SlideShare une entreprise Scribd logo
1  sur  10
EVALUATION 7
Looking back at your preliminary task, what have you learnt in
the progression from that to the final product?
CAMERAWORK
 In the preliminary task, we used mainly long shots and medium shots and a few
medium close ups. We used no extreme close ups which was quite unwise, as it meant that
the audience didn't have enough emotional connection with the characters.
 In contrast, our final production contained a range of shot types such as extreme
close ups. This helped characters feel the exact emotion of the character and have a
connection with them. We also used a lot of POV, this was so the audience could see
themselves in the shoes of the character and therefore engage with them more. Canted
angles were also used to demonstrate the disorientation of the characters and their
situation as this is a thriller. This variety of shots allowed our opening sequence to excite
the audience and exemplify their attachment to the characters.
CAMERAWORK
 In our preliminary task, we used one movement which was very swift. This meant our
task lacked dynamics and structure. The lack of movement forced the piece to remain
slow and unengaging.
 In our final production we used much more camera movements. We used pans and
tilts. For example, when Emily was hiding behind the tree and Kevin was behind her, we
used a pan to show the audience that he was there but Emily didn’t know he was. The pan
showed dramatic irony. Dramatic irony occurs when the audience knows something the
characters do not. Because of this understanding, the words of the characters take on a
different meaning. This can create intense suspense as the audience can anticipate what is
to come.
CAMERAWORK
 Looking back at my preliminary task, I have learnt many things about the use of
camerawork. In the preliminary task, we used a small variety of shots, movement
and angles. This was amplified drastically in our final production.
 In the preliminary task, we used a small range of shots, this included long shots,
over the shoulder shots, and medium close ups. There was no change in the angle
and very little movement. In our final production, we used a low angle shot on our
main character Emily while she was tied up, to demonstrate her vulnerability. By
researching different shot types, we realised that we can portray our characters
feelings and emotions through our use of angles.
CAMERAWORK
 The composition of our preliminary task was to a good standard. However, the
over the shoulder shot proved quite difficult for us to frame. In our final
production, our shots were framed quite well as we used the rule of thirds to
capture our characters. We had no dialogue or conversations and therefore didn’t
use any over the shoulder shots.
 We also included depth of field which is the distance between the nearest and
farthest objects in a scene that appear acceptably sharp in an image. We found this
quite hard to capture and used editing to make it look better.
EDITING
 The editing of our final production was much more continuous. The
framing was tight and the sequence flew well. In our preliminary task, due
to our lack of shot range, the editing lacked pace, making it seem quite
boring to watch in comparison to our final production.
 In our opening sequence, we filmed each shot from a range of angles
allowing the editing to be much more swift and fast-paced which we
believed was necessary for a thriller. This made the editing seem more
refined as the editing helped tell the narrative.
EDITING
 The transitions we used in the preliminary task were very rudimentary. We
simply used straight cuts throughout the sequence. Due to our inexperience with
editing at that time, we didn’t use any other transitions.
 In our final production however, we used a wider range of transitions. We used
fades, to slow down the action near the end when Emily was hit. This was done
deliberately as the audience wouldn't anticipate what would happen next.
 We also used a jump cut when changing scenes. This was to keep the action
going and keeping the audience interested and ensure a smooth transition.
EDITING
 Another major factor that differentiated the preliminary task and the final
production was sound. In the preliminary, we used one soundtrack for the entirety
of the scene. There were no sound effects or ambience sounds. This meant that the
scene lacked verisimilitude as there were no sound effects.
 In our final production we used 2 types of score music, for the two different
locations we filmed in. Each soundtrack applied to each location. We also added
ambience; for example in the forest scene, wind was added.
 Other sound effects such as Emily kicking the door were also added. These
small sounds came together to make a greater impact.
180 DEGREE RULE
 The 180° rule is a cinematography guideline that states that two characters in a
scene should maintain the same left/right relationship to one another.
 In the preliminary task, we did not break the 180 degree rule. This was mainly
because the sequence was too short and didn’t have any crossovers, therefore it was
easy for us to maintain the rule.
 In the final production, we broke the rule a few times as we had a bigger
location (the forest) and more shots to film. This meant we had to re-film in order
for our plot to make sense
POINT OF VIEW
 Point of view was a hard shot to master. It was crucial to maintain the
eye level of the character whose point of view it is. This is so the
audience are aware that they are seeing the action from the characters’
point of view.
 An example of this shot would be in the forest scene when Emily was
running.. This shot was used to show her disorientation as she was
running from the killers.
 Point of view was used to make the audience become a part of the
action, thus making them immersed into the experience.

