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Professor Paige Prater
T, R, 12PM-1:20PM
Big Ideas

Sculptors: human figure…Roman
sculpture
Scientific investigation
Linear perspective
Wealthy merchant class (condottieri)
Artistic competition & individual
achievement
innovation
th
15

Century Italy


 Florence, Milan, & Venice
 Wealthy families: political power + artistic patronage
 Medici (merchants/bankers>virtual rulers) in Florence
 https://www.youtube.com/watch?v=l88oJARJ9Fs (first 7
min)

 Renewed interest in ancient literary texts
 Plato & NeoPlatonists
 Spiritual vs physical (ideal vs matter)

 Government:
 Florence: constitutional oligarchy
 civic architecture
Church of San Lorenzo

 Old Sacristy:
https://www.youtu
be.com/watch?v=LK
v0hRyiGCY&list=PL
AAEFE618A27E29D2
 Square module
throughout
 Pietra serena – gray
Tuscan sandstone
Church of San Lorenzo,
Florence - Exterior

Palazzo Medici-Riccardi

 Begun 1446
Palazzo Medici-Riccardi
– sgraffito in courtyard

Florence Cathedral

 1367 – dome envisioned; no technical ―know-how‖
 1407 – sculptor-turned-architect, Filippo Brunelleschi
proposed a technical solution
 https://www.youtube.com/watch?v=TQ8F_yPwqz
A&list=PLAAEFE618A27E29D2&index=4


Florence Cathedral: Bronze
Doors Competition
Lorenzo Ghiberti

Filippo Brunelleschi


Lorenzo Ghiberti (1381?-1455),
The Gates of Paradise



 East doors for Florentine
Baptistery; commissioned
1425; installed 1452.
 Restoration Project
completed in 2012:

http://www.youtube.com/wat
ch?v=C6AbLI4QBAU
Ghiberti, Gates of Paradise – Jacob
& Esau


Sculpture

 Realism
 Space
 Classical past
Orsanmichele
  Grain loggia (grain
market) – 14 guilds
commissioned to fill
ground-floor niches with
statuary

 Nanni di Banco The Four
Crowned Martyrs
 Donatello St. George

View of north east corner of the church
from Via Calzaiuoli
(http://www.orsanmichele.net/photos-video/)
The Four
Crowned Martyrs
– Nanni di
Banco
c. 1409-1417. 6’
height of
figures.


St. George –
Donatello,

1417—1420

Height 6’5‖.
Donatello – David
1446-1460(?)

 First life-size, freestanding nude since
antiquity!
 Originally in Medici
Palace in 1469 with
inscribed base:
―The victor is whoever
defends the fatherland.
All-powerful God
crushes the angry
enemy.
Behold, a boy
overcomes the great
tyrant.
Conquer, O citizens!‖


Donatello – Equestrian Statue of
Erasmo da Narni (Gattamelata),
1443-1453



 Piazza del Santo, Padua. Bronze, ~12’2‖ high.
The Trinity (1426,
fresco)-Masaccio
(―Big Tom‖) 
 Tommaso di
Ser Giovanni
di Mone
Cassai (14011428/1429?)
 Linear
perspective


The Expulsion of
Adam & Eve from
Paradise (c. 1427) Masaccio
 Brancacci Chapel,
Churc of Santa
Maria del
Carmine, Florence.
 Only scene NOT
from the life of St.
Peter
 http://www.yout
ube.com/watch?v
=hMzFbORRiss
The Tribute Money (c. 1427) Masaccio

 Brancacci Chapel, church of Santa Maria del
Carmine, Florence. Fresco.
 http://www.youtube.com/watch?v=oDPNSPbjzQ8


Fra Angelico (―Angelic Brother‖)
(1395/1400-1455)



 Beatified in 1984
 Took vows as a Dominican monk between 1418-1421.
 1438-1445 – worked with assistants to create
meditational paintings for each monk’s cell at monastery
of San Marco
Annunciation – Fra
Angelico


 Top of
stairs, north
corridor
 Linear
perspective
 1438-1445 –
7’ 1‖ x 10’ 6‖
 http://ww
w.youtube.c
om/watch?
v=3BV_pG3HPQ
Paolo Ucello (―Paul
Bird‖)


 The Battle of San Romano (1438-1440)
Fra Filippo Lippi
– Portrait of a
Woman and a 
Man, c. 1435-1445
 Earliest
surviving
double
portrait of
the Italian
Renaissance
 Tempera on
wood panel,
25 ¼‖ x 16
½‖.
Metropolitan
Museum of
Art, New
York.
Beyond 1550: Northern
Italy

 Artists trained in Florence moved around; influence
of Donatello, Masaccio, and Brunelleschi spreads…
 Ducal courts at Urbino and Mantua
 Classical ideas and innovation continued to
characterize the artwork.
Urbino

