SlideShare une entreprise Scribd logo
1  sur  17
KERRANG! MAGAZINE
• Kerrang! is a UK-based magazine devoted to rock
music published by Bauer Media Group. It was first
published on 6 June 1981 as a one-off supplement in
the Sounds newspaper and was edited by Geoff
Barton. Named after the onomatopoeic word that
derives from the sound made when playing a power
chord on an electric guitar, Kerrang! was initially
devoted to the New Wave of British Heavy Metal and
the rise of hard rock acts. In the early 2000s it became
the best-selling British music newspaper.
• Angus Young of AC/DC appeared on Kerrang!'s first
cover. Launched as a monthly
magazine, Kerrang! began to appear on a fortnightly
basis later, and in 1987 it went weekly. The original
owner was United Newspapers who then sold it
to EMAP in 1991 and EMAP was later taken over by
Bauer Media Group.
• Kerrang!'s website is dedicated to finding out
more information to do with the magazine and
also the latest information on the current
bands and upcoming events. The website
hosts Kerrang!'s online
shop, podcasts, message board, TV and radio
segments ensuring even more opportunities to
sell associated merchandise and products.
• In 2001, Kerrang! launched its own online
forum with the "rants and raves" section taking
up most of the traffic. Though initially
extremely popular, the number of users began
to peter out around 2005 with the number of
people online dropping to as low as 10 when
previously it had been closer to the 100 figure.
Kerrang! Awards
• Since 1993, the magazine have been holding an
annual awards ceremony to mark the most
successful bands in the interests of their readers.
The awards became one of Britain's most
recognised award events by the now
defunct Guinness Book of British Hit Singles &
Albums, often listing some of the winners in their
annual round-up of the previous year. The event
is always presented by major music
celebrities, with many others outside the industry
who attend the event.
Kerrang! Radio
• In 2000, EMAP launched Kerrang! as a digital
radio station, across the United Kingdom. This
was principally a 'jukebox' station, playing a back-
to-back sequence of rock and alternative music.
On 10 June 2004, Kerrang! 105.2 was launched as
a regional radio station in Birmingham with an
advertising campaign by London-based creative
agency ODD.The radio has a number of specialist
programmes dedicated to the many subgenres of
rock music. The radio output includes interviews
with those affecting popular culture and society
as well as those involved with music.
Kerrang! TV and Tour
• In 2001 EMAP launched Kerrang! TV. As with the radio
station, the television channel covers the more
mainstream side of the rock music as well as classic
rock bands like Aerosmith and AC/DC, and classic heavy
metal bands such as Guns N' Roses and Metallica.
Kerrang TV is now a joint venture between Bauer Media
Group and Channel 4.
• Kerrang! Holds tours of rock music concerts around the
United Kingdom. The tour has featured bands such
as Bullet for My Valentine, Good Charlotte, Sum
41, and Coheed and Cambria among others.
The Official Kerrang! Rock Chart
• In March 2012, Kerrang announced a new rock chart for
the UK which is based upon airplay across Kerrang
Radio, Kerrang TV and sales figures from the Official
Charts Company. Charts are announced on Saturday
mornings and feature twenty tracks. The latest chart can
be viewed on Kerrang! every Saturday at midday.
• International editions
• Emap launched Kerrang! Australia in the late 1990s.
Unlike its weekly counterpart in the UK, the Australian
edition was published monthly due to stiff competition
from free local music publications. Kerrang! is also
published in Spanish and German.
Reader Profile
• "Kerrang! is actually really young with a median age of 22. Having a younger
profile is a big advantage as traditionally this age group is exclusive (and
expensive) to reach. As well as music releases this makes Kerrang! Perfect to
promote films and games, and also mobile technology and government
messages."
"Kerrang! readers are the heaviest music consumers purchasing over 6 albums
per month on average (53% more than the national average) and 8 times more
likely to spend over £200 a year on albums. the readers are also 5.5 times more
likely to attend a rock gig."
Kerrang has to be able to appeal to its audience. But maintaining a consistency to
the magazine keeps its buyers coming back. Kerrang has to appeal to its younger
audience because they make up 69.5% of its sales. The Female/male audience is
fairly equal so Kerrang makes sure that it appeal to both genders.
•
It talks to its reader – its content is based on what its audience talk about; it
provides information and knowledge; people like to be seen with the magazine;
the audience feels it can trust what it reads. It has 55,589 twitter followers and
12,208 facebook fans
•
• Circulation
• 42,203 (Jan-Jun '12)
• Readership
• 378,000
• 87% of its readers buy every issue.
It's price is £2.20 per issue, this is affordable for younger
people
• Advertising
full page
• £5,005
• double page spread
• £9,510
• half page
£2,752
Masthead
(slightly obstructed)
Main Coverline
Strapline
Kickers
Splatter
Barcode
(Price line &
Date line
included)
Coverlines
Explanatory Text
Coverline
Central Cover
Image
Additional
Cover Image
COVER ANALYSIS
Eye Flow
The eye flow of this cover follows the convention
seen generally on magazine (music) front covers,
employing the “reverse-S” shape for the eye flow of the
cover, as represented by the curved blue line on the
cover to the left. The eye flow begins at the top
left, where the masthead, which is in capital
letters, large, bold and in a colour that contrasts the
background (white font against dark
background), captures the reader’s attention. The
obscuring of the masthead on the right side of the cover
by one of the cover people, leads the reader to
concentrate on his face. The eye flow that continues to
the main coverline, as a result of its large font, boldness
and the use of a red layer for its background, to
emphasise the words “PARKWAY DRIVE”. It then
continues through the explanatory text below the
coverline, due to the contrast of the yellow brush and
the black large, capital font. The bright colour of yellow
captures the attention of the reader’s eyes.
Afterwards, the eye flow continues through to the
bottom right of the magazine, to the end of the kickers
on the right.
Language The “access all areas” phrase is
something that is usually seen on music
magazines to suggest a certain exclusivity
or at least full coverage of a particular
event or band. This part of the strapline
clearly entices the reader as it suggests
that they will receive an complete, fully
rounded glimpse into this event/artist.
This explanatory text is an example of the
direct address to the audience that the front
cover employs. With the use of the personal
pronoun “you” Kerrang! create the effect that
the reader is part of the magazine, and draw
the reader into the magazine.
The use of exclamation marks is found
throughout the cover, in order to symbolise
something as exciting, and therefore make it
seem more exciting to the audience.
Being a band magazine, artists and bands are
mentioned throughout. If a reader sees that a
band they like is in the magazine’s content than
they will be more likely to purchase the
magazine.