Contenu connexe

Tendances

Film Techniques
Film TechniquesFilm Techniques
Film Techniqueskhalfyard
 
Film techniques
Film techniquesFilm techniques
Film techniquesShahEman
 
Production day diary three
Production day diary threeProduction day diary three
Production day diary threeGrace Crawford
 
Evaluation Project Progresion
Evaluation Project ProgresionEvaluation Project Progresion
Evaluation Project ProgresionHarryPennington
 
Improvements From The Preliminary Task
Improvements From The Preliminary TaskImprovements From The Preliminary Task
Improvements From The Preliminary Taskjoeleah
 
evaluation 1
evaluation 1evaluation 1
evaluation 1tb_123
 
Media task 7
Media task 7Media task 7
Media task 7KB160923
 
Media task 7
Media task 7Media task 7
Media task 7KB160923
 
Question 7 part 2
Question 7   part 2Question 7   part 2
Question 7 part 2AA60871
 
Unit 10: Learning Aim B
Unit 10: Learning Aim BUnit 10: Learning Aim B
Unit 10: Learning Aim BBethPotter4
 
Our use of camera shots, angles and
Our use of camera shots, angles andOur use of camera shots, angles and
Our use of camera shots, angles andKerryMosh
 
Question 2 evaluation
Question 2 evaluation Question 2 evaluation
Question 2 evaluation Amber2805
 
Production diary day one monday 31st october
Production diary day one monday 31st octoberProduction diary day one monday 31st october
Production diary day one monday 31st octoberGrace Crawford
 
Question 1 evaluation
Question 1 evaluationQuestion 1 evaluation
Question 1 evaluationAmber2805
 
Film production diary
Film production diaryFilm production diary
Film production diaryPaige Hadaway
 
Production day diary four
Production day diary fourProduction day diary four
Production day diary fourGrace Crawford
 

Tendances (20)

Question 7
Question 7Question 7
Question 7
 
Film Techniques
Film TechniquesFilm Techniques
Film Techniques
 
Film techniques
Film techniquesFilm techniques
Film techniques
 
Film language
Film languageFilm language
Film language
 
Production day diary three
Production day diary threeProduction day diary three
Production day diary three
 
Evaluation Project Progresion
Evaluation Project ProgresionEvaluation Project Progresion
Evaluation Project Progresion
 
Question 7
Question 7Question 7
Question 7
 
Improvements From The Preliminary Task
Improvements From The Preliminary TaskImprovements From The Preliminary Task
Improvements From The Preliminary Task
 
evaluation 1
evaluation 1evaluation 1
evaluation 1
 
Media task 7
Media task 7Media task 7
Media task 7
 
Media task 7
Media task 7Media task 7
Media task 7
 
Question 7 part 2
Question 7   part 2Question 7   part 2
Question 7 part 2
 
Location notes
Location notesLocation notes
Location notes
 
Unit 10: Learning Aim B
Unit 10: Learning Aim BUnit 10: Learning Aim B
Unit 10: Learning Aim B
 
Our use of camera shots, angles and
Our use of camera shots, angles andOur use of camera shots, angles and
Our use of camera shots, angles and
 
Question 2 evaluation
Question 2 evaluation Question 2 evaluation
Question 2 evaluation
 
Production diary day one monday 31st october
Production diary day one monday 31st octoberProduction diary day one monday 31st october
Production diary day one monday 31st october
 
Question 1 evaluation
Question 1 evaluationQuestion 1 evaluation
Question 1 evaluation
 
Film production diary
Film production diaryFilm production diary
Film production diary
 
Production day diary four
Production day diary fourProduction day diary four
Production day diary four
 

