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R. Orlando Duenas, 4311 St. Clair Ave., Studio City, CA 91604, 818-424-5832, rod.home@yahoo.com
Motion Picture Editor with extensive animation, live action, visual effects and documentary experience. IATSE 700.
RUN DUCK RUN, Dreamworks Animation, Lead Editor (Development) (’16)
Directors Phil Craven, Chris Neuhahn and Eric Chen. Producer Karen Foster.
TROLLS, Dreamworks Animation, Associate Editor (’16)
Directors Mike Mitchell and Walt Dohrn, Lead Editor Nick Fletcher.
KUNG FU PANDA 3, Dreamworks Animation, Associate Editor (’15-’16)
Directors Jen Yuh Nelson and Alessandro Carloni, Lead Editor Clare De Chenu.
EVEREST and RACE FOR THE ZODIAC, Dreamworks Animation, Associate Editor (Development) (’13-’15)
Directors Jill Coulton and Vicky Jensen, Lead Editors Susan Fitzer and Marcus Taylor (respectively).
R.I.P.D., Original Film/Dark Horse Entertainment/Universal, VFX Editor and Previsualization Editor (’11-‘13)
Director: Robert Schwentke, Editors: Mark Helfrich, Christopher Tellefsen.
BOLDEN!, King Bolden Productions, Editor (‘11)
Director: Dan Pritzker, Executive Producer: Ed Arrendell.
CALLING ALL ROBOTS, ImageMovers Digital/Disney, Lead Editor (Development) (’09-’11)
Director: Michael Doughtery, Executive Producer: Robert Zemeckis.
A CHRISTMAS CAROL and MARS NEEDS MOMS, ImageMovers Digital/Disney, Mo-Cap Editorial Consultant (‘09)
Executive Producer: Robert Zemeckis.
STAR WARS-CLONE WARS, TV Series- Season 1 & 2, Lucasfilm Animation, Editor, Various Episodes (’08-‘09)
Supervising Director: Dave Filoni, Executive Producer: George Lucas.
STAR WARS-CLONE WARS, TV Series- Season 1 & 2, Lucasfilm Animation, Music Editor, All Episodes (’08-‘09)
Supervising Director: Dave Filoni, Executive Producer: George Lucas.
STAR WARS- CLONE WARS, Feature Release, Lucasfilm Animation, Supervising Music Editor (‘08)
Director: Dave Filoni, Executive Producer: George Lucas.
STRANGE MAGIC, Lucasfilm Animation, Lead Editor (Development) (’06-’09)
Director: Stephan Franck, Executive Producer: George Lucas.
AVATAR, Twentieth Century Fox, Mo-Cap Editorial Consultant ('06)
Director: James Cameron, Producer: Jon Landau.
BEOWULF, Paramount, Mo-Cap Editorial Consultant ('05)
Director: Robert Zemeckis, Editor: Jeremiah O'Driscoll.
LITTLE MAN, Revolution Pictures, Supervising Visual Effects Editor (‘06)
Director: Keenan Ivory Wayans, Editors: Nick Moore, Mike Jackson.
JARHEAD, Universal, Assistant Editor ('05)
Director: Sam Mendes, Editor: Walter Murch.
THE POLAR EXPRESS, Warner Brothers, Editor ('04)
Director: Robert Zemeckis, Co-Editor: Jeremiah O'Driscoll.
LIKE MIKE, 20th Century Fox, Visual Effects Editor ('02)
Director: John Schultz, Editor: Peter Berger.
SCORPION KING, Universal, Visual Effects Editor ('02)
Director: Charles Russell, Editors: Michael Tronick A.C.E., Greg Parsons.
BIG FAT LIAR, Universal, First Assistant Editor ('02)
Director: Shawn Levy, Editors: Stuart Pappe, Kimberly Ray.
CAST AWAY, Fox/Dreamworks, First Assistant Editor ('00)
Director: Robert Zemeckis, Editor: Arthur Schmidt.
2
WHAT LIES BENEATH, Dreamworks/Fox, Associate Editor ('00)
Director: Robert Zemeckis, Editor: Arthur Schmidt.
ROBERT ZEMECKIS ON ADDICTION IN THE 20TH CENTURY: THE PURSUIT OF HAPPINESS,
Showtime/Disney, 113 min, Editor ('99)
Director: Robert Zemeckis. Producer: Steven J. Boyd.
THE X-FILES MOVIE, 20th Century Fox, Assistant Editor ('98)
Director: Rob Bowman, Editors: Stephen Mark, Frank Urioste.
CONTACT, Warner Brothers, First Assistant Editor ('97)
Director: Robert Zemeckis, Editors: Arthur Schmidt, Harry Keramidas.
