SlideShare une entreprise Scribd logo
1  sur  5
Similar Media Products Research



Knowing too Much
http://www.youtube.com/watch?v=XbVpNTwP1Ho


              Camera work
The first shot is an establishing shot             The straight cut to a long shot puts the              After the protagonist has walk further
shows the isolated location highlighting               protagonist in focus. The straight cut                into the out the shot there is a straight
       the darkness which foreshadows                  was sharp and starts to develop a sense               cut to the same long shot but now with
    something bad will soon follow, the                of tension.                                           the antagonist in view this along with
  high angle allows the audience to see                                                                      his dark cloths and the tension building
                 the entirety of the shot.                                                                   music captures the audiences attention
                                                                                                             and begins to create a feel of fear with
                                                                                                             in.




                                             While the sound has an            The use of the handheld
                                             increasing tempo there is a       shot is heightened when
                                             sharp straight cut to a mid       the actor running, shaking
                                             shot of the protagonist on the    emphasises the fear that
                                             phone. The use of a handheld      the character and now
                                             camera position Is used and       audience can feel. The long
                                             this begins to put the            shot shows the stairs
                                             audience in the characters        which the character has to
                                             shoes as the shots moves          use to get away.
                                             along in a frantic hurry like
                                             him.
The low angle shot is used to show the struggle the character is in to get   The tracking shot here emphasis the rush and fear with in the
away from the antagonist and also gives the idea he has a chance of          character due to the speed at which the camera moves. The
survival as low angle shots tend to give a feeling of have power.            long shot draws attention to the distance the character has
                                                                             ran and also shows the range in the shot.




                                                                             The character then looks up this is followed by the camera
A close up of the character trying to get in his car with his keys           the shot is then taken in and out of focus this creates an ultra
highlights the file he is holding and provoked the audience to               heighten in character feel for the audience as they see he
think whether that’s why he is being followed.                               would struggle to make out who was in the distance ahead.
There is then a straight cut to a mid close
up this expression of relief and uncertainly               this long shot is similar to a over the                  The cut to an extreme close up shows the
 is seen and the audience begin to feel the                shoulder shot it gives the sense that the                anxiety on the characters face as well as
    near of a climax with the airy fell, which             character is being watch and is soon to be               the sweat on his forehead this adds to the
                 the character is unaware of.              attacked. The shoot also shows the                       emotion you can see on his face and urges
                                                           surrounding area which is isolated and                   the audience to empathise with him.
                                                           adds to the atmosphere.



                                                 Here there a jump shots between over the shoulder style long
                                                 shots and mid shots which due to the camera positioning you
                                                 can see both the face of the protagonist and the antagonist
                                                 coming close. This jump shot between the two successfully
                                                 builds tension and excitement while engaging the audience in
                                                 the action. The delay in the switch to the next shot is fast and
                                                 sharp which also helps build the atmosphere.
The long shot again highlights the
       isolated location fitting of a thriller                                                  The last camera shot is a long shot showing
     genre while vaguely showing the file                                                       the power of the antagonist who strong
                                                 In this mid shot there the camera focus n      posture and walk is emphasised by the
   which the protagonist once had in his
                                                 the file in the protagonist hand again this    distance ahead. The shot also pics up on
possession was now in the possession of
                                                 tells the audience what the antagonist         the fact no one saw what had happened
   the antagonist. This shot also bring to
                                                 wants the prop although small is given just    and the quest of the antagonist was
  light the peak of the climax along with
                                                 enough feature which is informative for the    complete.
                the end of the sound used.
                                                 audience. As well as the shot showing the
                                                 character being knocked out the shot
                                                 switch the power seen when the
                                                 protagonist was running up the stair to the
                                                 antagonist who now stands tall over the
                                                 weak protagonist, although we can not
                                                 even see his face; this is successfully done
                                                 through the range of height between the
                                                 two characters.

Contenu connexe

Tendances

Audiovisual media language 1 Camera shots
Audiovisual media language 1 Camera shotsAudiovisual media language 1 Camera shots
Audiovisual media language 1 Camera shotsRafaelPerezOlivan
 
Audiovisual media language 2 Camera angles and movements
Audiovisual media language 2 Camera angles and movementsAudiovisual media language 2 Camera angles and movements
Audiovisual media language 2 Camera angles and movementsRafaelPerezOlivan
 
Analysis Of Misery Finished (Narrative Left)
Analysis Of Misery Finished (Narrative Left)Analysis Of Misery Finished (Narrative Left)
Analysis Of Misery Finished (Narrative Left)Zara31
 
Trailer record sheet
Trailer record sheetTrailer record sheet
Trailer record sheetmiahowe1
 
