SlideShare une entreprise Scribd logo
1  sur  14
Censorship
What is censorship?
• Examining media texts such as books, films
  and TV shows and suppressing or removing
  the unacceptable parts.
The history of censorship
• In 1909 ‘The New York Board of Motion
  Picture Censorship’ was made.
• This board quickly began to influence not only
  New York but other film productions world
  wide.
• Eventually, all major picture producers agreed
  to submit their films to the board and would
  not release a film unless it had been
  approved.
The history of censorship
• The board then created a ‘seal of approval’ which
  was the first formal attempt to stop illegal
  censorship through self regulation.
• In 1922, the major Hollywood studios and
  distributors formed a trade association called
  ‘The Motion Picture Producers and Distributors of
  America’ (MPPDA)
• In 1927 ‘The Studio Relations Committee’ (SRC),
  part of the MPPDA produced a list of ‘Dont’s and
  be carefuls’ to govern production.
The history of censorship
• On March 31 1930, a code called ‘The Motion
  Picture Production Code’ (The Hays Code) was
  published. This was a set of guidelines as to
  what was seen as appropriate for films,
  especially since ‘talking pictures’ had been
  introduced.
The history of censorship
• In June 1934 the SRC was renamed ‘The
  Production Code Administration’ (PCA).
• The members of the MPPDA agreed that each
  film passed by the OCA would recieve a
  certificate number. This number would have
  the MPPDA seal of approval.
• Even short films and cartoons had to be
  monitored
The history of censorship
The history of censorship – A story
•    In 1943, Howard Hughes produced his
     movie ‘The outlaw’ starring Jane
     Russell. Howard Hughes was
     instructed to reshoot or eliminate 37
     specific shots of Jane Russell as they
     were said to be too revealing of her
     breasts. Hughes refused to comply and
     appealed the OCA’s decision to the
     MPPDA’s board of directors. They then
     agreed to grant the seal if he made a
     few minor cuts. Hughes made the cuts
     but decided to cut the movie anyway.
•    However in 1946, Hughes decided to
     defy the PCA and other censorship
     boards by distributing the movie as it
     was originally filmed. The movie
     violated the PCA’s advertising code
     and the PCA revoked the movie’s seal
     of approval. Several theatres also
     refused to show the movie. Despite
     this, the movie was still a box office
     success wherever it was shown.
Who are the BBFC?
•   B – British
•   B – Board
•   Of
•   F – Film
•   C - Classification
The BBFC
• The BBFC, originally British Board of Film
  Censors, is a non-governmental organisation,
  funded by the film industry and responsible
  for the national classification and censorship
  of films within the United Kingdom. It
  classifies videos, DVDs and some video games
  under the Video Recordings Act 2010.
The BBFC
• The BBFC was established in 1912 and is the
  British version of the MPPDA.
• It creates the ratings on all films, games and
  TV shows.
• The ratings are put in place to protect people
  and children from seeing content
  that is not appropriate for their age.
The BBFC - Ratings
My Film
• I think that my film would be a certificate 15. The content of my film
  includes violence and threat which would not be appropriate for
  younger audiences. My film also has reference to gang/thug culture
  which is not a theme that children should be witnessing as it
  encourages violence and gangs.
• The certificate is important to the success of my film because it will
  appeal to the right people and they can appreciate and enjoy the
  film. It is important that no one under the age of the certificate
  sees the film as it could disturb them and then therefore make the
  film unpopular and therefore unsuccessful. It is important for the
  right audience to see the film so that they can evaluate and then
  tell others their opinion on the film and them hopefully recommend
  it too.

Contenu connexe

Tendances

What makes a film british
What makes a film britishWhat makes a film british
What makes a film britishmopish
 
The British Film Industry
The British Film IndustryThe British Film Industry
The British Film IndustryNeill Ford
 
What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?Eleanor_Flower
 
Secondary audience research
Secondary audience researchSecondary audience research
Secondary audience researchabbsmurray
 
British cinema since 1990 (2)
British cinema since 1990 (2)British cinema since 1990 (2)
British cinema since 1990 (2)Armthorpe Media
 
Fish tank (2009) Case Study
Fish tank (2009) Case StudyFish tank (2009) Case Study
Fish tank (2009) Case Studystarsmileygirl34
 
Target audience research - cinema audiences
Target audience research - cinema audiencesTarget audience research - cinema audiences
Target audience research - cinema audiencesabbsmurray
 
Target audience research
Target audience researchTarget audience research
Target audience researchabbsmurray
 
Revision uk film and the hollywood context
Revision   uk film and the hollywood contextRevision   uk film and the hollywood context
Revision uk film and the hollywood contextlatymermedia
 
