The fundamentals of storyboarding: A craftsman's guide
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Presentation on process follow to storyboard an animated television episode.
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The fundamentals of storyboarding: A craftsman's guide
- 1. “First learn to be a craftsman, it won't keep you from being a genius” Eugene Delacroix
- 2. The fundamentals of boarding are easy. The practice is hard.
- 3. STORYBOARDS A Method
- 4. The job of a board artist on is to serve the director’s idea of how the story should be told.
- 5. The job of a board artist on is to serve the director’s idea of how the story should be told. And to make deadline.
- 6. The board is the first visual slash at getting the story told.
- 7. Boards get better in revisions with specific instructions from the director.
- 15. 4 B’s Blank Blue Black Back & Forth
- 16. Blank
- 18. Blank Read the bible. Mark up the script. Study the models. Talk to the director. Breakdown the script.
- 19. Blank Read the bible. Always ask for one.
- 22. Blank Read the script. (Mark it up)
- 24. Blank Study the character models and locations GET SIZE RELATIONS
- 28. Blank Talk to the director. Get thumbnails on specific ideas/shots.
- 29. Blank LISTEN TO THE TRACK
- 30. Blank Breakdown the script. Think. Don’t draw.
- 31. Blue
- 33. Blue This is the hard part. Don’t thumbnail. Focus on the story. Watch for staging/composition within the fld. Watch cutting continuity.
- 34. Blue Don’t thumbnail. Work size as.
- 35. Blue Focus on the story. LISTEN TO THE TRACK AGAIN Is the gesture and expression furthering the story? Does it link to action/acting that happens later in the script.
- 36. Blue Watch for staging/ composition within the fld. (Cropping)
- 37. Blue Watch cutting continuity. Eye trace. Character position. Look for jump cuts.
- 38. Present to director. Always get feedback.
- 39. Black
- 41. Black This is the fun part. Focus on clear gesture/silhouette. Be specific about your expressions. Watch for clichés.
- 42. Black Focus on clear gesture/silhouette.
- 43. Black Be specific about your expressions.
- 46. Back & Forth Usually handled in house by asst director or SB supervisor. Rarely get handed back to board artist.