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Music in the Marketplace 
Leah Stephens, Fulbright-Hays 2014 
John H. Hamline Elementary School 
Chicago, IL 
Summary 
In this unit, students will examine the dynamic nature of the marketplace in China, 
paying particular attention to sound, rhythm, and timbre. While they delve into the 
sounds of the Chinese marketplace, they will also be examining commerce in their 
own neighborhood, comparing and contrasting effective sales techniques, quality 
products, and aesthetic elements. The performance task assessment asks students 
to choose a product and compose an original soundscape to accompany the 
presentation of this product. Students will then participate in a mini-marketplace in 
order to determine the effectiveness of their soundscape and sales plan. As students 
progress throughout the unit, they will gain understanding of the elements of the 
market in Chinese culture, the variety of needs and opinions within a small cross-section 
of the population, and the sense of community and solidarity that is often on 
display in public areas. 
Grade Levels 
This unit is intended for 8th grade students and is written with the typical general 
music class in mind, where students attend music once per week for an hour. This 
unit could be taught in conjunction with a language arts teacher or a visual arts 
teacher. 
Background 
In many neighborhoods in China, the marketplace is a flurry of activity. The sounds 
are a cacophony of conflicting interests, with many vendors attempting to attract 
the attention of each and every customer walking by their wares. Many vendors use 
visual displays, but oftentimes, an aural element is often added to attract the 
attention of customers, even if they are not yet in sight. 
Students involved in this project will experience the sights and sounds of the 
marketplace through a variety of videos and pictures I took throughout the 
marketplaces in the various cities we visited. In Beijing, the Wangfujing night 
market’s crowded aisles attracted customers through a panoply of fascinating 
sights, including squirming scorpions on sticks and an unmatched perseverance for 
bargaining. The Xi’an Muslim Quarter’s penchant for rhythmically pounding sweets 
attracted a crowd at every corner. The neighborhood markets in Shanghai and 
Beijing provided the local feel, as vendors relied on beautiful and colorful displays of 
fruits, vegetables, and seafood to lure customers. The antique market in Beijing 
provided yet another experience, as the goods varied from food, to jewelry, to 
musical instruments.
After listening to recordings, watching videos, and looking at pictures, students will 
sense the liveliness and vibrancy of the Chinese marketplace. Through this 
understanding, they will come to know a vital aspect of Chinese culture: the sense of 
community inherent in the public spaces of the cities and neighborhoods that make 
up this vast country. 
2 
Primary Content Standards 
National Core Arts Standards: 
 MU.:Cr2.1.8a-Select, organize, and document personal musical ideas for 
arrangements, songs, and compositions within expanded forms that 
demonstrate tension and release, unity and variety, balance, and convey 
expressive intent. 
 MU:Pr4.2.8c-Identify how cultural and historical context inform performance 
and results in different musical effects. 
Illinois Fine Arts Standards: 
 IL25A.I.- Explain how sensory elements, organizational principles, and 
expressive qualities are combined to produce unity/variety, tension/release, 
and balance in a musical performance. 
 IL26A.H.6- 6. Critique the effectiveness (e.g., style, interpretation, 
instrumentation) of a performer or conductor. 
Essential Questions 
Students will keep considering….. 
 Why do people choose one product over another? 
 Does music impact commerce? 
 How do people around the world use music in daily life? 
Enduring Understandings 
Students will understand that… 
 Sales tactics and sensory elements greatly impact the popularity of a product 
on any given day 
 Understanding connections to varied contexts and daily life enhances 
musicians’ creating, performing, and responding 
Materials 
 Powerpoint with videos and audio of Chinese marketplaces 
 Classroom instruments (optional) 
Learning Plan 
Lesson 1: Day-to-Day Sounds Around the World 
Objectives: 
Students will…. 
