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Mischa Kelleher
Genre Conventions of a Mystery/Thriller film
Notable Protagonists within the genre
Characters: Withinthisgenre of filmthe maincharacter/protagonistwill usuallytake the formof a detective of some sort.
The character in questionmaybe anactual detective orsomeone affiliatedwiththe police force i.e.aforensicpsychologist,
or a pathologist;yettheycanalsomaterialise inthe formof a private investigatorwhichwasmostcommonlyusedwithin
the filmnoirmovement.Infactthe protagonistof the listedgenresof film,cantake anyformat,but are mostcommonly
seeninthe rolesI have mentionedinthe previoussentence.Inadditiontothe latterpoint,itisimportantto note thatwithin
thisbroad genre of filmthe protagonistmustcruciallyhave aninvestigative nature andinadditionmusthave adesire to
seekoutthe truth to whateverextentthatmaytake.Furthermore withinthisgenreof filmthe protagonistdoesn’t
necessarilyhave tobe the stereotypical herothatmanyHollywoodfilmswill portraytoaudiences;infactmanyfilmswithin
thisgenre will use flawedandcomplex charactersinordertomake the characters more relatable tothe audience,andto
emphasize the protagonistsstrugglethroughoutthe filmthusenablingthe audience torootfor himmore.Anadditional
elementthatisemployedthroughoutthisgenre istoconceive amismatchedpairof detectivesasthiscan addanotherlayer
of depthandtexture tothe story,as the relationshipbetweenthesetwocharactersandtheirexchangesoverthe course of
the filmcan make the filmmore enjoyable andentertaining.
Jodie FosterasF.B.I.cadetClarice StarlinginJonathanDemme’sadaptionof ThomasHarris’novel The Silence of The
Lambs (1991).
t
Mischa Kelleher
Jack NicholsonplaysJ.J.‘Jake’Gittes,InRomanPolanski’sChinatown(1974).
Guy Pearce plays the character of Leonard, an ex-insurance investigator with
short-term memory loss who in Christopher Nolan’s Memento (2000) tries to
piece together who killed his wife.
Mischa Kelleher
In DavidFincher’sfilmSeven(1995) Morgan FreemanandBrad Pitt playtwodetectivesone
inexperienced,the otheraveterantryingtocatch a serial killerwhousesthe sevendeadlysinsashis
modusoperandi.
The Antagonist/ Villain:
There are twofundamental elementsinthisgenre thatare ubiquitoustothe genre itself andinfluence the
narrative structure of the filmgreatly.These twofundamental processes,allow the directortouse hisown
creative abilitytoarrange suspense andnarrative enigmasfromthe screenplay,intothe textof the film.This
processdoeshowever,relytoanextentonthe directorsowningenuityincarryingoutthisaction.For instance
the firstof the twofundamental processesImentionedthat canbe identifiedthroughoutthisgenre isthe ‘open
mystery’. Thisreliesonaplotinwhichthe perpetratorof the crime,orthe device whichcreatedthe mystery
isn’tdirectlyrevealedtothe audience until the endof the film.The advantage of thisprocessisthatitgivesthe
directoran elementof mysteryandintriguefromthe outset,whichcanthenbe manipulatedbythe director
throughoutthe film.Inadditiontothisthe directorcan (if she/he pleases) place plotdevicessuchasred
herringsintothe filmwhichadda degree of complexitytothe film, andchallenge the audiencesabilitytofollow
the storyline andunderstandtheirrelevance tothe plot.These devicesdorelyonthe director’sabilityto
skilfullyadaptthemfromthe screenplayand weave themintothe sub-textof the film’splot.The secondformat
that can be employedinthisgenre isthe ‘closedmystery’itisreferredtobythisname as the audience becomes
aware of the identityof the antagonist/villainfromthe outset.Thisallowsthe filmtodivertintomore of a
thrillerasthe audience are aware of the villain’sidentity,whereasthe protagonistisnot.Thismeansthatfilm
will usuallytake the formatof cat andmouse gamesbetweenthe protagonistandthe antagonistbuilding
suspense andkeepingthe audience onthe edge of theirseats.
The form of the antagonistwithinthisgenre of filmcanbe relativelydiverse,asthisgenre of filmcontains
numeroussub-categoriesthatcanstray awayor stay true to the original foundationsthatallowedthe genre to
flourish.Forinstance withinthe mysterygenre of film, the formof the antagonistreliesheavilyonthe nature of
the filmi.e.whetheritisa psychological thriller,amysterythriller,anoir,or justa mystery.Thisisdue to the
fact that withinamysteryfilmthatispayinga homage to the firstfilmswithinthe genre,orismakingan
adaptionof an Agatha Christie novelthe villain’saren’tparticularlyinsidiousinnature andthisisusuallyacase
of the filmbeingmore astudyof a ‘crime of passion’orof a case of revenge.Whilstinpsychological thrillersand
Mischa Kelleher
Notable Antagonists within the genre
Anthony Hopkins as Hannibal Lecter in, the Silence of the Lambs (1991).
Jane Greeras the femme fatale KathieMoffettinthe classicfilmnoir
Out of Past (1947).
Mischa Kelleher
KevinSpaceyplaysthe legendaryyetmythical villainKeyzerSoze in
The Usual Suspects(1995).