CHAIN REACTION, 20th Century Fox, First Assistant Editor ('96)
Director: Andrew Davis, Editors: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens.
SAVED BY THE LIGHT, Four Point Entertainment, First Assistant Editor (’95)
Director: Lewis Teague, Editor: Tina Hirsch.
STEAL BIG, STEAL LITTLE, Chicago Pacific Ent./20th Century Fox, Assistant Editor (’95)
Director: Andrew Davis, Editors: Don Brochu, Tina Hirsh.
TOMMY BOY, Billy the Third Productions/Paramount, Assistant Editor ('95)
Director: Peter Segal, Editor: Bill Kerr.
THE REST OF MY LIFE, New Voice/Touchstone, Editor ('95)
Director: Mark Lawrence. Producer: Debbie Osberg.
ASSASINS, Shuler-Donner Productions/Warner Brothers, Assistant Editor (’95)
Director: Richard Donner, Editors: Ritchi Marks, Lawrence Jordon.
IMMACULATE PERCEPTION, Rough Road Films, Short Film, Editor ('94)
Director: Alec Carlin, Producer: Gian-Carlo Scandiuzzi.
EIGHT-TRAY GANGSTER, HBO/ETG-Saramatt Prod., Co-Editor ('93)
Director: Thomas Wright.
LITTLE BUDDHA, Recorded Picture Company/Miramax, Assistant Editor (’93)
Director: Bernardo Bertolucci, Editor: Pietro Scalia.
SINGLES, BENNY AND JOON, THE PAINT JOB, Various Production Companies, Asst Editor on Location (‘92-’94).
Responsible for dailies preparation and shipping generally via Alpha Cine Labs in Seattle, WA.
DICKET-DOCKET, Rough Road Films, Short Film, Editor ('91)
Director/Producer: Alec Carlin.
TO CROSS THE RUBICON, The Lensman Company, Assitant Editor/Dialogue Editor (’90)
Director: Barry Callier, Editor Pat Barber.
STAGES, Paul-Thompson Productions. Assistant Editor (’89)
Director: Randy Thompson, Editor Pat Barber.
THE CHOCOLATE WAR, M.E.G.I. Productions, Assistant Editor ('87)
Director: Keith Gordon, Editor: Jeff Wishengrad.
----------
In Additon to the film and television credits listed above, I also worked on many documentary, educational, industrial,
and dramatic films and videos throughout the mid eighties and nineties. (+Multiple Credits)
EDITOR
OCEAN BREEZE, 45 minutes. D/Vision-16mm Nature Documentary. For Peter Roberts Productions, Visions of Nature
series. '95
+LEGACY OF THE MOUND BUILDERS, 16 minutes. CAMERA ONE (C1) For the Hopewell Culture National Historical
Park, Chillicothe, OH. A documentary on Native American mound builders, for repeated play in interpretive center
3
theater. Also assistant director, cinematographer, production designer, mixer. First place winner of an American Indian
Film and Video Award and recipient of a Cine Golden Eagle. '94
MORE THAN BOWS AND ARROWS, 56 minutes. Documentary on the contributions of Native Americans to modern
society. For Camera One Productions, Seattle, WA. Cine Golden Eagle. '94
+ALMOST HEAVEN - SOUTHERN WEST VIRGINIA, 56 minutes. (C1) For West Virginia Tourism and Visitors Bureau.
Also writer and videographer. '94
+RIVER ADVENTURES, 28 minutes. Television pilot for series on the most spectacular white-water rafting rivers of the
world. For Camera One Productions, Seattle, WA. Also cinematographer, and writer. '93
BLAZING PADDLES, TV spot. For Camera One Productions, Seattle, WA. TV sales of white-water rafting video. '93
A VIDEO GUIDE FOR THE TRAVELOGUE SPONSOR, 56 minutes. Informational video on how to run a travelogue series.