Contenu connexe

Tendances

Tendances (20)

Music magazine research
Music magazine researchMusic magazine research
Music magazine research
 
Task 5 and 6
Task 5 and 6Task 5 and 6
Task 5 and 6
 
NME Case Study
NME Case StudyNME Case Study
NME Case Study
 
Music Magazine Analysis
Music Magazine Analysis Music Magazine Analysis
Music Magazine Analysis
 
Case study
Case studyCase study
Case study
 
Case study
Case studyCase study
Case study
 
Kerrang case study
Kerrang case studyKerrang case study
Kerrang case study
 
Magazine powerpoint
Magazine powerpointMagazine powerpoint
Magazine powerpoint
 
Uk music magazines
Uk music magazinesUk music magazines
Uk music magazines
 
Case study
Case studyCase study
Case study
 
Magazine powerpoint
Magazine powerpointMagazine powerpoint
Magazine powerpoint
 
Media institutions - magazines
Media institutions - magazinesMedia institutions - magazines
Media institutions - magazines
 
Kerrang!media pack2016
Kerrang!media pack2016Kerrang!media pack2016
Kerrang!media pack2016
 
Media presentation
Media presentationMedia presentation
Media presentation
 
sub genre research
sub genre research sub genre research
sub genre research
 
Music Magazine Genres
Music Magazine Genres Music Magazine Genres
Music Magazine Genres
 
Genres of music magazines
Genres of music magazinesGenres of music magazines
Genres of music magazines
 
Nme case study.
Nme case study.Nme case study.
Nme case study.
 
