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UK COMMERCIAL RADIO
SECTOR: FIVE-YEAR
FORECASTS

Grant Goddard
radio specialist
www.grantgoddard.co.uk

November 2007
Grant Goddard

Radio listening

radio specialist

■ Radio will continue to be listened to by approximately 90% of the adult population on a weekly basis
(commercial radio approximately 60%)
■ Time spent listening to radio will decline slowly from its present 23 hours/week, as a result of increasing
competition for consumers’ leisure time
■ Commercial radio is losing reach and hours at a faster rate than ‘all radio’, resulting in a continuing loss of
share to BBC radio (43% of radio listening currently attributed to commercial radio)

Radio: weekly reach (% of adults)

Radio: average hours listened per week
per adult listener

100

25

80

20

60

15

40

10

20

5

0
1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012
ALL RADIO
COMMERCIAL RADIO

[Source: RAJAR and Grant Goddard forecast]
UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007

0
1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012
ALL RADIO
COMMERCIAL RADIO

2
Grant Goddard

Radio listening by demographic

radio specialist

■ Radio listening is increasingly dominated by older demographics (50+)
■ This shift is the result of two factors: the ageing population and increasing competition for the leisure time
of younger demographics
■ Commercial radio owners are not well positioned to take advantage of these changing consumption
patterns, compared to BBC Radio (with the exception of GMG stations and GCap Media’s Classic FM
brand that target older consumers)
Radio: total hours listened per week by demographic (‘000)
250,000

200,000

150,000

100,000

50,000

0
15-24
2000

25-34
2002

2004

35-44
2006

45-54
2008f

55-64
2010f

65+
2012f

[Source: RAJAR and Grant Goddard forecast]
UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007

3
Grant Goddard

Commercial radio revenues

radio specialist

■ Commercial radio revenues peaked in 2000 after a period of sustained growth in the 1990s
■ Commercial radio has attracted increasing amounts of national advertising since the early 1990s, though
this source is susceptible to cyclical factors and advertiser migration to the internet
■ Our forecast predicts that commercial radio revenues will continue to decline in real terms

Commercial radio revenues (£m per annum –
actual prices) by source
400

Total commercial radio revenues (£m per
annum – 2006 prices)
700

350

600

300

500

250

400
200

300
150

200

100

100

50

0

0
1995

1996

1997

1998

1999

2000

2001

2002

2003

2004

2005

2006

1999

2000

2001

2002

2003

2004

2005

2006

2007

2008

2009

2010

2011

2012

LOCAL ADVERTISERS
NATIONAL ADVERTISERS
BRANDED CONTENT

[Source: Radio Advertising Bureau and Grant Goddard forecast]
UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007

4
Grant Goddard

Commercial radio owners
Radio Group

radio specialist

GCap Media

Number
of UK
analogue
licences
70

Total weekly
reach
(million
adults)
15.3

EMAP Radio

37

12.2

Global Radio
(exChrysalis)
Guardian
Media Group

9

6.4

13

4.8

47.9

18

3.6

30.9

2

2.8

17.8

28

0.9

7.5

UTV Radio
Scottish
Media Group
The Local
Radio
Company

Hours
listened
(million per
week)
135.9

UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007

Share of
Strengths/weaknesses
commercial
radio
listening
31% Local heritage stations (including London’s
Capital FM) performing poorly; national Classic
FM very strong; costly investment in digital
109.4
25% Local heritage stations performing poorly; digital
stations on Freeview platform are relatively
successful
51.9
12% Heart brand is strong; Galaxy brand targeting
youth demographic remains vulnerable
11% Large regional stations offer better margins; older
demographic is less vulnerable to audience and
advertiser migration
7% Improved revenues at national Talksport;
turnaround of local stations proving a challenge
4% National Virgin Radio has proven impossible to
turn around; London FM licence is valuable
2% Very small local stations focusing on local
advertising revenues; not a profitable business
model

5
Grant Goddard

Commercial radio overview

radio specialist

■ Radio listening is declining only slowly (1% per annum) compared to other traditional media, due to:


the portability of radio (for example, it is listened to in the bathroom or in the car)



its characteristic as a secondary activity (for example, whilst online or driving)

■ Radio is already delivered by a plethora of different platforms (analogue and digital terrestrial, internet,
Freeview, Sky, cable, wi-fi) to a wide range of devices (computers, mobile phones, TVs, portable music
players, games consoles)
■ Commercial radio is losing listening, revenues and profitability as a result of:


audience migration to the BBC’s national radio networks (notably Radios One and Two)



the significant financial burden of broadcasting simultaneously on several platforms



commercial radio’s lack of investment in content and new radio formats



the preponderance of commercial radio stations targeting younger demographics with similar formats
which cannibalise each other’s audiences and revenues



commercial radio’s lack of a new exciting product that will stimulate advertiser enthusiasm

■ Successive rounds of consolidation within the commercial radio industry have succeeded in reducing its
central costs, but have not improved its ability to compete with the BBC
■ Commercial radio owners have not yet developed a strategy either to compete successfully with online
personalised ‘radio’ such as Last.fm or Pandora, or to develop their own online services to complement
existing broadcast services
UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007