 Demonstrate understanding of the variety of marketplaces in China and in 
their own neighborhood
3 
 Describe the soundscape of a particular place in their neighborhood and 
compare it to recordings from a marketplace in China 
Activities: 
 Frame the lesson with the Essential Question, “Does music impact 
commerce?” Use a graphic organizer or note catcher (T-chart, KWL, etc.) to 
brainstorm students’ thoughts on this question. 
 Listen to the three Audio Examples on the Powerpoint and have students 
take note of the sounds they hear with regard to the type (voice, instrument, 
sound) dynamic level, and timbre. Use a three column chart (see Appendix 
A) for this activity 
 Discuss their answers, listening carefully for words that describe the timbre 
and dynamic level. See Appendix B for sample answers. 
 Have students brainstorm places in their neighborhood where people buy 
food on at least a weekly basis. In pairs, they will choose one of these places 
and describe the soundscape of that store, marketplace, or food cart (Use the 
chart from Appendix A). Have a few pairs of students share their answers 
with the class. 
 Have students create the soundscape (as a class) of one of the places they 
described from their neighborhood. Record the soundscape (10 to 15 
second) and play it back for students. Discuss the layers, timbre, dynamics, 
and sound types. Revise the soundscape to add more layers, take away a 
layer, or change the dynamics to see how these changes impact the overall 
effect. Add classroom instruments or other objects if desired to simulate 
sounds. 
Assessment: 
 Exit Slip: How does the marketplace at which you frequently shop compare 
with the marketplace you heard in China? Use the musical elements dynamics 
and timbre in your response. 
Lesson 2: Point of View and Aesthetics 
Objectives: 
Students will…. 
 Describe the variety of aesthetic ideas present in different shopping venues 
 Consider multiple points of view (cultural, gender, age, etc.) when examining 
a product or advertisement 
Activities: 
 Frame the lesson by reviewing the different soundscapes from the previous 
lesson. Ask students: 
o What biases do you bring with you when you listen to sounds and 
music? 
 Take 3 minutes and do a “Think-Pair-Share” on the following topic: 
o When and where do you hear music throughout your day? 
 How might this change if you were 10 years older? 20 years older?
 How might this change if you were in Florida? Canada? England? China? 
 How might this change if you were of the opposite gender? 
 Discuss Lesson Objective #2 with students and explain that they are going to 
4 
be examining products and/or advertisements through different lenses. 
 Divide students into groups of 3-4. Each group receives a set of questions, 
one of three different pictures, and a different “lens” (See Appendix C). After 
15 minutes, groups share their work. 
 As a class, choose one advertisement and one lens to create a soundscape 
that targets the desired audience 
Lesson 3: Community & Daily Life 
Objectives: 
Students will… 
 Compare their community to the Chinese community 
 Evaluate the solidarity of their community 
 Explain how music and the arts have a role in the life of communities around 
the world 
Activities: 
 Show students the pictures and videos from the public parks in China (see 
Powerpoint slides #23-31). Use the guiding questions on the slides to discuss 
similarities and differences between the pictures on the slides and students’ 
own community. Use a Venn diagram to aid students’ thinking if desired. 
 Write a narrative describing a typical weekend day in the life of your 
community. How do the arts and/or music play a part in the community? 
Lesson 4: The Sales Pitch 
Objectives: 
Students will… 
 Describe the methods used to attract customers in a given situation and 
critique the effectiveness of those methods 
Activities: 
 Show students the 4 videos/pictures (slides 32-35). After discussion (which 
methods are the most effective) have students work in small groups (3-4 
students) to choose one of the four videos/pictures and improve the scenario 
with either a new sales tactic, a soundscape, or a new display of visual appeal 
Performance Task Assessment 
After at least 4 weeks, students should begin to look at the Performance Task (see 
Appendix D). 
