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Brand Storytelling

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Brand Storytelling

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Learn how to apply the fundamentals of storytelling and their brand counterparts to your business strategy. Telling a story is the only effective way to connect your brand with consumers. Don’t fall into the trap of posting to social media as one-way dialogue or merely broadcasting promotions. Create compelling stories that hook your audience. This presentation goes through the fundamentals of storytelling and identifies brand parallels.

You can also watch the recording here: https://www.youtube.com/watch?v=qSDlAvDG4_0&feature=emb_logo

Learn how to apply the fundamentals of storytelling and their brand counterparts to your business strategy. Telling a story is the only effective way to connect your brand with consumers. Don’t fall into the trap of posting to social media as one-way dialogue or merely broadcasting promotions. Create compelling stories that hook your audience. This presentation goes through the fundamentals of storytelling and identifies brand parallels.

You can also watch the recording here: https://www.youtube.com/watch?v=qSDlAvDG4_0&feature=emb_logo

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Brand Storytelling

  1. 1. The Fundamentals of Storytelling & Creating an Audience brand
  2. 2. Nykea Behiel Director of Marketing | Rock & Bloom
  3. 3. WHOAMI? An information junkie I went to Egypt and Morocco for my honeymoon...while six months pregnant
  4. 4. WHOAMI? And…. I have the cutest baby in the world!
  5. 5. WHOISROCK&BLOOM?
  6. 6. After nourishment, shelter and companionship, stories are the thing we need most in the world. Philip Pullman
  7. 7. Why Does It Matter?
  8. 8. What’s the Difference? Porsche Cayenne vs. VW Touareg
  9. 9. What’s the Difference? Brown Egg vs. White Egg
  10. 10. What’s the Difference? Van vs. SUV
  11. 11. What’s the Difference? Two Stars vs Five Stars
  12. 12. Brand Storytelling
  13. 13. Exercise: The Story Test
  14. 14. 1. Tendon 2. Dinner 3. Cup 4. Outlet 5. Curry 6. Officer 7. Backyard 8. Dress 9. Hotel 10. Distance Story Test Exercise Answers 1. Explosion 2. Rollercoaster 3. Letter 4. Pig 5. Taco 6. House 7. Batteries 8. Peppercorn 9. Chalk 10. Brain
  15. 15. 1. Setting 2. Characters 3. Plot 4. Conflict 5. Theme 6. Story Arc The Fundamentals of Story And Then, Their Brand Counterparts
  16. 16. SETTING
  17. 17. The setting is the time and location in which your story takes place. Settings can be very specific, but can also be more broad and descriptive. Setting The Fundamentals of Storytelling Hogwarts School of Witchcraft and Wizardry, 1991-1998 A tired cabin in the woods, nondescript time
  18. 18. MARKET
  19. 19. Understand the market where you’re conducting business. You can't be all things to all people. Your field might be broad, but what is your niche? Market The Fundamentals of Brand Storytelling Engaged women; wedding photography Stay at home moms between the ages of 26-45 that live within 20 miles of Saskatoon with a median household income of greater than $150K/year
  20. 20. Exercise: Define Your Market
  21. 21. How to determine your target market: ● Age ● Location ● Gender ● Spending Power Exercise: Write a statement that encompasses all of these. Example: Stay at home moms between the ages of 26-45 that live within 20 miles of Saskatoon with a median household income of greater than $150K/year. Exercise: Define Your Market The Fundamentals of Brand Storytelling
  22. 22. Speaking to everyone = speaking to no one Whose opinion do you care most about? What are your key business drivers and who is most inspired by them? This can extend beyond customers (i.e. employees) Can begin with broad segments or categories Audiences and Segments
  23. 23. Audience One Business travellers - young professionals Audience Two Vacation goers - families and couples Audience Three Westjet employees Top Three Audiences
  24. 24. Exercise: Your Audiences
  25. 25. Audience One Audience Two Audience Three Top Three Audiences your company!
  26. 26. CHARACTERS
  27. 27. Characters are vital to the development of the story; the plot revolves around them. Central characters almost always include at least a protagonist and an antagonist, and sometimes a narrator. Characters The Fundamentals of Storytelling
  28. 28. Characters = Personas
  29. 29. Why Personas? ● Convince 10% of people 100% of the way, not 100% of people 10% of the way ● Focus your marketing efforts and spend, and speak the language of our customers ● Identify the customer’s needs and wants so you can delight them and earn their return business ● Make decisions based on the needs and wants of these ideal personas ● Ensure that all activities involved in acquiring and serving your customers are tailored to the targeted buyer’s needs. ● Show potential customers that you get them by addressing their pain or need ● Keep you centered on the needs of your customers
  30. 30. Role Reversal
  31. 31. A client coming to you is a statement about them, not just you
  32. 32. Your stories need to be about someone. They can be about you and/or your clients. It’s often more effective to tell a compelling story about the people you help. Possibility: Narrator: You Protagonist: Ideal client Antagonist: Their challenge Customer Personas The Fundamentals of Brand Storytelling
  33. 33. Meet Hipster Halle Halle is young and tragically hip. She lives and works in Riversdale, and is an advocate for the neighbourhood.
