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The Carving
Studio
A Woodworker’s
Paradise
We remodeled this Carving Studio out of an existing garage. The original house
was built over 85 years ago. The garage was a mere 10’ 6” wide, which is not
effective as a garage for cars of today’s size. The homeowners used the garage for
storage. It was underutilized and honestly a waste of space. Our client was using a
small corner in an overcrowded basement as his woodshop. We saw an opportunity
to create a Carving Studio to give the owner his own personal space. It opens to
the Keeping Room, so he’s near the heart of the home.
The Studio was built under a permit, separate from the main house. It has its own
HVAC system, high speed Internet, tankless water heater, a fine particulate air
filter, ample display room for carvings, and a remote controlled insect screen with
the added feature of a privacy section to cover the glass. The carriage doors offer
the homeowner the dual opportunity to easily transport tools and large pieces of
wood into the studio, and, also, experience the outdoors while carving.
The Carving Studio includes a sink, work bench, TV, spot lighting from recessed cans, and decorative general lighting.
The cabinets offer storage for items, such as grinders, power tool sharpeners, and hand tools, and for conveniences,
such as laptops and printers.
The picture on the top right shows a grill. It is the return air,
mounted on a secret access panel, as pictured open in the top left
photo and closed in the top right photo.
The bottom right photo illustrates how the access panel and ceiling
were framed. Also shown is the soffit detail required for
containment of the split system air handler and slot diffuser.
Heating & Air is
provided through a
mini split system.
The slot diffuser is
both attractive and
functional.
Here we see a portion of the vacuum
ducting using spiral ducting material. The
duct route begins at the workbench (see
above photo), travels through the wall and
into the soffit, and is then exposed on its
path to the floor at the opposite side of the
shop (see picture to right).
All dust and debris is vacuumed into a
container in the lower level, where the
ducting terminates. A vacuum system was a
major requirement of the owner.
The garage had a 9’ ceiling with lookouts that
supported the cornice on the two exterior
walls. We wanted to vault the ceiling and
decided that our best plan would be to create
soffits, allowing the original lookouts to remain
for the cornice. After consulting with our
engineer, we created a new gable, slightly
lower and of a different pitch, beneath the
existing slate roof.
Note: the top left photo
shows the new dropped
gable being built below the
original rafters. This
ensured we did not disturb
the slate roof. This
“necessity” became an
asset in this design.
Our
engineer’s
drawing
Note: Scuttle hole sealed because of vaulted ceiling. Also, notice the lookouts supporting the cornice.
Existing roof structure with 9' high flat original ceiling
During the process of
demolition, we noticed
evidence of wood rot. We
decided to further investigate
by removing some stucco from
the garage interior walls and
ceiling.
We discovered that most of the
wall studs had rotted at the
bottom due to the fact that the
original slab was poured below
the top of the block foundation
wall. Water easily entered the
structure.
It was evident that the stucco
had been the only thing holding
the garage structure together.
The wall framing needed to be
replaced. The challenge was to support the garage structure and slate roof while we
replaced the rotten section of the wall. We poured a new stem wall to
waterproof and protect the inside from water intrusion.
Our new stem wall allowed us to
properly waterproof and protect
the interior. Note the angle on
the curb face and how we did the
form work.
Per our engineer’s requirements,
we inserted hooked dowels into
the existing concrete, then
epoxied them into place.
Note: Picture to the right
showing our finished wall.
The rot is gone! The windows
and wall are properly flashed
and waterproofed.
Pictured
left: our
engineer’s
drawing
The original garage slab was above a 6’ high
crawlspace. We encapsulated the crawlspace below
with a vapor barrier and insulated with foam.
Tapered wood floor framing was required due to
the slope of the slab. The framing was glued
and mechanically fastened.
Because of its superior performance, we
used structured plywood for sheathing. We
then installed a solid hickory floor with an
engineered finish.
Note: This photo also shows the stem walls
that we poured.
We constructed a temporary door and
temporary lighting for our subs. Later we
installed the carriage doors, with an expanded
header and columns on either side to house
the remote controlled screen and
mechanisms.
The framing over the former
garage door was done over 85
years ago. The original framing
was a truss header, which
surprisingly lasted years. We
replaced the header with two
new LVLs.
Pictured above: the engineer’s ceiling plan
Note: the original brick wall.
