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THE RISE OF A SCULPTURE COLLECTING CULTURE IN LATE MEDIEVAL GERMANY
ARDS 4th Annual Study Day | Collecting Medieval Sculpture
November 24, 2017
Musée du Louvre, Paris
Dr Miya Tokumitsu
University of Melbourne
miya.tokumitsu@unimelb.edu.au
Doman (Thomas) Hering, The Judgment of Paris,
Solnhofen stone, c. 1535
Bode-Museum, Berlin.
“The present interest of these three [secular] genres—the portrait, the public
fountain and the fleshly cabinet-piece—is that they prompt us to look back again
to the age of the retable with a surmise about lesser and secular functions” (78).
“It seems almost as if the Reformation decade may have concretely analysed
out a mixture of functions within pre-Reformation sculpture: the major
devotional function having been extracted, minor residual functions are being
precipitated as separate minor genres” (78).
Peter Flötner
Vanitas
Gilded bronze, 1535–40
Bayrisches Nationalmuseum, Munich
Conrat Meit
Eve
Boxwood, c. 1530–35
Kunsthistorisches Museum, Vienna
Photo © KHM-Museumsverband
Hans Schwarz
Death and the Maiden
c. 1520
Bode-Museum, Berlin
Attributed to Niclaus Gerhaert van Leyden
Standing Female Figure (apple wood) and Virgin and Child (boxwood)
c. 1465
Veit Stoss
Virgin and Child
c. 1495
Photo © Victoria & Albert Museum, London
Albrecht Dürer
Erasmus of Rotterdam
Engraving, 1526.
Vittore Carpaccio, St Augustine in His Study. Tempera on panel, c. 1502
Scuola di San Giorgio degli Schiavoni, Venice
Michel Erhart
Hellespontian Sibyl
oak, c. 1470
Ulm Münster
Attributed to Michel Erhart
Bust of a Young Man,
Bust of a Young Woman
limewood, c. 1480
Photos © Victoria and Albert Museum,
London
Erhard Schön
Complaint of the Poor Persecuted Idols
Woodcut, c. 1530
Peter Flötner
Vanitas
Gilded bronze, 1535–40
Bayrisches Nationalmuseum, Munich
Hans Peisser
Cleopatra
Pearwood, c. 1550
Kunsthistorisches Museum, Vienna
Photo © KHM-Museumsverband
Lust Gluttony Vanity Wrath Avarice Pride
Peter Dell the Elder, Deadly Sins, c. 1530
Germanisches Nationalmuseum, Nuremberg
Hans Ässlinger
The Judgment of Paris
Solnhofen limestone, c. 1550
Bayrisches Nationalmuseum, Munich
Hans Schwarz
Death and the Maiden
c. 1520
Bode-Museum, Berlin
Sebastian Locher
Justicia
Boxwood relief, 1536
Bode-Museum, Berlin
Hans Peisser
Nemesis or Venus Marina
Pearwood, after 1550
Kunsthistorisches Museum, Vienna
Photo © KHM-Museumsverband
Sebald Beham
Melancholia
Engraving, n.d.
Sebald Beham
Night
Engraving, 1548
Albrecht Dürer,
Forge of the Heart
Drawing, c. 1527–28
The British Museum, London
Master IB,
Forge of the Heart
Engraving, c. 1529
Hans Peisser,
Forge of the Heart
Pearwood, c. 1540
Photo © KHM-Museumsverband
Veit Stoss
Madonna and Child with Pomegranate
Engraving, c. 1500
Veit Stoss
Angelic Salutation
Limewood, 1518
Church of St. Lorenz, Nuremberg
Ludwig Krug
Nativity
Engraving, 1516
Ludwig Krug
Adam and Eve
Solnhofen stone, 1514
Bode-Museum, Berlin
Urs Graf I
Standard Bearer for the Canton of Bern
White-line woodcut, 1521
Urs Graf I
Scenes from the Life of Bernard of Clairvaux: Vision of the Virgin and Child, Conversion
of William X of Aquitaine
Engraved silver, 1519
Swiss National Museum, Zürich
Peter Flötner and Melchior Baier
Coconut vessel for the Holzschuher
Coconut shell and gold, c. 1535
Germanisches Nationalmuseum, Nuremberg
Peter Flötner
Playing card
Woodcut, 1525—26
Peter Flötner
Saturn, Sol, Mars
Lead plaquettes, 1540–46
Photos © Victoria and Albert Museum, London
5 Miya Tokumitsu The Rise of a Sculpture Collecting Culture in Late Medieval Germany

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5 Miya Tokumitsu The Rise of a Sculpture Collecting Culture in Late Medieval Germany

  • 1. THE RISE OF A SCULPTURE COLLECTING CULTURE IN LATE MEDIEVAL GERMANY ARDS 4th Annual Study Day | Collecting Medieval Sculpture November 24, 2017 Musée du Louvre, Paris Dr Miya Tokumitsu University of Melbourne miya.tokumitsu@unimelb.edu.au
  • 2.