  34. 34. ● Demographic and personal info ○ 29 years old ○ Single ○ Makes 70k/year ● Personality & Interests ○ Halle is a type four on the enneagram ○ She’s sensitive, expressive, dramatic, and self-absorbed ○ Halle knows she has a lot to offer, and is convinced her creativity is better than her coworkers ○ Halle is an intense foodie, and prides herself on trying every new restaurant shortly after it opens. And when she tries it, you can bet she has an opinion! ○ Halle has a tendency to avoid the boring things in her life, which often means doing forms, taxes, and the mundane late ○ She is always busy and has many interests and hobbies ○ Some of her hobbies include traveling, design, yoga, painting, environmentalism, and trying new activities Hipster Halle
  35. 35. ● Values ○ Environmentally conscious ○ Values creativity and good design ● Job details ○ Senior graphic designer at a creative agency ● Brand Affinities ○ Reformation, Patagonia, Lululemon, Madewell, Oak & Fort, The Ordinary, Levis, Apple, Whole Foods, Netflix, Nordstrom Rack, local brands ● Routines & Online Behaviours ○ Halle is constantly looking for knowledge and ways to improve herself ○ Consumes lots of online content, most through social media ○ Doesn’t have traditional media, but has multiple streaming platforms — Netflix, Crave, Disney, Prime ○ Particular content hubs she likes: Creative Boom, The Design Blog, Oh She Glows, Goop, Medium, Ad Age ○ Instagram is her primary social channel; she is also very active on Pinterest and has a presence on Facebook, though it’s limited Hipster Halle
  36. 36. ● Goals ○ Be healthy — lead an active lifestyle, eat well, and practice meditations ○ Be seen as a trendsetter ○ Have coworkers and bosses at her agency value her input ● Challenges ○ Moving towards less waste with packaging, food, etc. ○ Finding time to be her version of healthy ○ Create work that moves people and is successful ● Deterrents from our brand ○ Doesn’t want to be seen as part of a gentrification process — wants to be seen as part of the solution, not the problem ● Quotes ○ “I love Riversdale. It’s a place in Saskatoon where I can experience many cultures and perspectives. It’s inspirational in my design process.” ● Marketing Messages & Motivations ○ Highlight professional development and networking opportunities, or chances to showcase her work and expertise ○ Illustrate how she is making an impact on the neighbourhood Hipster Halle
  37. 37. Customer Personas The Fundamentals of Brand Storytelling
  38. 38. Customer Personas The Fundamentals of Brand Storytelling
  39. 39. Great ways to get started: ● Look at your analytics. Your website and social platforms are a microcosm of who you are attracting now ● Survey past clients to see why they chose you, what they liked best, etc. ● If possible, survey people who didn’t choose you — why did they go with someone else? Do they fit your target demo? ● General market research ● Brainstorming your ideal Customer Personas The Fundamentals of Brand Storytelling
  40. 40. Exercise: Customer Persona Draft
  41. 41. Things to consider: ● Demographic info ● Personality and interests ● Values ● Job details ● Brand affinities ● Routines and online behaviours ● Common objections to your brand ● Goals ● Challenges ● Real quotes ● Marketing message that will best resonate Exercise: Customer Persona Draft The Fundamentals of Brand Storytelling
  42. 42. PLOT
  43. 43. The plot is the sequence of events that connect the audience to the protagonist and their ultimate goal. Plot The Fundamentals of Storytelling
  44. 44. The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son. Plot Guess the Logline [Main Character], while not intelligent, has accidentally been present at many historic moments, but his true love, Jenny Curran, eludes him. The Godfather Forrest Gump
  45. 45. Exercise: Write a Logline for Your Brand
  46. 46. CUSTOMER JOURNEY & MARKETING STRATEGY
  47. 47. How you plan to achieve your goals. What tactics and mediums will you use? Where is your core demo? What are are all the touchpoints you have with customers? Customer Journey & Marketing Strategy The Fundamentals of Brand Storytelling
  48. 48. Customer Journey The Fundamentals of Brand Storytelling
  49. 49. 1. Provides a lens for measuring sustainable growth
  50. 50. 1. Provides a lens for measuring sustainable growth 2. Should correlate to value delivered to customers
  51. 51. North Star: # nights booked
  52. 52. North Star: # daily active users
  53. 53. North Star: # active drivers
  54. 54. Monthly active users Nights booked Rides taken Mesh With Your North Star
  55. 55. Leading Indicators That which you can control. Easy to influence, difficult to define Lagging Indicators That which you ultimately want to achieve. Easy to measure, difficult to influence
  56. 56. Leading Indicators That which you can control. Easy to influence, difficult to define Lagging Indicators That which you ultimately want to achieve. Easy to measure, difficult to influence
  57. 57. Exercise: Define Your North Star
  58. 58. CONFLICT
  59. 59. The conflict is what drives the story. It’s what creates tension and builds suspense, which are the elements that make a story interesting. If there’s no conflict, not only will the audience not care, but there also won’t be any compelling story to tell. Conflict The Fundamentals of Storytelling 1. Person against person (The Hunger Games) 2. Person against nature (Jaws) 3. Person against self (A Beautiful Mind) 4. Person against society (The Handmaid’s Tale) 5. Person against the Supernatural (The War of the Worlds) 6. Person against technology (The Matrix)
  60. 60. THE PROBLEMS YOU SOLVE
  61. 61. What problem are you solving? What are you trying to get your customer to do?