En vedette

Tracking shot
Tracking shotTracking shot
Tracking shottanikaa
 
Analysis of Fonts Used
Analysis of Fonts UsedAnalysis of Fonts Used
Analysis of Fonts Usedshaniamedia
 
Post Questionnaire Graphs
Post Questionnaire GraphsPost Questionnaire Graphs
Post Questionnaire Graphsshaniamedia
 
Evaluation 7
Evaluation 7Evaluation 7
Evaluation 7tanikaa
 
Evaluation activity 7
Evaluation activity 7Evaluation activity 7
Evaluation activity 7Mehdadul Kazi
 
Veza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istoku
Veza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istokuVeza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istoku
Veza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istokuStudent of Archaeology
 
Osi layer (kel.5 x tkj-3)
Osi layer (kel.5 x tkj-3)Osi layer (kel.5 x tkj-3)
Osi layer (kel.5 x tkj-3)Lili's World
 
Actividad 2.2 etiquetado
Actividad 2.2 etiquetadoActividad 2.2 etiquetado
Actividad 2.2 etiquetadoRosic profe
 
Шевченківський тиждень
Шевченківський тижденьШевченківський тиждень
Шевченківський тижденьЛюдмила Губа
 
Deep Learning on AWS with Bitfusion
Deep Learning on AWS with BitfusionDeep Learning on AWS with Bitfusion
Deep Learning on AWS with BitfusionTim Gasper
 
французкий 6 доп образ и.г. леонова
французкий 6 доп образ и.г. леоновафранцузкий 6 доп образ и.г. леонова
французкий 6 доп образ и.г. леоноваAlexandr Romanovich Salomasov
 
PQT - Total Productive Maintenance
PQT - Total Productive MaintenancePQT - Total Productive Maintenance
PQT - Total Productive MaintenanceDr. John V. Padua
 
Redefining Customer Expectations: 5 Trends for 2017
Redefining Customer Expectations: 5 Trends for 2017Redefining Customer Expectations: 5 Trends for 2017
Redefining Customer Expectations: 5 Trends for 2017BrandSquare
 
Detección de necesidades de mejora en centros educativos que aspiran a ser in...
Detección de necesidades de mejora en centros educativos que aspiran a ser in...Detección de necesidades de mejora en centros educativos que aspiran a ser in...
Detección de necesidades de mejora en centros educativos que aspiran a ser in...Gabinete Psicopedagógico Kaposkly
 
дубровицькі фольклористи
дубровицькі фольклористидубровицькі фольклористи
дубровицькі фольклористиsemyurihor
 

En vedette (20)

Tracking shot
Tracking shotTracking shot
Tracking shot
 
Meeting minutes 14
Meeting minutes 14Meeting minutes 14
Meeting minutes 14
 
Analysis of Fonts Used
Analysis of Fonts UsedAnalysis of Fonts Used
Analysis of Fonts Used
 
Post Questionnaire Graphs
Post Questionnaire GraphsPost Questionnaire Graphs
Post Questionnaire Graphs
 
Evaluation 7
Evaluation 7Evaluation 7
Evaluation 7
 
Evaluation Activity 7
Evaluation Activity 7Evaluation Activity 7
Evaluation Activity 7
 
Evaluation activity 7
Evaluation activity 7Evaluation activity 7
Evaluation activity 7
 
Veza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istoku
Veza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istokuVeza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istoku
Veza između pogrebne prakse i arheometalurgije tokom halkolita na Bliskom istoku
 
Osi layer (kel.5 x tkj-3)
Osi layer (kel.5 x tkj-3)Osi layer (kel.5 x tkj-3)
Osi layer (kel.5 x tkj-3)
 
Actividad 2.2 etiquetado
Actividad 2.2 etiquetadoActividad 2.2 etiquetado
Actividad 2.2 etiquetado
 
FAMILIAS Y NUEVAS TECNOLOGÍAS
FAMILIAS Y NUEVAS TECNOLOGÍASFAMILIAS Y NUEVAS TECNOLOGÍAS
FAMILIAS Y NUEVAS TECNOLOGÍAS
 
Шевченківський тиждень
Шевченківський тижденьШевченківський тиждень
Шевченківський тиждень
 