Technical Features media level 3
Technical Features media level 3  Technical Features media level 3
Technical Features media level 3 Adamboisard
 
Micro elements
Micro elements Micro elements
Micro elements LOTRadam
 
Camera angles, zooms and movements
Camera angles, zooms and movementsCamera angles, zooms and movements
Camera angles, zooms and movementsjamiegibbins
 
Camera Angles and movements
Camera Angles and movementsCamera Angles and movements
Camera Angles and movementsCaden Sherrard
 
Shot list – inscium
Shot list – insciumShot list – inscium
Shot list – insciumDavidDrewett
 
Untitled presentation
Untitled presentationUntitled presentation
Untitled presentationMo7rahm4n
 
A Basic Grammar of Film
A Basic Grammar of FilmA Basic Grammar of Film
A Basic Grammar of Filmjean-yves
 
Storyboarding from ideastopics
Storyboarding from ideastopicsStoryboarding from ideastopics
Storyboarding from ideastopicsjean-yves
 
Rules of the game l'intervalle d1
Rules of the game   l'intervalle d1Rules of the game   l'intervalle d1
Rules of the game l'intervalle d1markreid1895
 
URB: THE TIME BENDER Screenplay
URB: THE TIME BENDER ScreenplayURB: THE TIME BENDER Screenplay
URB: THE TIME BENDER ScreenplayMediaStudies10
 

Tendances (20)

Audiovisual media language 1 Camera shots
Audiovisual media language 1 Camera shotsAudiovisual media language 1 Camera shots
Audiovisual media language 1 Camera shots
 
Audiovisual media language 2 Camera angles and movements
Audiovisual media language 2 Camera angles and movementsAudiovisual media language 2 Camera angles and movements
Audiovisual media language 2 Camera angles and movements
 
Analysis Of Misery Finished (Narrative Left)
Analysis Of Misery Finished (Narrative Left)Analysis Of Misery Finished (Narrative Left)
Analysis Of Misery Finished (Narrative Left)
 
Trailer record sheet
Trailer record sheetTrailer record sheet
Trailer record sheet
 
Technical Features media level 3
Technical Features media level 3  Technical Features media level 3
Technical Features media level 3
 
Micro elements
Micro elements Micro elements
Micro elements
 
Media camera angles
Media camera anglesMedia camera angles
Media camera angles
 
Camera angles
Camera anglesCamera angles
Camera angles
 
Camera angles, zooms and movements
Camera angles, zooms and movementsCamera angles, zooms and movements
Camera angles, zooms and movements
 
Blog 2
Blog 2Blog 2
Blog 2
 
Camera Angles and movements
Camera Angles and movementsCamera Angles and movements
Camera Angles and movements
 
Shot list – inscium
Shot list – insciumShot list – inscium
Shot list – inscium
 
L'intervalle2
L'intervalle2L'intervalle2
L'intervalle2
 
Untitled presentation
Untitled presentationUntitled presentation
Untitled presentation
 
A Basic Grammar of Film
A Basic Grammar of FilmA Basic Grammar of Film
A Basic Grammar of Film
 
Storyboarding from ideastopics
Storyboarding from ideastopicsStoryboarding from ideastopics
Storyboarding from ideastopics
 
Rules of the game l'intervalle d1
Rules of the game   l'intervalle d1Rules of the game   l'intervalle d1
Rules of the game l'intervalle d1
 
The Ring
The RingThe Ring
The Ring
 
Storyboard 1
Storyboard 1Storyboard 1
Storyboard 1
 
URB: THE TIME BENDER Screenplay
URB: THE TIME BENDER ScreenplayURB: THE TIME BENDER Screenplay
URB: THE TIME BENDER Screenplay
 

En vedette (9)

Ta on the fly - marketing pitch
Ta   on the fly - marketing pitchTa   on the fly - marketing pitch
Ta on the fly - marketing pitch
 
Juan camilo giraldo em
Juan camilo giraldo emJuan camilo giraldo em
Juan camilo giraldo em
 
Contents page research indie
Contents page research  indieContents page research  indie
Contents page research indie
 
Double page spread production log
Double page spread production logDouble page spread production log
Double page spread production log
 
Final041011 111028020748-phpapp01
Final041011 111028020748-phpapp01Final041011 111028020748-phpapp01
Final041011 111028020748-phpapp01
 
La svalutazione è inutile perché si traduce in inflazione
La svalutazione è inutile perché si traduce in inflazioneLa svalutazione è inutile perché si traduce in inflazione
La svalutazione è inutile perché si traduce in inflazione
 
NetWork Lab Report 23_02
NetWork Lab Report 23_02NetWork Lab Report 23_02
NetWork Lab Report 23_02
 
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job? Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
 