  62. 62. Bad, irrelevant search results. Meeting people generally only happened on weekends, not seven days a week. Ill-fitting shoes
  63. 63. Exercise: What Problem Do You Solve?
  64. 64. THEME
  65. 65. The theme is what the story is really about. It’s the main idea or underlying meaning. Often, it’s the storyteller’s personal opinion on the subject matter. A story may have both a major theme and minor themes. Theme The Fundamentals of Storytelling One of the main themes in the Titanic is perseverance
  66. 66. USP & BRAND ARCHETYPE
  67. 67. Unless you can pinpoint what makes your business unique in a world of homogeneous competitors, you cannot target your sales efforts. A business can peg its USP on one of the Four Ps of marketing: product characteristics, price structure, placement strategy (location and distribution) or promotional strategy. Unique Selling Proposition The Fundamentals of Brand Storytelling
  68. 68. For example, Charles Revson, founder of Revlon, always used to say he sold hope, not makeup. Some airlines sell friendly service, while others sell cheap flights. Neiman Marcus sells luxury, while Wal-Mart sells bargains. Unique Selling Proposition The Fundamentals of Brand Storytelling
  69. 69. Unique Selling Proposition The Fundamentals of Brand Storytelling We’re number two. We try harder
  70. 70. Unique Selling Proposition The Fundamentals of Brand Storytelling World’s strongest coffee.
  71. 71. Unique Selling Proposition The Fundamentals of Brand Storytelling Melts in your mouth, not in your hand.
  72. 72. Unique Selling Proposition The Fundamentals of Brand Storytelling We give a new pair of shoes to a child in need for every pair you purchase.
  73. 73. Unique Selling Proposition The Fundamentals of Brand Storytelling You get fresh, hot pizza delivered to your door in 30 minutes or less or it's free.
  74. 74. 1. Put yourself in your customer's shoes a. Step back from your daily operations and carefully scrutinize what your customers really want 2. Know what motivates your customers' behavior and buying decisions 3. Uncover the real reasons customers buy your product instead of a competitor's a. Try a survey. Clear your mind of any preconceived ideas about your product or service and be brutally honest Unique Selling Proposition Identifying Your USP
  75. 75. Exercise: Write Your USP
  76. 76. Brand Archetypes The Fundamentals of Brand Storytelling An archetype is a literary device in which a character is created based on a set of qualities or traits that are specific and identifiable for readers.
  77. 77. Brand Archetypes The Fundamentals of Brand Storytelling Archetypes are based on Swiss psychologist Carl Jung’s theory that humans have a basic tendency to use symbolism to understand concepts. Jung identified 12 archetypes. Each archetype has its own set of characteristics, values, attitudes and behaviors. The advertising and marketing industry has applied that concept to create brand archetypes.
