A K E C A B I N
D E R W E N T PA R K
B A R N C O N V E R S I O N
A N D O B S E R V AT I O N
T O W E R
B U I L D I N G H
M O D I F I C AT I O N S
M O D E L M A K I N G
3 d p r i n t i n g
O t h e r w o r k s
Cold Climate | Kinglake
Will Kendall | Charles Norbury | Claire Burtscher | 1
Kinglake | Cold Climate
1 | Will Kendall | Charles Norbury | Claire Burtscher
T R E E B R I D G E B U I L D I N G H
M O D I F I C AT I O N
R E D E F I N I N G
M O D E L M A K I N G -
3 D P R I N T I N G
K I N G L A K E C A B I N M O D E L M A K I N G -
O T H E R
D E R W E N T PA R K
B A R N C O N V E R S I O N
A N D O B S E R VAT I O N
T O W E R

SUPER TREES SINGAPORE
PRECEDENTS
THE DESIGN
THE TREE BRIDGE TAKES ITS INSPIRATION FROM NATURE AND THE CITY OF MELBOURNE. THE FORM OF THE BRIDGE IS DERIVED FROM THE METAPHORICAL
PLANTING OF TWO TREES WITHIN THE YARRA RIVER THAT ACT AS THE PRIMARY STRUCTURE FOR THE BRIDGE DECK. THE BRIDGE HAS MULTIPLE LEVELS INCLUDING
A RAISED GARDEN WALK ON THE FIRST FLOOR, A SKATEPARK ON THE SOUTH TREE AND AN OBSERVATION PLATFORM ON THE NORTH TREE. THE BRIDGE USES
SUSPENSION AS THE MAIN METHOD OF SUPPORT. THE BRIDGE DECK HAS BEEN DESIGNED AS THIN AS POSSIBLE UTILIZING A GRIDDED I-BEAM STRUCTURE
HIDDEN UNDER THE WINDSCREEN. THE CHOICE OF MATERIALS REFLECT A NATURAL EARTH FEEL THROUGH USE OF CORTEN STEEL, SPOTTED GUM TIMBER AND
PLYWOOD AS WELL AS PERFORATED STEEL MESH THAT ALLOWS IVY AND OTHER PLANT SPECIES TO GROW. WITH THE CHANGE OF SEASONS THE APPEARANCE AND
EXPERIENCE OF THE BRIDGE VARY DEPENDING ON THE TIME OF YEAR YOU CHOOSE TO EXPLORE.
GOTHIC ARCHITECTURE VAULTS SUSPENSION OAKLAND BAY BRIDGE TUBULAR STRUCTURE RING OF HARMONY
DESIGN PROCESS

SKATEPARK
10MM THICK PLYWOOD SHEETS +
(W) 40MM X (L) 2000MM STEEL RAILING
CORTEN STEEL SHEET WINDSCREEN
OBSERVATION DECK
SPOTTED GUM DECKING
(L)100MM X (W) 2000MM
CORTEN STEEL SHEET WINDSCREEN
TREE RINGS
3800MM STEEL BAND DIAMETER
100MM THICKNESS
STAIRCASE
ALUMINIUM STEPS + HANDRAIL
STEEL CORE 700MM DIAMETER
TREE MESH
PERFORATED GALVANISED STEEL
TREE STRUCTURE
WELDED TUBULAR STAINLESS STEEL
120MM DIAMETER
SUSPENSION CABLES
STEEL WIRE STRAND CABLES
30MM DIAMETER
SEATING + GARDEN BED
PLWOOD SHEET SEATING
NATIVE AUSTRALIAN GUM TREES
DRY SALTBUSH
TOP SOIL + SUBSOIL + ROCK
WINDSCREEN
CORTEN STEEL SHEETING
POLISHED STAINLESS
STEEL HANDRAIL
TIMBER DECK
SPOTTED GUM DECKING
(L) 100MM X (W) 2000MM
DECK STRUCTURE
STEEL I-BEAM
(W) 100MM X (H) 400MM
FOUNDATION
STEEL REINFORCED CONCRETE
(L)8000MM X (W) 8000MM X
(H)150000MM
SECTION CC
TREE STRUCTURE + RINGS + CABLES
2ND FLOOR PLAN

