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- Deals with emotions as
they are aroused by some
scene, experience,
attachment; often rich in
sentiment and passion;
imaginative.
- The language of
the
imagination, almost
entirely figurative, and
also a musical literary
language.
Forms:
Couplet
- Two lines of verse
with similar end-
rhymes.
- A two-line stanza with both
grammatical structure and
idea complete within itself.

Sample:
 More relative than this. The play’s the
                  thing
Wherein I’ll catch the conscience of the
                  King.
Tercet

- A triplet in which
each line ends with
the same rhyme.
Sample:

When as in silks my Julia goes,
  Then, then, methinks, how
         sweetly flows
The liquefaction of her clothes.
Quatrain

- A stanza of four
lines.
- A complete poem
consisting of four
lines only: any one
of many four-line
stanza forms.
- The possible rhyme
schemes vary from an
unrhymed quatrain to
almost any arrangement
of one-rhyme, two-rhyme,
or   three-rhyme    lines
(abab, aabb,abba, aaba,
Diction

- Choice of words is of
great importance in
poetry.
- Words or
combinations of words
are painstakingly
chosen by the poet for
their exactness as well
as suggestiveness.
- The connotative
value of a word is
particularly
important to the
poet.
Tone

- The attitude of the
poet or the persona or
the speaker in the
poem.
- The tone of
voice varies
according to the
emotional state
of the speaker.
- In order to identify
tone in poetry, one
should be sensitive
to the inner state of
the speaker.
The usual themes in
poetry are
love, death, brother
hood, inhumanity, lo
neliness, and joy.
Poetry can do the
   following:
1. Move an individual to
   tears or laughter.
2. Stir the insights of the
   readers.
3. Stimulate the
   imagination of the
   reader.
4.Lift the burden of
a heavy heart.
5.Ease and relax
tension in a
troubled world.
- A nondramatic poem that
tells a story or presents a
narrative, whether simple
or complex, long or short.
Epics,    ballads,  Metrical
romances are among the
many kinds of narrative
poems.
a. Metrical Tale:
- A series of events or facts told
   or presented based on the
   metric system as a standard of
   measurement.
- Tendencies of romanticism in its
freedom of technique and its
preference for remote settings as
well as its essential qualities.
EDMUND AND HELEN

COME, SIT THEE BY ME, LOVE, AND THOU SHALT HEAR
    A TALE MAY WIN A SMILE AND CLAIM A TEAR-
    A PLAN AND SIMPLE STORY, TOLD IN RHYME,
   AS SANG THE MINSTRELS OF THE OLDEN TIME.
     NO IDLE MUSE I'LL NEEDLESSLY INVOKE-
  NO PATRON'S AID TO STEER ME FROM THE ROCK
  OF COLD NEGLECT ROUND WHICH OBLIVION LIES;
  BUT LOVED ONE, I WILL LOOK INTO THINE EYES,
FROM WHICH YOUNG POESY FIRST TOUCHED MY SOUL,
AND BADE THE BURNING WORDS IN NUMBERS
                   ROLL;--
 THEY WERE THE LIGHT IN WHICH I LEARNED TO
                    SING;
AND STILL TO THEE WILL KINDLING FANCY CLING-
   GLOW AT THY SMILE, AS WHEN, IN YOUNGER
                   YEARS,
 I'VE SEEN THEE SMILING THROUGH THY MAIDEN
                   TEARS,
LIKE A FAIR FLOWERET BENT WITH MORNING DEW;
    WHILE SUNBEAMS KISSED ITS LEAVES OF
                LOVELIEST HUE.
b. Epic:
- A story about heroic deeds
  of an individual written in
  verse.
- - Epics without certain
  authorship are called Folk
  Epics.
Characteristics of an
       Epic
• HERO - a figure of imposing
  stature, of national or
  international importance, and
  of great history or legendary
  significance.
• SETTING - vast, covering
  great nations, the world, or the
  universe.
•   SUPERNATURAL            FORCES     –
    gods, angels, and demons –
    interest themselves in the action
    and intervene from time to time.
•   STYLE – sustained elevation and
    grand simplicity is used.
•   ACTION – consists of deeds of
    great     valor      or    requiring
    superhuman courage
Sample Text:

      The Epic of Labaw
          Donggon
1
        The Birth
 Odoyyyyyyyyyyyyyyyyyy
 Let us narrate with care
 Take note much in detail
All about Labaw Donggon
Who was born in the womb
   Of Anggoy Alunsina.
BuyungLabawDonggon
  Not long after he was
        delivered,
Hardly noticed by anyone
Became a mature person,
  A sturdy young man.
2
         Wooing of
    AbyangGinbitinan
Odoyyyyyyyyyyyyyyyyyyyyy
    LabawDongon said
 To his respected parents
     AbyangAlunsina.
“Open, please open
The great wooden chest
  Whose heavy cover
 Is elaborately carved.
Then select from there
     Very carefully
My treasured possessions
          and
    My fine clothes.”
- One of the earliest forms of
literature.
- The narration of a story in poetry
    form.
- Form of verse to be sung or recited
    and characterized by its
    presentation of a dramatic or
    exciting episode in simple narrative
    form.
- Essentially a narrative
poem originally intended to
be sung.
- The traditional ballad
consists of four lines with an
abcb rhyme scheme and
may employ a refrain.
Characteristics of Ballad:
• The supernatural is likely to
  play an important part in
  events.
• Physical courage and love
  are frequent themes.
• Slight attention is paid to
  characterization/description.
•   Transitions are abrupt.
•   Action is largely
    developed through
    dialogue.
•   Tragic situations are
    presented with the
    utmost simplicity.
The Mermaid
       by Author Unknown
 'Twas Friday morn when we set
               sail,
And we had not got far from land,
  When the Captain, he spied a
         lovely mermaid,
  With a comb and a glass in her
               hand.
Chorus
 Oh the ocean waves may roll,
And the stormy winds may blow,
While we poor sailors go skipping
              aloft
 And the land lubbers lay down
      below, below, below
 And the land lubbers lay down
             below.
Then up spoke the Captain
     of our gallant ship,
And a jolly old Captain was
             he;
  "I have a wife in Salem
            town,
But tonight a widow she will
             be."
- A brief subjective poem
strongly marked by
imagination, melody, and
emotion, and creating a
single, unified impression.
- (GREEK) Expression of
the emotion of a single
singer accompanied by a
lyre.
- “Choric” – verses that were
the expression of a group and
were sung by a chorus.
- Individual and personal
emotion of the poet still holds.
- Most broadly inclusive of all
the various types of verse.
a.   Ode:
-   A single, unified strain of
exalted lyrical verse, directed
to a single purpose, and
dealing with one theme.
- Connotes certain qualities
of both manner and form.
- An elaborate
lyric, expressed in language
dignified, sincere, and
imaginative and intellectual in
tone.
- No definite pattern.
- Each is distinguished by its
subject matter.
- The elegy dwells on death
and the sorrow that comes
with the contemplation of loss.
- Addresses an object in lofty
terms.
- More complicated than
most of the lyric types.
Sample Text:
          Ode to My Angel
           Michael Flores
 Fly me to your heavenly garden of
               peace
  With your pure and perfect pallid
               wings
 Carry me to my fairest hopes and
              dreams
And put my feet up on your red rose’s
                bed.
Bless my mornings with your
         comforting touch
      And feed me with your
         sweetest smiles
I’ll drink your tears to heal my
              pains
And live with you forevermore.
Guide me to my future
         successes
With your eyes so angelic and
            divine
  Sing your most romantic
          melodies
    Erase my worries and
        perplexities.
O my dearly beloved angel
       of heavens
   Your smell I breathe
      awakens me
  Embrace me with your
      warmest arms
Forever I will live with thee.
Song:
- A lyric poem adapted to
musical expression.
- Usually short, simple,
sensuous, emotional – the
most spontaneous lyric
form.
Sample Text:
     I HAVE BECOME LIGHTER
   I have become lighter than a
              basket
of beaten cotton in the presence
 of so many relatives all heavily
             adorned
with double necklaces of gold and
         precious beads;
heavy earrings of gold hung
like leaves upon their ears;
but I sit in their midst with a
   necklace of lasa seeds
    interspersed with the
humble seed of the tugitugi
and cheap green beads of
 glass, adorned with a cross
made of squash shell because I
           know not
  how to tie properly a string
      around my neck,
   which is the proper and
  decorous thing for a young
            woman
Sources:
Holman, Hugh, et al.:A Handbook to
Literature.C.Macmillan Publishing
Company.1986
Tomeldan, Yolanda V., Prism: An
Introduction to Literature. National
Bookstore.1986
Senatin, Ruby B.,Centenera, Fe
G.:Introduction to Literature English 104
(Textbook-Workbook).National
Bookstore.2003
Prepared by:

Robert Ryan L. Iligan

III-BSE
La Salle College Antipolo

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Elements of phillipine poetry

  • 1.
  • 2.
  • 3. - Deals with emotions as they are aroused by some scene, experience, attachment; often rich in sentiment and passion; imaginative.
  • 4. - The language of the imagination, almost entirely figurative, and also a musical literary language.
  • 5. Forms: Couplet - Two lines of verse with similar end- rhymes.
  • 6. - A two-line stanza with both grammatical structure and idea complete within itself. Sample: More relative than this. The play’s the thing Wherein I’ll catch the conscience of the King.
  • 7. Tercet - A triplet in which each line ends with the same rhyme.
  • 8. Sample: When as in silks my Julia goes, Then, then, methinks, how sweetly flows The liquefaction of her clothes.
  • 9. Quatrain - A stanza of four lines.
  • 10. - A complete poem consisting of four lines only: any one of many four-line stanza forms.
  • 11. - The possible rhyme schemes vary from an unrhymed quatrain to almost any arrangement of one-rhyme, two-rhyme, or three-rhyme lines (abab, aabb,abba, aaba,
  • 12. Diction - Choice of words is of great importance in poetry.
  • 13. - Words or combinations of words are painstakingly chosen by the poet for their exactness as well as suggestiveness.
  • 14. - The connotative value of a word is particularly important to the poet.
  • 15. Tone - The attitude of the poet or the persona or the speaker in the poem.
  • 16. - The tone of voice varies according to the emotional state of the speaker.
  • 17. - In order to identify tone in poetry, one should be sensitive to the inner state of the speaker.
  • 18. The usual themes in poetry are love, death, brother hood, inhumanity, lo neliness, and joy.
  • 19. Poetry can do the following:
  • 20. 1. Move an individual to tears or laughter. 2. Stir the insights of the readers. 3. Stimulate the imagination of the reader.
  • 21. 4.Lift the burden of a heavy heart. 5.Ease and relax tension in a troubled world.
  • 22.
  • 23. - A nondramatic poem that tells a story or presents a narrative, whether simple or complex, long or short. Epics, ballads, Metrical romances are among the many kinds of narrative poems.
  • 24. a. Metrical Tale: - A series of events or facts told or presented based on the metric system as a standard of measurement. - Tendencies of romanticism in its freedom of technique and its preference for remote settings as well as its essential qualities.
  • 25. EDMUND AND HELEN COME, SIT THEE BY ME, LOVE, AND THOU SHALT HEAR A TALE MAY WIN A SMILE AND CLAIM A TEAR- A PLAN AND SIMPLE STORY, TOLD IN RHYME, AS SANG THE MINSTRELS OF THE OLDEN TIME. NO IDLE MUSE I'LL NEEDLESSLY INVOKE- NO PATRON'S AID TO STEER ME FROM THE ROCK OF COLD NEGLECT ROUND WHICH OBLIVION LIES; BUT LOVED ONE, I WILL LOOK INTO THINE EYES, FROM WHICH YOUNG POESY FIRST TOUCHED MY SOUL,
  • 26. AND BADE THE BURNING WORDS IN NUMBERS ROLL;-- THEY WERE THE LIGHT IN WHICH I LEARNED TO SING; AND STILL TO THEE WILL KINDLING FANCY CLING- GLOW AT THY SMILE, AS WHEN, IN YOUNGER YEARS, I'VE SEEN THEE SMILING THROUGH THY MAIDEN TEARS, LIKE A FAIR FLOWERET BENT WITH MORNING DEW; WHILE SUNBEAMS KISSED ITS LEAVES OF LOVELIEST HUE.
  • 27. b. Epic: - A story about heroic deeds of an individual written in verse. - - Epics without certain authorship are called Folk Epics.
  • 29. • HERO - a figure of imposing stature, of national or international importance, and of great history or legendary significance. • SETTING - vast, covering great nations, the world, or the universe.
  • 30. SUPERNATURAL FORCES – gods, angels, and demons – interest themselves in the action and intervene from time to time. • STYLE – sustained elevation and grand simplicity is used. • ACTION – consists of deeds of great valor or requiring superhuman courage
  • 31. Sample Text: The Epic of Labaw Donggon
  • 32. 1 The Birth Odoyyyyyyyyyyyyyyyyyy Let us narrate with care Take note much in detail All about Labaw Donggon Who was born in the womb Of Anggoy Alunsina.
  • 33. BuyungLabawDonggon Not long after he was delivered, Hardly noticed by anyone Became a mature person, A sturdy young man.
