2. INTRODUCTION

3. BIOGRAPHY

4. BAUHAUS

5. WORK AT BAUHAUS

6. SILVER TEA-INFUSER
1924

7. ASHTRAY
1926

8. AFTER BAUHAUS

9. PHOTOMONTAGES

10. INTERNATIONAL MARIANNE BRANDT CONTEST
Mono Exzentrik, Set of 2 Pepper/Salt Mills (Source:Ambiente Direct, n.d.)

11. INFLUENCE

12. CONCLUSION

13. REFERENCES
British Museum. (n.d.). Marianne Brandt, a silver tea-infuser. Retrieved from
http://www.britishmuseum.org/explore/highlights/highlight_objects/pe_mla/m/marianne_brandt,_a_silv
er_tea-.aspx
Baxter, C. (). “Rhyme without Reason” Vs. “Form and Function”. Retrieved from
http://www.newmedia.artdesignhull.ac.uk/cbaxter/docs/rhymereason.pdf
Rawsthorn, A. (2007). The tale of a teapot and its creator. Retrieved from
http://www.nytimes.com/2007/12/16/style/16iht-design17.1.8763227.html?_r=0
Mono Exzentrik, Set of 2 Pepper/Salt Mills .(n.d.). Mono Exzentrik. Retrieved from
http://www.ambientedirect.com/en/mono/mono-exzentrik-set-of-2-pepper-salt-
mills_pid_2222_33479.html
Bauhaus Archiv., & Droste , M. (2006). Bauhaus 1919-1933. Taschen, Germany.
Bergdoll, B., Dickerman, L., Buchloh, B., & Doherty, B. (2009). Bauhaus 1919-1933. The Mueseum of
Modern Art, NY.
Davis, B. (2006, July 19). DOWN TEMPO. Retrieved 2013, April 08, from
http://www.artnet.com/magazineus/reviews/davis/davis8-3-06.asp
Müller, U. (2009). Marianne Brandt. Bauhaus-Frauen (pp. 118). United Kingdom: Thames & Hudson.
(Original work published 2009).

14. WORK DISTRIBUTION
SETH CORKER
Introduction, Conclusion, Marianne Brandt Contest, Analysis
DYALLA SWAIN
Biography, Bauhaus, Work at Bauahaus, Influence
SAM SARCICH
Biograpghy, Bauhaus, After Bauhaus, Influence
SAM PAPPAFLORATOS
Photomontage, Preliminary Research
Presentation and overall editing completed as a group.