The Outcome Economy
The Outcome EconomyThe Outcome Economy
The Outcome Economy
 

Similaire à Knowing too much

Question 7 neww
Question 7 newwQuestion 7 neww
Question 7 newwJemPinto
 
Question One
Question OneQuestion One
Question OneYazzee
 
Question 7
Question 7Question 7
Question 7JemPinto
 
Question 7
Question 7Question 7
Question 7JemPinto
 
Assignment 5 planning for preliminary
Assignment 5 planning for preliminaryAssignment 5 planning for preliminary
Assignment 5 planning for preliminaryursieno
 
Glossary for as media studies
Glossary for as media studiesGlossary for as media studies
Glossary for as media studies07kabbott
 
4 Printscreens Of Short Films
4 Printscreens Of Short Films4 Printscreens Of Short Films
4 Printscreens Of Short Filmsguest4471e2
 
4 Printscreens Of Short Films
4 Printscreens Of Short Films4 Printscreens Of Short Films
4 Printscreens Of Short Filmsguest6c2930
 
Camera shots, angles and movements
Camera shots, angles and movementsCamera shots, angles and movements
Camera shots, angles and movementsseanbicklemedia
 
Task 2 micro elements
Task 2 micro elements Task 2 micro elements
Task 2 micro elements loreresta12
 
Cabin in the woods trailer analyis
Cabin in the woods trailer analyis Cabin in the woods trailer analyis
Cabin in the woods trailer analyis lottee16
 
Sherlock Micro Analysis
Sherlock Micro AnalysisSherlock Micro Analysis
Sherlock Micro AnalysisSachrock
 
The devil's backbone shot types
The devil's backbone shot typesThe devil's backbone shot types
The devil's backbone shot typesNatalieEarle
 

Similaire à Knowing too much (20)

Question 7 neww
Question 7 newwQuestion 7 neww
Question 7 neww
 
Question One
Question OneQuestion One
Question One
 
Question 7
Question 7Question 7
Question 7
 
Question 7
Question 7Question 7
Question 7
 
Assignment 5 planning for preliminary
Assignment 5 planning for preliminaryAssignment 5 planning for preliminary
Assignment 5 planning for preliminary
 
Glossary for as media studies
Glossary for as media studiesGlossary for as media studies
Glossary for as media studies
 
Advanced production
Advanced productionAdvanced production
Advanced production
 
4 Printscreens Of Short Films
4 Printscreens Of Short Films4 Printscreens Of Short Films
4 Printscreens Of Short Films
 
4 Printscreens Of Short Films
4 Printscreens Of Short Films4 Printscreens Of Short Films
4 Printscreens Of Short Films
 
Cloverfield
CloverfieldCloverfield
Cloverfield
 
Cloverfield
CloverfieldCloverfield
Cloverfield
 
Camera shots, angles and movements
Camera shots, angles and movementsCamera shots, angles and movements
Camera shots, angles and movements
 
Task 2 micro elements
Task 2 micro elements Task 2 micro elements
Task 2 micro elements
 
Camera angles
Camera anglesCamera angles
Camera angles
 
Evaluation Q1
Evaluation Q1Evaluation Q1
Evaluation Q1
 
Cabin in the woods trailer analyis
Cabin in the woods trailer analyis Cabin in the woods trailer analyis
Cabin in the woods trailer analyis
 
Sherlock Micro Analysis
Sherlock Micro AnalysisSherlock Micro Analysis
Sherlock Micro Analysis
 
Shot Types
Shot TypesShot Types
Shot Types
 
The devil's backbone shot types
The devil's backbone shot typesThe devil's backbone shot types
The devil's backbone shot types
 
Saw
SawSaw
Saw
 

Plus de Rayrayy

Evaluation question 3 –part 1
Evaluation question 3 –part 1Evaluation question 3 –part 1
Evaluation question 3 –part 1Rayrayy
 
Audience
AudienceAudience
AudienceRayrayy
 
Target audience
Target audienceTarget audience
Target audienceRayrayy
 
Evaluation q4
Evaluation q4Evaluation q4
Evaluation q4Rayrayy
 
Evaluation q2
Evaluation q2Evaluation q2
Evaluation q2Rayrayy
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1Rayrayy
 
Childhood issues
Childhood issuesChildhood issues
Childhood issuesRayrayy
 
Kidnapped
KidnappedKidnapped
KidnappedRayrayy
 
Codes and conventions of thriller
Codes and conventions of thrillerCodes and conventions of thriller
Codes and conventions of thrillerRayrayy
 
Teen horror gggggg
Teen horror   ggggggTeen horror   gggggg
Teen horror ggggggRayrayy
 