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  • 4. Doman (Thomas) Hering, The Judgment of Paris, Solnhofen stone, c. 1535 Bode-Museum, Berlin.
  • 5. “The present interest of these three [secular] genres—the portrait, the public fountain and the fleshly cabinet-piece—is that they prompt us to look back again to the age of the retable with a surmise about lesser and secular functions” (78). “It seems almost as if the Reformation decade may have concretely analysed out a mixture of functions within pre-Reformation sculpture: the major devotional function having been extracted, minor residual functions are being precipitated as separate minor genres” (78).
  • 6. Peter Flötner Vanitas Gilded bronze, 1535–40 Bayrisches Nationalmuseum, Munich Conrat Meit Eve Boxwood, c. 1530–35 Kunsthistorisches Museum, Vienna Photo © KHM-Museumsverband Hans Schwarz Death and the Maiden c. 1520 Bode-Museum, Berlin
  • 7. Attributed to Niclaus Gerhaert van Leyden Standing Female Figure (apple wood) and Virgin and Child (boxwood) c. 1465
  • 8. Veit Stoss Virgin and Child c. 1495 Photo © Victoria & Albert Museum, London
  • 9. Albrecht Dürer Erasmus of Rotterdam Engraving, 1526.
  • 10. Vittore Carpaccio, St Augustine in His Study. Tempera on panel, c. 1502 Scuola di San Giorgio degli Schiavoni, Venice
  • 12. Attributed to Michel Erhart Bust of a Young Man, Bust of a Young Woman limewood, c. 1480 Photos © Victoria and Albert Museum, London
  • 13. Erhard Schön Complaint of the Poor Persecuted Idols Woodcut, c. 1530
  • 14. Peter Flötner Vanitas Gilded bronze, 1535–40 Bayrisches Nationalmuseum, Munich Hans Peisser Cleopatra Pearwood, c. 1550 Kunsthistorisches Museum, Vienna Photo © KHM-Museumsverband
  • 15. Lust Gluttony Vanity Wrath Avarice Pride Peter Dell the Elder, Deadly Sins, c. 1530 Germanisches Nationalmuseum, Nuremberg
  • 16. Hans Ässlinger The Judgment of Paris Solnhofen limestone, c. 1550 Bayrisches Nationalmuseum, Munich Hans Schwarz Death and the Maiden c. 1520 Bode-Museum, Berlin
  • 17. Sebastian Locher Justicia Boxwood relief, 1536 Bode-Museum, Berlin Hans Peisser Nemesis or Venus Marina Pearwood, after 1550 Kunsthistorisches Museum, Vienna Photo © KHM-Museumsverband
  • 18. Sebald Beham Melancholia Engraving, n.d. Sebald Beham Night Engraving, 1548
  • 19. Albrecht Dürer, Forge of the Heart Drawing, c. 1527–28 The British Museum, London Master IB, Forge of the Heart Engraving, c. 1529 Hans Peisser, Forge of the Heart Pearwood, c. 1540 Photo © KHM-Museumsverband
  • 20. Veit Stoss Madonna and Child with Pomegranate Engraving, c. 1500 Veit Stoss Angelic Salutation Limewood, 1518 Church of St. Lorenz, Nuremberg
  • 21. Ludwig Krug Nativity Engraving, 1516 Ludwig Krug Adam and Eve Solnhofen stone, 1514 Bode-Museum, Berlin
  • 22. Urs Graf I Standard Bearer for the Canton of Bern White-line woodcut, 1521 Urs Graf I Scenes from the Life of Bernard of Clairvaux: Vision of the Virgin and Child, Conversion of William X of Aquitaine Engraved silver, 1519 Swiss National Museum, Zürich
  • 23. Peter Flötner and Melchior Baier Coconut vessel for the Holzschuher Coconut shell and gold, c. 1535 Germanisches Nationalmuseum, Nuremberg Peter Flötner Playing card Woodcut, 1525—26
  • 24. Peter Flötner Saturn, Sol, Mars Lead plaquettes, 1540–46 Photos © Victoria and Albert Museum, London