For Camera One Productions, Seattle, WA. '93
STIR THE ASHES, 4 minutes. Music video. For The Walkabouts, Sub Pop Records. "93
OTTERS, MOUNTAIN, EAGLES, and LOONS, 45 minutes each. Avid-16mm Nature Documentaries. For Peter Roberts
Productions, Escape Tapes series. '87-'92
CHIPPEWA EAGLES, 12 minutes. Promotional Avid-video for the Mississippi Headwaters Board, Eagle Preserve. '92
WAITING FOR PLATO, 7 minutes. Short Film. For Rough Road Films. '92
THE EVERGREEN SCHOOL, 12 minutes. Promotional video for a Montessori school. For Bob Geballe Prod.. '91
SYMETRY, 12 minutes. 16mm short. For Independent Films Inc. Woman seeks balance in her life. '91
FUTURITY FARMS STABLES, 8 minutes. Promo Video for horse stable. For Peter Roberts Productions. '91
I SURRENDER, 4 minutes. Film Trailer/Music video. For The Lensman Company. Song by Lorraine Devon, from the
theatrical film "To Cross the Rubicon". '91
TIMELESS, 4 minutes. Music Video. (C1) For Michael Joap. '90
+SOUTHEAST WHITEWATER SPECIALISTS, 20 minutes. (C1) For the Nantahala Outdoor Center, Bryson City, NC. A
promotional video for one of the largest whitewater rafting companies in the United States. Also writer, sound editor,
mixer. Gold Award Winner for Sales and Promotion at the ITVA Emerald City Awards. '89.
+WILDERNESS RIVERS, 60 minutes. For Camera One Productions, Seattle, WA. A home release survey of some of North
Americas most beautiful and exciting white-water rivers. Also writer, sound editor, mixer, cinematographer and
soundman. Cine Golden Eagle. '89.
+CANYON, 60 minutes. For Camera One Productions, Seattle, WA. A compilation of four videos on the Grand Canyon;
River Journey, Grand Canyon Guide, Time Travelers, and Canyon Moods. Also writer, sound editor and mixer. Cine
Golden Eagle. '89
WASHINGTON VILLAGE, 8 minutes. Promo for land development. For Evergreen Partnership with Japan. '89
OCEANS ALEXANDER, 8 minutes. Yacht sales. (C1) For Willits/Jensen and Associates. '88
+GERMANY, PORTUGAL, and GREAT BRITAIN, 60 minutes each. Travelogues, for Camera One Productions and World
Wide Travel Films. Also mixer. '88
+PAGES ON THE PAST, Part Three, "LANDMARKS IN TIME", 30 minutes.
+PAGES ON THE PAST, Part Four, "HISTORY IN THE MAKING", 30 minutes.
(C1) For the University of Washington's Thomas Burke Memorial Museum, Seattle, WA. The final two parts of an
educational documentary series on the Pacific Northwest. Also post production supervisor, sound editor, and mixer. '88
+WEST VIRGINIA WHITEWATER, 30 minutes. (C1) For Class Six River Runners, Lansing, WV. Promotional video for a
white-water rafting company. Also writer, sound editor, mixer, cinematographer and soundman. '87
ORIGINS: THE NAMING OF A CONTINENT, 30 min. Word origins doc. for Camera One Prod. Seattle, WA. '87
CARIBBEAN ARTS FESTIVAL, 5 minutes. Display. (C1) For the St. Louis Museum of Art. Also 30 second spot. '87
4
+CALIFORNIA WHITEWATER, 30 minutes, and THE ROGUE, 15 minutes. (C1) For O.A.R.S., Outdoor Adventure and
River Specialists, Angels Camp, CA. Two promotional videos for a whitewater rafting company. Also writer, sound
editor, mixer, narrator, cinematographer and soundman. '86, '87
THE TRAVEL ADVENTURERS, 20 minutes. Travelogue circut promo. (C1) For INTRA Film Travelogue Association.
Also 60 second spot. '86
KUMSHEEN RAFT ADVENTURES, 10 minutes. Promo. (C1) For Kumsheen Raft Adventures, British Columbia. '86
MOUNT RAINIER, 10 minutes. Display. (C1) For Mt. Rainier Visitors Center. '86
+MARDI GRAS INDIANS, 25 minutes. (C1) For the St. Louis Museum of Art, St. Louis, MO. Part of an exhibition on the
culture of the Black Indians of Carnival in New Orleans. Also location soundman, sound editor, mixer. '86
+COMPUTERS BEHIND BARS, 30 minutes. (C1) For the National Department of Corrections, Washington, D.C. A
documentary on the use of computers in correctional education. Also second unit cameraman, soundman, sound editor,
and mixer. '85
ASSISTANT EDITOR
LESSIE'S RAINBOW, 80 minutes. Avid-16mm Feature for T.M.R. Ent. Editor Pat Barber. '90
IDIOT SAVANT, 20 minutes. 35mm short for Karl Krogstad Productions. Editor Pat Barber. '90
MOVIE IN YOUR FACE, 110 minutes. 35mm theatrical for Northcoast Productions. Editor Pat Barber. '89
AT A LOOSE END, 20 minutes. 16mm short for Alec Carlin Productions. Editor Pat Barber. '89
SEATTLE CITY LIGHT, Spots. 16mm film and on-line for Kaye-Smith Productions '87.
