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A n00b’s Guide to…
Going to Watch a Ballroom Competition
OK, FIRST THINGS FIRST

IT’S GOOD TO HAVE AN IDEA OF WHAT COMPETITORS ARE ACTUALLY
TRYING TO ACCOMPLISH WHEN THEY COMPETE

LIKE, WHAT DOES COMPETETIVE BALLROOM EVEN ENTAIL?

SO, THE FIRST TOPIC THEN:


HOW DOES “COMPETING” IN
BALLROOM EVEN WORK?
If You Ask Most People What Comes To
                Mind…
• So, I guess most people would assume that a
  ballroom comp might go something like this:
  – Each couple picks a song, and choreographs a
    dance number to it
  – When they’re “up,” they go to the floor and
    perform their dance to their song
  – And then judges score that performance
  – The best score wins
You know, like on Dancing With the Stars!




Or that Silver Lining…um, Bi-polar DancingGuy
Movie.




(aw, maaaan…no pictures of that messed-up lift they…“did”? The internets have
failed me – you’ll have to go watch the movie to see it, I guess)
But, that’s not how it actually works
• First of all, (except for one particular division*)
  you don’t get the floor to yourself when you’re
  competing

• You dance “against” your
  competition, at the same
  time, to the same song.

*It’s usually called the “cabaret” division, if you care…and if you do, you’re the only person at the
comp who does (other than the four total people competing in that division), I can promise you.
Oh, and also:
• You don’t get to know the music ahead of
  time
  – You do know ahead of time
  what dance you’re doing,
  though.

  (…so, if you know you’re dancing a Tango, then you at least
  know that whatever they play will be something you can
  dance Tango to.)
…AND THAT’S BASICALLY HOW “COMPETING” IN BALLROM GENERALLY
WORKS

NOT TOO COMPLICATED RIGHT?

SO, NOW LET’S TALK ABOUT HOW THE COMPETITION WORKS…




HOW TO UNDERSTAND WTF IS
GOING ON AT A BALLROOM COMP:
Ballroom Competitions move pretty quickly

                               – There are a ton of people signed
                             up to dance, and the organizers have
                            to get to all of them quickly enough…


 – …to make sure there’s still time at
 the end of the night for all the
 professionals to get wasted at the
 Pros-only after party in Suite 1605

It can sometimes be a bit hard to follow what’s going on…
I Find It Helps to Think of It Like You’re
           Going to Watch a…
               Track & Field Meet
 – So, you’ve got a bunch of different “events”
   happening:




 – Each broken into “heats” so that everyone gets a
   chance to compete over the course of the day
 – It’s a similar setup at a Ballroom Competition…
The Ballroom Comp Version of
                 “Events”
• The “events” are a combination of
   1. The dance you’re doing (waltz, rumba, tango, etc.)
   2. The skill-level you’re competing at:
         –   Bronze (Beginner/Beg-Int Level)
         –   Silver (Intermediate Level)
         –   Gold (Int-Adv)
         –   Open (Advanced)
• For example: I’m competing at the bronze-level, and one
  of the dances I’m doing is Waltz.
• So, “Bronze Waltz” would be one of my “events” for the
  day.
The Ballroom Comp Version of “Heats”
• …actually, uh, they’re also just called “heats.”
• And they work pretty much the same way as
  they would at a track meet:
  – They break up an event where more people are registered
    than can dance on the floor at once
• The Bronze-level dances typically have the
  most entrants, so there will be a sh*t-ton of
  bronze heats over the course of the day
There are also Multi-dance Events
• Think of these like the dance-version of a
  pentathlon/decathlon
• For ballroom, multi-dance events are set up by
                                dance-category…
Multi-Dance Event Categories
• There are four general categories for multi-
  dance events:
       o Rhythm                            o Smooth
       o Latin                             o Standard
 Rhythm & Latin categories are the           Rhythm & Smooth are the
  “Latin” dances: Rumba, Cha-cha,              “American Style” of their respective
  Mambo, and Samba – to name a few             dances
 Smooth & Standard categories are the        Latin & Standard are the
  “ballroom” dances: Waltz, Tango,             “International Style” of their
  Foxtrot, Viennese-waltz, and Quickstep       respective dances