Mischa Kelleher

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Genre conventions of a mystery

  • 1. Mischa Kelleher Genre Conventions of a Mystery/Thriller film Notable Protagonists within the genre Characters: Withinthisgenre of filmthe maincharacter/protagonistwill usuallytake the formof a detective of some sort. The character in questionmaybe anactual detective orsomeone affiliatedwiththe police force i.e.aforensicpsychologist, or a pathologist;yettheycanalsomaterialise inthe formof a private investigatorwhichwasmostcommonlyusedwithin the filmnoirmovement.Infactthe protagonistof the listedgenresof film,cantake anyformat,but are mostcommonly seeninthe rolesI have mentionedinthe previoussentence.Inadditiontothe latterpoint,itisimportantto note thatwithin thisbroad genre of filmthe protagonistmustcruciallyhave aninvestigative nature andinadditionmusthave adesire to seekoutthe truth to whateverextentthatmaytake.Furthermore withinthisgenreof filmthe protagonistdoesn’t necessarilyhave tobe the stereotypical herothatmanyHollywoodfilmswill portraytoaudiences;infactmanyfilmswithin thisgenre will use flawedandcomplex charactersinordertomake the characters more relatable tothe audience,andto emphasize the protagonistsstrugglethroughoutthe filmthusenablingthe audience torootfor himmore.Anadditional elementthatisemployedthroughoutthisgenre istoconceive amismatchedpairof detectivesasthiscan addanotherlayer of depthandtexture tothe story,as the relationshipbetweenthesetwocharactersandtheirexchangesoverthe course of the filmcan make the filmmore enjoyable andentertaining. Jodie FosterasF.B.I.cadetClarice StarlinginJonathanDemme’sadaptionof ThomasHarris’novel The Silence of The Lambs (1991). t
  • 2. Mischa Kelleher Jack NicholsonplaysJ.J.‘Jake’Gittes,InRomanPolanski’sChinatown(1974). Guy Pearce plays the character of Leonard, an ex-insurance investigator with short-term memory loss who in Christopher Nolan’s Memento (2000) tries to piece together who killed his wife.
  • 3. Mischa Kelleher In DavidFincher’sfilmSeven(1995) Morgan FreemanandBrad Pitt playtwodetectivesone inexperienced,the otheraveterantryingtocatch a serial killerwhousesthe sevendeadlysinsashis modusoperandi. The Antagonist/ Villain: There are twofundamental elementsinthisgenre thatare ubiquitoustothe genre itself andinfluence the narrative structure of the filmgreatly.These twofundamental processes,allow the directortouse hisown creative abilitytoarrange suspense andnarrative enigmasfromthe screenplay,intothe textof the film.This processdoeshowever,relytoanextentonthe directorsowningenuityincarryingoutthisaction.For instance the firstof the twofundamental processesImentionedthat canbe identifiedthroughoutthisgenre isthe ‘open mystery’. Thisreliesonaplotinwhichthe perpetratorof the crime,orthe device whichcreatedthe mystery isn’tdirectlyrevealedtothe audience until the endof the film.The advantage of thisprocessisthatitgivesthe directoran elementof mysteryandintriguefromthe outset,whichcanthenbe manipulatedbythe director throughoutthe film.Inadditiontothisthe directorcan (if she/he pleases) place plotdevicessuchasred herringsintothe filmwhichadda degree of complexitytothe film, andchallenge the audiencesabilitytofollow the storyline andunderstandtheirrelevance tothe plot.These devicesdorelyonthe director’sabilityto skilfullyadaptthemfromthe screenplayand weave themintothe sub-textof the film’splot.The secondformat that can be employedinthisgenre isthe ‘closedmystery’itisreferredtobythisname as the audience becomes aware of the identityof the antagonist/villainfromthe outset.Thisallowsthe filmtodivertintomore of a thrillerasthe audience are aware of the villain’sidentity,whereasthe protagonistisnot.Thismeansthatfilm will usuallytake the formatof cat andmouse gamesbetweenthe protagonistandthe antagonistbuilding suspense andkeepingthe audience onthe edge of theirseats. The form of the antagonistwithinthisgenre of filmcanbe relativelydiverse,asthisgenre of filmcontains numeroussub-categoriesthatcanstray awayor stay true to the original foundationsthatallowedthe genre to flourish.Forinstance withinthe mysterygenre of film, the formof the antagonistreliesheavilyonthe nature of the filmi.e.whetheritisa psychological thriller,amysterythriller,anoir,or justa mystery.Thisisdue to the fact that withinamysteryfilmthatispayinga homage to the firstfilmswithinthe genre,orismakingan adaptionof an Agatha Christie novelthe villain’saren’tparticularlyinsidiousinnature andthisisusuallyacase of the filmbeingmore astudyof a ‘crime of passion’orof a case of revenge.Whilstinpsychological thrillersand
  • 4. Mischa Kelleher Notable Antagonists within the genre Anthony Hopkins as Hannibal Lecter in, the Silence of the Lambs (1991). Jane Greeras the femme fatale KathieMoffettinthe classicfilmnoir Out of Past (1947).
  • 5. Mischa Kelleher KevinSpaceyplaysthe legendaryyetmythical villainKeyzerSoze in The Usual Suspects(1995).