Presentation
PresentationPresentation
Presentation
 
Ipc and time inc
Ipc and time incIpc and time inc
Ipc and time inc
 

En vedette

En vedette (20)

Broadcast news 3
Broadcast news 3Broadcast news 3
Broadcast news 3
 
Topofthepopsmagazineanalysis 111130070155-phpapp01
Topofthepopsmagazineanalysis 111130070155-phpapp01Topofthepopsmagazineanalysis 111130070155-phpapp01
Topofthepopsmagazineanalysis 111130070155-phpapp01
 
Promotionofvideogames 140316060218-phpapp01
Promotionofvideogames 140316060218-phpapp01Promotionofvideogames 140316060218-phpapp01
Promotionofvideogames 140316060218-phpapp01
 
Narrative theories
Narrative theoriesNarrative theories
Narrative theories
 
News values (2)
News values (2)News values (2)
News values (2)
 
Tv news glossary
Tv news glossaryTv news glossary
Tv news glossary
 
News and the internet
News and the internetNews and the internet
News and the internet
 
Gaming magazines
Gaming magazinesGaming magazines
Gaming magazines
 
Representation and bias2
Representation and bias2Representation and bias2
Representation and bias2
 
Aida 2
Aida 2Aida 2
Aida 2
 
Music press ppt
Music press pptMusic press ppt
Music press ppt
 
Task one paragraphs
Task one paragraphsTask one paragraphs
Task one paragraphs
 
Who’s watching the news222
Who’s watching the news222Who’s watching the news222
Who’s watching the news222
 
Deccs
DeccsDeccs
Deccs
 
Key audience theory
Key audience theoryKey audience theory
Key audience theory
 
Planetside 2 ppt
Planetside 2 pptPlanetside 2 ppt
Planetside 2 ppt
 
I got the news
I got the newsI got the news
I got the news
 
Forms and conventions of tv news
Forms and conventions of tv newsForms and conventions of tv news
Forms and conventions of tv news
 
Audience (2)
Audience (2)Audience (2)
Audience (2)
 
Aida
AidaAida
Aida
 

Similaire à Kerrang! magazine ppt

2nd magazine
2nd magazine2nd magazine
2nd magazinetmcenaney
 
AS Media Studies: Publisher Research
AS Media Studies: Publisher ResearchAS Media Studies: Publisher Research
AS Media Studies: Publisher ResearchSarah Green
 
Conglomerate
Conglomerate Conglomerate
Conglomerate 09ltandy
 
Kerrang Analysis
Kerrang AnalysisKerrang Analysis
Kerrang Analysismjwilcox
 
Conglomerate/corporation
Conglomerate/corporationConglomerate/corporation
Conglomerate/corporation09ltandy
 
Music Magazine Analysis - Kerrang
Music Magazine Analysis - KerrangMusic Magazine Analysis - Kerrang
Music Magazine Analysis - Kerrangmaddyh7
 
Magazine Market and Research
Magazine Market and ResearchMagazine Market and Research
Magazine Market and ResearchDaniel Clipperton
 
As media foundation portfolio
As media foundation portfolioAs media foundation portfolio
As media foundation portfolioLaura
 
Analyse of two front covers
Analyse of two front coversAnalyse of two front covers
Analyse of two front coversdanimorse17
 

Similaire à Kerrang! magazine ppt (20)

Task 5
Task 5Task 5
Task 5
 
2nd magazine
2nd magazine2nd magazine
2nd magazine
 
AS Media Studies: Publisher Research
AS Media Studies: Publisher ResearchAS Media Studies: Publisher Research
AS Media Studies: Publisher Research
 
Conglomerate
Conglomerate Conglomerate
Conglomerate
 
Kerrang Analysis
Kerrang AnalysisKerrang Analysis
Kerrang Analysis
 
Conglomerate/corporation
Conglomerate/corporationConglomerate/corporation
Conglomerate/corporation
 
Kerrang! research
Kerrang! researchKerrang! research
Kerrang! research
 
reader profile
reader profilereader profile
reader profile
 
Unit 13 KERRANG!
Unit 13 KERRANG!Unit 13 KERRANG!
Unit 13 KERRANG!
 
