4. At this station the controller said: “I’ve got no interest in what the audience have to say
5. But at this station the controller said: “what is the audience
talking about today? Let’s work with them to make better content.
6. At this station staff
spent their days
making programmes
like using
newspapers, books, a
nd their own
contacts……
7. At this station staff
spent their days
interacting and
collaborating with
listeners, making the
strongest and most
relevant content
imaginable
8. At this station the
output was delivered
in a one-way
fashion, with features
and content decided
by staff who believed
they knew best
9. This radio station understands that even though radio is about the
sound, and will mirror TV with great streaming video, extra digital
content, and that niche will be the most important trend.
10. At this station, no-one had invested in technology so the
producers couldn’t do their jobs properly.
11. At this station all staff had the technology to do their work at the
station and out on the road
25. Ensure Senior Management are using this technology.
They need to be involved and leading from the front.
26. 1 Do not mix the professional and the personal in ways likely to bring
the ABC into disrepute.
2 Do not undermine your effectiveness at work.
3 Do not imply ABC endorsement of your personal views.
4 Do not disclose confidential information obtained through work.
Can you retweet an offensive job
about the Occupy Protests?
Can you take photos of guests in
the studio on your personal
facebook account?
Can you complain about how much
money is wasted by your station on
sending people to conferences
overseas?
Ensure you have clearly guidelines and all staff
understand how they work in practice
27. Ensure all staff are inspired through the right kind of training
28. core services
programmes:
if big or niche
„talent‟ accounts
personal individual accounts
Start using your accounts strategically
35. 1. Ensure Senior Management are using this technology. They need to be
involved and leading from the front.
2. Ensure you have clearly guidelines and all staff understand how they
work in practice
3. Ensure all staff are inspired through the right kind of training
4. Start using your accounts strategically
5. Embed digital in everything you’re doing
6. Fish where the fish are
7. Identify the opportunities to properly collaborate with your listeners
8. Think about providing added value to the audience listening live as well as
those listening again
9. “Radio isn’t going away, it’s going everywhere” – how can you get
your content out far and wide
10. Adopt, adapt, improve
37. Heather Davies, Producer
Trevor Dann Co.
@heatherrhian
“Our relationship with our audience is made
stronger by being up close & personal with them in
their space on their terms”
38. Matt Deegan,
Fun Kids
Folder Media
@matt
“No - not at all. Only use it if it has a purpose. Ideally
a measurable one that delivers for your station”
39. Laura Miller
Producer
BBC London
@producerlaura
“stations that do, engage with a different audience
and promote content to listeners beyond their
geographical boundaries”
40. Ryan Egan, Radio
Australia, Melbourne
@rynobi
Many tools will amplify, assist, streamline and
provoke engagement with your audience. Social
media is a powerful option. It makes it easier for true
fans to love you harder”
41. Charles Ubaghs,
Head of Social Media,
Global Radio.
@cubaghs
“Social offers Radio an opportunity to extend its
reach in ways that were previously impossible”
42. Eric Eberhardt,
You Are Listening To Los Angeles.
@idontlikewords
“they don't *have* to but should, because what is
a radio station if not a community of like-minded
individuals?”
43. Shell Zenner,
Presenter, Bolton FM
@shellzenner
“Social Media works well for me, I can get up to
250 tweets from listeners per show”
44. Gideon Coe, Presenter,
BBC 6 Music
@gidcoe
Not necessarily. Not everyone uses social
media. And its still about communicating via
radio with the listener.
45. Steve Bowbrick,
Head of Interactive,
BBC Radio 3
@bowbrick
“Radio stations don‟t have to use social media.
Just as they didn‟t have to use magnetic
tape, FM, stereo, digital and the web”
46. Michael Hill, MD,
UK Radio Player
@radiomikehill
“Anyone who claims to know the answer is lying
or insane. If it feels right, try it”
47.
48. Brett Spencer
Head of Digital
BBC Radio 2, 6 Music & Asian Network
brett.spencer@bbc.co.uk
@brettsr
Claire Wardle
Director of Development & Integration
Storyful
claire.wardle@storyful.com
@cward1e
Notes de l'éditeur
It’s 2016 and there are 2 radio very similar radio stations. Each had over 10 million listeners. They are both national radio stations playing popular music. One did everything right in 2012 and is at the top of its game. The other did not.
True story – this views are still regularly heard by people who say ‘I’m a radio guy. Why on earth do I have to care about the internet”. They refuse to have a facebook account despite the fact that more and more of their listeners are using facebook to access information, music and content. They refuse to get a smartphone and believe social media is a fad.
This is Brett. When Brett was editor at a local radio station just north of London he would go into morning meetings and ask this question. If editors don’t ask, it won’t change behaviour. As a result BBC 3CR got a lot of leads and contacts (BRETT EXPLAINS ALL THE DIFFERENT EXAMPLES)
Brett tells footballer story
Reference Richard Bacon’s secret club and other examples of collaborating with the audience to make better content.
How radio is having to be more like TV – LaurenLive; red button; BBC York postcode stories (they knocked on doors in streets that they knew didn’t listen. They got amazing audio but didn’t do anything visually). No cameras in Radio 2 studios.
Real problems with staff having slow machines, the wrong browsers, crappy phones….
This was tweeted by @fieldproducer. Talk about the need for multiple screens and iphones so people can livestream, record vox pops on the fly etc.
You have to consider how people are going to be accessing content on different platforms
By 2014 more people are going to to be accessing the internet on their mobile phones than on their desktops – bear that in mind with everything you do.
Radio is going the same way as TV. Some people tune in all day but more and more people are choosing what they listen to on the basis of recommendations from their friends. More and more people are listening to podcasts, using apps like spotify to listen to curated playlists and chatting with friends on facebook.
You want your chunks of audio to get out to as many streams as possible. BRETT talks about Angry Melvyn.We’re also seeing niche radio stations take off – Absolute 80s/90s/; funkids; AND popup stations – see SBS Eurovision radio station.
You can’t think about this any more as anyone can listen to you. Even if your listener figures don’t count it now – they will in the future.
WWOZ is the Public Radio station in New Orleans that plays jazz. It gets more listener contributions from around the world than it does from New Orleans listeners.
This isn’t pie in the sky (does this translate!)Denmark turned off the FM frequency for P2 overnight as they were frustrated about the development of digital. What would you do – would you be ready?
Spotify, last.fm, spreaker, soundrop (spotify app for group chatting about playlists) soundcloud, mixcloud, flipzuThese apps are becoming increasingly popular – people are doing DIY radio. They are taking what they like of radio and making it work for them. DON”T FIGHT THEM.
Digital Darwinism
FORD EVO car - http://www.huffingtonpost.co.uk/2012/02/27/ford-evos-the-car-of-the-future_n_1303590.html#s728833&title=Ford_Evo_concept
2016 isn’t very far away but this is a critical 4 years. Your decision what happens to you radio station.