Our homeowner wanted to carve while
enjoying the outside. We are proud of our
unique design that allows a screen to be
hidden in an expanded header above the
carriage doors. It is remotely controlled, and
can be stopped at any point.
It was fabricated with an opaque section at the
bottom that can be used to cover the windows
for privacy when it is partially lowered (as seen
on the upper right picture).
Illustrated on the bottom right, the screen can
be fully extended, allowing for a view without
the bugs.
The far left picture demonstrates how the
room looks with the doors opened and the
screen fully recessed.
This innovative use of material allows the
homeowner to be comfortable while enjoying
a nice, sunny day.
The Disappearing Screen
Innovations
Pictured left: We used the old
coal chute in the garage to
access the basement for vacuum
ducting, electrical, and
compressed air piping.
Note photo to right: the spiral
ducting and compressed air as
they enter the studio through
the old coal chute.
Just like houses, the Carving
Studio has its own mechanical
room. There was an old coal
storage room in the basement,
not located directly under the
Studio, but close enough to
allow for access.
The shop vacuum is pictured in
the top left photo. Next to the
vacuum system is the air
compressor, whose piping
travels with the duct work
through the former coal chute
into the Studio, where the
tubing is connected to a
pressure regulator and quick
connect coupling.
Innovative
Means of
Construction
Note the bookmatched
hickory on the cabinets.
This attention to detail
adds a special flair to
the aesthetics of the
Carving Studio.
The 1 ¾” Bubinga plank
style countertop
complements the
cabinets in a very
dramatic manner.
Great care was taken to create the
Western Red Cedar soffits and
beams. Because they were larger
than standard sized material, we
grain matched, glued, and milled
the cedar on site to create
exceptional bookmatched sizes that
we needed.
The dimensional sized timbers were
cut so that we could create boxed
beams without seams.
Note the
baseboard
detailing, which
created a ledge
for the cedar on
the walls.
The hook on which
the apron (pictured
above) is hung was
hand-carved by our
client.
There is plenty of opportunity to display the
homeowner’s carvings. Being able to
intersperse creations from the homeowner
with our design adds a special personalized
touch to this Carving Studio.
The homeowner can comfortably
store tools within various sized
drawers (pictured above). Larger
items, i.e. grinders and tool
sharpeners, are stored within the
tall cabinets.
The apron is off; the Carving Studio has fulfilled its purpose.

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Carving studio

  • 2. We remodeled this Carving Studio out of an existing garage. The original house was built over 85 years ago. The garage was a mere 10’ 6” wide, which is not effective as a garage for cars of today’s size. The homeowners used the garage for storage. It was underutilized and honestly a waste of space. Our client was using a small corner in an overcrowded basement as his woodshop. We saw an opportunity to create a Carving Studio to give the owner his own personal space. It opens to the Keeping Room, so he’s near the heart of the home. The Studio was built under a permit, separate from the main house. It has its own HVAC system, high speed Internet, tankless water heater, a fine particulate air filter, ample display room for carvings, and a remote controlled insect screen with the added feature of a privacy section to cover the glass. The carriage doors offer the homeowner the dual opportunity to easily transport tools and large pieces of wood into the studio, and, also, experience the outdoors while carving.
  • 3. The Carving Studio includes a sink, work bench, TV, spot lighting from recessed cans, and decorative general lighting. The cabinets offer storage for items, such as grinders, power tool sharpeners, and hand tools, and for conveniences, such as laptops and printers.
  • 4.
  • 5. The picture on the top right shows a grill. It is the return air, mounted on a secret access panel, as pictured open in the top left photo and closed in the top right photo. The bottom right photo illustrates how the access panel and ceiling were framed. Also shown is the soffit detail required for containment of the split system air handler and slot diffuser. Heating & Air is provided through a mini split system. The slot diffuser is both attractive and functional.
  • 6. Here we see a portion of the vacuum ducting using spiral ducting material. The duct route begins at the workbench (see above photo), travels through the wall and into the soffit, and is then exposed on its path to the floor at the opposite side of the shop (see picture to right). All dust and debris is vacuumed into a container in the lower level, where the ducting terminates. A vacuum system was a major requirement of the owner.