 Count Federico da Montefeltro, a condottiere, hires
Luciano Laurana (c. 1420/1425-1479) to finish out the
palace at Urbino
 Montefeltro becomes Duke in 1476

 Fourth wing added; courtyard facades redecorated
 Piers embellished with pilasters

 Trompe l’oeil (―fool the eye‖) effects
 Intarsia (wood inlay)
Courtyard, Ducal Palace, Urbino
(1467-1472)


Ducal Palace, Urbino, cutaway



http://arts.muohio.edu/faculty/benson/urbino/urbino.htm
Studiolo – Montefeltro’s study
(1476)



 Intarsia!
 Probably done by woodworker/architect, Giuliano da Maiano
(1432-1490)
Ducal court artist:

Piero Della Francesca
(c.1415-1492)

 Worked in Florence in the 1430s
 Knew current art theory and practice
 Linear and atmospheric perspective
 Spatial illusion
 Modeling of forms
Baptism of Christ
(c. 1450)– Piero
della Francesca
 Tempera on
wood panel
 66‖ x 45 ¾‖.
National
Gallery,
London.
 http://www
.youtube.co
m/watch?v=
qv2K1yk0LC
E&list=PLA
AEFE618A27
E29D2&inde
x=15


Battista Sforza and Federico da Montefeltro
(c. 1474)– Piero della Francesca



 OIL on wood panel, ea 18 ½‖ x 13‖. Galleria degli Uffizi, Florence.
 Battista died at age 26, after birth of 9th child! Federico grieved.
Mantua

 Marquis of Mantua: Ludovico Gonzaga, a condottiere
 Gonzaga rules territory of Italian plain between
Venice and Milan
 Humanist ideas in his court: art & literature
Camera Picta – Ducal
Palace, Mantua (1465-1474)


 Andrea Mantegna, artist of the frescos
 Tower chamber in palace
 Radical perspective in domed ceiling: di sotto in sù (―from below
upwards‖)
 http://www.youtube.com/watch?v=GN0P5RkQAow&list=PLAAEFE618
A27E29D2&index=32
Sistine Chapel - Rome

 Pope Sixtus IV – 1480s – called group of young
Florentine and Umbrian artists including
 Pietro Vannucci (―Perugino‖) – worked on Christ
Giving the Keys to Saint Peter
 Sandro Botticelli
 Ghirlandaio
 Michelangelo (ceiling and scene behind altar)
 http://www.youtube.com/watch?v=PEE3B8Fsuc0


Sculpture
in Florence
 Verrocchio (―true
eye‖), a.k.a Andrea
di Michele Cioni
(1435-1488)
goldsmith, painter,
and bronze sculptor
 Teacher of Da Vinci
and Perugino!

David, Verrocchio. Medici Palace, c. 1470-1475.
Bronze with gilded details. 49 5/8‖ high.
Museo Nazionale del Bargello, Florence.
Hercules and Antaeus
– Antonio del
Pollaiuolo, c. 1475

 Bronze, 18‖ with
base. Museo
Nazionale del
Bargello, Florence.
 Polaiuolo:
embroidery designer,
goldsmith, painter,
printmaker, and
sculptor; started
working for Medici
family in 1460
The Battle of the Nudes Pollaiuolo, c. 1465-1470, etching


Ghirlandaio

 Nickname means ―garland maker‖, a.k.a. Domenico
di Tommaso Bigordi (1449-1494)
 Father was a goldsmith known for his floral wreaths
 1483-1486 Life of St. Francis murals
 Commissioned by Francesco Sassetti, manager of
Medici bank, for burial chapel at Santa Trinità in
Florence


Scenes from
the Life of St.
Francis;
Altarpiece
with Nativity
and
Adoration of
the Shepherds
Nativity and Adoration of
the Shepherds (1485).

Confirmation of the
Franciscan  by Pope
Rule
Honorius III
Birth of Venus (1484-1486)-Botticelli



 http://www.youtube.com/watch?v=tdp22elrY7s&li
st=PLAAEFE618A27E29D2&index=18
Primavera (1482)Botticelli


 http://www.youtube.com/watch?v=qwZn852brII&l
ist=PLAAEFE618A27E29D2&index=19
Gentile & Giovanni
Bellini

 Venice
 Oligarchy with elected duke (―doge‖)

 Gentile: large and lively narratives
Gentile Bellini – Procession of the Relic of
the True Cross before the Church of St. Mark
– c. 1496, oil on canvas, 12’ x 24’ 5‖