• Or, if you prefer an “aaargh!! less words!”
  explanation of each one…
Try This Handy Little Matrix
                      “Latin”           “Ballroom”
                      Dances            Dances
    American Style    Rhythm Category   Smooth Category


    International     Latin Category    Standard Category
    Style

• I’ll be competing in the Smooth category for the
  multi-dance events

             …so, that’s “American” style “Ballroom” dances
AND, THAT’S BASICALLY HOW COMPETITIONS WORK

SO, THINK: TRACK-MEET BUT WITH DANCING INSTEAD OF RUNNING,
JUMPING & THROWING

YAH?



OK, NOW HERE’S SOME PRACTICAL TIPS
ON GOING TO WATCH ONE OF THESE
THINGS:
1) Buy a Program!
• And I’m stressing the singular here: don’t buy
  one for every person if you’re with a group
                                                       …unless you thought that,
                                                       back in college, when you had
                                                       to shell out money for a
                                                       course-pack (not a textbook) it
                                                       WASN’T a scam. Then, by all
                                                       means, buy away.
  Oooh, nice binding on that, professor. They charge
  you an extra $0.50/book for that at Staples?



             Point is, you only need one for the group,
                 you won’t need individual copies
You Do Need One, Though…
• There are going to be HUNDREDS of heats
  throughout the day, you are guaranteed to
  lose track at some point
  No joke, I’ve had my parents
  come to a comp before, and
  when I’d finished and went
  over to see them, they said:
  “So, when are you dancing?”
  It can be easy to get lost if   Is this heat 104? 257? Ghaa! They all look the SAME!!
  you don’t have a guide.
How The Program Helps
• All of the heats are numbered in the program
  – Before each heat starts, the event’s MC will
    announce it’s heat-number
• After a while, you’ll get a sense for how long a
  “heat” lasts (hint: not very long)
• From there, you can roughly figure out how
  long there is to go until a heat you want to
  watch is coming up
2) Arrive With a ~1-hour Buffer
• In the days leading up to
  the comp, I’ll be able to
  give a pretty specific time
  for when I’m dancing
  (like, within a 15-minute-
                                        …but time tends to move differently
  or-so interval)                       inside a ballroom competition
                                        (it’s Science, don’t question it)
• Comps sometimes run late, but often they can run up to 1 hour
  ahead of schedule
• There’s no way to know until day-of, so the safe thing is to just
  show up a little earlier than I’m “supposed” to be dancing
3) Bring a Light Jacket
 • Whoever it is that’s in-charge of temperature
   control at every-ballroom-comp-ever just
   LOVES using the A/C.
                                                                                             I took a picture of two people
                                                                                             dancing at a ballroom
                                                                                             competition once, and the shot
                                                                                             included part of the crowd as
                                                                                             well. This is how the photo
                                                                                             came out*. I know, weird
                                                                                             right?


*disclaimer: that didn’t’ actually happen, I’m just an idiot. But it is hella-cold in the ballroom. (p.s. did I do the hella part right? I’m still new at that.)
4) Don’t Sweat “Table Assignments”
• Theoretically, when you buy a spectator ticket, they’re supposed to
  be linked to a particular table around the dance floor
   – Like if you were going to a dinner-theater…um, thing
• But it never actually works out that way.
• You can pretty much sit wherever there’s room*




 What the organizers have in mind         The reality of the seating arrangements

         (*Note: Except maybe for Friday/Saturday Night Sessions,
                    but that’s not when I’ll be dancing)
5) Dress Code…ish (I guess)
• I’m dancing during the day session, and honestly
  you can pretty much wear whatever you want to
  that.
   – Well, OK. Not ANYTHING.
     But, anything you would normally
     wear to a place where other
     people will be, and will see you



If I were dancing in the evening session, however, dress for
spectators would be semi-formal. In case you’re interested.
6) Please DO Cheer & Yell Like Retards
            When I Dance
• There’s not always a lot of that going on at
  Ballroom Competitions
  – But that’s mostly
    because people are
    lame, or have lame
    friends.
  – Not because it’s
    particularly wrong to do.
SO, YEAH. THAT’S ABOUT ALL YOU SHOULD NEED TO KNOW.