WRIGLEY'S, ALOHA AIRLINES, NORTHWEST HOSPITAL, CHEF BOYARDEE, FRED MEYER, QFC, ESKIMO PIE and
ALBERTSONS. Television Commercial Dailies Preparation for Kaye-Smith / Noren Productions. '87-'92
PAGES ON THE PAST, Pt 1, "AN AGE OF ICE", 30 minutes. 16mm educational documentary for The Thomas Burke
Memorial Museum. '84
DIALOGUE EDITOR
CARGO HOLD, 20 minutes, 35mm Short for Dean Darmusevech Productions. '92
CROSSERS, 90 minutes. 16mm Feature for Darchuck Productions. '91
DIRECTOR
+LOWRY FOR GOVERNOR, 10 minutes. Promotional Video for the Elect Lowry Campaign. Also producer and Editor. '92
+SHARING THE LOAD, Televised PSA’s for The Puyallup Tribe of Indians. Also producer, editor, and narrator. '92
+THE KID, 8 minutes. For R.O.D. Productions. Video short, dramatic comedy. Also producer and Editor. '90
+THE STALKER, 30 second spot. For R.O.D. Productions. Video short, dramatic comedy. Also producer, writer, actor,
and Editor. '90
+THE FREMONT FAIR, 30 second spot. (C1) For the Fremont Festival Association. Also producer writer and Editor. '89
ASSISTANT DIRECTOR
AT A LOOSE END, 20 minutes. 16mm short. For Alec Carlin Productions. '89
S.S. GOVERNOR, 16mm documentary. For Maritime Ventures Incorporated. '87
WRITER
+CAHOKIA - ANCIENT METROPOLIS, 56 minutes. (C1) For the Cahokia Mounds Site, Collinsville, IL. Documentary on
the largest Native American mound building society in North America. Writer, cinematographer. '94
5
SOUNDMAN
+OTTERS, 45 minutes. Nature Documentary for Peter Roberts Productions, Escape Tapes. Also Editor. '92
SPIRIT OF THE SOUND, 60 minutes. 16mm documentary for Doug Bertran Productions/PBS Nature. '89
THE OWL AND THE TIMBERMAN, 60 minutes. 16mm documentary for Doug Bertran/Survival Anglia, GB. '89
NORTHWEST NATIVE ART, 30 minutes. 16mm documentary for Judy Zito Productions. '86
AT A LOOSE END, 20 minutes. 16mm short drama for Alec Carlin Productions. '89
ON GUARD, 30 minutes. 16mm film for the National Guard, Cerutti Productions. '89
THE LINE, 20 minutes. 16mm short drama for Alec Carlin Productions. '88
EGGHEAD SOFTWARE, 25 minutes. Betacam corporate video for Computer Consultants Productions. '87
POST PRODUCTION SUPERVISOR
NORTH BY WEST, 60 minutes. For Doug Bertran Productions. '90
UNDER THE BRIDGE, 30 minutes. (C1) For The Washington Centennial Commission and The Fremont Chamber of
Commerce. Camera One Productions. '88
CATARACT CANYON, THE GREEN RIVER and TAVAPUTS RANCH, 15 minutes each. (C1) For Western River
Expeditions. Camera One Productions. '88
CALIFORNIA WHITEWATER, 60 minutes. For Camera One Productions. '86
MIXER
CHALLENGE OF THE MOUNT BAKER TUNNEL, 25 minutes. 16mm documentary for The Washington State Department
of Transportation. '87
SENSI, 15 minutes. 16mm short drama for Dave Kimura Productions. '86
THE WORKOUT, 15 minutes. 16mm short drama for Michael Cortney Productions. '86
BIRTHDAY BOYS, 10 minutes. 16mm short for Alec Carlin Productions. '86
SPECIAL FX/TITLES/ANIMATION
PAGES ON THE PAST, SERIES, 120 minutes. 16mm educational documentary for the Thomas Burke Memorial Museum.
'84-'88
GRIP
IDIOT SAVANT, 20 minutes. 35mm short theatrical for Karl Krogstad Studios. Dolly grip, lighting assistant and clapper
loader. '90
NARRATOR
THE PUYALLUP, 30 minutes. Informational slide-show for the Puyallup Tribe of Indians. '86
CANOE CRAFTING, 10 minutes. Documentary for The Thomas Burke Memorial Museum. '84
WORTH MENTIONING
MOUNTAIN and ECHOES OF NATURE, Assistant Sound Editor and Sound Recordist of Natural Sound CD Projects. '90-'92
1990 GOODWILL GAMES, International Broadcast Commentator Control for Turner Broadcasting - 1990 Goodwill
Games.