Giovanni Bellini
– Virgin and
Child Enthroned
with SS. Francis,
John the Baptist,
Job, Dominic,
Sebastian, and
Louis of Toulouse
– oil on wood
panel, c. 1478
Giovanni Bellini – St. Francis in Ecstasy –
c. 1470s, oil and tempera on wood panel



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Professor Paige Prater's 15th Century Italian Art Class

  • 1. Professor Paige Prater T, R, 12PM-1:20PM
  • 2. Big Ideas  Sculptors: human figure…Roman sculpture Scientific investigation Linear perspective Wealthy merchant class (condottieri) Artistic competition & individual achievement innovation
  • 3. th 15 Century Italy   Florence, Milan, & Venice  Wealthy families: political power + artistic patronage  Medici (merchants/bankers>virtual rulers) in Florence  https://www.youtube.com/watch?v=l88oJARJ9Fs (first 7 min)  Renewed interest in ancient literary texts  Plato & NeoPlatonists  Spiritual vs physical (ideal vs matter)  Government:  Florence: constitutional oligarchy  civic architecture
  • 4. Church of San Lorenzo   Old Sacristy: https://www.youtu be.com/watch?v=LK v0hRyiGCY&list=PL AAEFE618A27E29D2  Square module throughout  Pietra serena – gray Tuscan sandstone
  • 5. Church of San Lorenzo, Florence - Exterior 
  • 8. Florence Cathedral  1367 – dome envisioned; no technical ―know-how‖  1407 – sculptor-turned-architect, Filippo Brunelleschi proposed a technical solution  https://www.youtube.com/watch?v=TQ8F_yPwqz A&list=PLAAEFE618A27E29D2&index=4 
  • 9. Florence Cathedral: Bronze Doors Competition Lorenzo Ghiberti Filippo Brunelleschi 
  • 10. Lorenzo Ghiberti (1381?-1455), The Gates of Paradise   East doors for Florentine Baptistery; commissioned 1425; installed 1452.  Restoration Project completed in 2012: http://www.youtube.com/wat ch?v=C6AbLI4QBAU
  • 11. Ghiberti, Gates of Paradise – Jacob & Esau 
  • 13. Orsanmichele   Grain loggia (grain market) – 14 guilds commissioned to fill ground-floor niches with statuary  Nanni di Banco The Four Crowned Martyrs  Donatello St. George View of north east corner of the church from Via Calzaiuoli (http://www.orsanmichele.net/photos-video/)
  • 14. The Four Crowned Martyrs – Nanni di Banco c. 1409-1417. 6’ height of figures. 
  • 16. Donatello – David 1446-1460(?)  First life-size, freestanding nude since antiquity!  Originally in Medici Palace in 1469 with inscribed base: ―The victor is whoever defends the fatherland. All-powerful God crushes the angry enemy. Behold, a boy overcomes the great tyrant. Conquer, O citizens!‖ 
  • 17. Donatello – Equestrian Statue of Erasmo da Narni (Gattamelata), 1443-1453   Piazza del Santo, Padua. Bronze, ~12’2‖ high.
  • 18. The Trinity (1426, fresco)-Masaccio (―Big Tom‖)   Tommaso di Ser Giovanni di Mone Cassai (14011428/1429?)  Linear perspective
  • 19.  The Expulsion of Adam & Eve from Paradise (c. 1427) Masaccio  Brancacci Chapel, Churc of Santa Maria del Carmine, Florence.  Only scene NOT from the life of St. Peter  http://www.yout ube.com/watch?v =hMzFbORRiss
  • 20. The Tribute Money (c. 1427) Masaccio  Brancacci Chapel, church of Santa Maria del Carmine, Florence. Fresco.  http://www.youtube.com/watch?v=oDPNSPbjzQ8 
  • 21. Fra Angelico (―Angelic Brother‖) (1395/1400-1455)   Beatified in 1984  Took vows as a Dominican monk between 1418-1421.  1438-1445 – worked with assistants to create meditational paintings for each monk’s cell at monastery of San Marco
  • 22. Annunciation – Fra Angelico   Top of stairs, north corridor  Linear perspective  1438-1445 – 7’ 1‖ x 10’ 6‖  http://ww w.youtube.c om/watch? v=3BV_pG3HPQ
  • 23. Paolo Ucello (―Paul Bird‖)   The Battle of San Romano (1438-1440)
  • 24. Fra Filippo Lippi – Portrait of a Woman and a  Man, c. 1435-1445  Earliest surviving double portrait of the Italian Renaissance  Tempera on wood panel, 25 ¼‖ x 16 ½‖. Metropolitan Museum of Art, New York.
