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Tutorial
PAUL DEL ROSARIO MABATID
WHATEVER YOU DO, DO IT WITH ALL YOUR HEART AS WORKING
FOR THE LORD AND NOT FOR MEN.
COLLSIANS 3:23
CREATED BY:
TABLE OF CONTENTS
IN THIS CHAPTER
GUITAR 101
 Identifying the different parts of the Guitar
 Understanding how the Guitar Works
 Interacting with the Guitar
TABLE OF CONTENTS
IN THIS CHAPTER
TUNE ON, TUNE IN
 Tuning Description
 Counting on Your Strings and Frets
The Fifth – Fret Method
 Tuning the Guitar to Itself
Taking a turn at the Piano
TABLE OF CONTENTS
IN THIS CHAPTER
READY SET. NOT YET:
DEVELOPING AND SKILLS TO PLAY
 Hand Position Posture
 Reading Chords in Diagram
 Playing Chords
 Reading Chords in Tablature
Avoiding Buzzes!
TABLE OF CONTENTS
IN THIS CHAPTER
The Easiest Way to Play:
Basic Major and Minor Chords
 Playing Chords in the C Family
 Playing Chords in the D Family
 Playing Chords in the E Family
 Playing Chords in the F Family
 Playing Chords in the G Family
 Playing Chords in the A Family
 Playing Chords in the B Family
CHAPTER 1:
IN THIS CHAPTER
GUITAR 101
 Identifying the different parts of the Guitar
 Understanding how the Guitar Works
 Interacting with the Guitar
ANATOMY OF GUITAR
Guitars come in two basic flavors: Acoustic and Electric.
From a hardware standpoint, Electric Guitars have more components and
doohickeys than do Acoustic Guitars.
Guitars makers generally agree, however, that making an Acoustic Guitar is
harder than making an Electric Guitar
TYPES AND PARTS OF THE GUITAR
Acoustic Guitar Electric Guitar
LET’S START IN THE PARTS OF ACOUSTIC GUITAR
AND NEXT LET’S START IN THE PART OF ELECTRIC
GUITAR
HOW THE GUITAR WORKS?
How the Guitar Works?
“After you can recognize the basic parts of the Guitar,
you may also want to understand how those parts
work together to make sound.”
“ We present this information just so that you know
why your Guitar sounds.”
“The important thing to remember is that a Guitar
makes the sound, BUT YOU MAKE THE MUSIC.”
CHAPTER 2:
IN THIS CHAPTER
TUNE ON, TUNE IN
 Tuning Description
 Counting on Your Strings and Frets
The Fifth – Fret Method
 Tuning the Guitar to Itself
Taking a turn at the Piano
TUNING DESCRIPTION
Tuning is to guitarists what parallel parking is to city drivers: an
everyday and necessary activity that can be vexingly difficult to master.
And task is Never Fun. Unlike the piano, which a professional tuner
comes to visit, the guitar is normally tuned by its owner – and it needs
constant adjusting.
One of the great injustice of life is that, before you can even play
music on the guitar, you must endure the painstaking process of getting
your instrument in tune.
COUNTING ON YOUR STRINGS AND FRETS
We’re going to start from square one, or in this case,
string one. Before can tune your guitar, you need to
know to refer to the two main players – Strings and
Frets
Strings are numbered consecutively 1 through 6. The 1st
string is the skinniest, located closest to the floor (when
you hold the guitar in playing position).Working your
way up, the 6th string is the fattest, closest to the
COUNTING ON YOUR STRINGS AND FRETS
TWO MAIN PLAYERS
1. STRINGS
Strings are numbered consecutively 1 through 6. The 1st
string is the skinniest, located closest to the floor (when
you hold the guitar in playing position).Working your
way up, the 6th string is the fattest, closest to the
COUNTING ON YOUR STRINGS AND FRETS
TWO MAIN PLAYERS
1. STRINGS
We recommended that you memorize the letter names
of the open strings (E, A, D, G, B, E, from 6th to 1st) so
that you’re not limited to referring to them by number.
An easy way to memorize the open strings in order is to
remember the pharse.
COUNTING ON YOUR STRINGS AND FRETS
TWO MAIN PLAYERS
1. STRINGS
Fret can be refer to either the space where you put your left-
hand finger or to the tin metal bar running across the
fingerboard. Whenever you deals with guitar fingering, FRET
means the space between the metal bars – where you can
comfortably fit a left-hand finger.