Deep Learning on AWS with Bitfusion
Deep Learning on AWS with BitfusionDeep Learning on AWS with Bitfusion
Deep Learning on AWS with Bitfusion
 
французкий Delf
французкий Delf французкий Delf
французкий Delf
 
французкий 6 доп образ и.г. леонова
французкий 6 доп образ и.г. леоновафранцузкий 6 доп образ и.г. леонова
французкий 6 доп образ и.г. леонова
 
PQT - Total Productive Maintenance
PQT - Total Productive MaintenancePQT - Total Productive Maintenance
PQT - Total Productive Maintenance
 
Redefining Customer Expectations: 5 Trends for 2017
Redefining Customer Expectations: 5 Trends for 2017Redefining Customer Expectations: 5 Trends for 2017
Redefining Customer Expectations: 5 Trends for 2017
 
El Gimnasio
El GimnasioEl Gimnasio
El Gimnasio
 
Detección de necesidades de mejora en centros educativos que aspiran a ser in...
Detección de necesidades de mejora en centros educativos que aspiran a ser in...Detección de necesidades de mejora en centros educativos que aspiran a ser in...
Detección de necesidades de mejora en centros educativos que aspiran a ser in...
 
дубровицькі фольклористи
дубровицькі фольклористидубровицькі фольклористи
дубровицькі фольклористи
 

Similaire à Evaluation 7

Similaire à Evaluation 7 (20)

Evaluation Activity 7
Evaluation Activity 7 Evaluation Activity 7
Evaluation Activity 7
 
Evaluation activity 7
Evaluation activity 7Evaluation activity 7
Evaluation activity 7
 
Task 7
Task 7Task 7
Task 7
 
Evaluation: Question 7
Evaluation: Question 7Evaluation: Question 7
Evaluation: Question 7
 
Hollie's Evaluation Question 7
Hollie's Evaluation Question 7Hollie's Evaluation Question 7
Hollie's Evaluation Question 7
 
Evaluation q7
Evaluation q7Evaluation q7
Evaluation q7
 
Question 7
Question 7  Question 7
Question 7
 
Task 7 evaluation
Task 7 evaluationTask 7 evaluation
Task 7 evaluation
 
Question 7
Question 7Question 7
Question 7
 
Evaluating our Preliminary Task
Evaluating our Preliminary TaskEvaluating our Preliminary Task
Evaluating our Preliminary Task
 
Evaluation of finished product
Evaluation of finished productEvaluation of finished product
Evaluation of finished product
 
Evaluation Q7
Evaluation Q7Evaluation Q7
Evaluation Q7
 
7
77
7
 
Progression Since Preliminary Task
Progression Since Preliminary TaskProgression Since Preliminary Task
Progression Since Preliminary Task
 
evaluation q7
evaluation q7evaluation q7
evaluation q7
 
Looking back to your preliminary task, what
Looking back to your preliminary task, whatLooking back to your preliminary task, what
Looking back to your preliminary task, what
 
Task 7 - media evaluation
Task 7 - media evaluationTask 7 - media evaluation
Task 7 - media evaluation
 
Question 7
Question 7Question 7
Question 7
 
Evaluation q7
Evaluation q7Evaluation q7
Evaluation q7
 
Question 7
Question 7Question 7
Question 7
 

Plus de Neha Shahzad

Plus de Neha Shahzad (20)

Evaluation 3 (explaination)
Evaluation 3 (explaination)Evaluation 3 (explaination)
Evaluation 3 (explaination)
 
7 representations
7 representations 7 representations
7 representations
 
Planning brief
Planning briefPlanning brief
Planning brief
 
Lighting
LightingLighting
Lighting
 
Font types
Font typesFont types
Font types
 
Lighting
LightingLighting
Lighting
 
Depth of field
Depth of fieldDepth of field
Depth of field
 
Prop notes
Prop notesProp notes
Prop notes
 
Prop notes
Prop notesProp notes
Prop notes
 
Font types
Font typesFont types
Font types
 
Lighting
LightingLighting
Lighting
 
Rule of thirds
Rule of thirdsRule of thirds
Rule of thirds
 
Depth of field
Depth of fieldDepth of field
Depth of field
 
180 degree rule
180 degree rule180 degree rule
180 degree rule
 
Meeting notes week 10
Meeting notes week 10Meeting notes week 10
Meeting notes week 10
 
