4. '1.8', 2015 by Janet Echelman
Photographed by Ron Cogswell
5. The Book of Names
Photographed by Destructive Compliments
6. Untitled (Names on the 9/11 Memorial Fountain
Photographed by Sanderslelli
7. National Memorial for Peace and Justice Montgomery (AL) 2019
Photographed by Ron Cogswell
8. Field of Empty Chairs, Oklahoma City National Memorial
Photographed by KenLund
9. There are many areas that have explored some form
of physical visualization:
- Art as physical visualization
- Memorial installations as physical visualization
- Memorial spaces as physical visualization
10. Our experience with physical visualization in our
galleries:
- One Thousand Seventy-eight Blue Skies
- Liquidation
11. One Thousand Seventy-eight Blue Skies installation by Anton Kusters
United States Holocaust Memorial Museum Photographer: Joel Mason-Gaines
13. These physical spaces embody historical data sets.
How do visitors understand the data within them?
14.
15. Themes from audience responses:
- Curiosity and interaction
- Different perspective or frame of reference
- Affective understanding, feeling the data
20. Future work: what are the unique qualities of
physical, rather than screen- or print-based,
visualizations?
Notes de l'éditeur
I was thinking of adding this slide to encourage people to follow up with us for further discussion. Unlike the format of a conference, we won’t talk to people at the end of the program, bump into them at other sessions, etc. so it seems worthwhile to start with encouraging additional dialogue.
What would we do in the future?
'1.8', 2015 by Janet Echelman -- The 'Wonder' Exhibit Renwick Gallery (DC) November 2015 photographed by Ron Cogswell
The Book of Names photographed by Destructive Compliments
Untitled (Names on the 9/11 Memorial Fountain) photographed by Sanderslelli
National Memorial for Peace and Justice Montgomery (AL) 2019 photographed by Ron Cogswell
Field of Empty Chairs, Oklahoma City National Memorial, Oklahoma City, Oklahoma photographed by Ken Lund
One Thousand Seventy-eight Blue Skies by Anton Kusters.United States Holocaust Memorial Museum. Photographer: Joel Mason-Gaines
Liquidation, original design by Sarah Maravetz and Gillian McCallion.