6

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  • 1. UK COMMERCIAL RADIO SECTOR: FIVE-YEAR FORECASTS Grant Goddard radio specialist www.grantgoddard.co.uk November 2007
  • 2. Grant Goddard Radio listening radio specialist ■ Radio will continue to be listened to by approximately 90% of the adult population on a weekly basis (commercial radio approximately 60%) ■ Time spent listening to radio will decline slowly from its present 23 hours/week, as a result of increasing competition for consumers’ leisure time ■ Commercial radio is losing reach and hours at a faster rate than ‘all radio’, resulting in a continuing loss of share to BBC radio (43% of radio listening currently attributed to commercial radio) Radio: weekly reach (% of adults) Radio: average hours listened per week per adult listener 100 25 80 20 60 15 40 10 20 5 0 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 ALL RADIO COMMERCIAL RADIO [Source: RAJAR and Grant Goddard forecast] UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007 0 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 ALL RADIO COMMERCIAL RADIO 2
  • 3. Grant Goddard Radio listening by demographic radio specialist ■ Radio listening is increasingly dominated by older demographics (50+) ■ This shift is the result of two factors: the ageing population and increasing competition for the leisure time of younger demographics ■ Commercial radio owners are not well positioned to take advantage of these changing consumption patterns, compared to BBC Radio (with the exception of GMG stations and GCap Media’s Classic FM brand that target older consumers) Radio: total hours listened per week by demographic (‘000) 250,000 200,000 150,000 100,000 50,000 0 15-24 2000 25-34 2002 2004 35-44 2006 45-54 2008f 55-64 2010f 65+ 2012f [Source: RAJAR and Grant Goddard forecast] UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007 3
  • 4. Grant Goddard Commercial radio revenues radio specialist ■ Commercial radio revenues peaked in 2000 after a period of sustained growth in the 1990s ■ Commercial radio has attracted increasing amounts of national advertising since the early 1990s, though this source is susceptible to cyclical factors and advertiser migration to the internet ■ Our forecast predicts that commercial radio revenues will continue to decline in real terms Commercial radio revenues (£m per annum – actual prices) by source 400 Total commercial radio revenues (£m per annum – 2006 prices) 700 350 600 300 500 250 400 200 300 150 200 100 100 50 0 0 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 LOCAL ADVERTISERS NATIONAL ADVERTISERS BRANDED CONTENT [Source: Radio Advertising Bureau and Grant Goddard forecast] UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007 4
  • 5. Grant Goddard Commercial radio owners Radio Group radio specialist GCap Media Number of UK analogue licences 70 Total weekly reach (million adults) 15.3 EMAP Radio 37 12.2 Global Radio (exChrysalis) Guardian Media Group 9 6.4 13 4.8 47.9 18 3.6 30.9 2 2.8 17.8 28 0.9 7.5 UTV Radio Scottish Media Group The Local Radio Company Hours listened (million per week) 135.9 UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007 Share of Strengths/weaknesses commercial radio listening 31% Local heritage stations (including London’s Capital FM) performing poorly; national Classic FM very strong; costly investment in digital 109.4 25% Local heritage stations performing poorly; digital stations on Freeview platform are relatively successful 51.9 12% Heart brand is strong; Galaxy brand targeting youth demographic remains vulnerable 11% Large regional stations offer better margins; older demographic is less vulnerable to audience and advertiser migration 7% Improved revenues at national Talksport; turnaround of local stations proving a challenge 4% National Virgin Radio has proven impossible to turn around; London FM licence is valuable 2% Very small local stations focusing on local advertising revenues; not a profitable business model 5
  • 6. Grant Goddard Commercial radio overview radio specialist ■ Radio listening is declining only slowly (1% per annum) compared to other traditional media, due to:  the portability of radio (for example, it is listened to in the bathroom or in the car)  its characteristic as a secondary activity (for example, whilst online or driving) ■ Radio is already delivered by a plethora of different platforms (analogue and digital terrestrial, internet, Freeview, Sky, cable, wi-fi) to a wide range of devices (computers, mobile phones, TVs, portable music players, games consoles) ■ Commercial radio is losing listening, revenues and profitability as a result of:  audience migration to the BBC’s national radio networks (notably Radios One and Two)  the significant financial burden of broadcasting simultaneously on several platforms  commercial radio’s lack of investment in content and new radio formats  the preponderance of commercial radio stations targeting younger demographics with similar formats which cannibalise each other’s audiences and revenues  commercial radio’s lack of a new exciting product that will stimulate advertiser enthusiasm ■ Successive rounds of consolidation within the commercial radio industry have succeeded in reducing its central costs, but have not improved its ability to compete with the BBC ■ Commercial radio owners have not yet developed a strategy either to compete successfully with online personalised ‘radio’ such as Last.fm or Pandora, or to develop their own online services to complement existing broadcast services UK Commercial Radio Sector: Five-Year Forecasts © Grant Goddard: November 2007 6