Introduction to unit 40 a01 - uk film
Introduction to unit 40 a01 - uk filmIntroduction to unit 40 a01 - uk film
Introduction to unit 40 a01 - uk filmhollywoodheathpark
 
British film industry
British film industryBritish film industry
British film industryJayFranks
 
How is the Movie Industry Regulated
How is the Movie Industry RegulatedHow is the Movie Industry Regulated
How is the Movie Industry RegulatedLizzie Stafford
 
Production film companies
Production film companiesProduction film companies
Production film companiesMissConnell
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3Tom Anderson
 
Film distribution assosiation
Film distribution assosiationFilm distribution assosiation
Film distribution assosiationRumaana264
 
Censorship media research
Censorship media researchCensorship media research
Censorship media researchlisadors
 

Tendances (20)

What makes a film british
What makes a film britishWhat makes a film british
What makes a film british
 
The British Film Industry
The British Film IndustryThe British Film Industry
The British Film Industry
 
What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?
 
Secondary audience research
Secondary audience researchSecondary audience research
Secondary audience research
 
British cinema since 1990 (2)
British cinema since 1990 (2)British cinema since 1990 (2)
British cinema since 1990 (2)
 
Fish tank (2009) Case Study
Fish tank (2009) Case StudyFish tank (2009) Case Study
Fish tank (2009) Case Study
 
Bbfc1
Bbfc1Bbfc1
Bbfc1
 
Target audience research - cinema audiences
Target audience research - cinema audiencesTarget audience research - cinema audiences
Target audience research - cinema audiences
 
Target audience research
Target audience researchTarget audience research
Target audience research
 
Revision uk film and the hollywood context
Revision   uk film and the hollywood contextRevision   uk film and the hollywood context
Revision uk film and the hollywood context
 
British Film Distribution
British Film DistributionBritish Film Distribution
British Film Distribution
 
Introduction to unit 40 a01 - uk film
Introduction to unit 40 a01 - uk filmIntroduction to unit 40 a01 - uk film
Introduction to unit 40 a01 - uk film
 
A01 - unit 40 uk film
A01 - unit 40 uk filmA01 - unit 40 uk film
A01 - unit 40 uk film
 
British film industry
British film industryBritish film industry
British film industry
 
How is the Movie Industry Regulated
How is the Movie Industry RegulatedHow is the Movie Industry Regulated
How is the Movie Industry Regulated
 
Production film companies
Production film companiesProduction film companies
Production film companies
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
Film
Film Film
Film
 
Film distribution assosiation
Film distribution assosiationFilm distribution assosiation
Film distribution assosiation
 
Censorship media research
Censorship media researchCensorship media research
Censorship media research
 

En vedette

2008 Sept Censorship An Unsettling History Powerpoint
2008 Sept Censorship An Unsettling History Powerpoint2008 Sept Censorship An Unsettling History Powerpoint
2008 Sept Censorship An Unsettling History PowerpointSusan McCaffrey
 
Unit 25 assignment 1
Unit 25 assignment 1Unit 25 assignment 1
Unit 25 assignment 1Vianello1
 
Unit 25 assignment 2 PUBLIC SERVICE BROADCAST
Unit 25 assignment 2 PUBLIC SERVICE BROADCASTUnit 25 assignment 2 PUBLIC SERVICE BROADCAST
Unit 25 assignment 2 PUBLIC SERVICE BROADCASTVianello1
 
Timeline of Technology Development
Timeline of Technology DevelopmentTimeline of Technology Development
Timeline of Technology DevelopmentVianello1
 
Public Service Broadcasting
Public Service BroadcastingPublic Service Broadcasting
Public Service BroadcastingVianello1
 
Is censorship a good or bad idea
Is censorship a good or bad ideaIs censorship a good or bad idea
Is censorship a good or bad ideaPJG123
 
Censorship in Media by Terence J. Grant
Censorship in Media by Terence J. GrantCensorship in Media by Terence J. Grant
Censorship in Media by Terence J. GrantTerence J. Grant
 
Audience: The Effects Debate
Audience: The Effects DebateAudience: The Effects Debate
Audience: The Effects DebateBelinda Raji
 
Censorship Powerpoint
Censorship PowerpointCensorship Powerpoint
Censorship Powerpointmmentis117
 
Unit 25 Assignment 2 Passive vs Active Audiences
Unit 25 Assignment 2 Passive vs Active AudiencesUnit 25 Assignment 2 Passive vs Active Audiences
Unit 25 Assignment 2 Passive vs Active AudiencesVianello1
 

En vedette (14)

2008 Sept Censorship An Unsettling History Powerpoint
2008 Sept Censorship An Unsettling History Powerpoint2008 Sept Censorship An Unsettling History Powerpoint
2008 Sept Censorship An Unsettling History Powerpoint
 