Publishing
PublishingPublishing
Publishing
 
Kerrang!
Kerrang!Kerrang!
Kerrang!
 
Music Magazine Analysis - Kerrang
Music Magazine Analysis - KerrangMusic Magazine Analysis - Kerrang
Music Magazine Analysis - Kerrang
 
Task 4 and 5
Task 4 and 5Task 4 and 5
Task 4 and 5
 
Kerrang!
Kerrang!Kerrang!
Kerrang!
 
Magazine Market and Research
Magazine Market and ResearchMagazine Market and Research
Magazine Market and Research
 
As media foundation portfolio
As media foundation portfolioAs media foundation portfolio
As media foundation portfolio
 
As media foundation portfolio
As media foundation portfolioAs media foundation portfolio
As media foundation portfolio
 
Analyse of two front covers
Analyse of two front coversAnalyse of two front covers
Analyse of two front covers
 
Unit 13_
Unit 13_Unit 13_
Unit 13_
 
Unit 13_
Unit 13_Unit 13_
Unit 13_
 

Plus de HeworthMedia1

Mise en-scene for blog ppt
Mise en-scene for blog pptMise en-scene for blog ppt
Mise en-scene for blog pptHeworthMedia1
 
A bend it like beckham
A bend it like beckhamA bend it like beckham
A bend it like beckhamHeworthMedia1
 
Drawing task for superhero exam
Drawing task for superhero examDrawing task for superhero exam
Drawing task for superhero examHeworthMedia1
 
Drawing tasks for serial drama
Drawing tasks for serial drama Drawing tasks for serial drama
Drawing tasks for serial drama HeworthMedia1
 
Storyboards and webpage
Storyboards and webpageStoryboards and webpage
Storyboards and webpageHeworthMedia1
 
Gcse media production tasks2
Gcse media production tasks2Gcse media production tasks2
Gcse media production tasks2HeworthMedia1
 
A Field in England (Ben Wheatley)
A Field in England (Ben Wheatley)A Field in England (Ben Wheatley)
A Field in England (Ben Wheatley)HeworthMedia1
 
The dog ate my homework
The dog ate my homeworkThe dog ate my homework
The dog ate my homeworkHeworthMedia1
 
Storyboards and website for comics
Storyboards and website for comicsStoryboards and website for comics
Storyboards and website for comicsHeworthMedia1
 
Daredevil (mark steven johnson 2003)
Daredevil (mark steven johnson 2003)Daredevil (mark steven johnson 2003)
Daredevil (mark steven johnson 2003)HeworthMedia1
 
Spider man (sam raimi, 2002)
Spider man (sam raimi, 2002)Spider man (sam raimi, 2002)
Spider man (sam raimi, 2002)HeworthMedia1
 

Plus de HeworthMedia1 (20)

Sound1
Sound1Sound1
Sound1
 
Mise en-scene for blog ppt
Mise en-scene for blog pptMise en-scene for blog ppt
Mise en-scene for blog ppt
 
A bend it like beckham
A bend it like beckhamA bend it like beckham
A bend it like beckham
 
Drawing task for superhero exam
Drawing task for superhero examDrawing task for superhero exam
Drawing task for superhero exam
 
Serial drama
Serial dramaSerial drama
Serial drama
 
Drawing tasks for serial drama
Drawing tasks for serial drama Drawing tasks for serial drama
Drawing tasks for serial drama
 