COUNTING ON YOUR STRINGS AND FRETS
TWO MAIN PLAYERS
1. FRETS
The first fret is the region between the NUT (the thin, grooved
strip that separates the headstock from the neck)and the first
metal bar. The fifth fret, then, is the fifth square up from the
nut – technically, the region between the fourth and fifth
metal fret bars.
(Most guitars have a marker on the fifth fret, either a
decorative design embedded in the fingerboard or a dot on
the side of the neck, or both
COUNTING ON YOUR STRINGS AND FRETS
TWO MAIN PLAYERS
1. FRETS
OPEN STRINGS
COUNTING ON YOUR STRINGS AND FRETS
One more point of business to square away. You’ll come across the
terms OPEN STRINGS and FRETTED STRINGS from this point on in
the book
A string that you play without pressing down on it with a
left-hand finger.
FRETTED
STRINGS
A string that you play while pressing down on it a
particular fret.
TUNING THE GUITAR TO ITSELF
Relative tuning is so named because you don’t need any outside reference
to which you tune the instrument. As long as the strings are in tune in a
certain relationship with each other, you can create sonorous and harmonies
tones.
Those same tones may turn into sounds resembling those of a catfight if
you try to pay along with another instrument, however; but as long as you
tune the strings relative to one another, the guitar is in tune with itself.
To tune a guitar using the relative method, choose one strings as the
starting point – say, the 6th string. Leave the pitch of that string as is; then
tune all the other strings relative to that 6th string.
The Fifth – Fret Method
TAKING A TURN AT THE PIANO
CHAPTER 3:
IN THIS CHAPTER
READY SET. NOT YET:
DEVELOPING AND SKILLS TO PLAY
 Hand Position Posture
 Reading Chords in Diagram
 Playing Chords
 Reading Chords in Tablature
Avoiding Buzzes!
HAND POSITION POSTURE
You can either sit or stand while playing the
guitar, and the position you choose makes virtually
no difference whatsoever to your tone or technique.
Most people prefer to practice while sitting but
perform publicly while standing. The one exception
to the sit or stand option is the classical guitar,
which you normally play in a sitting position.
The orthodox practice is to play in a seated position
only. This practice doesn’t mean that you can’t play a
classical style guitar or classical music while standing,
but the serious pursuit of the classical guitar requires
that you sit while playing
HAND POSITION POSTURE
READING CHORDS IN DIAGRAM
Don’t worry — reading a chord diagram is not like
reading music; it’s far simpler. All you need to do is
understand where to put your fingers to form a chord.
A chord is defined as the simultaneous sounding of
three or more notes.
READING CHORDS IN DIAGRAM
Figure 3-6 shows the anatomy of a chord chart,
and the following list briefly explains what the different
parts of the diagram mean:
The Grid of Six Vertical lines and Five Horizontal ones
represents the guitar fretboard, as if you stood the guitar up
on the floor or chair and looked straight at the upper part of
the neck from the front.
The Vertical Lines represent the guitar strings.
The vertical line at the far left is the low 6th string,
and the right-most vertical line is the high 1st string.
READING CHORDS IN DIAGRAM
The Horizontal Lines represent frets.
The thick horizontal line at the top is the nut of the guitar,
where the fretboard ends. So the first fret is actually the second
vertical line from the top. (Don’t let the words here confuse
you; just look at the guitar.)
The Dots that appear on vertical string lines between
horizontal fret lines represent notes that you fret.
READING CHORDS IN DIAGRAM
The Numerals directly below each string line
(just below the last fret line) indicate which left-hand finger you
use to fret that note.
On the left hand,
1 = index finger;
2 = middle finger;
3 = ring finger; and
4 = little finger.
You don’t use the thumb to fret, except in certain unusual
circumstances.
READING CHORDS IN DIAGRAM
The X or O symbols directly above some string lines indicate
strings that you leave open (unfretted) or that you don’t play.
An X (not shown in Figure 3-6) above a string means that you
don’t pick or strike that string with your right hand.
An O indicates an open string that you do play.
READING CHORDS IN DIAGRAM
Diagram Example
READING CHORDS IN DIAGRAM
TAKING A LOOK AT TABLATURE
Tablature (or just tab, for short) is a notation system that
graphically represents the frets and strings of the guitar.
