This document provides an overview of 15th century Italian art and artists. It discusses key developments in Florence, including the patronage of wealthy families like the Medici, advances in architecture by Brunelleschi, and influential sculptors and painters such as Donatello, Masaccio, Fra Angelico, Uccello, and Botticelli. It also covers artistic centers that developed in other northern Italian cities like Urbino under Federico da Montefeltro, where Piero della Francesca worked, and Mantua under the Gonzaga family, where Mantegna frescoed the Camera Picta. The document concludes with mentions of Ghirlandaio's frescoes for the Sassetti Chapel and
2. Big Ideas
Sculptors: human figure…Roman
sculpture
Scientific investigation
Linear perspective
Wealthy merchant class (condottieri)
Artistic competition & individual
achievement
innovation
3. th
15
Century Italy
Florence, Milan, & Venice
Wealthy families: political power + artistic patronage
Medici (merchants/bankers>virtual rulers) in Florence
https://www.youtube.com/watch?v=l88oJARJ9Fs (first 7
min)
Renewed interest in ancient literary texts
Plato & NeoPlatonists
Spiritual vs physical (ideal vs matter)
Government:
Florence: constitutional oligarchy
civic architecture
4. Church of San Lorenzo
Old Sacristy:
https://www.youtu
be.com/watch?v=LK
v0hRyiGCY&list=PL
AAEFE618A27E29D2
Square module
throughout
Pietra serena – gray
Tuscan sandstone
10. Lorenzo Ghiberti (1381?-1455),
The Gates of Paradise
East doors for Florentine
Baptistery; commissioned
1425; installed 1452.
Restoration Project
completed in 2012:
http://www.youtube.com/wat
ch?v=C6AbLI4QBAU
13. Orsanmichele
Grain loggia (grain
market) – 14 guilds
commissioned to fill
ground-floor niches with
statuary
Nanni di Banco The Four
Crowned Martyrs
Donatello St. George
View of north east corner of the church
from Via Calzaiuoli
(http://www.orsanmichele.net/photos-video/)
16. Donatello – David
1446-1460(?)
First life-size, freestanding nude since
antiquity!
Originally in Medici
Palace in 1469 with
inscribed base:
―The victor is whoever
defends the fatherland.
All-powerful God
crushes the angry
enemy.
Behold, a boy
overcomes the great
tyrant.
Conquer, O citizens!‖
17. Donatello – Equestrian Statue of
Erasmo da Narni (Gattamelata),
1443-1453
Piazza del Santo, Padua. Bronze, ~12’2‖ high.
19.
The Expulsion of
Adam & Eve from
Paradise (c. 1427) Masaccio
Brancacci Chapel,
Churc of Santa
Maria del
Carmine, Florence.
Only scene NOT
from the life of St.
Peter
http://www.yout
ube.com/watch?v
=hMzFbORRiss
20. The Tribute Money (c. 1427) Masaccio
Brancacci Chapel, church of Santa Maria del
Carmine, Florence. Fresco.
http://www.youtube.com/watch?v=oDPNSPbjzQ8
21. Fra Angelico (―Angelic Brother‖)
(1395/1400-1455)
Beatified in 1984
Took vows as a Dominican monk between 1418-1421.
1438-1445 – worked with assistants to create
meditational paintings for each monk’s cell at monastery
of San Marco
22. Annunciation – Fra
Angelico
Top of
stairs, north
corridor
Linear
perspective
1438-1445 –
7’ 1‖ x 10’ 6‖
http://ww
w.youtube.c
om/watch?
v=3BV_pG3HPQ
24. Fra Filippo Lippi
– Portrait of a
Woman and a
Man, c. 1435-1445
Earliest
surviving
double
portrait of
the Italian
Renaissance
Tempera on
wood panel,
25 ¼‖ x 16
½‖.
Metropolitan
Museum of
Art, New
York.
25. Beyond 1550: Northern
Italy
Artists trained in Florence moved around; influence
of Donatello, Masaccio, and Brunelleschi spreads…
Ducal courts at Urbino and Mantua
Classical ideas and innovation continued to
characterize the artwork.