R E D E F I N I N G
Redefining office furniture sought to challenge ideas of
standardisation that typifies modernism and the workplace. The
project sought to design furniture that was designed purely for
the individual. How the individual interacted with each piece of
furniture was unique, with the design of the furniture influenced
by a persons interests, characteristics, habits and psyche.
The three examples prevelent here were designed for three
males of the same age and same background. The contrast in
each design reflected how furniture could appear if it were not
standardised. This project was the culmination of a body of work
that began with the analysis of a chapter entitled ‘the third wave’
by Alvin Toffler, a futurist who suggested the electronic cottage
(home office) would revolutionise the way people
interact and the environment where they work.
R E D E F I N I N G
Redefining office furniture sought to challenge ideas of standardisation
that typifies modernism and the workplace. The project sought to design
furniture that was designed purely for the individual. How the individual
interacted with each piece of furniture was unique with a persons interests,
characteristics, habits and psyche all influencing the design of the furniture.
The three examples prevelent here were designed for three males of the
same age and same background. The contrast in each design reflected
how furniture could appear if it were not standardised. This project was
the culmination of a body of work that began with the analysis of a chapter
entitled ‘the third wave’ by Alvin Toffler, a futurist who suggested the
electronic cottage (home office) would revolutionise the way people
interact and the environment where they work.

C N H O M E O F F I C E F U R N I -
T U R E
C H A R L E S N O B U R Y
T H E C O N T E M P O R A R Y H O M E O F F I C E
E N V I R O N M E N T I S S T A G N A N T W I T H M A S S -
P R O D U C T I O N , T H E U N I V E R S A L I S A T I O N O F
M O D E R N I S M A N D A L V I N T O F F L E R ’ S
S E C O N D W A V E . T H I S O U T C O M E
I N V E S T I G A T E S O F F I C E F U R N I T U R E A S
S O M E T H I N G B E Y O N D P R E V I O U S N O T I O N S
O F E F F I C I E N C Y A N D P R A G M A T I C S .
A R C 3 0 0 1
User: Charles
Occupation: Architecture student and Sportsman
Age: 23
Designed for use on a daily basis at home the CN furniture has a
number of key elements tailored to the specifics of the user. The
user is an architecture student and semi professional sports person
who grew up in the eastern suburbs and was educated at a private
school in this area.
The first element contained within the
chair is the anxiety between the study
of architecture and the study of law.
This tension is expressed by the split
between a standardised captain’s chair
on the left and the contoured chair
tailored to the user’s body on the
right. The user rejected the path that
had been mapped out from a young
age by his family to study law, a path
which his siblings and parents had
both taken.
The captain’s chair, standardised and
commonly found in a lawyer’s home
office represents the standardised
career rejected by the individual. The
contoured element of the chair to the
right suggests an alternate career
more relevant to the user’s interests.
The cricket bat exists as the back of the chair
as a constant reminder to the user as to the
negative elements of the game, back prob-
lems and consistent pain during the season.
In a similar manner, the arm rest hockey
stick, located on the right hand side of the
chair is again there as a reminder as to the
risks of hockey.The fear of the breaking the
right hand while playing would inhibit the
user’s ability to complete university work for
a prolonged period.
Chair tracks
The chair tracks allow side to side and back and forth move-
ment. This movement is symbolic of the movement enjoyed
by the user when playing sport. These movements are typical
of the user when batting in cricket and playing in the midfield
in hockey.
Water timer
The half hour water timer forces the
user to take a break and have a drink
on the half hour. The device, connected
to the mains and activated during
the hours the user occupies the desk,
gradually fills over a period of half an
hour, once filled the water overflows
into the vessel located below. In order
to prevent water from flowing onto
the table top the user is required to
release a valve at the bottom of the
water holder above and partially empty
it. This device simulates the traditions
of cricket, namely the half hour drinks
break. The traditions of cricket is a key
element enjoyed by CN.
Home office chair
Home office chair
Built out of oak, the three shelving units are a fragmented throughout the
home office furniture. The unit, taken from a typical partner’s desk, utilised
by lawyers represents the anxiety between studying law and architecture.
The unit is split across and below the bench top demonstrating how the
interests that led the user to initially study law have manifested themselves
in much of the design work undertaken while studying architecture. These
interests include history and politics.
Wheel and guillotine
The guillotine is there for pragmatic reasons to allow the user to cut the
paper for sketching and designing located on the axel of the large wheel.
The large wheel, that does not move is an element included to demonstrate
the user’s passion for transportation and industrial heritage.
C N H O M E O F F I C E F U R N I T U R E
CHARLES NORBURY
ARC 3001
22631763
Implement storage and clocks
The implement storage system contains
key elements used by the individual.
Each elements is located on the left
hand side of the system. To remove each
implement the user has to slide each
object from the left to the opening on
the right hand side of the system where
the opening is larger and the object
can be removed. This storage system is
indicative of that of a rail network goods
yard, the act of removing the implement
simulates shunting, a further interest of
the user. The two clocks, that only tell
the times 6.00 pm and 9.00 pm are the
times that hold the most attention of the
user; studio class.
CN HOME OFFICE
FURNITURE