Whereas chord diagrams do so in a static way, tablature shows
how you play music over a period of time.
Tab is guitar-specific — in fact, many call it simply guitar tab. Tab
doesn’t tell you what note to play (such as C or F# or Eb).
It does, however, tell you what string to fret and where exactly on
the fingerboard to fret that string.
Tab Example
TAKING A LOOK AT TABLATURE
PLAYING CHORDS
How to Play a Chord?
Chords are the basic building blocks of songs.
You can play a chord
(the simultaneous sounding of three or more notes) several ways
on the guitar — by strumming
(dragging a pick or the back of your fingernails across the
strings in a single, quick motion), plucking
(with the individual right-hand fingers), or even smacking the
strings with your open hand or fist.
Avoiding Buzzes!
One of the hardest things to do in playing chords is to
avoid buzzing.
Buzzing results if you’re not pressing down quite hard
enough when you fret.
A buzz can also result if a fretting finger accidentally comes in
contact with an adjacent string, preventing that string from
ringing freely.
PLAYING CHORDS
Avoiding Buzzes!
Without removing your fingers from the frets, try “rocking and
rolling” your fingers around on their
tips to eliminate any buzzes when you strum the chord.
PLAYING CHORDS
CHAPTER 4:
IN THIS CHAPTER
The Easiest Way to Play:
Basic Major and Minor Chords
 Playing Chords in the C Family
 Playing Chords in the D Family
 Playing Chords in the E Family
 Playing Chords in the F Family
 Playing Chords in the G Family
 Playing Chords in the A Family
 Playing Chords in the B Family
FAMILY C
Cm C#m
FAMILY D
D Dm
FAMILY E
E Em
FAMILY F
F# F#m
FAMILY G
G# G#m
FAMILY A
A# A#m
Family B
B Bm
MAJOR AND MINOR CHORDS
WELCOME
TO THE
WORLD OF
GUITAR..
LIKE US ON FACEBOOK:
P.MABATID
FOLLOW ME IN MY TWITTER
@PaulMabatid
SUBSCRIBE ME IN YOUTUBE
Paul Mabatid
FOLLOW ME IN INSTAGRAM
@PaulMabatid
OUR OFFICAL FAN PAGE:
JIBCPQUE
@WatchmenOfGod
THANK YOU
ALL RIGHTS RESERVED
TO THE GLORY OF GOD

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Guitar Tutorial

  • 1. Tutorial PAUL DEL ROSARIO MABATID WHATEVER YOU DO, DO IT WITH ALL YOUR HEART AS WORKING FOR THE LORD AND NOT FOR MEN. COLLSIANS 3:23 CREATED BY:
  • 2. TABLE OF CONTENTS IN THIS CHAPTER GUITAR 101  Identifying the different parts of the Guitar  Understanding how the Guitar Works  Interacting with the Guitar
  • 3. TABLE OF CONTENTS IN THIS CHAPTER TUNE ON, TUNE IN  Tuning Description  Counting on Your Strings and Frets The Fifth – Fret Method  Tuning the Guitar to Itself Taking a turn at the Piano
  • 4. TABLE OF CONTENTS IN THIS CHAPTER READY SET. NOT YET: DEVELOPING AND SKILLS TO PLAY  Hand Position Posture  Reading Chords in Diagram  Playing Chords  Reading Chords in Tablature Avoiding Buzzes!
  • 5. TABLE OF CONTENTS IN THIS CHAPTER The Easiest Way to Play: Basic Major and Minor Chords  Playing Chords in the C Family  Playing Chords in the D Family  Playing Chords in the E Family  Playing Chords in the F Family  Playing Chords in the G Family  Playing Chords in the A Family  Playing Chords in the B Family
  • 6.
