Dr. Miya Tokumitsu, University of Melbourne
The Rise of a Sculpture Collecting Culture in Late Medieval Germany
Collecting Medieval Sculpture - Ards Study Day Paris
November 23rd-24th
Musée du Louve – Paris
www.ards.be
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5 Miya Tokumitsu The Rise of a Sculpture Collecting Culture in Late Medieval Germany
1. THE RISE OF A SCULPTURE COLLECTING CULTURE IN LATE MEDIEVAL GERMANY
ARDS 4th Annual Study Day | Collecting Medieval Sculpture
November 24, 2017
Musée du Louvre, Paris
Dr Miya Tokumitsu
University of Melbourne
miya.tokumitsu@unimelb.edu.au
2.
3.
4. Doman (Thomas) Hering, The Judgment of Paris,
Solnhofen stone, c. 1535
Bode-Museum, Berlin.
5. “The present interest of these three [secular] genres—the portrait, the public
fountain and the fleshly cabinet-piece—is that they prompt us to look back again
to the age of the retable with a surmise about lesser and secular functions” (78).
“It seems almost as if the Reformation decade may have concretely analysed
out a mixture of functions within pre-Reformation sculpture: the major
devotional function having been extracted, minor residual functions are being
precipitated as separate minor genres” (78).
15. Lust Gluttony Vanity Wrath Avarice Pride
Peter Dell the Elder, Deadly Sins, c. 1530
Germanisches Nationalmuseum, Nuremberg
16. Hans Ässlinger
The Judgment of Paris
Solnhofen limestone, c. 1550
Bayrisches Nationalmuseum, Munich
Hans Schwarz
Death and the Maiden
c. 1520
Bode-Museum, Berlin
22. Urs Graf I
Standard Bearer for the Canton of Bern
White-line woodcut, 1521
Urs Graf I
Scenes from the Life of Bernard of Clairvaux: Vision of the Virgin and Child, Conversion
of William X of Aquitaine
Engraved silver, 1519
Swiss National Museum, Zürich
23. Peter Flötner and Melchior Baier
Coconut vessel for the Holzschuher
Coconut shell and gold, c. 1535
Germanisches Nationalmuseum, Nuremberg
Peter Flötner
Playing card
Woodcut, 1525—26