The Kinglake Cabin is a weekender designed to respond to the environmental conditions.
These conditions are described below:
King Lake, located in North Eastern Victoria, 57 kilometres form Melbourne’s Central
Business District is situated within a valley containing multiple small towns.The valley itself
is surrounded by national and state parks which have lead to it being amongst the highest
rated bushfire prone areas in the state. Historical examples of bushfires within Kinglake
exist throughout Victoria’s history with the most famous being the 2009 Black Saturday
fires. As a result the cabin was designed to utilise ideas of aerodynamics to minimise the
risk of destruction by fired. The streamlined designed ensures the fire will blow over the
cabin with the threat of ember attacks minimised by a reduction the smooth, streamlined
walls and roof.
Furthermore, materiality is used to further diminish the chances of destruction by fire. The
structure itself is primarily concrete, with all windows and openings possessing the ability to
be sealed in the event of fire. The gutters too are concrete and can be flooded in the event
of fire. This acts as a further fire preventative measure.
In addition, King Lake also receives a high level of rain fall through out the year, with the
monthly average sitting between 80-110mm, however can spike to 150mm through the
winter months, primarily July and August. Due to this high amount of rainfall the design of
the cabin incorporates multiple water catchment and water drainage methods. With two
water tanks and large gutters which draw the water away from the building.The amount of
rainfall also puts into consideration the flood levels in the area, as the site is located close
to a main water body. With the calculations made the cabin was located far enough up the
slope to remove the danger of ever flooding. However due to the changes occurring in the
climate and seasons the wide gutters and raised slab also act as further barriers to flood in
case of any unprecedented weather conditions.
Kinglake’s climate is categorised as a Cold climate. Its altitude, coupled with its location
within central Victoria contribute to the low temperatures experienced throughout the year.
In winter, temperatures at night are often below zero, with maximums that fail to reach
double figures. Snowfall is uncommon, with rainfall in the winter months amongst the
highest annually across Victoria.
The climate is known for its extremes.Throughout summer temperatures hover in the high
teens to low twenties. However, in hot and dry summers, temperatures can exceed 40
degrees. Insulation, operable windows, the thermal properties of the building coupled
with the cross ventilation created by opening the skylights on the roof are designed to
mitigate these extremes in temperature.
bush fire threat
grass fire threat
cabin site
0m 210m
SUMMER VENTILATION WINTER VENTILATION FIRE PREVENTION WATER COLLECTIONTHERMAL ENVELOPE
insulated buffer space
uninsulated buffer space
insulated space
The Kinglake Cabin is a weekender designed to respond to the environmental conditions.
These conditions are described below:
King Lake, located in North Eastern Victoria, 57 kilometres form Melbourne’s Central
Business District is situated within a valley containing multiple small towns. The valley
itself is surrounded by national and state parks which have lead to it being amongst the
highest rated bushfire prone areas in the state. Historical examples of bushfires within
Kinglake exist throughout Victoria’s history with the most famous being the 2009 Black
Saturday fires. As a result the cabin was designed to utilise ideas of aerodynamics to
minimise the risk of destruction by fired. The streamlined designed ensures the fire
will blow over the cabin with the threat of ember attacks minimised by a reduction the
smooth, streamlined walls and roof.
Furthermore, materiality is used to further diminish the chances of destruction by fire.
The structure itself is primarily concrete, with all windows and openings possessing the
ability to be sealed in the event of fire. The gutters too are concrete and can be flooded
in the event of fire. This acts as a further fire preventative measure.
In addition, King Lake also receives a high level of rain fall through out the year, with the
monthly average sitting between 80-110mm, however can spike to 150mm through the
winter months, primarily July and August. Due to this high amount of rainfall the design of
the cabin incorporates multiple water catchment and water drainage methods. With two
water tanks and large gutters which draw the water away from the building. The amount
of rainfall also puts into consideration the flood levels in the area, as the site is located
close to a main water body. With the calculations made the cabin was located far enough
up the slope to remove the danger of ever flooding. However due to the changes
occurring in the climate and seasons the wide gutters and raised slab also act as further
barriers to flood in case of any unprecedented weather conditions.
Kinglake’s climate is categorised as a Cold climate. Its altitude, coupled with its location
within central Victoria contribute to the low temperatures experienced throughout the
year. In winter, temperatures at night are often below zero, with maximums that fail to
reach double figures. Snowfall is uncommon, with rainfall in the winter months amongst
the highest annually across Victoria.
The climate is known for its extremes. Throughout summer temperatures hover in the
high teens to low twenties. However, in hot and dry summers, temperatures can exceed
40 degrees. Insulation, operable windows, the thermal properties of the building
coupled with the cross ventilation created by opening the skylights on the roof are
designed to mitigate these extremes in temperature.