26. Urbino
Count Federico da Montefeltro, a condottiere, hires
Luciano Laurana (c. 1420/1425-1479) to finish out the
palace at Urbino
Montefeltro becomes Duke in 1476
Fourth wing added; courtyard facades redecorated
Piers embellished with pilasters
Trompe l’oeil (―fool the eye‖) effects
Intarsia (wood inlay)
29. Studiolo – Montefeltro’s study
(1476)
Intarsia!
Probably done by woodworker/architect, Giuliano da Maiano
(1432-1490)
30. Ducal court artist:
Piero Della Francesca
(c.1415-1492)
Worked in Florence in the 1430s
Knew current art theory and practice
Linear and atmospheric perspective
Spatial illusion
Modeling of forms
31. Baptism of Christ
(c. 1450)– Piero
della Francesca
Tempera on
wood panel
66‖ x 45 ¾‖.
National
Gallery,
London.
http://www
.youtube.co
m/watch?v=
qv2K1yk0LC
E&list=PLA
AEFE618A27
E29D2&inde
x=15
32. Battista Sforza and Federico da Montefeltro
(c. 1474)– Piero della Francesca
OIL on wood panel, ea 18 ½‖ x 13‖. Galleria degli Uffizi, Florence.
Battista died at age 26, after birth of 9th child! Federico grieved.
33. Mantua
Marquis of Mantua: Ludovico Gonzaga, a condottiere
Gonzaga rules territory of Italian plain between
Venice and Milan
Humanist ideas in his court: art & literature
34. Camera Picta – Ducal
Palace, Mantua (1465-1474)
Andrea Mantegna, artist of the frescos
Tower chamber in palace
Radical perspective in domed ceiling: di sotto in sù (―from below
upwards‖)
http://www.youtube.com/watch?v=GN0P5RkQAow&list=PLAAEFE618
A27E29D2&index=32
35. Sistine Chapel - Rome
Pope Sixtus IV – 1480s – called group of young
Florentine and Umbrian artists including
Pietro Vannucci (―Perugino‖) – worked on Christ
Giving the Keys to Saint Peter
Sandro Botticelli
Ghirlandaio
Michelangelo (ceiling and scene behind altar)
http://www.youtube.com/watch?v=PEE3B8Fsuc0
36.
Sculpture
in Florence
Verrocchio (―true
eye‖), a.k.a Andrea
di Michele Cioni
(1435-1488)
goldsmith, painter,
and bronze sculptor
Teacher of Da Vinci
and Perugino!
David, Verrocchio. Medici Palace, c. 1470-1475.
Bronze with gilded details. 49 5/8‖ high.
Museo Nazionale del Bargello, Florence.
37. Hercules and Antaeus
– Antonio del
Pollaiuolo, c. 1475
Bronze, 18‖ with
base. Museo
Nazionale del
Bargello, Florence.
Polaiuolo:
embroidery designer,
goldsmith, painter,
printmaker, and
sculptor; started
working for Medici
family in 1460
38. The Battle of the Nudes Pollaiuolo, c. 1465-1470, etching
39. Ghirlandaio
Nickname means ―garland maker‖, a.k.a. Domenico
di Tommaso Bigordi (1449-1494)
Father was a goldsmith known for his floral wreaths
1483-1486 Life of St. Francis murals
Commissioned by Francesco Sassetti, manager of
Medici bank, for burial chapel at Santa Trinità in
Florence
40.
Scenes from
the Life of St.
Francis;
Altarpiece
with Nativity
and
Adoration of
the Shepherds
46. Gentile Bellini – Procession of the Relic of
the True Cross before the Church of St. Mark
– c. 1496, oil on canvas, 12’ x 24’ 5‖
47.
Giovanni Bellini
– Virgin and
Child Enthroned
with SS. Francis,
John the Baptist,
Job, Dominic,
Sebastian, and
Louis of Toulouse
– oil on wood
panel, c. 1478
48. Giovanni Bellini – St. Francis in Ecstasy –
c. 1470s, oil and tempera on wood panel