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VISUAL  THINKING<br />IEA Panel Discussion <br />Sept. 24, 2010<br />
what is visual thinking? <br />
somewhere in between  complete immersion in the work…<br />
and  the objective,  self-critical state in which  there is  awareness of the viewer. <br />
but also aware of the viewer and concerned with communication<br />
being intuitive, subjective and deeply involved<br />
a loop of observation and response,  involving intuition  and spontaneity, but also thought and self-criticism<br />
my process<br />
in my studio<br />
techniques<br />
process-oriented, looking for evocative leads<br />
an eroded and  aging surface, an old wall<br />
sometimes just allowing the process to unfold<br />
rapid, dramatic  change is possible with cold wax medium<br />
multiple panels also lead to  constant changes during the process<br />
focal points come late in the process<br />
refinement and control of technique<br />
buried technique, subtle shifts and  nuances<br />
going back and forth around a point that  seems “just right”<br />
visual thinking and self-critique…what  am I aiming for?<br />
my list of criteria<br />
complexity<br />
connection<br />
tension<br />
contrast<br />
subdued energy<br />
serenity<br />
mystery<br />
presence<br />
authority<br />
authenticity<br />
innovative  or  adds to understanding of  other  work<br />
has multiple  aspects of meaning <br />
inter-relationship  of form and content<br />
my  self-critique criteria <br />complexity<br />connection <br />tension <br />contrast<br />subdued energy <br />serenit...
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Visual thinking and the self critique process

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A power point that I presented at the 2010 International Encaustic Art Advance in San Francisco, CA. about thoughts related to my abstract paintings.

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Visual thinking and the self critique process

  1. 1. VISUAL THINKING<br />IEA Panel Discussion <br />Sept. 24, 2010<br />
  2. 2. what is visual thinking? <br />
  3. 3. somewhere in between complete immersion in the work…<br />
  4. 4. and the objective, self-critical state in which there is awareness of the viewer. <br />
  5. 5. but also aware of the viewer and concerned with communication<br />
  6. 6. being intuitive, subjective and deeply involved<br />
  7. 7. a loop of observation and response, involving intuition and spontaneity, but also thought and self-criticism<br />
  8. 8. my process<br />
  9. 9. in my studio<br />
  10. 10. techniques<br />
  11. 11. process-oriented, looking for evocative leads<br />
  12. 12. an eroded and aging surface, an old wall<br />
  13. 13. sometimes just allowing the process to unfold<br />
  14. 14. rapid, dramatic change is possible with cold wax medium<br />
  15. 15. multiple panels also lead to constant changes during the process<br />
  16. 16. focal points come late in the process<br />
  17. 17. refinement and control of technique<br />
  18. 18. buried technique, subtle shifts and nuances<br />
  19. 19. going back and forth around a point that seems “just right”<br />
  20. 20. visual thinking and self-critique…what am I aiming for?<br />
  21. 21. my list of criteria<br />
  22. 22. complexity<br />
  23. 23. connection<br />
  24. 24. tension<br />
  25. 25. contrast<br />
  26. 26. subdued energy<br />
  27. 27. serenity<br />
  28. 28. mystery<br />
  29. 29. presence<br />
  30. 30. authority<br />
  31. 31. authenticity<br />
  32. 32. innovative or adds to understanding of other work<br />
  33. 33. has multiple aspects of meaning <br />
  34. 34. inter-relationship of form and content<br />
  35. 35. my self-critique criteria <br />complexity<br />connection <br />tension <br />contrast<br />subdued energy <br />serenity<br />mystery<br />presence<br />authority<br />authenticity<br />innovative , or adds to understanding of other work<br />has multiple aspects of meaning<br />Inter-relationship of form and content<br />

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