When I came out of the theater, I saw many viewers still confused about timelines overlapping and three different endings. Cinema theory, being pro-direction by heart, took the liberty to do their own analysis of the movie. Every Nolan film outside of Insomnia either does nonlinear or intertwining storytelling, but this one introduced a new way of storytelling along with too intense situational music to look away from it. Still Confused, visit www.cinematheories.com for a detailed summary of the movie in a linear fashion:

1. DUNKIRK (ANALYSIS)
A Christopher Nolan Movie

2. Analysis
 When I came out of the theater, I saw many
viewers still confused about timelines
overlapping and three different endings.
Cinema theory, being pro-direction by heart,
took the liberty to do their own analysis of
the movie. Every Nolan film outside of
Insomnia either does nonlinear or
intertwining storytelling, but this one
introduced a new way of storytelling along
with too intense situational music to look
away from it.

3. The Beginning The Intersection of the
stories
The Ending
THE AIR
(1 Hour)
THE SEA
(1 Day)
THE MOLE
(1 week)
Time Interval, each story got
ANALYSIS

4.  In the beginning of the movie, the titles of
each of the three stories were introduced
with their time span. The idea behind that
was that Nolan wanted the audience to
feel the tension of a war-zone from three
different perspectives.

5. TITLE PLATFORM TIME SPAN KEY ACTOR
The Mole Land 1 week Fionn
Whitehead
The Sea Sea 1 Day Mark Rylance
The Air Air 1 Hour Tom Hardy
The three different storylines with different time-
span are:

6. Best Regards
 For detailed analysis, visit:
www.cinematheories.com