Extension Idea 
 Students could create a variety of Chinese arts and crafts in conjunction with 
their visual arts instruction (for example, Chinese paper cutting or 
calligraphy) to sell at the mini-marketplace, instead of a pre-existing product
5 
Appendix A 
Dynamic Level 
(Volume) 
Timbre Type 
Recording #1 
Recording #2 
Recording #3
6 
Appendix B 
Dynamic Level 
(Volume) 
Timbre Type 
Recording #1 Forte (loud); Piano 
(soft)-ambient 
background noise, 
piano; Mezzo forte 
(moderately loud)- 
pounding 
Metallic, percussive Voice in a 
microphone, 
something wooden 
pounding 
Recording #2 Piano (soft); Mechanical, 
whirring sound 
Some kind of 
machinery 
Recording #3 Mezzo forte 
(moderately loud); 
Percussive (back 
beat of the radio); 
reedy (woodwind 
sound at the 
beginning of the 
piece) 
Radio (voice and 
instrumental), 
ambient 
background noise
7 
Appendix C: 
Print and cut each group onto a different sheet of paper. Give students a picture or 
digital image of their advertisement. 
Group 1: 
Your Lens: 25-year-old Chinese female 
Your product: Giordano advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go? 
Group 2: 
Your Lens: 25-year-old Chinese male 
Your product: Giordano advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go? 
Group 3: 
Your Lens: 65-year-old America male 
Your product: Giordano advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go? 
Group 4: 
Your Lens: 12-year-old Chinese female 
Your product: Old Navy advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go? 
Group 5: 
Your Lens: 18-year-old Chinese male 
Your product: Old Navy advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go?
8 
Group 6: 
Your Lens: 6-year-old America female 
Your product: Old Navy advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go? 
Group 7: 
Your Lens: 10-year-old Chinese male 
Your product: Pringles advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go? 
Group 8: 
Your Lens: 10-year-old America male 
Your product: Old Navy advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go? 
Group 9: 
Your Lens: 22-year-old America female 
Your product: Old Navy advertisement 
Answer the following questions (from the Powerpoint): 
 Do I want this product? Why or why not? 
 What aesthetic devices are being used to appeal to me? 
 Would I see this advertisement/product in a place where I usually go?
Appendix D 
Performance Task 
You are the son/daughter of a vendor in a marketplace. Your family has been in 
same place in the marketplace for years now and has decided it is time to upgrade 
the business strategy in order to reach new customers and make more money. Your 
goal is to create or choose a product that appeals to a new target audience and 
design a soundscape that will bring in that target audience. A successful result will 
consider dynamics, timbre, and visual appeal (aesthetics) for the target audience. 
Notes about the performance task: 
Depending upon the level of the students, they may or may not be able to completely 
write out notation for their soundscape. In this instance, iconic notation (or 
invented notation) would be the most appropriate. 
9

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Music in the marketplace unit l. stephens

  • 1. 1 Music in the Marketplace Leah Stephens, Fulbright-Hays 2014 John H. Hamline Elementary School Chicago, IL Summary In this unit, students will examine the dynamic nature of the marketplace in China, paying particular attention to sound, rhythm, and timbre. While they delve into the sounds of the Chinese marketplace, they will also be examining commerce in their own neighborhood, comparing and contrasting effective sales techniques, quality products, and aesthetic elements. The performance task assessment asks students to choose a product and compose an original soundscape to accompany the presentation of this product. Students will then participate in a mini-marketplace in order to determine the effectiveness of their soundscape and sales plan. As students progress throughout the unit, they will gain understanding of the elements of the market in Chinese culture, the variety of needs and opinions within a small cross-section of the population, and the sense of community and solidarity that is often on display in public areas. Grade Levels This unit is intended for 8th grade students and is written with the typical general music class in mind, where students attend music once per week for an hour. This unit could be taught in conjunction with a language arts teacher or a visual arts teacher. Background In many neighborhoods in China, the marketplace is a flurry of activity. The sounds are a cacophony of conflicting interests, with many vendors attempting to attract the attention of each and every customer walking by their wares. Many vendors use visual displays, but oftentimes, an aural element is often added to attract the attention of customers, even if they are not yet in sight. Students involved in this project will experience the sights and sounds of the marketplace through a variety of videos and pictures I took throughout the marketplaces in the various cities we visited. In Beijing, the Wangfujing night market’s crowded aisles attracted customers through a panoply of fascinating sights, including squirming scorpions on sticks and an unmatched perseverance for bargaining. The Xi’an Muslim Quarter’s penchant for rhythmically pounding sweets attracted a crowd at every corner. The neighborhood markets in Shanghai and Beijing provided the local feel, as vendors relied on beautiful and colorful displays of fruits, vegetables, and seafood to lure customers. The antique market in Beijing provided yet another experience, as the goods varied from food, to jewelry, to musical instruments.
