2. Natural History
July 28–October 14
Natural History
Forum 69
July 28–October 14
Natural History brings together a wide range
of contemporary art from the museum’s
permanent collection to explore artists’
engagement with nature, landscape, and
the built environment. Including painting,
sculpture, photography, and video works,
Natural History offers a non-traditional and
playful presentation of relevant themes run-
ning through contemporary art and directly
engages with our neighbor, Carnegie
Museum of Natural History.
Collectively, the artists in the exhibition
explore the ways in which humans under-
stand and visualize our natural environ-
ment; the social and cultural meanings
embedded in the tradition of landscape pho-
tography and painting; the use of natural
motifs for formal experimentation; environ-
mentalism; and the legacy of Romanticism,
as it pertains to nature and the sublime.
Artists include Mel Bochner, Vija Celmins,
John Divola, Fischli & Weiss, Llyn Foulkes,
Rachel Harrison, Richard Hughes, Laura
Owens, Ed Ruscha, Hiroshi Sugito, Paul
Thek, and James Welling.
Whistler and Rebellion in the
Art World
August 4–December 9
James Abbott McNeill Whistler (1834–1903)
was one of the most deliberately conten-
tious, witty, and fiercely independent artists
of his generation. Whistler rebelled against
the established art world and resisted alle-
giances with avant-garde movements such
as Impressionism. One of the most eminent
advocates of the “art for art’s sake” phi-
losophy of Aestheticism, he is considered
by many to be among the best printmak-
ers in art history. This exhibition presents
the museum’s impressive collection of
Whistler’s aesthetically radical prints and
drawings, revealing the evolution of his
career in relation to his towering persona
and place in the 19th-century art world.
Impressionism in a New Light: From Monet to Stieglitz
May 12–August 26
Impressionism in a New Light: From Monet to Stieglitz features more than 150 works by
many of the most important artists of the late 19th and early 20th centuries. Drawn
primarily from the museum’s significant collection, the exhibition recaptures the radical
nature of the Impressionist movement and explores its influences in many forms. Including
beloved works by artists such as Cassatt, Cézanne, Degas, Gauguin, Van Gogh, Monet,
Pissarro, Renoir, and Seurat, Impressionism in a New Light also examines the visual
dialogue between Impressionism and the Pictorialist movement in photography, intermixing
photographs by Demachy, Käsebier, Stieglitz, Steichen, White, and others. This exhibition
investigates the complicated nature of Impressionist art, transforming our understanding
of these enduringly popular works.
Presented by EQT. See page 14 for the
complete list of exhibition sponsors.
>> Opening Event:
The Art and Music of Avant-Garde Paris
presented with the Pittsburgh Symphony
Orchestra
Saturday, May 12
$20 ($10 Carnegie Museums and PSO
members); Students free with valid
university ID; Registration is required;
Call 412.622.3288 or visit www.cmoa.org
to register. This event is sponsored by
Aetna and Mumm Napa/Pernod Ricard.
5–6:30 p.m.
Carnegie Museums of Pittsburgh members
and PSO members-only preview of
Impressionism in a New Light
6:30–7:30 p.m.
Discussion and performance in Carnegie
Music Hall; General seating only
7:30–9:30 p.m.
Reception with cash bar; Impressionism in a New Light galleries will be open.
Celebrate the opening of Impressionism in a New Light and the Pittsburgh Symphony
Orchestra’s Paris Festival at an evening highlighting the experimental and radical
aspects of Impressionism and its surrounding culture. The symphony’s music director
Manfred Honeck and concertmaster Noah Bendix-Balgley will join museum curators
Amanda Zehnder and Linda Benedict-Jones, along with moderator Mary Davis,
professor of musicology at Case Western Reserve University, to explore the parallels
of Impressionist art and music during this era of rebellion and innovation. The event
culminates with Debussy’s Danse sacrée et danse profane (Dances for Harp and Strings)
performed by PSO musicians Shanshan Yao, violin; Meng Wang, viola; David Premo,
cello; and Gretchen Van Hoesen, harp. To learn more about the PSO’s Paris Festival: The
City of Light (April 27–May 13), visit pittsburghsymphony.org/paris.