Meeting notes week 9
Meeting notes week 9Meeting notes week 9
Meeting notes week 9
 
Meeting notes week 9
Meeting notes week 9Meeting notes week 9
Meeting notes week 9
 
Meeting notes week 9
Meeting notes week 9Meeting notes week 9
Meeting notes week 9
 
Meeting notes week 8
Meeting notes  week 8 Meeting notes  week 8
Meeting notes week 8
 
Meeting notes week 7
Meeting notes  week 7 Meeting notes  week 7
Meeting notes week 7
 

Dernier

Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...
Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...
Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...allensay1
 
Mysore Call Girls 8617370543 WhatsApp Number 24x7 Best Services
Mysore Call Girls 8617370543 WhatsApp Number 24x7 Best ServicesMysore Call Girls 8617370543 WhatsApp Number 24x7 Best Services
Mysore Call Girls 8617370543 WhatsApp Number 24x7 Best ServicesDipal Arora
 
Falcon's Invoice Discounting: Your Path to Prosperity
Falcon's Invoice Discounting: Your Path to ProsperityFalcon's Invoice Discounting: Your Path to Prosperity
Falcon's Invoice Discounting: Your Path to Prosperityhemanthkumar470700
 
The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...
The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...
The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...Aggregage
 
Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...
Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...
Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...lizamodels9
 
Call Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service Bangalore
Call Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service BangaloreCall Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service Bangalore
Call Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service Bangaloreamitlee9823
 
Mondelez State of Snacking and Future Trends 2023
Mondelez State of Snacking and Future Trends 2023Mondelez State of Snacking and Future Trends 2023
Mondelez State of Snacking and Future Trends 2023Neil Kimberley
 
How to Get Started in Social Media for Art League City
How to Get Started in Social Media for Art League CityHow to Get Started in Social Media for Art League City
How to Get Started in Social Media for Art League CityEric T. Tung
 
Dr. Admir Softic_ presentation_Green Club_ENG.pdf
Dr. Admir Softic_ presentation_Green Club_ENG.pdfDr. Admir Softic_ presentation_Green Club_ENG.pdf
Dr. Admir Softic_ presentation_Green Club_ENG.pdfAdmir Softic
 
Organizational Transformation Lead with Culture
Organizational Transformation Lead with CultureOrganizational Transformation Lead with Culture
Organizational Transformation Lead with CultureSeta Wicaksana
 
BAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRL
BAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRLBAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRL
BAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRLkapoorjyoti4444
 
Monthly Social Media Update April 2024 pptx.pptx
Monthly Social Media Update April 2024 pptx.pptxMonthly Social Media Update April 2024 pptx.pptx
Monthly Social Media Update April 2024 pptx.pptxAndy Lambert
 
Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...
Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...
Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...amitlee9823
 
Eluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
Eluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort ServiceEluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
Eluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort ServiceDamini Dixit
 
Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...
Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...
Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...daisycvs
 
Call Girls In Noida 959961⊹3876 Independent Escort Service Noida
Call Girls In Noida 959961⊹3876 Independent Escort Service NoidaCall Girls In Noida 959961⊹3876 Independent Escort Service Noida
Call Girls In Noida 959961⊹3876 Independent Escort Service Noidadlhescort
 
B.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptx
B.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptxB.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptx
B.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptxpriyanshujha201
 
Business Model Canvas (BMC)- A new venture concept
Business Model Canvas (BMC)-  A new venture conceptBusiness Model Canvas (BMC)-  A new venture concept
Business Model Canvas (BMC)- A new venture conceptP&CO
 
A DAY IN THE LIFE OF A SALESMAN / WOMAN
A DAY IN THE LIFE OF A  SALESMAN / WOMANA DAY IN THE LIFE OF A  SALESMAN / WOMAN
A DAY IN THE LIFE OF A SALESMAN / WOMANIlamathiKannappan
 
Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...
Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...
Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...lizamodels9
 

Dernier (20)

Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...
Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...
Call Girls Service In Old Town Dubai ((0551707352)) Old Town Dubai Call Girl ...
 
