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MISE-EN-SCÈNE
Composition & Framing
Aspect ratios
Academy ratio = 1.37: 1
Casablanca. Michael Curtiz, 1942.
A deep frame that emphasizes the z axis
Do the Right Thing. Spike Lee, 1989.
A shallow frame that understates the z axis
Subject placement using the rule of thirds
American Beauty, Sam Mendes, 1999.
Subject placement using the rule of thirds
Pan’s Labyrinth. Guillermo del Toro, 2007.
Subject placement without looking room creates tension
Pan’s Labyrinth. Guillermo del Toro, 2007.
Subject placement in center
Pan’s Labyrinth. Guillermo del Toro, 2007.
Subject placement in center
OBLIQUE staging
feels natural.
FRONTAL staging
feels artificial and
threatens to break
the fourth wall.
Atonement. Joe Wright, 2007.
Hitchcock’s rule: The size of the object in the frame should be
directly related to its importance in the story at that moment.
Notorious. Alfred Hitchcock, 1946.
Juno. Jason Reitman, 2007.
Figure placement in a balanced composition
Juno. Jason Reitman, 2007.
Figure placement in an unbalanced composition
Juno. Jason Reitman, 2007.
Figure placement in a balanced composition
American Beauty
Low-angle shot
High-angle shot
Dutch angle shot
Foreground and background
Loose framing
Tight framing
Frame within a frame
Frame within a frame
Image Profiler

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Framing dotherightthing

Notes de l'éditeur

  1. Off-center = Room to move
  2. Off-center = Room to move
  3. Another example of the Hitchcock Rule.