Above: Alvin Langdon Coburn, Bridge, Venice, 1908, from
Camera Work, Vol. 21, 1908, Gift of the George H. Ebbs Family,
2007.51.86.10
2
NEW Exhibitions
Opposite, top to bottom: Alfred Sisley, View of Saint-Mammès
(detail), c. 1881, Purchase, 99.7; Mel Bochner, Measurement:
Plant (Palm), 1969, Carnegie Mellon Art Gallery Fund, 1997.37;
James Abbott McNeill Whistler, Thames Police (detail), 1859,
Purchase, 13.6.2
Whistler and Rebellion
in the Art World
August 4–December 9
3
Impressionism in a New Light
May 12–August 26
4. Lunch & Learn: Inside Views
Select Thursdays, 10:30 a.m.–1 p.m.
Limited to 25 people; Call 412.622.3288
to register.
Led by museum staff, these gallery visits
will give you an insider’s look at collections
and exhibitions each month. The dialogue
continues over a light lunch in the Carnegie
Café unless noted otherwise. Price includes
lunch.
May 17: Henri Matisse: The Thousand and
One Nights
$30 ($24 members)
Late in his life, confined to his bed and
unable to paint, Henri Matisse was still
driven to create. Curator of fine arts Louise
Lippincott leads this look at Matisse’s multi-
panel paper cut-out The Thousand and One
Nights, an exuberant and inventive approach
to symbolic storytelling created when he was
81 years old.
June 14: The Art of Pictorialist Photographers
$30 ($24 members)
Photography had a significant impact on
the way artists began to see, and record,
their world in the late 19th century. Like
Impressionist painters, Pictorialist photog-
raphers also gathered together in loose-knit
societies where they shared an interest
in exquisitely crafted, unique prints that
revealed new ideas about modern subjects,
focus, and “finish.” Join Linda Benedict-
Jones, co-curator of Impressionism in a New
Light, to explore how photography was carv-
ing out its new place in the art world.
July 12: Impressionism in a New Light
$30 ($24 members)
Join Amanda Zehnder, co-curator of the exhi-
bition, to investigate the complex nature of
Impressionism as a unique social and artistic
scene; as a style of painting associated with
certain subjects; and as a term related to
optics and expression.
August 9: Oakland: Pittsburgh’s City Beautiful
Movement
$45 ($39 members)
Jean-François Raffaëlli’s 1899 painting
Schenley Park, Pittsburg, on view in the
exhibition Impressionism in a New Light,
coincides with the emergence of Oakland
as Pittsburgh’s response to the “City
Beautiful” movement. Amanda Zehnder,
co-curator of the exhibition, introduces the
painting and teams up with Tracy Myers,
curator of architecture, to lead a tour of
our City Beautiful neighborhood, includ-
ing the museum, Phipps Conservatory, and
Schenley Park, ending with lunch in the his-
toric Schenley Park Café and Visitor Center.
Transportation for the neighborhood tour is
provided.
6 7
LECTURES & EVENTS
Bound Together” Book Club
Select Thursdays, 6:30–7:45 p.m.
Meet in the Museum of Art Lobby
Free; Space is limited; Call 412.622.3288
to register.
This collaborative program of Carnegie
Museum of Art and Carnegie Library of
Pittsburgh presents a casual and thoughtful
15-minute gallery talk highlighting visual
and literary connections, followed by book
discussion in the galleries with fellow read-
ers and library staff. Most books are avail-
able at Carnegie Library of Pittsburgh.
May 10
The Arabian Nights (related exhibition: Henri
Matisse: The Thousand and One Nights)
June 14
Emile Zola’s The Belly of Paris (related exhi-
bition: Impressionism in a New Light)
July 12
David McCullough’s The Greater Journey:
Americans in Paris (related exhibition:
Impressionism in a New Light)
August 9
Alan Bradley’s The Sweetness at the Bottom
of the Pie (related works: drawings of gar-
den structures from the Heinz Architectural
Center collection)
Light, Time, and Apparatus:
From Pictorialism to 21st-Century
Photography
Saturday, June 9, 6:30–8 p.m.
Galleries open until 9 p.m.