  78. 78. of our purchasing decisions are made in the subconscious mind. — Harvard Professor Gerald Zaltman 95%
  79. 79. Brand Archetypes The Fundamentals of Brand Storytelling The Innocent The Regular Guy / Gal The Hero The Outlaw The Explorer The Creator The Ruler The Magician The Lover The Caregiver The Jester The Sage
  80. 80. Brand Archetypes The Fundamentals of Brand Storytelling The Innocent The Regular Guy / Gal The Hero The Outlaw The Explorer The Creator The Ruler The Magician The Lover The Caregiver The Jester The Sage LIBERATION POWER MASTERY INTIMACY ENJOYMENT BELONGING SERVICECONTROL INNOVATIONSAFETY UNDERSTANDING FREEDOM
  81. 81. Brand Archetypes The Innocent Goal: To be happy Traits: Strives to be good, is pure, young, optimistic, simple, moral, romantic, loyal Drawback: Could be naïve or boring Marketing niche: Companies with strong values, seen as trustworthy, reliable and honest, associated with morality, good virtues, simplicity, often nostalgic
  82. 82. Brand Archetypes The Regular Guy / Gal Goal: To belong, or connect with others Traits: Down to earth, supportive, faithful, folksy, person next door, connects with others Drawback: Can lack a distinctive identity and blend in too much Marketing niche: Common touch, solid virtues, gives a sense of belonging
  83. 83. Brand Archetypes The Hero Goal: Help to improve the world Traits: Courageous, bold, honorable, strong, confident, inspirational Drawback: Can be arrogant or aloof Marketing niche: Make a positive mark on the world, solve major problems or enable/inspire others to do so
  84. 84. Brand Archetypes The Outlaw Goal: Break the rules and fight authority Traits: Rebellious, iconoclastic, wild, paving the way for change Drawback: Could take it too far and be seen in a negative way Marketing niche: Agent of change, advocate for the disenfranchised, allow people to vent or break with conventions
  85. 85. Brand Archetypes The Explorer Goal: Finds fulfillment through discovery and new experiences Traits: Restless, adventurous, ambitious, individualistic, independent, pioneering Drawback: Might not fit into the mainstream Marketing niche: Exciting, risk-taking, authentic
  86. 86. Brand Archetypes The Creator Goal: Create something with meaning and enduring value Traits: Creative, imaginative, artistic, inventive, entrepreneur, non-conformist Drawback: Could be perfectionistic or impractical Marketing niche: Visionary, help customers express or create, and foster their imagination
  87. 87. Brand Archetypes The Ruler Goal: Control, create order from chaos Traits: Leader, responsible, organized, role model, administrator Drawback: Can lack a common connection, or be too authoritative or controlling Marketing niche: Help people become more organized, restore order, create more stability and security in a chaotic world
  88. 88. Brand Archetypes The Magician Goal: Make dreams come true, create something special Traits: Visionary, charismatic, imaginative, idealistic, spiritual Drawback: Could take risks that lead to bad outcomes Marketing niche: Help people transform their world, inspire change, expand consciousness
  89. 89. Brand Archetypes The Lover Goal: Create intimacy, inspire love Traits: Passionate, sensual, intimate, romantic, warm, committed, idealistic Drawback: Could be too selfless or not grounded enough Marketing niche: Help people feel appreciated, belong, connect, enjoy intimacy, build relationships
  90. 90. Brand Archetypes The Caregiver Goal: To care for and protect others Traits: Caring, maternal, nurturing, selfless, generous, compassionate Drawback: Being taken advantage of, taken for granted, or exploited Marketing niche: Help people care for themselves, serve the public through health care, education or aid programs
  91. 91. Brand Archetypes The Jester Goal: To bring joy to the world Traits: Fun, sense of humor, light-hearted, mischievous, irreverent Drawback: Could be seen as frivolous or disrespectful Marketing niche: Help people have a good time or enjoy what they are doing, allow people to be more impulsive and spontaneous
  92. 92. Brand Archetypes The Sage Goal: To help the world gain wisdom and insight Traits: Knowledgeable, trusted source of information, wisdom and intelligence, thoughtful, analytical, mentor, guru, advisor Drawback: Could be overly contemplative or too opinionated Marketing niche: Help people to better understand the world, provide practical information and analysis
  93. 93. Exercise: Which Archetype Are You?
  94. 94. STORY ARC
  95. 95. Story Arc
  96. 96. A strong story plot has a narrative arc that has four required elements of its own. 1. Setup: The world in which the protagonist exists prior to the journey. The setup usually ends with the conflict being revealed. 2. Rising Tension: The series of obstacles the protagonist must overcome. Each obstacle is usually more difficult and with higher stakes than the previous one. 3. Climax: The point of highest tension, and the major decisive turning point for the protagonist. 4. Resolution: The conflict’s conclusion. This is where the protagonist finally overcomes the conflict, learns to accept it, or is ultimately defeated by it. Story Arc The Fundamentals of Storytelling
  97. 97. Telling Your Story
  98. 98. ● How do you describe your business? ● Can you do it in less than 40 words? ● Would your entire team say it the same way? ● Would your customers say it the same way? Key Messaging The Fundamentals of Storytelling
  99. 99. Story Arc The Fundamentals of Storytelling
  100. 100. TIPS FOR TELLING GOOD STORIES
  101. 101. BE AUTHENTIC
  102. 102. Customers may say they want the best product, and that they want it at the best price. While that is true, what they want most is authenticity.