  • 34. 2 Wooing of AbyangGinbitinan Odoyyyyyyyyyyyyyyyyyyyyy LabawDongon said To his respected parents AbyangAlunsina.
  • 35. “Open, please open The great wooden chest Whose heavy cover Is elaborately carved.
  • 36. Then select from there Very carefully My treasured possessions and My fine clothes.”
  • 37. - One of the earliest forms of literature. - The narration of a story in poetry form. - Form of verse to be sung or recited and characterized by its presentation of a dramatic or exciting episode in simple narrative form.
  • 38. - Essentially a narrative poem originally intended to be sung. - The traditional ballad consists of four lines with an abcb rhyme scheme and may employ a refrain.
  • 39. Characteristics of Ballad: • The supernatural is likely to play an important part in events. • Physical courage and love are frequent themes. • Slight attention is paid to characterization/description.
  • 40. Transitions are abrupt. • Action is largely developed through dialogue. • Tragic situations are presented with the utmost simplicity.
  • 41. The Mermaid by Author Unknown 'Twas Friday morn when we set sail, And we had not got far from land, When the Captain, he spied a lovely mermaid, With a comb and a glass in her hand.
  • 42. Chorus Oh the ocean waves may roll, And the stormy winds may blow, While we poor sailors go skipping aloft And the land lubbers lay down below, below, below And the land lubbers lay down below.
  • 43. Then up spoke the Captain of our gallant ship, And a jolly old Captain was he; "I have a wife in Salem town, But tonight a widow she will be."
  • 44.
  • 45. - A brief subjective poem strongly marked by imagination, melody, and emotion, and creating a single, unified impression. - (GREEK) Expression of the emotion of a single singer accompanied by a lyre.
  • 46. - “Choric” – verses that were the expression of a group and were sung by a chorus. - Individual and personal emotion of the poet still holds. - Most broadly inclusive of all the various types of verse.
  • 47. a. Ode: - A single, unified strain of exalted lyrical verse, directed to a single purpose, and dealing with one theme. - Connotes certain qualities of both manner and form.
  • 48. - An elaborate lyric, expressed in language dignified, sincere, and imaginative and intellectual in tone. - No definite pattern. - Each is distinguished by its subject matter.
  • 49. - The elegy dwells on death and the sorrow that comes with the contemplation of loss. - Addresses an object in lofty terms. - More complicated than most of the lyric types.
  • 50. Sample Text: Ode to My Angel Michael Flores Fly me to your heavenly garden of peace With your pure and perfect pallid wings Carry me to my fairest hopes and dreams And put my feet up on your red rose’s bed.
  • 51. Bless my mornings with your comforting touch And feed me with your sweetest smiles I’ll drink your tears to heal my pains And live with you forevermore.
  • 52. Guide me to my future successes With your eyes so angelic and divine Sing your most romantic melodies Erase my worries and perplexities.
  • 53. O my dearly beloved angel of heavens Your smell I breathe awakens me Embrace me with your warmest arms Forever I will live with thee.
  • 54. Song: - A lyric poem adapted to musical expression. - Usually short, simple, sensuous, emotional – the most spontaneous lyric form.
  • 55. Sample Text: I HAVE BECOME LIGHTER I have become lighter than a basket of beaten cotton in the presence of so many relatives all heavily adorned with double necklaces of gold and precious beads;
  • 56. heavy earrings of gold hung like leaves upon their ears; but I sit in their midst with a necklace of lasa seeds interspersed with the humble seed of the tugitugi
  • 57. and cheap green beads of glass, adorned with a cross made of squash shell because I know not how to tie properly a string around my neck, which is the proper and decorous thing for a young woman
  • 58. Sources: Holman, Hugh, et al.:A Handbook to Literature.C.Macmillan Publishing Company.1986 Tomeldan, Yolanda V., Prism: An Introduction to Literature. National Bookstore.1986 Senatin, Ruby B.,Centenera, Fe G.:Introduction to Literature English 104 (Textbook-Workbook).National Bookstore.2003
  • 59. Prepared by: Robert Ryan L. Iligan III-BSE La Salle College Antipolo