EITHER THAT, OR I’M FORGETTING ALL OF THE IMPORTANT STUFF.

BUT ONE OF THOSE, DEFINITELY, THOUGH.



SEE YA NEXT SATURDAY!

                                                             - Mike out

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A n00b’s guide to ballroom comps

  • 1. A n00b’s Guide to… Going to Watch a Ballroom Competition
  • 2. OK, FIRST THINGS FIRST IT’S GOOD TO HAVE AN IDEA OF WHAT COMPETITORS ARE ACTUALLY TRYING TO ACCOMPLISH WHEN THEY COMPETE LIKE, WHAT DOES COMPETETIVE BALLROOM EVEN ENTAIL? SO, THE FIRST TOPIC THEN: HOW DOES “COMPETING” IN BALLROOM EVEN WORK?
  • 3. If You Ask Most People What Comes To Mind… • So, I guess most people would assume that a ballroom comp might go something like this: – Each couple picks a song, and choreographs a dance number to it – When they’re “up,” they go to the floor and perform their dance to their song – And then judges score that performance – The best score wins
  • 4. You know, like on Dancing With the Stars! Or that Silver Lining…um, Bi-polar DancingGuy Movie. (aw, maaaan…no pictures of that messed-up lift they…“did”? The internets have failed me – you’ll have to go watch the movie to see it, I guess)
  • 5. But, that’s not how it actually works • First of all, (except for one particular division*) you don’t get the floor to yourself when you’re competing • You dance “against” your competition, at the same time, to the same song. *It’s usually called the “cabaret” division, if you care…and if you do, you’re the only person at the comp who does (other than the four total people competing in that division), I can promise you.
  • 6. Oh, and also: • You don’t get to know the music ahead of time – You do know ahead of time what dance you’re doing, though. (…so, if you know you’re dancing a Tango, then you at least know that whatever they play will be something you can dance Tango to.)
  • 7. …AND THAT’S BASICALLY HOW “COMPETING” IN BALLROM GENERALLY WORKS NOT TOO COMPLICATED RIGHT? SO, NOW LET’S TALK ABOUT HOW THE COMPETITION WORKS… HOW TO UNDERSTAND WTF IS GOING ON AT A BALLROOM COMP:
  • 8. Ballroom Competitions move pretty quickly – There are a ton of people signed up to dance, and the organizers have to get to all of them quickly enough… – …to make sure there’s still time at the end of the night for all the professionals to get wasted at the Pros-only after party in Suite 1605 It can sometimes be a bit hard to follow what’s going on…
  • 9. I Find It Helps to Think of It Like You’re Going to Watch a… Track & Field Meet – So, you’ve got a bunch of different “events” happening: – Each broken into “heats” so that everyone gets a chance to compete over the course of the day – It’s a similar setup at a Ballroom Competition…
  • 10. The Ballroom Comp Version of “Events” • The “events” are a combination of 1. The dance you’re doing (waltz, rumba, tango, etc.) 2. The skill-level you’re competing at: – Bronze (Beginner/Beg-Int Level) – Silver (Intermediate Level) – Gold (Int-Adv) – Open (Advanced) • For example: I’m competing at the bronze-level, and one of the dances I’m doing is Waltz. • So, “Bronze Waltz” would be one of my “events” for the day.
  • 11. The Ballroom Comp Version of “Heats” • …actually, uh, they’re also just called “heats.” • And they work pretty much the same way as they would at a track meet: – They break up an event where more people are registered than can dance on the floor at once • The Bronze-level dances typically have the most entrants, so there will be a sh*t-ton of bronze heats over the course of the day
  • 12. There are also Multi-dance Events • Think of these like the dance-version of a pentathlon/decathlon • For ballroom, multi-dance events are set up by dance-category…
  • 13. Multi-Dance Event Categories • There are four general categories for multi- dance events: o Rhythm o Smooth o Latin o Standard  Rhythm & Latin categories are the  Rhythm & Smooth are the “Latin” dances: Rumba, Cha-cha, “American Style” of their respective Mambo, and Samba – to name a few dances  Smooth & Standard categories are the  Latin & Standard are the “ballroom” dances: Waltz, Tango, “International Style” of their Foxtrot, Viennese-waltz, and Quickstep respective dances • Or, if you prefer an “aaargh!! less words!” explanation of each one…
