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Ms. Susan M. Pojer
Horace Greeley HS Chappaqua,
              NY
“The Apostles of
    The Ugliness”
        New York Realists
“ The   •   Robert Henri
  8”:   • Arthur B. Davies
         • Maurice Prendergast
          a Ernest Lawson
          a William Glackens
          a Everett Shinn
          a John Sloan
          a George Luks
        + George
        Bellows
Conservative in
    style, they were
   revolutionary in
 Departure content.
            from the staid portraitures and
  genteel landscapes of the late 19c.

 The intent of the artists was not social
  commentary.
Characteristics
 of the Ashcan
         School
 1. Gritty, urban scenes:
     - find beauty in the drab
       and ugly aspects of life.
“Eviction” - Everett Shinn,
           1904
“Cross Streets of New
        York”
 Everett Shinn, 1899
“Cliff Dwellers” – George Bellows,
               1908
“A Woman’s Work” – John
     Sloan, 1912
“Night Windows” – John Sloan,
           1910
Characteristics
 of the Ashcan
     School
 2. Portrayal of urban
    vitality.
“Madison Square”
Maurice Prendergast,
        1901
“The Mall in Central
       Park”
Maurice Prendergast,
        1901
“Hammerstein’s Roof
       Garden”
William Glackens, 1901
“Recruiting in Union
      Square”
  John Sloan, 1909
“Tugboat and Lighter”
William Glackens, 1904
Characteristics
 of the Ashcan
     School
3. Captured the spontaneous
   moments in everyday life.
“Skating in New York”
William Glackens, 1910
“Descending from the Bus
    William Glackens
“Sunday—Women Drying Their
           Hair”
      John Sloan, 1910
“Family Group” – William
    Glackens, 1910
“The Shoppers” – William
     Glackens,

         1907
“Winter, Washington
        Square”
William Glackens, 1907?
“6 th Avenue Elevated at 3 rd
           Street”
      John Sloan, 1928
Characteristics
 of the Ashcan
     School
 4. Illustrated the process
    of Americanization.
“Paddy Flannigan”
George Bellows, 1908
“Dutch Joe”
Robert Henri, 1910
“Allen Street” - George Luks,
            1905
“McSorley’s Bar” – John Sloan,
            1912
“A Stag at Sharkey’s
       Place”
George Bellows, 1917
“Parade, Washington Square”,
            1912
Characteristics
 of the Ashcan
       School
 5. These artists rebelled
    against the sentimental
    landscapes of 19c
    storybook illustrations.
“Fire on 24 th Street”
Everett Shinn, 1907
“Morning Snow on the
       Hudson”
 George Bellows, 1910
“Washington Square”
 Everett Shinn, 1910
“Washington Square”
William Glackens, 1910
“March Day, Washington
        Square”
 William Glackens, 1912
“Snow in New York” – Robert
          Henri,

           1901

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Ashcan school