3. Humanism
The idea that humans were
“the measure of all things” (protagoras)
Eternal Principle of Greek Art
The perfect individual or defined by ideal scale and
proportions became the greek ideal.
16. The main difference in appearance between Archaic Greek
sculpture and the Classical styles lies in the poses. Typically,
most types of Archaic statue were constructed of four strictly
frontal or profile elevations and, though usually one leg was
advanced and the other drawn back, the left and right halves
of the body were rigidly symmetrical. Classical statues are still
broadly four-square in design, but the balance of the standing
figure is shifted so that the axis of the body becomes a long
double curve, and to mitigate frontality the head (except in
cult statues) is turned regularly towards the side.
17.
18.
19. Early Classical Period (480–
450 BCE)
Marathon Boy
Style Hints: Downward turned
smile or frown, exaggerated
contrapposto, more refined
musculature, more lifelike but still
“Ideal” proportions
20. Early Classical Period (480–450
BCE)
Charioteer of Delphi
What stylistic differences mark this as
early classical?
21. Doryphoros or Spear Bearer by
Polykleitos
In what ways is this figure indicative of the
classical style?
22. Perseus
What material is this made of
and how does that help us
eliminate possibilities for which
period it belongs to?
24. Aphrodite Brachi by Praxiteles of Cnidus
-1st nude female figure
-Most heavily copied statue of ancient times
-exaggerated contraposto, head turn
-Use of cloth texture as demonstration of artists
skill