  • 7. CHAPTER 1: IN THIS CHAPTER GUITAR 101  Identifying the different parts of the Guitar  Understanding how the Guitar Works  Interacting with the Guitar
  • 8. ANATOMY OF GUITAR Guitars come in two basic flavors: Acoustic and Electric. From a hardware standpoint, Electric Guitars have more components and doohickeys than do Acoustic Guitars. Guitars makers generally agree, however, that making an Acoustic Guitar is harder than making an Electric Guitar
  • 9. TYPES AND PARTS OF THE GUITAR Acoustic Guitar Electric Guitar
  • 10. LET’S START IN THE PARTS OF ACOUSTIC GUITAR
  • 11. AND NEXT LET’S START IN THE PART OF ELECTRIC GUITAR
  • 12. HOW THE GUITAR WORKS? How the Guitar Works? “After you can recognize the basic parts of the Guitar, you may also want to understand how those parts work together to make sound.” “ We present this information just so that you know why your Guitar sounds.” “The important thing to remember is that a Guitar makes the sound, BUT YOU MAKE THE MUSIC.”
  • 13.
  • 14. CHAPTER 2: IN THIS CHAPTER TUNE ON, TUNE IN  Tuning Description  Counting on Your Strings and Frets The Fifth – Fret Method  Tuning the Guitar to Itself Taking a turn at the Piano
  • 15. TUNING DESCRIPTION Tuning is to guitarists what parallel parking is to city drivers: an everyday and necessary activity that can be vexingly difficult to master. And task is Never Fun. Unlike the piano, which a professional tuner comes to visit, the guitar is normally tuned by its owner – and it needs constant adjusting. One of the great injustice of life is that, before you can even play music on the guitar, you must endure the painstaking process of getting your instrument in tune.
  • 16. COUNTING ON YOUR STRINGS AND FRETS We’re going to start from square one, or in this case, string one. Before can tune your guitar, you need to know to refer to the two main players – Strings and Frets
  • 17. Strings are numbered consecutively 1 through 6. The 1st string is the skinniest, located closest to the floor (when you hold the guitar in playing position).Working your way up, the 6th string is the fattest, closest to the COUNTING ON YOUR STRINGS AND FRETS TWO MAIN PLAYERS 1. STRINGS
  • 18. Strings are numbered consecutively 1 through 6. The 1st string is the skinniest, located closest to the floor (when you hold the guitar in playing position).Working your way up, the 6th string is the fattest, closest to the COUNTING ON YOUR STRINGS AND FRETS TWO MAIN PLAYERS 1. STRINGS
  • 19. We recommended that you memorize the letter names of the open strings (E, A, D, G, B, E, from 6th to 1st) so that you’re not limited to referring to them by number. An easy way to memorize the open strings in order is to remember the pharse. COUNTING ON YOUR STRINGS AND FRETS TWO MAIN PLAYERS 1. STRINGS
  • 20. Fret can be refer to either the space where you put your left- hand finger or to the tin metal bar running across the fingerboard. Whenever you deals with guitar fingering, FRET means the space between the metal bars – where you can comfortably fit a left-hand finger. COUNTING ON YOUR STRINGS AND FRETS TWO MAIN PLAYERS 1. FRETS
  • 21. The first fret is the region between the NUT (the thin, grooved strip that separates the headstock from the neck)and the first metal bar. The fifth fret, then, is the fifth square up from the nut – technically, the region between the fourth and fifth metal fret bars. (Most guitars have a marker on the fifth fret, either a decorative design embedded in the fingerboard or a dot on the side of the neck, or both COUNTING ON YOUR STRINGS AND FRETS TWO MAIN PLAYERS 1. FRETS
  • 22. OPEN STRINGS COUNTING ON YOUR STRINGS AND FRETS One more point of business to square away. You’ll come across the terms OPEN STRINGS and FRETTED STRINGS from this point on in the book A string that you play without pressing down on it with a left-hand finger. FRETTED STRINGS A string that you play while pressing down on it a particular fret.
  • 23. TUNING THE GUITAR TO ITSELF Relative tuning is so named because you don’t need any outside reference to which you tune the instrument. As long as the strings are in tune in a certain relationship with each other, you can create sonorous and harmonies tones. Those same tones may turn into sounds resembling those of a catfight if you try to pay along with another instrument, however; but as long as you tune the strings relative to one another, the guitar is in tune with itself. To tune a guitar using the relative method, choose one strings as the starting point – say, the 6th string. Leave the pitch of that string as is; then tune all the other strings relative to that 6th string.
  • 24. The Fifth – Fret Method
  • 25. TAKING A TURN AT THE PIANO
  • 26.