  • 2. After listening to recordings, watching videos, and looking at pictures, students will sense the liveliness and vibrancy of the Chinese marketplace. Through this understanding, they will come to know a vital aspect of Chinese culture: the sense of community inherent in the public spaces of the cities and neighborhoods that make up this vast country. 2 Primary Content Standards National Core Arts Standards:  MU.:Cr2.1.8a-Select, organize, and document personal musical ideas for arrangements, songs, and compositions within expanded forms that demonstrate tension and release, unity and variety, balance, and convey expressive intent.  MU:Pr4.2.8c-Identify how cultural and historical context inform performance and results in different musical effects. Illinois Fine Arts Standards:  IL25A.I.- Explain how sensory elements, organizational principles, and expressive qualities are combined to produce unity/variety, tension/release, and balance in a musical performance.  IL26A.H.6- 6. Critique the effectiveness (e.g., style, interpretation, instrumentation) of a performer or conductor. Essential Questions Students will keep considering…..  Why do people choose one product over another?  Does music impact commerce?  How do people around the world use music in daily life? Enduring Understandings Students will understand that…  Sales tactics and sensory elements greatly impact the popularity of a product on any given day  Understanding connections to varied contexts and daily life enhances musicians’ creating, performing, and responding Materials  Powerpoint with videos and audio of Chinese marketplaces  Classroom instruments (optional) Learning Plan Lesson 1: Day-to-Day Sounds Around the World Objectives: Students will….  Demonstrate understanding of the variety of marketplaces in China and in their own neighborhood
  • 3. 3  Describe the soundscape of a particular place in their neighborhood and compare it to recordings from a marketplace in China Activities:  Frame the lesson with the Essential Question, “Does music impact commerce?” Use a graphic organizer or note catcher (T-chart, KWL, etc.) to brainstorm students’ thoughts on this question.  Listen to the three Audio Examples on the Powerpoint and have students take note of the sounds they hear with regard to the type (voice, instrument, sound) dynamic level, and timbre. Use a three column chart (see Appendix A) for this activity  Discuss their answers, listening carefully for words that describe the timbre and dynamic level. See Appendix B for sample answers.  Have students brainstorm places in their neighborhood where people buy food on at least a weekly basis. In pairs, they will choose one of these places and describe the soundscape of that store, marketplace, or food cart (Use the chart from Appendix A). Have a few pairs of students share their answers with the class.  Have students create the soundscape (as a class) of one of the places they described from their neighborhood. Record the soundscape (10 to 15 second) and play it back for students. Discuss the layers, timbre, dynamics, and sound types. Revise the soundscape to add more layers, take away a layer, or change the dynamics to see how these changes impact the overall effect. Add classroom instruments or other objects if desired to simulate sounds. Assessment:  Exit Slip: How does the marketplace at which you frequently shop compare with the marketplace you heard in China? Use the musical elements dynamics and timbre in your response. Lesson 2: Point of View and Aesthetics Objectives: Students will….  Describe the variety of aesthetic ideas present in different shopping venues  Consider multiple points of view (cultural, gender, age, etc.) when examining a product or advertisement Activities:  Frame the lesson by reviewing the different soundscapes from the previous lesson. Ask students: o What biases do you bring with you when you listen to sounds and music?  Take 3 minutes and do a “Think-Pair-Share” on the following topic: o When and where do you hear music throughout your day?  How might this change if you were 10 years older? 20 years older?