Free; Reception follows
At the turn of the last century, world-
renowned photographer Alfred Stieglitz
was “determined that photography would
be accepted as art.” He championed
Pictorialism as the process that would
achieve this end. Join us for an interest-
ing and wide-ranging discussion in which
four contemporary photographers—whose
work is informed by the history of photog-
raphy and its various processes—discuss
their thoughts and ideas on photography’s
foundational elements: Light, Time, and
Apparatus. They’ll offer reflection on these
influences in the creation of their work with
an emphasis on control of the art during a
time of commercial standardization and how
this is used to counter the anonymous qual-
ity of much of contemporary photography.
Presented with F295: Continued Explorations
of 21st Century Photography Conference,
June 7–10. To register for the full confer-
ence, visit www.f295.org/2012.
Teachers: Ask about Act 48 hours when you attend museum programs. “
Alfred Stieglitz, Wet Day on the Boulevard, Paris, 1894, Courtesy
of George Eastman House, International Museum of Photography
and Film
Pierre-Auguste Renoir, The Garden in the Rue Cortot,
Montmartre, 1876, Acquired through the generosity of
Mrs. Alan M. Scaife, 65.35
5. 8 9
Culture Club
Select Thursdays, 5:30–9 p.m.
$10; Price includes museum admission and
one drink ticket.
Happy hour has never been so interesting!
On Thursday nights, engage in provocative
conversations about art and life.
May 17: Art21 Season Six:
History & Glenn Ligon
This installment of Culture Club includes
a free preview screening of the latest sea-
son of Art21, the award-winning series of
film interviews with leading contemporary
artists. From 5:30 to 7 p.m., enjoy happy
hour and lively gallery conversation about
the museum’s painting Prisoner of Love #1
(Second Version) by African American art-
ist Glenn Ligon. At 7:15 enjoy a free public
screening of the Art21 episode “History”
featuring Ligon. In this episode, artists play
with historical events, explore and expose
commonly held assumptions about historic
“truth,” and create narratives based on per-
sonal experiences. The museum will screen
additional segments from this season of
Art21 this summer; visit www.cmoa.org for
details.
This event is part of Art21 Access ’12, a
celebration of contemporary art and Art
in the Twenty-First Century, Season Six,
sponsored by Art21. Visit art21.org for more
information.
June 21: Why Does That Color Look Like
That Color?
Scientific theories about color, light, and
human perception abounded in the 19th
century and were discussed and debated
by Impressionist artists. Join Amanda
Zehnder, co-curator of Impressionism in a
New Light, for an observation-based discus-
sion, and have fun with some color-theory
experiments to discover the impact of
scientific thinking on Impressionist methods
for representing optical experiences, move-
ment, light, and colors.
July 19: Old Materials, New Architecture
Abandoned garage doors, used tires, 72,000
carpet tiles, old shipping containers…
how have these and other unconventional
materials resulted in creative solutions
to architectural challenges and social
inequities? Works by inventive architects
including Samuel Mockbee and Teddy Cruz,
on view in the Heinz Architectural Center,
have done just that. Find inspiration in the
galleries and put your own creativity to the
test as you experiment with some unusual
building materials.
LECTURES & EVENTS
Childe Hassam, 14th July, Paris, Old Quarter (detail), 1889,
Andrew Carnegie Fund, 07.14.29
Fête Nationale: Bastille Day
Celebration!
Saturday, July 14, 7–11 p.m.
Carnegie Café, Museum of Art Lobby, and
Fountain Entry
$125 Le Palais Garnier Ticket; $250 La Tour
Eiffel Ticket including reception with curators;
$35 Late Night Ticket (after 8:30 p.m.);
Register online at members.carnegiemuseums.
org/bastille2012 or call 412.622.5772 for
more details.
Carnegie Museums of Pittsburgh and The
Alliance Française de Pittsburgh proudly
present the 5th Annual Bastille Day
Celebration—a fête populaire commemorat-
ing the storming of the Bastille and French
liberty. Enjoy France in Pittsburgh with a
strolling supper, wine, music, dancing, a
silent auction, performances by a Parisian-
trained mime, hand-drawn caricatures,
tours of the exhibition Impressionism in
a New Light: From Monet to Stieglitz, and
much more!