Mysore Call Girls 8617370543 WhatsApp Number 24x7 Best Services
Mysore Call Girls 8617370543 WhatsApp Number 24x7 Best ServicesMysore Call Girls 8617370543 WhatsApp Number 24x7 Best Services
Mysore Call Girls 8617370543 WhatsApp Number 24x7 Best Services
 
Falcon's Invoice Discounting: Your Path to Prosperity
Falcon's Invoice Discounting: Your Path to ProsperityFalcon's Invoice Discounting: Your Path to Prosperity
Falcon's Invoice Discounting: Your Path to Prosperity
 
The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...
The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...
The Path to Product Excellence: Avoiding Common Pitfalls and Enhancing Commun...
 
Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...
Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...
Call Girls From Pari Chowk Greater Noida ❤️8448577510 ⊹Best Escorts Service I...
 
Call Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service Bangalore
Call Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service BangaloreCall Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service Bangalore
Call Girls Hebbal Just Call 👗 7737669865 👗 Top Class Call Girl Service Bangalore
 
Mondelez State of Snacking and Future Trends 2023
Mondelez State of Snacking and Future Trends 2023Mondelez State of Snacking and Future Trends 2023
Mondelez State of Snacking and Future Trends 2023
 
How to Get Started in Social Media for Art League City
How to Get Started in Social Media for Art League CityHow to Get Started in Social Media for Art League City
How to Get Started in Social Media for Art League City
 
Dr. Admir Softic_ presentation_Green Club_ENG.pdf
Dr. Admir Softic_ presentation_Green Club_ENG.pdfDr. Admir Softic_ presentation_Green Club_ENG.pdf
Dr. Admir Softic_ presentation_Green Club_ENG.pdf
 
Organizational Transformation Lead with Culture
Organizational Transformation Lead with CultureOrganizational Transformation Lead with Culture
Organizational Transformation Lead with Culture
 
BAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRL
BAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRLBAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRL
BAGALUR CALL GIRL IN 98274*61493 ❤CALL GIRLS IN ESCORT SERVICE❤CALL GIRL
 
Monthly Social Media Update April 2024 pptx.pptx
Monthly Social Media Update April 2024 pptx.pptxMonthly Social Media Update April 2024 pptx.pptx
Monthly Social Media Update April 2024 pptx.pptx
 
Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...
Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...
Call Girls Jp Nagar Just Call 👗 7737669865 👗 Top Class Call Girl Service Bang...
 
Eluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
Eluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort ServiceEluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
Eluru Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
 
Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...
Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...
Quick Doctor In Kuwait +2773`7758`557 Kuwait Doha Qatar Dubai Abu Dhabi Sharj...
 
Call Girls In Noida 959961⊹3876 Independent Escort Service Noida
Call Girls In Noida 959961⊹3876 Independent Escort Service NoidaCall Girls In Noida 959961⊹3876 Independent Escort Service Noida
Call Girls In Noida 959961⊹3876 Independent Escort Service Noida
 
B.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptx
B.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptxB.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptx
B.COM Unit – 4 ( CORPORATE SOCIAL RESPONSIBILITY ( CSR ).pptx
 
Business Model Canvas (BMC)- A new venture concept
Business Model Canvas (BMC)-  A new venture conceptBusiness Model Canvas (BMC)-  A new venture concept
Business Model Canvas (BMC)- A new venture concept
 
A DAY IN THE LIFE OF A SALESMAN / WOMAN
A DAY IN THE LIFE OF A  SALESMAN / WOMANA DAY IN THE LIFE OF A  SALESMAN / WOMAN
A DAY IN THE LIFE OF A SALESMAN / WOMAN
 
Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...
Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...
Russian Call Girls In Gurgaon ❤️8448577510 ⊹Best Escorts Service In 24/7 Delh...
 