1980-1982, Radio Broadcast Disc Jockey, various Pacific Northwest Radio Stations.

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  • 1. 1 R. Orlando Duenas, 4311 St. Clair Ave., Studio City, CA 91604, 818-424-5832, rod.home@yahoo.com Motion Picture Editor with extensive animation, live action, visual effects and documentary experience. IATSE 700. RUN DUCK RUN, Dreamworks Animation, Lead Editor (Development) (’16) Directors Phil Craven, Chris Neuhahn and Eric Chen. Producer Karen Foster. TROLLS, Dreamworks Animation, Associate Editor (’16) Directors Mike Mitchell and Walt Dohrn, Lead Editor Nick Fletcher. KUNG FU PANDA 3, Dreamworks Animation, Associate Editor (’15-’16) Directors Jen Yuh Nelson and Alessandro Carloni, Lead Editor Clare De Chenu. EVEREST and RACE FOR THE ZODIAC, Dreamworks Animation, Associate Editor (Development) (’13-’15) Directors Jill Coulton and Vicky Jensen, Lead Editors Susan Fitzer and Marcus Taylor (respectively). R.I.P.D., Original Film/Dark Horse Entertainment/Universal, VFX Editor and Previsualization Editor (’11-‘13) Director: Robert Schwentke, Editors: Mark Helfrich, Christopher Tellefsen. BOLDEN!, King Bolden Productions, Editor (‘11) Director: Dan Pritzker, Executive Producer: Ed Arrendell. CALLING ALL ROBOTS, ImageMovers Digital/Disney, Lead Editor (Development) (’09-’11) Director: Michael Doughtery, Executive Producer: Robert Zemeckis. A CHRISTMAS CAROL and MARS NEEDS MOMS, ImageMovers Digital/Disney, Mo-Cap Editorial Consultant (‘09) Executive Producer: Robert Zemeckis. STAR WARS-CLONE WARS, TV Series- Season 1 & 2, Lucasfilm Animation, Editor, Various Episodes (’08-‘09) Supervising Director: Dave Filoni, Executive Producer: George Lucas. STAR WARS-CLONE WARS, TV Series- Season 1 & 2, Lucasfilm Animation, Music Editor, All Episodes (’08-‘09) Supervising Director: Dave Filoni, Executive Producer: George Lucas. STAR WARS- CLONE WARS, Feature Release, Lucasfilm Animation, Supervising Music Editor (‘08) Director: Dave Filoni, Executive Producer: George Lucas. STRANGE MAGIC, Lucasfilm Animation, Lead Editor (Development) (’06-’09) Director: Stephan Franck, Executive Producer: George Lucas. AVATAR, Twentieth Century Fox, Mo-Cap Editorial Consultant ('06) Director: James Cameron, Producer: Jon Landau. BEOWULF, Paramount, Mo-Cap Editorial Consultant ('05) Director: Robert Zemeckis, Editor: Jeremiah O'Driscoll. LITTLE MAN, Revolution Pictures, Supervising Visual Effects Editor (‘06) Director: Keenan Ivory Wayans, Editors: Nick Moore, Mike Jackson. JARHEAD, Universal, Assistant Editor ('05) Director: Sam Mendes, Editor: Walter Murch. THE POLAR EXPRESS, Warner Brothers, Editor ('04) Director: Robert Zemeckis, Co-Editor: Jeremiah O'Driscoll. LIKE MIKE, 20th Century Fox, Visual Effects Editor ('02) Director: John Schultz, Editor: Peter Berger. SCORPION KING, Universal, Visual Effects Editor ('02) Director: Charles Russell, Editors: Michael Tronick A.C.E., Greg Parsons. BIG FAT LIAR, Universal, First Assistant Editor ('02) Director: Shawn Levy, Editors: Stuart Pappe, Kimberly Ray. CAST AWAY, Fox/Dreamworks, First Assistant Editor ('00) Director: Robert Zemeckis, Editor: Arthur Schmidt.
