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Adam Jorlen Feb 2012
    adamjorlen.com
”The biggest issue at stake in this emerging
  age is the ongoing tension between creativity
  and organization.”
Richard Florida, Rise of the Creative Class
Staff engagement
 Humans are happiest when they’re exercising
  their ingenuity.

Innovation
 Creativity + Action = Innovation
Interdisciplinary research

   1950s-70s – Personality of the creator

   1980s: Social & Cultural Dimensions of creativity.
    Csikszentmihalyi’s systems approach

   90s-00s: Collaboration and Group Dynamics,
    Collaborative emergence




                                                 Sawyer2009
Increased
collaboration
                     Successful initiatives in the past/present?


                Outside the org
                  (customers,
                 suppliers etc)

                                                       Crowd-
                                                       sourcing
                   Everyone                                       ”Collaborative
                  in the org                                          webs”

                                                                            Open
                                                                         innovation
                  Several                                  Google
                disciplines                    Semco        20%
                   and
                functions
                                         Innovation
                                            labs
                One group
                – The R&D                        Fisher-
                   team                           Price


                            The R&D ”Skunk
                              team works”
                One person –
                ”Lone Genius”


                               Pre-70s           80s              90s                 00s   10s
   Who benefits from the
    creative work?
   A critical view on the
    creators
   What’s gained/lost along
    the way from ”lone genius”
    to ”wisdom of the crowd”?




                             D H Cropley, A J Cropley, Kaufman & Runco 2010
   1. How can managers organise creativity to benefit both their
    organisation and the eco-system of which it is a part?

   2. What were/are the conditions in some successful initiatives of
    organising creativity in the past/present ?

   3. How can managers ensure that the ”dark side” of creativity is avoided,
    i.e. that what emerges from the creative initiative benefits the eco-
    system of which the organisation is part?

    ”Lone Genius”

    Isolated group

    Innovation Lab

    Collaborative Organization

    Open innovation network
Wilber, 2000
Intentional                     Behaviour

•Psychology of the individual   •Skills
•Intrinsic/extrinsic            •Behaviours
motivation
•Introversion / extroversion



Culture                         Social system

•Collaboration                  -Officical strategies
•Group dynamics                 organisations undertake
•Groupthink                     -Environment
•Brainstorming                  -Location (the core vs the
•Improvisation                  edge)
                                -Architecture
Inayatullah 1998
Type          ”Lone              Isolated         Innovation   Collaborative      Open
              Genius”            group            Lab          Organization       innovation
                                                                                  network
Creative      Edison’s lab       Xerox PARC       Mattel’s     Semco              Open IDEO
initiative:                                       Project
                                                  Platypus
Litany        "Genius is one     "The best way                 ” If we do not     “Where people
              percent            to predict the                let people do      design better,
              inspiration, and   future is to                  things the way     together”
              ninety-nine        invent it."                   they do, we will
              percent                                          never know
              perspiration."                                   what they are
                                                               really capable
                                                               of”
Systemic      What are the socio-economic, technical, political, environmental etc drivers
Causes        and trends which impacts on the initiative and organisation?
Worldview     What are the worldviews of these initiatives and the organisations they are
              part of?
Myth/         What are the underlying myths and metaphors?
metaphor

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Organising creativity

  • 1. Adam Jorlen Feb 2012 adamjorlen.com
  • 2. ”The biggest issue at stake in this emerging age is the ongoing tension between creativity and organization.” Richard Florida, Rise of the Creative Class
  • 3.
  • 4. Staff engagement  Humans are happiest when they’re exercising their ingenuity. Innovation  Creativity + Action = Innovation
  • 5. Interdisciplinary research  1950s-70s – Personality of the creator  1980s: Social & Cultural Dimensions of creativity. Csikszentmihalyi’s systems approach  90s-00s: Collaboration and Group Dynamics, Collaborative emergence Sawyer2009
  • 6. Increased collaboration Successful initiatives in the past/present? Outside the org (customers, suppliers etc) Crowd- sourcing Everyone ”Collaborative in the org webs” Open innovation Several Google disciplines Semco 20% and functions Innovation labs One group – The R&D Fisher- team Price The R&D ”Skunk team works” One person – ”Lone Genius” Pre-70s 80s 90s 00s 10s
  • 7. Who benefits from the creative work?  A critical view on the creators  What’s gained/lost along the way from ”lone genius” to ”wisdom of the crowd”? D H Cropley, A J Cropley, Kaufman & Runco 2010
  • 8. 1. How can managers organise creativity to benefit both their organisation and the eco-system of which it is a part?  2. What were/are the conditions in some successful initiatives of organising creativity in the past/present ?  3. How can managers ensure that the ”dark side” of creativity is avoided, i.e. that what emerges from the creative initiative benefits the eco- system of which the organisation is part?
  • 9. ”Lone Genius”  Isolated group  Innovation Lab  Collaborative Organization  Open innovation network
  • 11. Intentional Behaviour •Psychology of the individual •Skills •Intrinsic/extrinsic •Behaviours motivation •Introversion / extroversion Culture Social system •Collaboration -Officical strategies •Group dynamics organisations undertake •Groupthink -Environment •Brainstorming -Location (the core vs the •Improvisation edge) -Architecture
  • 13. Type ”Lone Isolated Innovation Collaborative Open Genius” group Lab Organization innovation network Creative Edison’s lab Xerox PARC Mattel’s Semco Open IDEO initiative: Project Platypus Litany "Genius is one "The best way ” If we do not “Where people percent to predict the let people do design better, inspiration, and future is to things the way together” ninety-nine invent it." they do, we will percent never know perspiration." what they are really capable of” Systemic What are the socio-economic, technical, political, environmental etc drivers Causes and trends which impacts on the initiative and organisation? Worldview What are the worldviews of these initiatives and the organisations they are part of? Myth/ What are the underlying myths and metaphors? metaphor

Notes de l'éditeur

  1. Staff engagement:For organizations to succeed in today’s “creative economy,” they need employees who bring more than their diligence and expertise to work: employees must also bring their imagination and passion.
  2. psychology, cognitive science, education, philosophy, technology, theology, sociology, linguistics, business studies, and economicsCsikszentmihalyi devised a systems approach to creativity, where the emergence of creativity was due to three parts; the creative individual, the collaborators and other surrounding people working in the area, and lastly the existing body of work in the field.