Art 245 photo montage
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Montage slide show for Art 245 Digital Media I, Professor Joseph DeLappe, University of Nevada, Reno
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Art 245 photo montage
- 1. Montage-from the French for “putting together”-most often refers to collage including photomontage and sound collage-montage is also a technique in film editing that can refer to:-a filmmaking technique which uses rapid editing, special effects and music to present compressed narrative information
- 2. Oscar RejlanderThe Two Ways of Life, 1857
- 3. Henry Peach RobinsonFading Away, 1858
- 4. 19th Century “spirit” photography
- 5. 19th Century “spirit” photography
- 6. 19th Century “spirit” photography
- 7. John HeartfieldAdolf the SupermangA Berlin Saying i
- 8. John HeartfieldBlood and Iron gDon’t Worry – He is Vegetariani
- 9. John HeartfieldConquest of Machines gArena i
- 10. John HeartfieldGerman Sports gForced to Deliver Human Material i
- 11. John HeartfieldHurrah the Butter is Gone!gHeilHitler!i
- 12. John HeartfieldThe Cross Wasn’t Heavy Enough gReservations i
- 13. John HeartfieldThe Seeds of Death gWonderful i
- 16. RaoulHausmannThe Art Critic gTatlin at Home i
- 17. Hannah HochCut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany gDa Dandy i
- 18. Hannah Hochd-dada panoramagDa Dandy i
- 19. Hannah HochGirl gSans Titrei
- 20. Eduardo PaolozziMeet the People, 1948 gfrom Ten Collages from Bunki
- 21. Eduardo PaolozziMeet the People, 1948 gfrom Ten Collages from Bunki
- 22. Richard HamiltonJust what is it that makes today’s homes so different, so appealing?, 1956
- 23. Richard HamiltonFashion Plate 1969
- 24. Richard Hamilton
- 25. Richard Hamilton
- 26. Richard Hamilton
- 27. Sex PistolsGod Save the Queen, 1977
- 28. Sex Pistols
- 29. Winston SmithHow about a little bang? gIdol: In God We Trust Incorporated i
- 30. Winston SmithThe People Must Believe… gHow About a Little Safe Sex? i
- 31. Winston SmithThe Money Tree gDinner is Servedi
- 32. Winston SmithLife as we know it (demolition derby)
- 34. Barbara Krueger
Notes de l'éditeur
- REJLANDER, OSCAR GUSTAVEb. 1817; d. 1875 Rejlander was a Swede who studied painting in Italy. He settled in England in the 1840s, and inspired by one of Fox Talbot's assistants he turned his energies to photography, round about 1855, living first in Wolverhampton, later in London.His most famous photograph is allegorical; called "The two ways of life", it depicts a sage guiding two young men towards manhood. One looks with some eagerness towards gambling, wine, prostitution and idling, whilst the other looks (with somewhat less enthusiasm!) towards figures representing religion, industry, families and good works. In the centre appears the veiled, partly clothed figure symbolising repentance and turning towards the good.
- Perhaps the most famous of his pictures is Fading Away (1858), a composition of five negatives, in which he depicts a girl dying of consumption (which we know as tuberculosis), and the despair of the other members of the family. This was a controversial photograph, and some felt that the subject was not suitable for photography.
- Perhaps the most famous of his pictures is Fading Away (1858), a composition of five negatives, in which he depicts a girl dying of consumption (which we know as tuberculosis), and the despair of the other members of the family. This was a controversial photograph, and some felt that the subject was not suitable for photography.
- Perhaps the most famous of his pictures is Fading Away (1858), a composition of five negatives, in which he depicts a girl dying of consumption (which we know as tuberculosis), and the despair of the other members of the family. This was a controversial photograph, and some felt that the subject was not suitable for photography.
- Perhaps the most famous of his pictures is Fading Away (1858), a composition of five negatives, in which he depicts a girl dying of consumption (which we know as tuberculosis), and the despair of the other members of the family. This was a controversial photograph, and some felt that the subject was not suitable for photography.
- John Heartfield (19 June 1891, Berlin – 26 April 1968, East Berlin) is the anglicized name of the German photomontage artist Helmut Herzfeld. He chose to call himself Heartfield in 1916, to criticize the rabid nationalism and anti-British sentiment prevalent in Germany during World War I.With George Grosz, he founded Die Pleite, a satirical magazine.
- Below, the title is written in large letters, in addition to a quote by Hermann Göring during food shortage. Translated, the quote reads: "Iron has always made a nation strong, butter and lard have only made the people fat".
- RaoulHausmannWien 1886 -Limoges 1971 Born in Vienna, RaoulHausmann moved to Berlin with his parents at the age of fourteen. He received his first training in painting from his father.
- RaoulHausmann developed a photomontage process and printed his first "poster poems" and phonetic poems. In 1919 he became editor of the journal "Der Dada".
- zSB(3,3)zob();if(zszSB(3,2);if(zsNovember 1, 1889 - May 31, 1978 Occupation: artist, photomontagist, Dadaist About Hannah HöchHannah Höch, born Joanne Höch in Gotha, studied art in Berlin and worked as a pattern designer and writer on women's handicrafts from 1916-1926. Her affair and artistic partnership with RaoulHausmann, a Viennese artist, lasted from 1915 to 1922. Through Hausmann, she became part of the Berlin Club Dada, the German group of Dadaists, an artistic movement dating from about 1916 and also involved, after the first World War, with political radicalism. Höch herself expressed herself less politically than many of the others in the group. From 1926-1929 she lived and worked in Holland. She lived for some years in a lesbian relationship with Dutch poet TilBrugman.
- These collages are mainly made from magazines given to Paolozzi by American ex-servicemen. They show his fascination with popular culture and technology, as well as with the glamour of American consumerism. The title of the series refers to Henry Ford''s famous statement that ''History is more or less bunk.... We want to live in the present''. It reflects Paolozzi''s belief that his work should respond to contemporary culture.
- Richard Hamilton, CH (born 24 February 1922) is an English painter and collage artist. His 1956 collage titled Just What Is It that Makes Today's Homes So Different, So Appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, is considered by critics and historians to be one of the early works of Pop Art.[1]
- Richard Hamilton, CH (born 24 February 1922) is an English painter and collage artist. His 1956 collage titled Just What Is It that Makes Today's Homes So Different, So Appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, is considered by critics and historians to be one of the early works of Pop Art.[1]
- Richard Hamilton, CH (born 24 February 1922) is an English painter and collage artist. His 1956 collage titled Just What Is It that Makes Today's Homes So Different, So Appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, is considered by critics and historians to be one of the early works of Pop Art.[1]
- Richard Hamilton, CH (born 24 February 1922) is an English painter and collage artist. His 1956 collage titled Just What Is It that Makes Today's Homes So Different, So Appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, is considered by critics and historians to be one of the early works of Pop Art.[1]
- Richard Hamilton, CH (born 24 February 1922) is an English painter and collage artist. His 1956 collage titled Just What Is It that Makes Today's Homes So Different, So Appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, is considered by critics and historians to be one of the early works of Pop Art.[1]
- Jamie Reid (born 1952)[1] is a British artist and anarchist with connections to the Situationists. His work, featuring letters cut from newspaper headlines in the style of a ransom note, came close to defining the image of punk rock
- Jamie Reid (born 1952)[1] is a British artist and anarchist with connections to the Situationists. His work, featuring letters cut from newspaper headlines in the style of a ransom note, came close to defining the image of punk rock