  • 27. CHAPTER 3: IN THIS CHAPTER READY SET. NOT YET: DEVELOPING AND SKILLS TO PLAY  Hand Position Posture  Reading Chords in Diagram  Playing Chords  Reading Chords in Tablature Avoiding Buzzes!
  • 28. HAND POSITION POSTURE You can either sit or stand while playing the guitar, and the position you choose makes virtually no difference whatsoever to your tone or technique. Most people prefer to practice while sitting but perform publicly while standing. The one exception to the sit or stand option is the classical guitar, which you normally play in a sitting position.
  • 29. The orthodox practice is to play in a seated position only. This practice doesn’t mean that you can’t play a classical style guitar or classical music while standing, but the serious pursuit of the classical guitar requires that you sit while playing HAND POSITION POSTURE
  • 30. READING CHORDS IN DIAGRAM Don’t worry — reading a chord diagram is not like reading music; it’s far simpler. All you need to do is understand where to put your fingers to form a chord. A chord is defined as the simultaneous sounding of three or more notes.
  • 31. READING CHORDS IN DIAGRAM Figure 3-6 shows the anatomy of a chord chart, and the following list briefly explains what the different parts of the diagram mean:
  • 32. The Grid of Six Vertical lines and Five Horizontal ones represents the guitar fretboard, as if you stood the guitar up on the floor or chair and looked straight at the upper part of the neck from the front. The Vertical Lines represent the guitar strings. The vertical line at the far left is the low 6th string, and the right-most vertical line is the high 1st string. READING CHORDS IN DIAGRAM
  • 33. The Horizontal Lines represent frets. The thick horizontal line at the top is the nut of the guitar, where the fretboard ends. So the first fret is actually the second vertical line from the top. (Don’t let the words here confuse you; just look at the guitar.) The Dots that appear on vertical string lines between horizontal fret lines represent notes that you fret. READING CHORDS IN DIAGRAM
  • 34. The Numerals directly below each string line (just below the last fret line) indicate which left-hand finger you use to fret that note. On the left hand, 1 = index finger; 2 = middle finger; 3 = ring finger; and 4 = little finger. You don’t use the thumb to fret, except in certain unusual circumstances. READING CHORDS IN DIAGRAM
  • 35. The X or O symbols directly above some string lines indicate strings that you leave open (unfretted) or that you don’t play. An X (not shown in Figure 3-6) above a string means that you don’t pick or strike that string with your right hand. An O indicates an open string that you do play. READING CHORDS IN DIAGRAM
  • 37. TAKING A LOOK AT TABLATURE Tablature (or just tab, for short) is a notation system that graphically represents the frets and strings of the guitar. Whereas chord diagrams do so in a static way, tablature shows how you play music over a period of time. Tab is guitar-specific — in fact, many call it simply guitar tab. Tab doesn’t tell you what note to play (such as C or F# or Eb). It does, however, tell you what string to fret and where exactly on the fingerboard to fret that string.
  • 38. Tab Example TAKING A LOOK AT TABLATURE
  • 39. PLAYING CHORDS How to Play a Chord? Chords are the basic building blocks of songs. You can play a chord (the simultaneous sounding of three or more notes) several ways on the guitar — by strumming (dragging a pick or the back of your fingernails across the strings in a single, quick motion), plucking (with the individual right-hand fingers), or even smacking the strings with your open hand or fist.
  • 40. Avoiding Buzzes! One of the hardest things to do in playing chords is to avoid buzzing. Buzzing results if you’re not pressing down quite hard enough when you fret. A buzz can also result if a fretting finger accidentally comes in contact with an adjacent string, preventing that string from ringing freely. PLAYING CHORDS
  • 41. Avoiding Buzzes! Without removing your fingers from the frets, try “rocking and rolling” your fingers around on their tips to eliminate any buzzes when you strum the chord. PLAYING CHORDS
  • 42.
  • 43. CHAPTER 4: IN THIS CHAPTER The Easiest Way to Play: Basic Major and Minor Chords  Playing Chords in the C Family  Playing Chords in the D Family  Playing Chords in the E Family  Playing Chords in the F Family  Playing Chords in the G Family  Playing Chords in the A Family  Playing Chords in the B Family
  • 51. MAJOR AND MINOR CHORDS
  • 52.
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  • 55. THANK YOU ALL RIGHTS RESERVED TO THE GLORY OF GOD