  • 2. 2 WHAT LIES BENEATH, Dreamworks/Fox, Associate Editor ('00) Director: Robert Zemeckis, Editor: Arthur Schmidt. ROBERT ZEMECKIS ON ADDICTION IN THE 20TH CENTURY: THE PURSUIT OF HAPPINESS, Showtime/Disney, 113 min, Editor ('99) Director: Robert Zemeckis. Producer: Steven J. Boyd. THE X-FILES MOVIE, 20th Century Fox, Assistant Editor ('98) Director: Rob Bowman, Editors: Stephen Mark, Frank Urioste. CONTACT, Warner Brothers, First Assistant Editor ('97) Director: Robert Zemeckis, Editors: Arthur Schmidt, Harry Keramidas. CHAIN REACTION, 20th Century Fox, First Assistant Editor ('96) Director: Andrew Davis, Editors: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens. SAVED BY THE LIGHT, Four Point Entertainment, First Assistant Editor (’95) Director: Lewis Teague, Editor: Tina Hirsch. STEAL BIG, STEAL LITTLE, Chicago Pacific Ent./20th Century Fox, Assistant Editor (’95) Director: Andrew Davis, Editors: Don Brochu, Tina Hirsh. TOMMY BOY, Billy the Third Productions/Paramount, Assistant Editor ('95) Director: Peter Segal, Editor: Bill Kerr. THE REST OF MY LIFE, New Voice/Touchstone, Editor ('95) Director: Mark Lawrence. Producer: Debbie Osberg. ASSASINS, Shuler-Donner Productions/Warner Brothers, Assistant Editor (’95) Director: Richard Donner, Editors: Ritchi Marks, Lawrence Jordon. IMMACULATE PERCEPTION, Rough Road Films, Short Film, Editor ('94) Director: Alec Carlin, Producer: Gian-Carlo Scandiuzzi. EIGHT-TRAY GANGSTER, HBO/ETG-Saramatt Prod., Co-Editor ('93) Director: Thomas Wright. LITTLE BUDDHA, Recorded Picture Company/Miramax, Assistant Editor (’93) Director: Bernardo Bertolucci, Editor: Pietro Scalia. SINGLES, BENNY AND JOON, THE PAINT JOB, Various Production Companies, Asst Editor on Location (‘92-’94). Responsible for dailies preparation and shipping generally via Alpha Cine Labs in Seattle, WA. DICKET-DOCKET, Rough Road Films, Short Film, Editor ('91) Director/Producer: Alec Carlin. TO CROSS THE RUBICON, The Lensman Company, Assitant Editor/Dialogue Editor (’90) Director: Barry Callier, Editor Pat Barber. STAGES, Paul-Thompson Productions. Assistant Editor (’89) Director: Randy Thompson, Editor Pat Barber. THE CHOCOLATE WAR, M.E.G.I. Productions, Assistant Editor ('87) Director: Keith Gordon, Editor: Jeff Wishengrad. ---------- In Additon to the film and television credits listed above, I also worked on many documentary, educational, industrial, and dramatic films and videos throughout the mid eighties and nineties. (+Multiple Credits) EDITOR OCEAN BREEZE, 45 minutes. D/Vision-16mm Nature Documentary. For Peter Roberts Productions, Visions of Nature series. '95 +LEGACY OF THE MOUND BUILDERS, 16 minutes. CAMERA ONE (C1) For the Hopewell Culture National Historical Park, Chillicothe, OH. A documentary on Native American mound builders, for repeated play in interpretive center
  • 3. 3 theater. Also assistant director, cinematographer, production designer, mixer. First place winner of an American Indian Film and Video Award and recipient of a Cine Golden Eagle. '94 MORE THAN BOWS AND ARROWS, 56 minutes. Documentary on the contributions of Native Americans to modern society. For Camera One Productions, Seattle, WA. Cine Golden Eagle. '94 +ALMOST HEAVEN - SOUTHERN WEST VIRGINIA, 56 minutes. (C1) For West Virginia Tourism and Visitors Bureau. Also writer and videographer. '94 +RIVER ADVENTURES, 28 minutes. Television pilot for series on the most spectacular white-water rafting rivers of the world. For Camera One Productions, Seattle, WA. Also cinematographer, and writer. '93 BLAZING PADDLES, TV spot. For Camera One Productions, Seattle, WA. TV sales of white-water rafting video. '93 A VIDEO GUIDE FOR THE TRAVELOGUE SPONSOR, 56 minutes. Informational video on how to run a travelogue series. For Camera One Productions, Seattle, WA. '93 STIR THE ASHES, 4 minutes. Music video. For The Walkabouts, Sub Pop Records. "93 OTTERS, MOUNTAIN, EAGLES, and LOONS, 45 minutes each. Avid-16mm Nature Documentaries. For Peter Roberts Productions, Escape Tapes series. '87-'92 CHIPPEWA EAGLES, 12 minutes. Promotional Avid-video for the Mississippi Headwaters Board, Eagle Preserve. '92 WAITING FOR PLATO, 7 minutes. Short Film. For Rough Road Films. '92 THE EVERGREEN SCHOOL, 12 minutes. Promotional video for a Montessori school. For Bob Geballe Prod.. '91 SYMETRY, 12 minutes. 