What's the most amazing updates in Adobe Premiere Pro

1. NOV 2015 MAJOR UPDATES
*LUMETRI editor with better Lumetri scopes and
information data
Windows > Lumetri Color
*MORPH CUT: Morphing Jump Cuts (added to the
video effects)
*TIME TUNER feature when Exporting: adjust the
whole project (10% faster or 10% slower) while
maintaining quality.
Previous updates | versions in 2015
WHAT’s NEW
ADOBE PREMIERE PRO

2. JUNE 2015 MAJOR UPDATES
The “Blue Fox” update | Release version : 10.3 or 2015.3
*INGEST; which tells Adobe Premiere Pro what to do
with the media files when importing them.
File > Project Settings > Ingest Settings
To choose and point your media files to Proxies from
the Creative Cloud:
Reference > Media > Enable Proxies
WHAT’s NEW
ADOBE PREMIERE PRO

3. INGEST Settings & Media Browser
The Premiere Pro Media Browser panel allows you to ingest media automatically
in the background while you begin editing.
An ingest check box in the Media Browser panel toggles on/off the automatic
ingest behavior. A settings button next to it opens the Project Settings dialog box,
where you can adjust the ingest settings.
A similar ingest check box in the Project Settings dialog box is kept in sync with the
Media Browser panel setting. When toggled on, you can choose one of four
following operations to begin automatically when files are imported into the
project. You can continue to edit while the ingest process completes in the
background.
WHAT’s NEW
ADOBE PREMIERE PRO
JUNE 2015 MAJOR UPDATES
The “Blue Fox” update | Release version : 10.3 or 2015.3

4. Copy
You can copy the media as it is to a new location. For example, this option is
typically used to transfer camera footage from removable media onto your local
hard drive. The transfer path is specified by the Primary Destination option
available in Ingest Settings. After the media is copied, the clips in the project point
to these copies of the files.
Transcode
You can transcode the media to a new format in a new location. For example, this
option is typically used to transcode original camera footage to a specific format
used within a post-production facility. The file path is specified by the Primary
Destination option in Settings, and the format is specified by the chosen preset.
After the media has been transcoded, the clips in the project point to these
transcoded copies of the files.
WHAT’s NEW
ADOBE PREMIERE PRO
JUNE 2015 MAJOR UPDATES
The “Blue Fox” update | Release version : 10.3 or 2015.3

5. Create Proxies
Use this option to create and attach proxies to the media. For example, this option
is used to create lower-resolution clips for increased performance during editing,
which can be switched back to the original full resolution files for final output. The
file path where the proxies are generated is specified by the Proxy Destination
option in the settings, and the format is specified by the chosen preset. After
proxies have been generated, they are automatically attached to the clips in the
project.
Copy and Create Proxies
This option copies media and creates proxies for them as well, as specified above.
WHAT’s NEW
ADOBE PREMIERE PRO
JUNE 2015 MAJOR UPDATES
The “Blue Fox” update | Release version : 10.3 or 2015.3

6. Import Preset Support
All four options come with a set of default presets, which have the file
destinations set to 'Same as Project'. Alternatively, you can also choose a
custom destination or your Creative Cloud Files folder, which syncs the files
automatically to the cloud. You can also create your own 'Ingest' presets using
Adobe Media Encoder.
WHAT’s NEW
ADOBE PREMIERE PRO
JUNE 2015 MAJOR UPDATES
The “Blue Fox” update | Release version : 10.3 or 2015.3

7. Working with VIRTUAL REALITY
Adobe Premiere Pro added a new VR field of ie ode let editors ha dle
imported spherical stitched video to display field-of-view giving important
information about what the viewer is seeing when they glance in a particular
direction.
WHAT’s NEW
ADOBE PREMIERE PRO
JUNE 2015 MAJOR UPDATES
The “Blue Fox” update | Release version : 10.3 or 2015.3