La Belle Époque Cabaret:
An Evening in the Bohemian Style
Friday, July 27, 7:30–10 p.m.
Carnegie Music Hall Foyer
$25 ($20 members); Price includes one
absinthe drink provided by Pernod Ricard;
Seating is limited; Preregistration is required;
Call 412.622.3288 to register. This event is
sponsored by Pernod Absinthe/Pernod Ricard.
The cafés, cabarets, music halls, and out-
door theaters of 19th-century Paris served
as the crossroads for bourgeois and bohe-
mian cultures. The unknown, wealthy,
famous, and infamous mingled with artists,
writers, musicians, and performers in well-
known establishments including Le Chat
Noir, Le Mirliton, Le Moulin Rouge, Café
Guerbois, and later, La Nouvelle-Athènes.
Join us for an evening evoking the environ-
ment of a bawdy Parisian cabaret from La
Belle Époque. Members of the Pittsburgh
Song Collaborative will perform period
French songs (accompanied by English sub-
titles or translated into English) originally
sung by Yvette Guilbert, Aristide Bruant,
and others. The emcee, played by Rob
Frankenberry, will be your guide through
musical selections, comedic monologues,
and satirical skits. Projected images of art-
work will help emphasize the role that café
culture played for Impressionist artists.
Featured performers also include Benjamin
Binder, piano; Rob Frankenberry, tenor and
piano; Liza Forrester, mezzo-soprano; and
Joseph Gaines, tenor.
www.cmoa.org Check the website for a
complete, updated schedule of classes and
programs.
Culture Club
Select Thursdays
6. 10 11
ACTIVITIES FOR KIDS & FAMILIES ART-MAKING FOR TEENS
Drawing the Human Figure
Monday–Friday, June 18–22, 9 a.m.–12:30 p.m.
Meets at Carnegie Mellon University’s Margaret
Morrison Hall
$140 ($126 members)
Develop your drawing skills through sketch-
ing practice and refined studio composi-
tions based on the human form, including a
live model. Learn proportion and techniques
for rendering three-dimensional forms.
Sketchbook
Monday–Friday, June 25–29, 9 a.m.–12:30 p.m.
Meets at Carnegie Mellon University’s Margaret
Morrison Hall
$140 ($126 members)
Learn to draw anything and everything.
Draw quick studies and more finished com-
positions on location in the museum’s gal-
leries and outdoors in Oakland. All materi-
als including sketchbook provided.
Architecture 101
Monday–Friday, June 18–29, 9 a.m.–3 p.m.
Meets at Carnegie Museum of Art
$400 ($360 members)
This course introduces concepts and pro-
cesses covered in first-year college archi-
tecture. Learn design development and
representation methods including drawing
in plan and section, rendering, and model-
making.
Painting
Monday–Friday, July 9–13 AND/OR July 16–20,
9 a.m.–3 p.m.
Meets at Carnegie Mellon University’s Margaret
Morrison Hall
1 week: $220 ($200 members)
2 weeks: $400 ($360 members)
Register for one or both weeks.
Try painting for the first time, or take your
skills to the next level, inspired by the work
of the world’s greatest artists. Experience
the painting process, from developing an
idea to color mixing, composition, and paint
application.
Ceramics
Monday–Friday, July 23–27, 9 a.m.–3 p.m.
Meets at Carnegie Museum of Art
$260 ($240 members)
Get your hands into some wet clay and
learn to create 3-D objects through hand
building and wheel construction.
Architecture 102
Monday–Friday, July 30–August 3,
9 a.m.–3 p.m.
Meets at Carnegie Museum of Art
$200 ($160 members)
This fast-paced workshop is designed to
develop architectural skills, from sketches
to final model, and give students one qual-
ity project to put in their portfolios for col-
lege admission. Some prior experience in
architecture or drafting is recommended.
Performance Art
Monday–Friday, August 6–10, 10 a.m.–2 p.m.
Meets at Carnegie Museum of Art
$140 ($126 members)
Become a performance artist for a week
and experience what it’s like to reinterpret
paintings and sculptures in the museum’s
collection. Work with a teaching artist and
your classmates to create performances for
spaces in the museum.