16mm short. For Independent Films Inc. Woman seeks balance in her life. '91 FUTURITY FARMS STABLES, 8 minutes. Promo Video for horse stable. For Peter Roberts Productions. '91 I SURRENDER, 4 minutes. Film Trailer/Music video. For The Lensman Company. Song by Lorraine Devon, from the theatrical film "To Cross the Rubicon". '91 TIMELESS, 4 minutes. Music Video. (C1) For Michael Joap. '90 +SOUTHEAST WHITEWATER SPECIALISTS, 20 minutes. (C1) For the Nantahala Outdoor Center, Bryson City, NC. A promotional video for one of the largest whitewater rafting companies in the United States. Also writer, sound editor, mixer. Gold Award Winner for Sales and Promotion at the ITVA Emerald City Awards. '89. +WILDERNESS RIVERS, 60 minutes. For Camera One Productions, Seattle, WA. A home release survey of some of North Americas most beautiful and exciting white-water rivers. Also writer, sound editor, mixer, cinematographer and soundman. Cine Golden Eagle. '89. +CANYON, 60 minutes. For Camera One Productions, Seattle, WA. A compilation of four videos on the Grand Canyon; River Journey, Grand Canyon Guide, Time Travelers, and Canyon Moods. Also writer, sound editor and mixer. Cine Golden Eagle. '89 WASHINGTON VILLAGE, 8 minutes. Promo for land development. For Evergreen Partnership with Japan. '89 OCEANS ALEXANDER, 8 minutes. Yacht sales. (C1) For Willits/Jensen and Associates. '88 +GERMANY, PORTUGAL, and GREAT BRITAIN, 60 minutes each. Travelogues, for Camera One Productions and World Wide Travel Films. Also mixer. '88 +PAGES ON THE PAST, Part Three, "LANDMARKS IN TIME", 30 minutes. +PAGES ON THE PAST, Part Four, "HISTORY IN THE MAKING", 30 minutes. (C1) For the University of Washington's Thomas Burke Memorial Museum, Seattle, WA. The final two parts of an educational documentary series on the Pacific Northwest. Also post production supervisor, sound editor, and mixer. '88 +WEST VIRGINIA WHITEWATER, 30 minutes. (C1) For Class Six River Runners, Lansing, WV. Promotional video for a white-water rafting company. Also writer, sound editor, mixer, cinematographer and soundman. '87 ORIGINS: THE NAMING OF A CONTINENT, 30 min. Word origins doc. for Camera One Prod. Seattle, WA. '87 CARIBBEAN ARTS FESTIVAL, 5 minutes. Display. (C1) For the St. Louis Museum of Art. Also 30 second spot. '87
  • 4. 4 +CALIFORNIA WHITEWATER, 30 minutes, and THE ROGUE, 15 minutes. (C1) For O.A.R.S., Outdoor Adventure and River Specialists, Angels Camp, CA. Two promotional videos for a whitewater rafting company. Also writer, sound editor, mixer, narrator, cinematographer and soundman. '86, '87 THE TRAVEL ADVENTURERS, 20 minutes. Travelogue circut promo. (C1) For INTRA Film Travelogue Association. Also 60 second spot. '86 KUMSHEEN RAFT ADVENTURES, 10 minutes. Promo. (C1) For Kumsheen Raft Adventures, British Columbia. '86 MOUNT RAINIER, 10 minutes. Display. (C1) For Mt. Rainier Visitors Center. '86 +MARDI GRAS INDIANS, 25 minutes. (C1) For the St. Louis Museum of Art, St. Louis, MO. Part of an exhibition on the culture of the Black Indians of Carnival in New Orleans. Also location soundman, sound editor, mixer. '86 +COMPUTERS BEHIND BARS, 30 minutes. (C1) For the National Department of Corrections, Washington, D.C. A documentary on the use of computers in correctional education. Also second unit cameraman, soundman, sound editor, and mixer. '85 ASSISTANT EDITOR LESSIE'S RAINBOW, 80 minutes. Avid-16mm Feature for T.M.R. Ent. Editor Pat Barber. '90 IDIOT SAVANT, 20 minutes. 35mm short for Karl Krogstad Productions. Editor Pat Barber. '90 MOVIE IN YOUR FACE, 110 minutes. 