The highly polished concrete
floors throughout the cabin were
a key feature of the internal fit
out. It was in this floor finish that
the concrete materiality of the
building is celebrated.
In a similar manner to the
concrete slab floor, concrete
was used for the walls for its
thermal properties, to help
limit temperature fluctuations
that occur within the cabin.
Additionally, concrete was
utilised for the walls and roof
because of its fire preventative
manner. Unlike other materials,
tested throughout the semester,
such as steel and timber,
concrete is not flammable.
Throughout the design, ensuring
the cabin was safe during a fire
was a key design aim.
After a series of tests it was
deemed that concrete was
the most fireproof material that
could be used. Coupled with
the corten exterior and plywood
interior the concrete would
fireproof the cabin and the
feeling of a cabin in the forest
would not be lost. (The biggest
risk faced with using concrete
was to ensure it did not look like
a bunker).
Plywood was included in
the design as a reference to
the traditional idea of the log
cabin. Additionally the plywood
celebrates the timber industry
that was historically a key part
of life in North East Victoria. The
plywood provides a contrast to
the polished concrete flooring
found throughout the cabin.
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SSSS
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D2
D3
FOLDING MECHANICAL DOOR
GROUND LEVEL GUTTER
PERFORATED MESH COVER
MAIN WATER TANK
ACCESS LADDER BEYOND
CONCRETE BOX GUTTER
OVERFLOW WATER TANK
CONCRETE BOX GARDEN BED
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TO OPEN FOR AIR VENTILATION
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145
CO
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WATERPROOFING
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GUTTER EDGE ABOVE PORTAL
FOR WATER RUNOFF
CORTEN CLADDING EXTERIOR
ROCKWOOL INSULATION
SHEET METAL
ROOFING
PLYWOOD INTEROR
CLADDING
FALL TILES IN SHOWER
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FLOOR TILE
AS SPECIFIED
WP BARRIER
60
FLOOR WASTE
FLANGE
FOR SLAB PENETRATION SIZE,
REFER CONCRETE PROFILE
TI
13 MM WATERPROOF
PLASTERBOARD
WATER PROOF MEMBRANE
TO RUN UP ENTIRE
LENGTH OF WALL
PROVIDE GAP BETWEEN
FLOOR TILE AND WALL
LINING AS PER AUSTRALIAN
STANDARDS. PROVIDE
SILICONE AS REQUIRED.
TI
SCALE 1:50@A3
LONG SECTION
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AA
SCALE 1:10@A3
HINGE DOOR DETAIL
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D2 SCALE 1:5@A3
FLOOR DETAIL
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226 368
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FLASHING
SKYLIGHT AS
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ALYSIA BENNETT
ARC3002 | Semester 2, 2015
STEALTH DENSITY
GLENORCHY
Charles Norbury