Evaluation 7

  • 1. EVALUATION 7 Looking back at your preliminary task, what have you learnt in the progression from that to the final product?
  • 2. CAMERAWORK  In the preliminary task, we used mainly long shots and medium shots and a few medium close ups. We used no extreme close ups which was quite unwise, as it meant that the audience didn't have enough emotional connection with the characters.  In contrast, our final production contained a range of shot types such as extreme close ups. This helped characters feel the exact emotion of the character and have a connection with them. We also used a lot of POV, this was so the audience could see themselves in the shoes of the character and therefore engage with them more. Canted angles were also used to demonstrate the disorientation of the characters and their situation as this is a thriller. This variety of shots allowed our opening sequence to excite the audience and exemplify their attachment to the characters.
  • 3. CAMERAWORK  In our preliminary task, we used one movement which was very swift. This meant our task lacked dynamics and structure. The lack of movement forced the piece to remain slow and unengaging.  In our final production we used much more camera movements. We used pans and tilts. For example, when Emily was hiding behind the tree and Kevin was behind her, we used a pan to show the audience that he was there but Emily didn’t know he was. The pan showed dramatic irony. Dramatic irony occurs when the audience knows something the characters do not. Because of this understanding, the words of the characters take on a different meaning. This can create intense suspense as the audience can anticipate what is to come.
  • 4. CAMERAWORK  Looking back at my preliminary task, I have learnt many things about the use of camerawork. In the preliminary task, we used a small variety of shots, movement and angles. This was amplified drastically in our final production.  In the preliminary task, we used a small range of shots, this included long shots, over the shoulder shots, and medium close ups. There was no change in the angle and very little movement. In our final production, we used a low angle shot on our main character Emily while she was tied up, to demonstrate her vulnerability. By researching different shot types, we realised that we can portray our characters feelings and emotions through our use of angles.
  • 5. CAMERAWORK  The composition of our preliminary task was to a good standard. However, the over the shoulder shot proved quite difficult for us to frame. In our final production, our shots were framed quite well as we used the rule of thirds to capture our characters. We had no dialogue or conversations and therefore didn’t use any over the shoulder shots.  We also included depth of field which is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image. We found this quite hard to capture and used editing to make it look better.
  • 6. EDITING  The editing of our final production was much more continuous. The framing was tight and the sequence flew well. In our preliminary task, due to our lack of shot range, the editing lacked pace, making it seem quite boring to watch in comparison to our final production.  In our opening sequence, we filmed each shot from a range of angles allowing the editing to be much more swift and fast-paced which we believed was necessary for a thriller. This made the editing seem more refined as the editing helped tell the narrative.
  • 7. EDITING  The transitions we used in the preliminary task were very rudimentary. We simply used straight cuts throughout the sequence. Due to our inexperience with editing at that time, we didn’t use any other transitions.  In our final production however, we used a wider range of transitions. We used fades, to slow down the action near the end when Emily was hit. This was done deliberately as the audience wouldn't anticipate what would happen next.  We also used a jump cut when changing scenes. This was to keep the action going and keeping the audience interested and ensure a smooth transition.
  • 8. EDITING  Another major factor that differentiated the preliminary task and the final production was sound. In the preliminary, we used one soundtrack for the entirety of the scene. There were no sound effects or ambience sounds. This meant that the scene lacked verisimilitude as there were no sound effects.  In our final production we used 2 types of score music, for the two different locations we filmed in. Each soundtrack applied to each location. We also added ambience; for example in the forest scene, wind was added.  Other sound effects such as Emily kicking the door were also added. These small sounds came together to make a greater impact.
  • 9. 180 DEGREE RULE  The 180° rule is a cinematography guideline that states that two characters in a scene should maintain the same left/right relationship to one another.  In the preliminary task, we did not break the 180 degree rule. This was mainly because the sequence was too short and didn’t have any crossovers, therefore it was easy for us to maintain the rule.  In the final production, we broke the rule a few times as we had a bigger location (the forest) and more shots to film. This meant we had to re-film in order for our plot to make sense
  • 10. POINT OF VIEW  Point of view was a hard shot to master. It was crucial to maintain the eye level of the character whose point of view it is. This is so the audience are aware that they are seeing the action from the characters’ point of view.  An example of this shot would be in the forest scene when Emily was running.. This shot was used to show her disorientation as she was running from the killers.  Point of view was used to make the audience become a part of the action, thus making them immersed into the experience.