Media debates
Media debatesMedia debates
Media debates
 
Unit 25 assignment 1
Unit 25 assignment 1Unit 25 assignment 1
Unit 25 assignment 1
 
Unit 25 assignment 2 PUBLIC SERVICE BROADCAST
Unit 25 assignment 2 PUBLIC SERVICE BROADCASTUnit 25 assignment 2 PUBLIC SERVICE BROADCAST
Unit 25 assignment 2 PUBLIC SERVICE BROADCAST
 
Timeline of Technology Development
Timeline of Technology DevelopmentTimeline of Technology Development
Timeline of Technology Development
 
Censorship in Media
Censorship in MediaCensorship in Media
Censorship in Media
 
Public Service Broadcasting
Public Service BroadcastingPublic Service Broadcasting
Public Service Broadcasting
 
Is censorship a good or bad idea
Is censorship a good or bad ideaIs censorship a good or bad idea
Is censorship a good or bad idea
 
Shot sizes(1)
Shot sizes(1)Shot sizes(1)
Shot sizes(1)
 
Censorship in Media by Terence J. Grant
Censorship in Media by Terence J. GrantCensorship in Media by Terence J. Grant
Censorship in Media by Terence J. Grant
 
Audience: The Effects Debate
Audience: The Effects DebateAudience: The Effects Debate
Audience: The Effects Debate
 
Media ‘Effects’ Debates
Media ‘Effects’ DebatesMedia ‘Effects’ Debates
Media ‘Effects’ Debates
 
Censorship Powerpoint
Censorship PowerpointCensorship Powerpoint
Censorship Powerpoint
 
Unit 25 Assignment 2 Passive vs Active Audiences
Unit 25 Assignment 2 Passive vs Active AudiencesUnit 25 Assignment 2 Passive vs Active Audiences
Unit 25 Assignment 2 Passive vs Active Audiences
 

Similaire à Censorship

Bbfc history
Bbfc history Bbfc history
Bbfc history keelsmvo
 
Film classification
Film classificationFilm classification
Film classificationJoe Hayes
 
Films 1930s (TV Y1)
Films 1930s (TV Y1)Films 1930s (TV Y1)
Films 1930s (TV Y1)Simon Wright
 
The Regulators
The RegulatorsThe Regulators
The RegulatorsTom Dix
 
Production, distribution, exhibition
Production, distribution, exhibitionProduction, distribution, exhibition
Production, distribution, exhibitionarnellgrace
 
Institutional research
Institutional researchInstitutional research
Institutional researchsaskiaella17
 
Institutional research
Institutional researchInstitutional research
Institutional researchsaskiaella17
 
Institutional research
Institutional researchInstitutional research
Institutional researchsaskiaella17
 
Institutional research
Institutional researchInstitutional research
Institutional researchsaskiaella17
 
Media organisations and regulations
Media organisations and regulationsMedia organisations and regulations
Media organisations and regulationsKushalShingadia
 
A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'
A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'
A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'satpal123456
 

Similaire à Censorship (20)

BBFC
BBFCBBFC
BBFC
 
Bbfc
BbfcBbfc
Bbfc
 
Bbfc history
Bbfc history Bbfc history
Bbfc history
 
Task 3 regulatory bodies
Task 3 regulatory bodiesTask 3 regulatory bodies
Task 3 regulatory bodies
 
Film classification
Film classificationFilm classification
Film classification
 
Films 1930s (TV Y1)
Films 1930s (TV Y1)Films 1930s (TV Y1)
Films 1930s (TV Y1)
 
The Regulators
The RegulatorsThe Regulators
The Regulators
 
Production, distribution, exhibition
Production, distribution, exhibitionProduction, distribution, exhibition
Production, distribution, exhibition
 
Wild Bill - revision
Wild Bill - revisionWild Bill - revision
Wild Bill - revision
 
LO3 Workbook
LO3 WorkbookLO3 Workbook
LO3 Workbook
 
Main task
Main taskMain task
Main task
 
The hobbit presentation
The hobbit presentationThe hobbit presentation
The hobbit presentation
 
Institutional research
Institutional researchInstitutional research
Institutional research
 
Institutional research
Institutional researchInstitutional research
Institutional research
 
Institutional research
Institutional researchInstitutional research
Institutional research
 
Institutional research
Institutional researchInstitutional research
Institutional research
 
Media organisations and regulations
Media organisations and regulationsMedia organisations and regulations
Media organisations and regulations
 
Bbfc
BbfcBbfc
Bbfc
 
A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'
A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'
A01 ADVERTISING TECHNIQUES FOR 'THE RAID 2'
 
10 frozen and regulation
10 frozen and regulation10 frozen and regulation
10 frozen and regulation
 

