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SLOVENIAN CASE FOR UCRAINE
Domestic audio-visual production:
way to strenghten the national
identity?
Different mechanisms of government protection of national
audio visual and film production in Slovenia
Slovenia enhances a...
RTV Slovenia DCQs (domestic content quotas) for television are:
•25% of Slovenian AV-production,
•¼ of all Slovenian AV-pr...
Analysis of effectiveness of the mechanisms of state support
and suggestions for Ukraine
Slovenian system is good when it ...
Regarding only television, the state has to give good fundaments for the public
television as the commercial networks are ...
Keeping up with the copyright legislation on TV
Slovenian copyright system is as complicated as possible. Respect of the
c...
Protection of children broadcasting in Slovenia
Airing of potentially harmfull content is admissible if it is labeled and
...
•broadcasters are obliged to label potentially harmful content published by
appropriate acoustic and visual warning during...
The protection of children and minors with an acoustic warnings for
broadcasts that are not suitable for children and adol...
Conclusion
Slovenia has high protection of domestic production as its
extremely important for the nation identity. /visual...
Cпасибі!
For any additional information you can always write me to:
natalija.gorscak@rtvslo.si
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Slovenia example for Ukraine

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Domestic audio-visual production: way to strenghten the national identity?

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Slovenia example for Ukraine

  1. 1. SLOVENIAN CASE FOR UCRAINE Domestic audio-visual production: way to strenghten the national identity?
  2. 2. Different mechanisms of government protection of national audio visual and film production in Slovenia Slovenia enhances and protects the national visual and film production by: •co-financing domestic production via Slovenian Film Center, •co-financing domestic production via Radio-television Slovenia, •regulating domestic quotes on public and commercial Television. The Institution controling domestic quotes of AV-market as a whole is AKOS, Agency for communication networks and services of the Republic of Slovenia which controls fulfilling of the quotas and advertising on the public and commercial television.
  3. 3. RTV Slovenia DCQs (domestic content quotas) for television are: •25% of Slovenian AV-production, •¼ of all Slovenian AV-production needs to be Slovenian Independent production Daily: •20% of the daily aired program needs to be domestic Slovenian production •at least 50% of daily aired program needs to be European , •at least 10% of above mentioned program needs to be European independent production, of which at least half needs to be new production In prime time 18:00 – 22:00: •60 minutes need to be domestic production •if there’s a repetition, only first repetition counts
  4. 4. Analysis of effectiveness of the mechanisms of state support and suggestions for Ukraine Slovenian system is good when it comes to the DCQs, but it shouldn’t be so strict, as sometimes it’s extremely difficult to fulfill it. The system needs to be: •simple and well defined when it comes to genres and quality of programs, •Financially better defined than Slovenian one, •The system has to enhance international co-productions.
  5. 5. Regarding only television, the state has to give good fundaments for the public television as the commercial networks are very strong and they become politically powerful very quickly. Regarding Film Centre, the financial and governance points are really important. The political control needs to be substituted by the control of the civil society. For both, all the tenders, results of the tender and final financial reports need to be announced publicly and need to be from time to time revised by an international institution or body .
  6. 6. Keeping up with the copyright legislation on TV Slovenian copyright system is as complicated as possible. Respect of the copyright legislation brings enormous problems when it comes to TV- production, especially when it comes to use of music of non-Slovenian production and use of video or photo material of non-Slovenian origin. The reason is being small and low profit expectation.
  7. 7. Protection of children broadcasting in Slovenia Airing of potentially harmfull content is admissible if it is labeled and appropriate to the selected time, so that children and minors under normal conditions do not have access to them: -contents that are not suitable for children and adolescents up to 12 years, may begin to play after 21 hours, -the contents of which are not suitable for children and adolescents up to the age of 15, after 22 hours, -and content that is not suitable for children and adolescents up to 18 years, after 24 hours - but this kind of content can be played no later than 5 am.
  8. 8. •broadcasters are obliged to label potentially harmful content published by appropriate acoustic and visual warning during playback should be such content all the time labeled with an appropriate visual symbol (the minister responsible for the media, the implementing regulations determine the acoustic and visual warning, a visual symbol and way of publishing). /visual example/
  9. 9. The protection of children and minors with an acoustic warnings for broadcasts that are not suitable for children and adolescents in audiovisual media services on demand is also necessary. To make a special effort for children protection TV Slovenia has produced jingles to mark Children programming – children can see it before and after the children's program. /visual example/
  10. 10. Conclusion Slovenia has high protection of domestic production as its extremely important for the nation identity. /visual example/
  11. 11. Cпасибі! For any additional information you can always write me to: natalija.gorscak@rtvslo.si

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