Storyboards and webpage
Storyboards and webpageStoryboards and webpage
Storyboards and webpage
 
New game show stuff
New game show stuffNew game show stuff
New game show stuff
 
Superhero posters
Superhero postersSuperhero posters
Superhero posters
 
Tension case study
Tension case studyTension case study
Tension case study
 
Ninja warrior UK
Ninja warrior UKNinja warrior UK
Ninja warrior UK
 
Gameshows aqa
Gameshows aqa Gameshows aqa
Gameshows aqa
 
Gcse media production tasks2
Gcse media production tasks2Gcse media production tasks2
Gcse media production tasks2
 
A Field in England (Ben Wheatley)
A Field in England (Ben Wheatley)A Field in England (Ben Wheatley)
A Field in England (Ben Wheatley)
 
Shooting stars
Shooting starsShooting stars
Shooting stars
 
The dog ate my homework
The dog ate my homeworkThe dog ate my homework
The dog ate my homework
 
The chase
The chaseThe chase
The chase
 
Storyboards and website for comics
Storyboards and website for comicsStoryboards and website for comics
Storyboards and website for comics
 
Daredevil (mark steven johnson 2003)
Daredevil (mark steven johnson 2003)Daredevil (mark steven johnson 2003)
Daredevil (mark steven johnson 2003)
 
Spider man (sam raimi, 2002)
Spider man (sam raimi, 2002)Spider man (sam raimi, 2002)
Spider man (sam raimi, 2002)
 