Plus de Chloe1312

Deconstruction
DeconstructionDeconstruction
DeconstructionChloe1312
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1Chloe1312
 
Andrew goodwin’s theory applied to music videos
Andrew goodwin’s theory applied to music videosAndrew goodwin’s theory applied to music videos
Andrew goodwin’s theory applied to music videosChloe1312
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1Chloe1312
 
Title sequence work sheet
Title sequence work sheetTitle sequence work sheet
Title sequence work sheetChloe1312
 
Target audience notes
Target audience notesTarget audience notes
Target audience notesChloe1312
 
Target audience notes
Target audience notesTarget audience notes
Target audience notesChloe1312
 
Target audience notes
Target audience notesTarget audience notes
Target audience notesChloe1312
 

Plus de Chloe1312 (8)

Deconstruction
DeconstructionDeconstruction
Deconstruction
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
 
Andrew goodwin’s theory applied to music videos
Andrew goodwin’s theory applied to music videosAndrew goodwin’s theory applied to music videos
Andrew goodwin’s theory applied to music videos
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
 
Title sequence work sheet
Title sequence work sheetTitle sequence work sheet
Title sequence work sheet
 
Target audience notes
Target audience notesTarget audience notes
Target audience notes
 
Target audience notes
Target audience notesTarget audience notes
Target audience notes
 
Target audience notes
Target audience notesTarget audience notes
Target audience notes
 

Censorship

  • 2. What is censorship? • Examining media texts such as books, films and TV shows and suppressing or removing the unacceptable parts.
  • 3. The history of censorship • In 1909 ‘The New York Board of Motion Picture Censorship’ was made. • This board quickly began to influence not only New York but other film productions world wide. • Eventually, all major picture producers agreed to submit their films to the board and would not release a film unless it had been approved.
  • 4. The history of censorship • The board then created a ‘seal of approval’ which was the first formal attempt to stop illegal censorship through self regulation. • In 1922, the major Hollywood studios and distributors formed a trade association called ‘The Motion Picture Producers and Distributors of America’ (MPPDA) • In 1927 ‘The Studio Relations Committee’ (SRC), part of the MPPDA produced a list of ‘Dont’s and be carefuls’ to govern production.
  • 5. The history of censorship • On March 31 1930, a code called ‘The Motion Picture Production Code’ (The Hays Code) was published. This was a set of guidelines as to what was seen as appropriate for films, especially since ‘talking pictures’ had been introduced.
  • 6. The history of censorship • In June 1934 the SRC was renamed ‘The Production Code Administration’ (PCA). • The members of the MPPDA agreed that each film passed by the OCA would recieve a certificate number. This number would have the MPPDA seal of approval. • Even short films and cartoons had to be monitored
  • 7. The history of censorship
  • 8. The history of censorship – A story • In 1943, Howard Hughes produced his movie ‘The outlaw’ starring Jane Russell. Howard Hughes was instructed to reshoot or eliminate 37 specific shots of Jane Russell as they were said to be too revealing of her breasts. Hughes refused to comply and appealed the OCA’s decision to the MPPDA’s board of directors. They then agreed to grant the seal if he made a few minor cuts. Hughes made the cuts but decided to cut the movie anyway. • However in 1946, Hughes decided to defy the PCA and other censorship boards by distributing the movie as it was originally filmed. The movie violated the PCA’s advertising code and the PCA revoked the movie’s seal of approval. Several theatres also refused to show the movie. Despite this, the movie was still a box office success wherever it was shown.
  • 9. Who are the BBFC? • B – British • B – Board • Of • F – Film • C - Classification
  • 10. The BBFC • The BBFC, originally British Board of Film Censors, is a non-governmental organisation, funded by the film industry and responsible for the national classification and censorship of films within the United Kingdom. It classifies videos, DVDs and some video games under the Video Recordings Act 2010.
  • 11. The BBFC • The BBFC was established in 1912 and is the British version of the MPPDA. • It creates the ratings on all films, games and TV shows. • The ratings are put in place to protect people and children from seeing content that is not appropriate for their age.
  • 12.
  • 13. The BBFC - Ratings
  • 14. My Film • I think that my film would be a certificate 15. The content of my film includes violence and threat which would not be appropriate for younger audiences. My film also has reference to gang/thug culture which is not a theme that children should be witnessing as it encourages violence and gangs. • The certificate is important to the success of my film because it will appeal to the right people and they can appreciate and enjoy the film. It is important that no one under the age of the certificate sees the film as it could disturb them and then therefore make the film unpopular and therefore unsuccessful. It is important for the right audience to see the film so that they can evaluate and then tell others their opinion on the film and them hopefully recommend it too.