  • 4.  How might this change if you were in Florida? Canada? England? China?  How might this change if you were of the opposite gender?  Discuss Lesson Objective #2 with students and explain that they are going to 4 be examining products and/or advertisements through different lenses.  Divide students into groups of 3-4. Each group receives a set of questions, one of three different pictures, and a different “lens” (See Appendix C). After 15 minutes, groups share their work.  As a class, choose one advertisement and one lens to create a soundscape that targets the desired audience Lesson 3: Community & Daily Life Objectives: Students will…  Compare their community to the Chinese community  Evaluate the solidarity of their community  Explain how music and the arts have a role in the life of communities around the world Activities:  Show students the pictures and videos from the public parks in China (see Powerpoint slides #23-31). Use the guiding questions on the slides to discuss similarities and differences between the pictures on the slides and students’ own community. Use a Venn diagram to aid students’ thinking if desired.  Write a narrative describing a typical weekend day in the life of your community. How do the arts and/or music play a part in the community? Lesson 4: The Sales Pitch Objectives: Students will…  Describe the methods used to attract customers in a given situation and critique the effectiveness of those methods Activities:  Show students the 4 videos/pictures (slides 32-35). After discussion (which methods are the most effective) have students work in small groups (3-4 students) to choose one of the four videos/pictures and improve the scenario with either a new sales tactic, a soundscape, or a new display of visual appeal Performance Task Assessment After at least 4 weeks, students should begin to look at the Performance Task (see Appendix D). Extension Idea  Students could create a variety of Chinese arts and crafts in conjunction with their visual arts instruction (for example, Chinese paper cutting or calligraphy) to sell at the mini-marketplace, instead of a pre-existing product
  • 5. 5 Appendix A Dynamic Level (Volume) Timbre Type Recording #1 Recording #2 Recording #3
  • 6. 6 Appendix B Dynamic Level (Volume) Timbre Type Recording #1 Forte (loud); Piano (soft)-ambient background noise, piano; Mezzo forte (moderately loud)- pounding Metallic, percussive Voice in a microphone, something wooden pounding Recording #2 Piano (soft); Mechanical, whirring sound Some kind of machinery Recording #3 Mezzo forte (moderately loud); Percussive (back beat of the radio); reedy (woodwind sound at the beginning of the piece) Radio (voice and instrumental), ambient background noise
  • 7. 7 Appendix C: Print and cut each group onto a different sheet of paper. Give students a picture or digital image of their advertisement. Group 1: Your Lens: 25-year-old Chinese female Your product: Giordano advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go? Group 2: Your Lens: 25-year-old Chinese male Your product: Giordano advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go? Group 3: Your Lens: 65-year-old America male Your product: Giordano advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go? Group 4: Your Lens: 12-year-old Chinese female Your product: Old Navy advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go? Group 5: Your Lens: 18-year-old Chinese male Your product: Old Navy advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go?
  • 8. 8 Group 6: Your Lens: 6-year-old America female Your product: Old Navy advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go? Group 7: Your Lens: 10-year-old Chinese male Your product: Pringles advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go? Group 8: Your Lens: 10-year-old America male Your product: Old Navy advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go? Group 9: Your Lens: 22-year-old America female Your product: Old Navy advertisement Answer the following questions (from the Powerpoint):  Do I want this product? Why or why not?  What aesthetic devices are being used to appeal to me?  Would I see this advertisement/product in a place where I usually go?
  • 9. Appendix D Performance Task You are the son/daughter of a vendor in a marketplace. Your family has been in same place in the marketplace for years now and has decided it is time to upgrade the business strategy in order to reach new customers and make more money. Your goal is to create or choose a product that appeals to a new target audience and design a soundscape that will bring in that target audience. A successful result will consider dynamics, timbre, and visual appeal (aesthetics) for the target audience. Notes about the performance task: Depending upon the level of the students, they may or may not be able to completely write out notation for their soundscape. In this instance, iconic notation (or invented notation) would be the most appropriate. 9