  • 14. Try This Handy Little Matrix “Latin” “Ballroom” Dances Dances American Style Rhythm Category Smooth Category International Latin Category Standard Category Style • I’ll be competing in the Smooth category for the multi-dance events …so, that’s “American” style “Ballroom” dances
  • 15. AND, THAT’S BASICALLY HOW COMPETITIONS WORK SO, THINK: TRACK-MEET BUT WITH DANCING INSTEAD OF RUNNING, JUMPING & THROWING YAH? OK, NOW HERE’S SOME PRACTICAL TIPS ON GOING TO WATCH ONE OF THESE THINGS:
  • 16. 1) Buy a Program! • And I’m stressing the singular here: don’t buy one for every person if you’re with a group …unless you thought that, back in college, when you had to shell out money for a course-pack (not a textbook) it WASN’T a scam. Then, by all means, buy away. Oooh, nice binding on that, professor. They charge you an extra $0.50/book for that at Staples? Point is, you only need one for the group, you won’t need individual copies
  • 17. You Do Need One, Though… • There are going to be HUNDREDS of heats throughout the day, you are guaranteed to lose track at some point No joke, I’ve had my parents come to a comp before, and when I’d finished and went over to see them, they said: “So, when are you dancing?” It can be easy to get lost if Is this heat 104? 257? Ghaa! They all look the SAME!! you don’t have a guide.
  • 18. How The Program Helps • All of the heats are numbered in the program – Before each heat starts, the event’s MC will announce it’s heat-number • After a while, you’ll get a sense for how long a “heat” lasts (hint: not very long) • From there, you can roughly figure out how long there is to go until a heat you want to watch is coming up
  • 19. 2) Arrive With a ~1-hour Buffer • In the days leading up to the comp, I’ll be able to give a pretty specific time for when I’m dancing (like, within a 15-minute- …but time tends to move differently or-so interval) inside a ballroom competition (it’s Science, don’t question it) • Comps sometimes run late, but often they can run up to 1 hour ahead of schedule • There’s no way to know until day-of, so the safe thing is to just show up a little earlier than I’m “supposed” to be dancing
  • 20. 3) Bring a Light Jacket • Whoever it is that’s in-charge of temperature control at every-ballroom-comp-ever just LOVES using the A/C. I took a picture of two people dancing at a ballroom competition once, and the shot included part of the crowd as well. This is how the photo came out*. I know, weird right? *disclaimer: that didn’t’ actually happen, I’m just an idiot. But it is hella-cold in the ballroom. (p.s. did I do the hella part right? I’m still new at that.)
  • 21. 4) Don’t Sweat “Table Assignments” • Theoretically, when you buy a spectator ticket, they’re supposed to be linked to a particular table around the dance floor – Like if you were going to a dinner-theater…um, thing • But it never actually works out that way. • You can pretty much sit wherever there’s room* What the organizers have in mind The reality of the seating arrangements (*Note: Except maybe for Friday/Saturday Night Sessions, but that’s not when I’ll be dancing)
  • 22. 5) Dress Code…ish (I guess) • I’m dancing during the day session, and honestly you can pretty much wear whatever you want to that. – Well, OK. Not ANYTHING. But, anything you would normally wear to a place where other people will be, and will see you If I were dancing in the evening session, however, dress for spectators would be semi-formal. In case you’re interested.
  • 23. 6) Please DO Cheer & Yell Like Retards When I Dance • There’s not always a lot of that going on at Ballroom Competitions – But that’s mostly because people are lame, or have lame friends. – Not because it’s particularly wrong to do.
  • 24. SO, YEAH. THAT’S ABOUT ALL YOU SHOULD NEED TO KNOW. EITHER THAT, OR I’M FORGETTING ALL OF THE IMPORTANT STUFF. BUT ONE OF THOSE, DEFINITELY, THOUGH. SEE YA NEXT SATURDAY! - Mike out