Thursday Night Ceramics
Thursdays, July 12–August 2, 5:30–7:30 p.m.
Meets at Carnegie Museum of Art
$90 ($81 members)
Get your hands into some wet clay and
learn to create 3-D objects through hand
building and wheel construction. This class
is perfect for those who can’t attend our
daytime ceramics class!
Call 412.622.3288 to register for the following programs. All materials are included.
High School Workshops Ages 14 and up
Carnegie Museum of Art offers a variety of summer workshops and intensives for teens. If
you’re looking for a fun place to improve your creative portfolio, we have a workshop to fit
your schedule.ARTventures for Families
Drop-in activities
Through July 8: Saturdays and Sundays,
12:30–4:30 p.m.
July 9–August 24: Daily, 12:30–4:30 p.m.
Free with museum admission
ARTventures means intergenerational fun
through looking, making, and talking in
the museum’s galleries. Our friendly staff
is here on Saturdays and Sundays to help
you get started on gallery searches and art-
making fun. Locations for these activities
change periodically—this season you can
explore Henri Matisse’s The Thousand and
One Nights or works from Impressionism in
a New Light. Check the signs in the lobby
for information. Bring your family, friends,
or just yourself. Drop in any time between
12:30 and 4:30 p.m.
////////////////////////
Celebrate Summer!
Registration is still open for summer camps.
Museum summer camps deliver the world!
The entire museum campus is a field for
discovery and creativity, where kids inves-
tigate Earth, art, dance, science, and more
through behind-the-scenes experiences,
hands-on encounters, and exciting activities.
Weeklong half- and full-day camps accom-
modate children from age 4 through high
school. Visit www.carnegiemnh.org/camps
for details.
Gallery Play Dates for
Preschoolers and Adults
Adults and kids ages 3–4 have creative gallery
fun together.
Tuesdays, choose 10:15–11:30 a.m. OR
12:30–1:45 p.m.
$18 ($12 members) per parent and child pair,
per session; Call 412.622.3288 or visit www.
cmoa.org to register.
>> Color Your World
June 12
>> Shape Up
June 19
>> Water Lilies
June 26
>> Rojo, Amarillo, Azul
July 3
>> En Plein Air
July 10
>> Treasure Hunt
July 17
>> Little Architects
July 24
>> Pattern Play
July 31
>> Art Cat’s Book Club
August 7
The museum’s renowned collection and exhibitions spark the imagination of kids, from
toddlers to teenagers. Creative classes taught by artist educators develop artistic skills and
an eye for art. All materials are included.
Scholarships
Scholarships for all children’s and adult classes
are available through the generosity of the
Scaife Family Foundation. Call 412.622.3288
to request an application.
7. ADULT STUDIO CLASSES
IMPRESSIONISM IN A NEW LIGHT:
SPECIAL EVENTS
Painting the Passing Moment
(Merriman)
Thursdays, July 19 & 26 (2 sessions), 6–9 p.m.
$36 ($29 members)
Learn how to capture outdoor time, light,
and weather conditions in pastel sketches
or on-the-spot paintings. In the first class,
explore composition and color theory in
demonstrations and exercises in the studio
and a visit to Impressionism in a New Light.
The second class takes place at Schenley
Plaza next to Carnegie Museum. Please
bring a bag dinner.
Dancing with Degas (Wallen)
Thursdays, June 14, 21, 28, and July 5
(4 sessions), 10 a.m.–2 p.m. (8 a.m.–2 p.m.,
June 28)
$98 ($78 members)
Experiment with the pastel techniques of
French Impressionist Edgar Degas while
working from live models in the museum’s
art studio and one morning session with
ballet dancers rehearsing at the Pittsburgh
Ballet Theater dance studio. Try a variety of
pastel methods, including the use of tracing
paper as a base.
On-the-Spot Painting:
Bridges and Rivers (Bowden)
Tuesdays, July 17–August 7 (4 sessions),
10 a.m.–2 p.m.