ZINC LINK OBSERVATION
TOWER DErwent Park
The Zinc Link Tower is located in
Derwent Park on the grounds of the
Derwent Park homestead and barns.
The site is heritage listed and currently
underutilised. The aim of the tower is to
create a destination at the end of the
Zinc Link that would draw people along
the Link, across the Brooker Highway.
The development of the site sees
the land surrounding the homestead
and barns transformed into a series
of walkways and lookout points. The
walkways incorporate the sandstone
barns with elevated paths wrapping
around and through their structure.
The tower itself, located at the
highest accessible point on the site
provides sweeping views of the
Derwent River, Mount Wellington,
Zinc Works and across Glenorchy.
The external fabric of the tower is
inspired by the Zinc Works which
sees the tower blend seamlessly
into the landscape from the Derwent
River. Its curved form is inspired
by the chimney stacks of the Zink
Works, while its corten steel cladding
gives the tower the weathered
industrial look of the Zink Works.
The tower provides performance and
exhibition space for the triennial as well
as a structure that can be illuminated
and itself become an art piece.

WESTERN ELEVATION 1:200 SECTION AA 1:200
BARNS: PROJECTION SPACE TRIENNIALBARNS: EVERYDAY

Building H Project was the culmination of a semester’s worth of analysis on the problematic
Building H. After conducting a number of tests relating to lighting and thermal comfort the
studio was given the task of designing a system that would enhance the comfort levels of
the Building.
An operable facade was added to the Northern side of the building, that used heat from
the sun to warm water that would be circulated through the building to keep temperatures
constant. An internal courtyard was added in the centre of the building to increase the
levels of natural light, while a rooftop garden was included to increase the building’s
thermal properties.
B U I L D I N G H
studio was given the task of designing a system that would enhance the comfort levels of
the Building.
thermal properties.
B U I L D I N G H
studio was given the task of designing a system that would enhance the comfort levels of the
Building.
thermal properties.
B U I L D I N G H M O D I F I C AT I O N

ACTIVATED
ROOFTOP
SPACE
NATIVE GRASS
PLOT
WATER
CATCHMENT
FLOOR PLANS 1:200
GROUND
LEVEL 2
ROOF
SUMMER
WINTER
LOUVRES
OPEN
LOUVRES
OPEN
LOUVRES
CLOSED
LOUVRES
CLOSED
LOUVRES
OPEN
LOUVRES
CLOSED
BUFFER
BUFFER
SUN
SUMMER
SOLSTICE
SUN
WINTER
SOLSTICE
HEATING
SYSTEM
THROUGH
RADIATION &
CONVECTION
COOLING
VENTILATION
SYSTEM
NORTH ELEVATION 1:200
1:200
1:200
1:100
SEASONAL
SECTION
DIAGRAMS

The folliwng are photos of some of the 3D
printed items that were created and printed at
the request of others.
The two examples prevelent here are for a
model railway enthusiast who requested a
model of Bath Spa Station from the 1870’s
accompanied by a locomotive from the period
in O scale (1:43.5)
The components that make up the roof that
extended over the station platform were 3D
printed and are shown here. The overall roof
spans across four tracks.
The locomtive ‘North Star’ was printed using a
viriety of different plastic types.The under
carriage, boiler/smokebox are seperate
components printed out of the same plastic.
Likewise, the chimney, domes and whistles are
a variety of other plastics.
3 D P r i n t i n g
The folliwng are photos of some of the 3D
printed items that were created and printed
at the request of others.
The two examples prevelent here are for a
model railway enthusiast who requested a
model of Bath Spa Station from the 1870’s
accompanied by a locomotive from the
period in O scale (1:43.5)
The components that make up the roof that
extended over the station platform were
3D printed and are shown here. The overall
roof spans across four tracks.
The locomtive ‘North Star’ was printed using
a viriety of different plastic types. The under
carriage, boiler/smokebox are seperate
components printed out of the same plastic.
Likewise, the chimney, domes and whistles
are a variety of other plastics.
3 D P r i n t i n g

Additional models created for a num-
ber of studio projects.
Modelling techniques include:
- laser cutting
- metal work
- wood work
- creating forms using plaster/clay
C o n t i n u e dM O D E L M A K I N G
c o n t ’ d
Additional models created for a num-
ber of studio projects.
Modelling techniques include:
- laser cutting
- metal work
- wood work
- creating forms using plaster/clay

Folio_2016_CNorbury

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