Kerrang! magazine ppt

  • 2.
  • 3. • Kerrang! is a UK-based magazine devoted to rock music published by Bauer Media Group. It was first published on 6 June 1981 as a one-off supplement in the Sounds newspaper and was edited by Geoff Barton. Named after the onomatopoeic word that derives from the sound made when playing a power chord on an electric guitar, Kerrang! was initially devoted to the New Wave of British Heavy Metal and the rise of hard rock acts. In the early 2000s it became the best-selling British music newspaper. • Angus Young of AC/DC appeared on Kerrang!'s first cover. Launched as a monthly magazine, Kerrang! began to appear on a fortnightly basis later, and in 1987 it went weekly. The original owner was United Newspapers who then sold it to EMAP in 1991 and EMAP was later taken over by Bauer Media Group.
  • 4.
  • 5. • Kerrang!'s website is dedicated to finding out more information to do with the magazine and also the latest information on the current bands and upcoming events. The website hosts Kerrang!'s online shop, podcasts, message board, TV and radio segments ensuring even more opportunities to sell associated merchandise and products. • In 2001, Kerrang! launched its own online forum with the "rants and raves" section taking up most of the traffic. Though initially extremely popular, the number of users began to peter out around 2005 with the number of people online dropping to as low as 10 when previously it had been closer to the 100 figure.
  • 6. Kerrang! Awards • Since 1993, the magazine have been holding an annual awards ceremony to mark the most successful bands in the interests of their readers. The awards became one of Britain's most recognised award events by the now defunct Guinness Book of British Hit Singles & Albums, often listing some of the winners in their annual round-up of the previous year. The event is always presented by major music celebrities, with many others outside the industry who attend the event.
  • 7. Kerrang! Radio • In 2000, EMAP launched Kerrang! as a digital radio station, across the United Kingdom. This was principally a 'jukebox' station, playing a back- to-back sequence of rock and alternative music. On 10 June 2004, Kerrang! 105.2 was launched as a regional radio station in Birmingham with an advertising campaign by London-based creative agency ODD.The radio has a number of specialist programmes dedicated to the many subgenres of rock music. The radio output includes interviews with those affecting popular culture and society as well as those involved with music.
  • 8.
  • 9. Kerrang! TV and Tour • In 2001 EMAP launched Kerrang! TV. As with the radio station, the television channel covers the more mainstream side of the rock music as well as classic rock bands like Aerosmith and AC/DC, and classic heavy metal bands such as Guns N' Roses and Metallica. Kerrang TV is now a joint venture between Bauer Media Group and Channel 4. • Kerrang! Holds tours of rock music concerts around the United Kingdom. The tour has featured bands such as Bullet for My Valentine, Good Charlotte, Sum 41, and Coheed and Cambria among others.
  • 10.
  • 11. The Official Kerrang! Rock Chart • In March 2012, Kerrang announced a new rock chart for the UK which is based upon airplay across Kerrang Radio, Kerrang TV and sales figures from the Official Charts Company. Charts are announced on Saturday mornings and feature twenty tracks. The latest chart can be viewed on Kerrang! every Saturday at midday. • International editions • Emap launched Kerrang! Australia in the late 1990s. Unlike its weekly counterpart in the UK, the Australian edition was published monthly due to stiff competition from free local music publications. Kerrang! is also published in Spanish and German.
  • 12.
  • 13. Reader Profile • "Kerrang! is actually really young with a median age of 22. Having a younger profile is a big advantage as traditionally this age group is exclusive (and expensive) to reach. As well as music releases this makes Kerrang! Perfect to promote films and games, and also mobile technology and government messages." "Kerrang! readers are the heaviest music consumers purchasing over 6 albums per month on average (53% more than the national average) and 8 times more likely to spend over £200 a year on albums. the readers are also 5.5 times more likely to attend a rock gig." Kerrang has to be able to appeal to its audience. But maintaining a consistency to the magazine keeps its buyers coming back. Kerrang has to appeal to its younger audience because they make up 69.5% of its sales. The Female/male audience is fairly equal so Kerrang makes sure that it appeal to both genders. • It talks to its reader – its content is based on what its audience talk about; it provides information and knowledge; people like to be seen with the magazine; the audience feels it can trust what it reads. It has 55,589 twitter followers and 12,208 facebook fans •
  • 14. • Circulation • 42,203 (Jan-Jun '12) • Readership • 378,000 • 87% of its readers buy every issue. It's price is £2.20 per issue, this is affordable for younger people • Advertising full page • £5,005 • double page spread • £9,510 • half page £2,752
  • 15. Masthead (slightly obstructed) Main Coverline Strapline Kickers Splatter Barcode (Price line & Date line included) Coverlines Explanatory Text Coverline Central Cover Image Additional Cover Image COVER ANALYSIS
  • 16. Eye Flow The eye flow of this cover follows the convention seen generally on magazine (music) front covers, employing the “reverse-S” shape for the eye flow of the cover, as represented by the curved blue line on the cover to the left. The eye flow begins at the top left, where the masthead, which is in capital letters, large, bold and in a colour that contrasts the background (white font against dark background), captures the reader’s attention. The obscuring of the masthead on the right side of the cover by one of the cover people, leads the reader to concentrate on his face. The eye flow that continues to the main coverline, as a result of its large font, boldness and the use of a red layer for its background, to emphasise the words “PARKWAY DRIVE”. It then continues through the explanatory text below the coverline, due to the contrast of the yellow brush and the black large, capital font. The bright colour of yellow captures the attention of the reader’s eyes. Afterwards, the eye flow continues through to the bottom right of the magazine, to the end of the kickers on the right.
  • 17. Language The “access all areas” phrase is something that is usually seen on music magazines to suggest a certain exclusivity or at least full coverage of a particular event or band. This part of the strapline clearly entices the reader as it suggests that they will receive an complete, fully rounded glimpse into this event/artist. This explanatory text is an example of the direct address to the audience that the front cover employs. With the use of the personal pronoun “you” Kerrang! create the effect that the reader is part of the magazine, and draw the reader into the magazine. The use of exclamation marks is found throughout the cover, in order to symbolise something as exciting, and therefore make it seem more exciting to the audience. Being a band magazine, artists and bands are mentioned throughout. If a reader sees that a band they like is in the magazine’s content than they will be more likely to purchase the magazine.