$80 ($72 members)
Learn to capture the essence of bridges
using the Impressionist techniques of rapid
wet-on-wet painting at a different location
each week. Instruction includes a visit to
Impressionism in a New Light, demonstra-
tions, skill-building exercises, and critiques
SPECIAL EVENT
Featured Artists: Local and Global
Sundays, May 13, June 10, July 8, and August
12, 1–3 p.m.
$15 ($12 members) per session; $52 ($40
members) all four sessions
Pittsburgh’s creative minds find inspiration
in the museum’s collection, and so can you!
Join a new conversation each month as a
guest artist pairs up with a museum edu-
cator to talk techniques, composition, and
expressive effect. The artists guide creative
exercises in drawing, modeling, and simple
materials that inspire you to experiment
with new ideas.
>> May 13: Don Simpson
On-the-Spot Drawing
>> June 10: Elizabeth Castonguay
The Female Figure in Art
>> July 8: Constance Merriman
Investigating French Painting
>> August 12: Georgia Tambasis
Gestures in Clay
DRAWING
Whether you are new to drawing, highly
skilled, or looking to build your portfolio,
we have the class for you. Beginners will
receive step-by-step instruction, while more
advanced artists will strengthen and refine
their skills. Renowned artists guide students
as they learn correct techniques, experi-
ment with materials, sketch in the galleries,
and share insights during critiques.
BEGINNER:
I Can’t Draw (Droege)
Sundays, June 3–July 1 (5 sessions), 1–4 p.m.
$75 ($60 members)
INTERMEDIATE:
Elements of Drawing (Droege)
Sundays, July 15–August 12 (5 sessions),
1–4 p.m.
$75 ($60 members)
>> Discount: Combine I Can’t Draw and
Elements of Drawing and save:
$134 ($108 members)
BEGINNER/INTERMEDIATE:
The Artist’s Sketchbook (Simpson)
Saturdays, June 9–23 (3 sessions),
10 a.m.–1 p.m.
$45 ($36 members)
INTERMEDIATE/ADVANCED:
Life Drawing (Castonguay)
Fridays, June 1–29 (5 sessions), Drawing 9:30
a.m.–noon, Critique noon–12:30 p.m.
$82 ($66 members)
Open Studio: The Undraped Model
(Castonguay)
Fridays, June 1–29 (5 sessions),
12:45–3:45 p.m.
$75 ($60 members)
>> Discount: Combine Life Drawing and
Open Studio and save:
$142 ($114 members)
PAINTING
Explore the medium of painting in a range
of classes suited to your skill level.
BEGINNER/INTERMEDIATE:
Acrylic Painting Fundamentals
(Merriman)
Thursdays, June 7–28 (4 sessions), 6–9 p.m.
$66 ($54 members)
Oil Painting Fundamentals (Rorandelli)
Saturdays, June 9–30 (4 sessions),
10 a.m.–1 p.m.
$66 ($54 members)
INTERMEDIATE/ADVANCED:
Still Life and Landscape in Oil
(Rorandelli)
Saturdays, July 21–Aug 11 (4 sessions),
10 a.m.–1 p.m.
$66 ($54 members)
Color Theory Watercolor Workshop
(Christopher)
Wednesdays, July 11–Aug 1 (4 sessions),
10 a.m.–2 p.m.
$80 ($64 members)
Color Intensive: Still Life and Figure
(Castonguay)
Saturdays, July 7 & 14 (2 sessions),
10 a.m.–2 p.m.
$44 ($36 members)
CERAMICS
Get your hands into clay and work out
the stress of the week! Ceramics classes
provide a combination of formal instruction
with independent experimentation, whether
you’re a beginner who wants to learn con-
struction and glazing techniques or a more
advanced ceramist interested in exploring
your own aesthetic in clay.
Creating with Clay (Solomon)
Saturdays, June 9–August 11 (10 sessions),
1–4 p.m.
$188 ($150 members)
Call 412.622.3288 to register for the following programs. Teachers earn Act 48 hours for
participation in all adult art classes.
12 13
www.cmoa.org Check the website for a complete, updated schedule of classes and programs.
Scholarships
Scholarships for all children’s and adult class-
es are available through the generosity of the
Scaife Family Foundation. Call 412.622.3288
to request an application.
