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[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
1. Hvorfor? Generel interesse i amatørfotografi ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
Christian Boltanski: Sans-Souci , 1991
Lene Adler Petersen, Bjørn Nørgaard: Dette er ingen drøm , 1981
Jytte Rex: ”Fra en restaurationspiges dagbog” i Jeg har ikke lukket et øje  – en billedroman , 1978
 
2. Hvad er der skrevet? ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
3. Materialeeksempler: to albums fra Chicago ,[object Object],[object Object],[object Object]
4. Metodologiske udfordringer? ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
Familie album ,[object Object],[object Object],[object Object]
Max Kestner (1969):  Rejsen på ophavet, 2004 ,[object Object]

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