35mm theatrical for Northcoast Productions. Editor Pat Barber. '89 AT A LOOSE END, 20 minutes. 16mm short for Alec Carlin Productions. Editor Pat Barber. '89 SEATTLE CITY LIGHT, Spots. 16mm film and on-line for Kaye-Smith Productions '87. WRIGLEY'S, ALOHA AIRLINES, NORTHWEST HOSPITAL, CHEF BOYARDEE, FRED MEYER, QFC, ESKIMO PIE and ALBERTSONS. Television Commercial Dailies Preparation for Kaye-Smith / Noren Productions. '87-'92 PAGES ON THE PAST, Pt 1, "AN AGE OF ICE", 30 minutes. 16mm educational documentary for The Thomas Burke Memorial Museum. '84 DIALOGUE EDITOR CARGO HOLD, 20 minutes, 35mm Short for Dean Darmusevech Productions. '92 CROSSERS, 90 minutes. 16mm Feature for Darchuck Productions. '91 DIRECTOR +LOWRY FOR GOVERNOR, 10 minutes. Promotional Video for the Elect Lowry Campaign. Also producer and Editor. '92 +SHARING THE LOAD, Televised PSA’s for The Puyallup Tribe of Indians. Also producer, editor, and narrator. '92 +THE KID, 8 minutes. For R.O.D. Productions. Video short, dramatic comedy. Also producer and Editor. '90 +THE STALKER, 30 second spot. For R.O.D. Productions. Video short, dramatic comedy. Also producer, writer, actor, and Editor. '90 +THE FREMONT FAIR, 30 second spot. (C1) For the Fremont Festival Association. Also producer writer and Editor. '89 ASSISTANT DIRECTOR AT A LOOSE END, 20 minutes. 16mm short. For Alec Carlin Productions. '89 S.S. GOVERNOR, 16mm documentary. For Maritime Ventures Incorporated. '87 WRITER +CAHOKIA - ANCIENT METROPOLIS, 56 minutes. (C1) For the Cahokia Mounds Site, Collinsville, IL. Documentary on the largest Native American mound building society in North America. Writer, cinematographer. '94
  • 5. 5 SOUNDMAN +OTTERS, 45 minutes. Nature Documentary for Peter Roberts Productions, Escape Tapes. Also Editor. '92 SPIRIT OF THE SOUND, 60 minutes. 16mm documentary for Doug Bertran Productions/PBS Nature. '89 THE OWL AND THE TIMBERMAN, 60 minutes. 16mm documentary for Doug Bertran/Survival Anglia, GB. '89 NORTHWEST NATIVE ART, 30 minutes. 16mm documentary for Judy Zito Productions. '86 AT A LOOSE END, 20 minutes. 16mm short drama for Alec Carlin Productions. '89 ON GUARD, 30 minutes. 16mm film for the National Guard, Cerutti Productions. '89 THE LINE, 20 minutes. 16mm short drama for Alec Carlin Productions. '88 EGGHEAD SOFTWARE, 25 minutes. Betacam corporate video for Computer Consultants Productions. '87 POST PRODUCTION SUPERVISOR NORTH BY WEST, 60 minutes. For Doug Bertran Productions. '90 UNDER THE BRIDGE, 30 minutes. (C1) For The Washington Centennial Commission and The Fremont Chamber of Commerce. Camera One Productions. '88 CATARACT CANYON, THE GREEN RIVER and TAVAPUTS RANCH, 15 minutes each. (C1) For Western River Expeditions. Camera One Productions. '88 CALIFORNIA WHITEWATER, 60 minutes. For Camera One Productions. '86 MIXER CHALLENGE OF THE MOUNT BAKER TUNNEL, 25 minutes. 16mm documentary for The Washington State Department of Transportation. '87 SENSI, 15 minutes. 16mm short drama for Dave Kimura Productions. '86 THE WORKOUT, 15 minutes. 16mm short drama for Michael Cortney Productions. '86 BIRTHDAY BOYS, 10 minutes. 16mm short for Alec Carlin Productions. '86 SPECIAL FX/TITLES/ANIMATION PAGES ON THE PAST, SERIES, 120 minutes. 16mm educational documentary for the Thomas Burke Memorial Museum. '84-'88 GRIP IDIOT SAVANT, 20 minutes. 35mm short theatrical for Karl Krogstad Studios. Dolly grip, lighting assistant and clapper loader. '90 NARRATOR THE PUYALLUP, 30 minutes. Informational slide-show for the Puyallup Tribe of Indians. '86 CANOE CRAFTING, 10 minutes. Documentary for The Thomas Burke Memorial Museum. '84 WORTH MENTIONING MOUNTAIN and ECHOES OF NATURE, Assistant Sound Editor and Sound Recordist of Natural Sound CD Projects. '90-'92 1990 GOODWILL GAMES, International Broadcast Commentator Control for Turner Broadcasting - 1990 Goodwill Games. 1980-1982, Radio Broadcast Disc Jockey, various Pacific Northwest Radio Stations.