Hilaire-Germain-Edgar Degas, Dancers, Entrance on Stage (detail),
c. 1898–1908, Acquired through the generosity of the Sarah Mellon
Scaife Family, 66.24.1
8. COME VISIT!
UPCOMING
Scaife Galleries
Five of our 17 individual Scaife galler-
ies are temporarily closed for a major
reinstallation that will transform the way
you experience art at our museum. While
many of Carnegie Museum of Art’s most
beloved works from these galleries will
join Impressionism in a New Light: From
Monet to Stieglitz, the galleries will be
transformed to allow a fresh interpretation
of the permanent collection. The reinstal-
lation, opening September 14, 2012, will
highlight many of the museum’s strengths,
including a dazzling new presentation of its
Impressionism collection and its first-ever
gallery dedicated to 19th-century sculpture.
Hours through July 1
Tuesday–Saturday 10 a.m.–5 p.m.
Thursday evenings until 8 p.m.
Sunday noon–5 p.m.
Hours July 2–August 27
Monday–Saturday 10 a.m.–5 p.m.
Thursday evenings until 8 p.m.
Sunday noon–5 p.m.
The museum is closed July 4 and Labor Day.
Admission
Adults $17.95
Seniors (+65) $14.95
Students with ID $11.95
Children 3–18 $11.95
Members & children under 3 Free
Admission includes Carnegie Museum of
Natural History.
General Information 412.622.3131
Group Tours 412.622.3289
Membership 412.622.3314
www.cmoa.org
Check the website for a complete, updated
schedule of classes and programs.
14 15
Class Registration
There are many ways to register for your favor-
ite class. Classes also make the perfect gift for
the novice or experienced artist in your life! Our
courteous staff can register you for classes and
tours, or answer any questions you may have
about the contents of this brochure. Office hours
are Monday–Friday, 9 a.m.– 4:30 p.m.
Phone
412.622.3288, Visa/MasterCard/American
Express only, $10 minimum
Website/Mail/In Person
Download a registration form at www.cmoa.org.
Send or bring completed form with full payment
(check payable to “Carnegie Museum of Art” or
Visa/MasterCard/American Express) to:
Carnegie Museums of Pittsburgh
Program Registration
4400 Forbes Avenue Pittsburgh, PA 15213
Fax
412.622.6257, Visa/MasterCard/American
Express only, must include credit card number,
$10 minimum
Cancellations/Refunds/Transfers
• Carnegie Museum of Art reserves the right to
cancel programs due to low enrollment one
week before the program date.
• Full refund is given if canceled by Carnegie
Museum of Art prior to the first class.
Multi-session classes
• Full refund less $10 handling fee if withdrawal
is made with more than one week’s notice.
• Withdrawals with less than a week’s notice
(but prior to the second class meeting), full
refund less $10 plus a single class fee.
• No refund after the second class has met.
Single-session classes events
• No refund for classes/events $10 or under.
• Full refund less $10 handling fee if withdrawal
is made with more than one week’s notice.
• No refund with less than one week’s notice.
Left, top to bottom: Childe Hassam, Spring Morning, 1909,
Purchase, 09.5; Christopher Dresser, designer, Minton Co.,
manufacturer, Cabinet, c. 1870, Women’s Committee Acquisition
Fund, 2002.2; William Merritt Chase, Tenth Street Studio (detail),
c. 1880–1881, Purchase, 17.22
Impressionism in a New Light: From Monet to Stieglitz is presented by
EQT, with additional generous support from the William Talbott Hillman
Foundation and major sponsors DQE Communications and Duquesne
Light Energy. Additional generous sponsorship support is provided by
Fort Pitt Capital Group, Baierl Acura, Aetna, Macy’s, and Champagne
Perrier-Jouét.
The Art and Music of Avant-Garde Paris is sponsored by Aetna and
La Belle Époque Cabaret is sponsored by
General support for the museum’s exhibition program is provided by
The Heinz Endowments and Allegheny Regional Asset District. Carnegie
Museum of Art receives state arts funding support through a grant
from the Pennsylvania Council on the Arts, a state agency funded by
the Commonwealth of Pennsylvania.
The programs of the Heinz Architectural Center are made
possible by the generosity of the Drue Heinz Trust.
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