  103. 103. PINE VIEW FARMS
  104. 104. BE CREATIVE
  105. 105. SPEAK THE LANGUAGE OF YOUR CUSTOMERS
  106. 106. BE CONSISTENT
  107. 107. ● Consistency builds trust ● Purchasing is more an emotional decision than a practical one ○ First contact isn’t always first impression ● Every encounter should count, be positive, and in brand voice ○ Website, ads, social, sales, blog, phone, webinar, etc. ● Consistency makes you recognizable and trustworthy ● Give your customers what they expect Provide a Consistent Customer Experience
  108. 108. A brand doesn’t have a story
  109. 109. They Have Many Stories
  110. 110. You need to tell many hyper specific stories to stay relevant.
  111. 111. Telling Your Story Hook Problem Resolution CTA
  112. 112. 1. Hook a. Why should they care? Grab attention right away. 2. Problem a. Explain the problem you are solving 3. Resolution a. Explain how you solve that problem 4. CTA a. At the end of each story should be a call-to-action. On something like an Instagram post, this can be implicit. On a website or blog, it should be explicit — likely an actual button Telling Your Story The Fundamentals of Brand Storytelling
  113. 113. 1. Setting 2. Characters 3. Plot 4. Conflict 5. Theme 6. Story Arc The Fundamentals of Brand Storytelling 1. Market 2. Customer Personas & Your Brand 3. Marketing Strategy / Customer Journey 4. Problem(s) you Solve 5. USP & Brand Archetype 6. Telling Your Story Storytelling Brand Storytelling
  114. 114. FINALLY
  115. 115. -37°C and -38°C What’s The Difference?
  116. 116. What’s The Difference? -37°C and -38°C 27°C and 28°C
  117. 117. -37°C and -38°C 27°C and 28°C 3°C and 2 °C What’s The Difference?
  118. 118. -37°C and -38°C 27°C and 28°C 3°C and 2 °C What’s The Difference?
  119. 119. You can differentiate your brand. You can relate to your audience. You can understand your why. Tell stories that matter.
  120. 120. CREDITS: This presentation template was created by Slidesgo, including icons by Flaticon, and infographics & images by Freepik THANKS! Please keep this slide for attribution MANY nykea@rockandbloom.com rockandbloom.com Thank you so much for your time!
  121. 121. ● The Power of Brand Storytelling (Research Slideshare) ● The Science Behind Storytelling ● 11 Companies That Are Killing It With Brand-Driven Storytelling ● Here's what Volkswagen did and how it got caught ● 15 Brilliant Examples Of Visual Storytelling On Instagram ● Stories from the Airbnb Community ● Julia Galef, Why You Think You’re Right, Even When You’re Wrong Resources The Fundamentals of Brand Storytelling ● Seth Godin, All Marketers Are Liars ● Seth Godin, Linchpin ● Terry O’Reilly, Under the Influence ● Malcom Gladwell, The Tipping Point ● Martin Lindstrom, Buyology ● Invisibilia, This American Life and Radiolab ● Michael Brenner, Marketing Insider Group ● Inbound conference ● Content Marketing Institute ● Brene Brown (multiple books)
  122. 122. Similar to a plot, your story has to have elements that captivate a viewer. 1. Hook a. Why should they care? Grab attention right away. 2. Problem a. Explain the problem you are solving 3. Resolution a. Explain how you solve that problem 4. CTA a. At the end of each story should be a call-to-action. On something like an Instagram post, this can be implicit. On a website or blog, it should be explicit — likely am actual button Telling Your Story The Fundamentals of Brand Storytelling
  123. 123. Free tools
  124. 124. If This, Then That (IFTT)
  125. 125. Coschedule headline analyzer tool Only 62% of people who click into an article end up reading past the headline
  126. 126. Writing/research Google Drive
  127. 127. Canva
  128. 128. HTML Color Codes
  129. 129. Dafont
  130. 130. Email Hunter
  131. 131. Hey Press
  132. 132. Make a Meme
  133. 133. Reading List
  134. 134. Free Vector and Vector Arts
  135. 135. Vennage and Infogram
  136. 136. Hemingway App
  137. 137. Word clouds
  138. 138. Yoast
  139. 139. SEO Quake
  140. 140. HARO
  141. 141. SEM Rush

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