Presentation at the Digital Museum Expo "Beyond 3D Digitisation: Applications of 3D Technology in Cultural Heritage" on 12-13 March 2015 in the Royal Museum of Art and History in Brussels, Belgium
1. The use of
virtual reconstruction
in Ename
Daniel Pletinckx
Visual Dimension bvba
Belgium
V-MUST is funded by the European Commission under the Community's Seventh
Framework Programme, contract no. GA 270404.
3. A village as museum
• Monument: Saint-Laurentius church (995 AD)
• Archaeological site (1942)
– 25 years of excavation
– Extensive research (history, botany, geophysics, …)
– Archaeological park
– TimeFrame (1st onsite AR system in the world)
• Museum (1998)
• Heritage Centre (2010)
17. 3D Virtual museums
• What does 3D offers to virtual museums
– Digitise existing buildings and objects
– Recreate and visualise the past
– Digitally restore museum objects and buildings
– Explore virtual spaces
– See evolution in time until today
25. Sustainable historical reconstruction
• Reconstruction of
• Buildings and man-made structures (immovable)
• Objects (movable)
• Behaviour (immaterial)
• Landscape (nature, altered by man)
• Sustainable
• Virtual reconstruction is a never ending story
• Concatenation of different high-end software packages => flexible
• Use of standards (.obj, Collada)
• High-level documentation of process and data
• Transmedia approach
69. Conclusions
• 3D = Visual interpretation = intellectual access
• Recontextualisation = the story behind the object
and archaeological remains
• 3D gives visual reference to historical period
• Virtual environments “unpeel” the multiple layers of
history of a site
• Digital libraries such as Europeana give
unprecedented access to cultural heritage
= democratisation of cultural heritage