  • 25. Beyond 1550: Northern Italy   Artists trained in Florence moved around; influence of Donatello, Masaccio, and Brunelleschi spreads…  Ducal courts at Urbino and Mantua  Classical ideas and innovation continued to characterize the artwork.
  • 26. Urbino   Count Federico da Montefeltro, a condottiere, hires Luciano Laurana (c. 1420/1425-1479) to finish out the palace at Urbino  Montefeltro becomes Duke in 1476  Fourth wing added; courtyard facades redecorated  Piers embellished with pilasters  Trompe l’oeil (―fool the eye‖) effects  Intarsia (wood inlay)
  • 27. Courtyard, Ducal Palace, Urbino (1467-1472) 
  • 28. Ducal Palace, Urbino, cutaway  http://arts.muohio.edu/faculty/benson/urbino/urbino.htm
  • 29. Studiolo – Montefeltro’s study (1476)   Intarsia!  Probably done by woodworker/architect, Giuliano da Maiano (1432-1490)
  • 30. Ducal court artist: Piero Della Francesca (c.1415-1492)   Worked in Florence in the 1430s  Knew current art theory and practice  Linear and atmospheric perspective  Spatial illusion  Modeling of forms
  • 31. Baptism of Christ (c. 1450)– Piero della Francesca  Tempera on wood panel  66‖ x 45 ¾‖. National Gallery, London.  http://www .youtube.co m/watch?v= qv2K1yk0LC E&list=PLA AEFE618A27 E29D2&inde x=15 
  • 32. Battista Sforza and Federico da Montefeltro (c. 1474)– Piero della Francesca   OIL on wood panel, ea 18 ½‖ x 13‖. Galleria degli Uffizi, Florence.  Battista died at age 26, after birth of 9th child! Federico grieved.
  • 33. Mantua   Marquis of Mantua: Ludovico Gonzaga, a condottiere  Gonzaga rules territory of Italian plain between Venice and Milan  Humanist ideas in his court: art & literature
  • 34. Camera Picta – Ducal Palace, Mantua (1465-1474)   Andrea Mantegna, artist of the frescos  Tower chamber in palace  Radical perspective in domed ceiling: di sotto in sù (―from below upwards‖)  http://www.youtube.com/watch?v=GN0P5RkQAow&list=PLAAEFE618 A27E29D2&index=32
  • 35. Sistine Chapel - Rome   Pope Sixtus IV – 1480s – called group of young Florentine and Umbrian artists including  Pietro Vannucci (―Perugino‖) – worked on Christ Giving the Keys to Saint Peter  Sandro Botticelli  Ghirlandaio  Michelangelo (ceiling and scene behind altar)  http://www.youtube.com/watch?v=PEE3B8Fsuc0
  • 36.  Sculpture in Florence  Verrocchio (―true eye‖), a.k.a Andrea di Michele Cioni (1435-1488) goldsmith, painter, and bronze sculptor  Teacher of Da Vinci and Perugino! David, Verrocchio. Medici Palace, c. 1470-1475. Bronze with gilded details. 49 5/8‖ high. Museo Nazionale del Bargello, Florence.
  • 37. Hercules and Antaeus – Antonio del Pollaiuolo, c. 1475   Bronze, 18‖ with base. Museo Nazionale del Bargello, Florence.  Polaiuolo: embroidery designer, goldsmith, painter, printmaker, and sculptor; started working for Medici family in 1460
  • 38. The Battle of the Nudes Pollaiuolo, c. 1465-1470, etching 
  • 39. Ghirlandaio   Nickname means ―garland maker‖, a.k.a. Domenico di Tommaso Bigordi (1449-1494)  Father was a goldsmith known for his floral wreaths  1483-1486 Life of St. Francis murals  Commissioned by Francesco Sassetti, manager of Medici bank, for burial chapel at Santa Trinità in Florence
  • 40.  Scenes from the Life of St. Francis; Altarpiece with Nativity and Adoration of the Shepherds
  • 41. Nativity and Adoration of the Shepherds (1485). 
  • 42. Confirmation of the Franciscan  by Pope Rule Honorius III
  • 43. Birth of Venus (1484-1486)-Botticelli   http://www.youtube.com/watch?v=tdp22elrY7s&li st=PLAAEFE618A27E29D2&index=18
  • 45. Gentile & Giovanni Bellini   Venice  Oligarchy with elected duke (―doge‖)  Gentile: large and lively narratives
  • 46. Gentile Bellini – Procession of the Relic of the True Cross before the Church of St. Mark – c. 1496, oil on canvas, 12’ x 24’ 5‖ 
  • 47.  Giovanni Bellini – Virgin and Child Enthroned with SS. Francis, John the Baptist, Job, Dominic, Sebastian, and Louis of Toulouse – oil on wood panel, c. 1478
  • 48. Giovanni Bellini – St. Francis in Ecstasy – c. 1470s, oil and tempera on wood panel 