Codes and conventions of a horror film
Codes and conventions of a horror filmCodes and conventions of a horror film
Codes and conventions of a horror filmRayrayy
 

Plus de Rayrayy (20)

Evaluation question 3 –part 1
Evaluation question 3 –part 1Evaluation question 3 –part 1
Evaluation question 3 –part 1
 
Audience
AudienceAudience
Audience
 
Target audience
Target audienceTarget audience
Target audience
 
Evaluation q4
Evaluation q4Evaluation q4
Evaluation q4
 
Evaluation q2
Evaluation q2Evaluation q2
Evaluation q2
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
 
Week 12
Week 12Week 12
Week 12
 
Week 12
Week 12Week 12
Week 12
 
Week 11
Week 11Week 11
Week 11
 
Week 10
Week 10Week 10
Week 10
 
Week 9
Week 9Week 9
Week 9
 
Week 8
Week 8Week 8
Week 8
 
Childhood issues
Childhood issuesChildhood issues
Childhood issues
 
Kidnapped
KidnappedKidnapped
Kidnapped
 
Codes and conventions of thriller
Codes and conventions of thrillerCodes and conventions of thriller
Codes and conventions of thriller
 
Week 6
Week 6Week 6
Week 6
 
Week 5
Week 5Week 5
Week 5
 
Week 4
Week 4Week 4
Week 4
 
Teen horror gggggg
Teen horror   ggggggTeen horror   gggggg
Teen horror gggggg
 
Codes and conventions of a horror film
Codes and conventions of a horror filmCodes and conventions of a horror film
Codes and conventions of a horror film
 

Knowing too much

  • 1. Similar Media Products Research Knowing too Much http://www.youtube.com/watch?v=XbVpNTwP1Ho Camera work
  • 2. The first shot is an establishing shot The straight cut to a long shot puts the After the protagonist has walk further shows the isolated location highlighting protagonist in focus. The straight cut into the out the shot there is a straight the darkness which foreshadows was sharp and starts to develop a sense cut to the same long shot but now with something bad will soon follow, the of tension. the antagonist in view this along with high angle allows the audience to see his dark cloths and the tension building the entirety of the shot. music captures the audiences attention and begins to create a feel of fear with in. While the sound has an The use of the handheld increasing tempo there is a shot is heightened when sharp straight cut to a mid the actor running, shaking shot of the protagonist on the emphasises the fear that phone. The use of a handheld the character and now camera position Is used and audience can feel. The long this begins to put the shot shows the stairs audience in the characters which the character has to shoes as the shots moves use to get away. along in a frantic hurry like him.
  • 3. The low angle shot is used to show the struggle the character is in to get The tracking shot here emphasis the rush and fear with in the away from the antagonist and also gives the idea he has a chance of character due to the speed at which the camera moves. The survival as low angle shots tend to give a feeling of have power. long shot draws attention to the distance the character has ran and also shows the range in the shot. The character then looks up this is followed by the camera A close up of the character trying to get in his car with his keys the shot is then taken in and out of focus this creates an ultra highlights the file he is holding and provoked the audience to heighten in character feel for the audience as they see he think whether that’s why he is being followed. would struggle to make out who was in the distance ahead.
  • 4. There is then a straight cut to a mid close up this expression of relief and uncertainly this long shot is similar to a over the The cut to an extreme close up shows the is seen and the audience begin to feel the shoulder shot it gives the sense that the anxiety on the characters face as well as near of a climax with the airy fell, which character is being watch and is soon to be the sweat on his forehead this adds to the the character is unaware of. attacked. The shoot also shows the emotion you can see on his face and urges surrounding area which is isolated and the audience to empathise with him. adds to the atmosphere. Here there a jump shots between over the shoulder style long shots and mid shots which due to the camera positioning you can see both the face of the protagonist and the antagonist coming close. This jump shot between the two successfully builds tension and excitement while engaging the audience in the action. The delay in the switch to the next shot is fast and sharp which also helps build the atmosphere.
  • 5. The long shot again highlights the isolated location fitting of a thriller The last camera shot is a long shot showing genre while vaguely showing the file the power of the antagonist who strong In this mid shot there the camera focus n posture and walk is emphasised by the which the protagonist once had in his the file in the protagonist hand again this distance ahead. The shot also pics up on possession was now in the possession of tells the audience what the antagonist the fact no one saw what had happened the antagonist. This shot also bring to wants the prop although small is given just and the quest of the antagonist was light the peak of the climax along with enough feature which is informative for the complete. the end of the sound used. audience. As well as the shot showing the character being knocked out the shot switch the power seen when the protagonist was running up the stair to the antagonist who now stands tall over the weak protagonist, although we can not even see his face; this is successfully done through the range of height between the two characters.