  • 7. The garage had a 9’ ceiling with lookouts that supported the cornice on the two exterior walls. We wanted to vault the ceiling and decided that our best plan would be to create soffits, allowing the original lookouts to remain for the cornice. After consulting with our engineer, we created a new gable, slightly lower and of a different pitch, beneath the existing slate roof. Note: the top left photo shows the new dropped gable being built below the original rafters. This ensured we did not disturb the slate roof. This “necessity” became an asset in this design. Our engineer’s drawing
  • 8. Note: Scuttle hole sealed because of vaulted ceiling. Also, notice the lookouts supporting the cornice. Existing roof structure with 9' high flat original ceiling
  • 9. During the process of demolition, we noticed evidence of wood rot. We decided to further investigate by removing some stucco from the garage interior walls and ceiling. We discovered that most of the wall studs had rotted at the bottom due to the fact that the original slab was poured below the top of the block foundation wall. Water easily entered the structure. It was evident that the stucco had been the only thing holding the garage structure together. The wall framing needed to be replaced. The challenge was to support the garage structure and slate roof while we replaced the rotten section of the wall. We poured a new stem wall to waterproof and protect the inside from water intrusion.
  • 10. Our new stem wall allowed us to properly waterproof and protect the interior. Note the angle on the curb face and how we did the form work. Per our engineer’s requirements, we inserted hooked dowels into the existing concrete, then epoxied them into place. Note: Picture to the right showing our finished wall. The rot is gone! The windows and wall are properly flashed and waterproofed. Pictured left: our engineer’s drawing
  • 11. The original garage slab was above a 6’ high crawlspace. We encapsulated the crawlspace below with a vapor barrier and insulated with foam. Tapered wood floor framing was required due to the slope of the slab. The framing was glued and mechanically fastened. Because of its superior performance, we used structured plywood for sheathing. We then installed a solid hickory floor with an engineered finish. Note: This photo also shows the stem walls that we poured.
  • 12. We constructed a temporary door and temporary lighting for our subs. Later we installed the carriage doors, with an expanded header and columns on either side to house the remote controlled screen and mechanisms. The framing over the former garage door was done over 85 years ago. The original framing was a truss header, which surprisingly lasted years. We replaced the header with two new LVLs. Pictured above: the engineer’s ceiling plan Note: the original brick wall.
  • 13. Our homeowner wanted to carve while enjoying the outside. We are proud of our unique design that allows a screen to be hidden in an expanded header above the carriage doors. It is remotely controlled, and can be stopped at any point. It was fabricated with an opaque section at the bottom that can be used to cover the windows for privacy when it is partially lowered (as seen on the upper right picture). Illustrated on the bottom right, the screen can be fully extended, allowing for a view without the bugs. The far left picture demonstrates how the room looks with the doors opened and the screen fully recessed. This innovative use of material allows the homeowner to be comfortable while enjoying a nice, sunny day. The Disappearing Screen Innovations
  • 14. Pictured left: We used the old coal chute in the garage to access the basement for vacuum ducting, electrical, and compressed air piping. Note photo to right: the spiral ducting and compressed air as they enter the studio through the old coal chute. Just like houses, the Carving Studio has its own mechanical room. There was an old coal storage room in the basement, not located directly under the Studio, but close enough to allow for access. The shop vacuum is pictured in the top left photo. Next to the vacuum system is the air compressor, whose piping travels with the duct work through the former coal chute into the Studio, where the tubing is connected to a pressure regulator and quick connect coupling. Innovative Means of Construction
  • 15. Note the bookmatched hickory on the cabinets. This attention to detail adds a special flair to the aesthetics of the Carving Studio. The 1 ¾” Bubinga plank style countertop complements the cabinets in a very dramatic manner.
  • 16. Great care was taken to create the Western Red Cedar soffits and beams. Because they were larger than standard sized material, we grain matched, glued, and milled the cedar on site to create exceptional bookmatched sizes that we needed. The dimensional sized timbers were cut so that we could create boxed beams without seams. Note the baseboard detailing, which created a ledge for the cedar on the walls.
  • 17. The hook on which the apron (pictured above) is hung was hand-carved by our client. There is plenty of opportunity to display the homeowner’s carvings. Being able to intersperse creations from the homeowner with our design adds a special personalized touch to this Carving Studio. The homeowner can comfortably store tools within various sized drawers (pictured above). Larger items, i.e. grinders and tool sharpeners, are stored within the tall cabinets.
  • 18. The apron is off; the Carving Studio has fulfilled its purpose.