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BASED ON THE DARK KNIGHT
4 ESSENTIAL
PRINCIPLES
FOR CREATING
THE ULTIMATE
ANTAGONIST
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
A POWERFUL
ANTAGONIST IS
UNIQUELY ADEPT
AT ATTACKING THE
HERO’S GREATEST
WEAKNESS.
1
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
In The Dark Knight, the Joker is
able to target Batman’s biggest
vulnerability — his morality —
in a way no other villain can.
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
John Truby
Author, The Anatomy of a Story
“Create an opponent... who
is exceptionally good at
attacking your hero’s
greatest weakness.”
Batman refuses to kill. The
Joker, who does not fear
death, and in fact, wants
Batman to kill him. He throws
Gotham into chaos, pressuring
Batman to compromise his
moral code.
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
Robert McKee
Author, Story
“A protagonist, and his story,
can only be as intellectually
fascinating and emotionally
compelling as the forces of
antagonism make them.”
THE ANTAGONIST
PRESSURES THE
PROTAGONIST
INTO MAKING
DIFFICULT
CHOICES.
2
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
In the second act, the Joker
poses an ultimatum: for every
day that Batman does not
turn himself in, people will die.
By refusing, Batman ups the
ante, but must cope with the
guilt as innocent lives are lost.
The pressure increases as
more people die, and the city
turns against him.
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
Robert McKee
Author, Story
“TRUE CHARACTER is revealed
in the choices a human being
makes under pressure — the
greater the pressure, the
deeper the revelation, the truer
the choice to the character’s
essential nature.”
THE ANTAGONIST
COMPETES FOR
THE SAME GOAL
AS THE
PROTAGONIST
3
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
“Gotham’s Soul”
Both Batman and the Joker are vying for
i n fl u e n c e o v e r G o t h a m , w h i c h i s
repeatedly referred to as Gotham’s
“soul.” While Batman defends law &
order, the Joker battles for chaos. Since
each of these men are totally dedicated
to their beliefs and principles, their fight
becomes a highly personal one. Why and
how they go about achieving this goal is
what defines the them.
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
John Truby
Author, The Anatomy of a Story
“It is only by competing for
the same goal that the hero
and the opponent are forced
to come into direct conflict,
and to do so again and again
throughout the story.”
A POWERFUL
ANTAGONIST
CAUSES THE
HERO TO
GROW.
4
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
In the beginning of the film,
Batman believes that criminal
bosses seek money and power
and are driven by logic, order,
and self-interest. As a result,
they can be defeated with
force and incentive.
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
In the battle for “Gotham’s Soul,” he
faces an opponent who operates
outside these limits.
As a result, he is forced to make
progressively more difficult choices
that puts his strengths to the test.
By the end, Batman develops a
deeper understanding of heroism
and sacrifice. No longer infatuated
with manufacturing Gotham’s
“hero,” he grows wiser.
He grows because of the Joker.
FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
THANKS FOR READING!
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4 Essential Principles for Creating the Ultimate Antagonist

  • 1. BASED ON THE DARK KNIGHT 4 ESSENTIAL PRINCIPLES FOR CREATING THE ULTIMATE ANTAGONIST
  • 2. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE A POWERFUL ANTAGONIST IS UNIQUELY ADEPT AT ATTACKING THE HERO’S GREATEST WEAKNESS. 1
  • 3. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE In The Dark Knight, the Joker is able to target Batman’s biggest vulnerability — his morality — in a way no other villain can.
  • 4. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE John Truby Author, The Anatomy of a Story “Create an opponent... who is exceptionally good at attacking your hero’s greatest weakness.”
  • 5. Batman refuses to kill. The Joker, who does not fear death, and in fact, wants Batman to kill him. He throws Gotham into chaos, pressuring Batman to compromise his moral code. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
  • 6. Robert McKee Author, Story “A protagonist, and his story, can only be as intellectually fascinating and emotionally compelling as the forces of antagonism make them.”
  • 7. THE ANTAGONIST PRESSURES THE PROTAGONIST INTO MAKING DIFFICULT CHOICES. 2 FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
  • 8. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE In the second act, the Joker poses an ultimatum: for every day that Batman does not turn himself in, people will die. By refusing, Batman ups the ante, but must cope with the guilt as innocent lives are lost. The pressure increases as more people die, and the city turns against him.
  • 9. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
  • 10. Robert McKee Author, Story “TRUE CHARACTER is revealed in the choices a human being makes under pressure — the greater the pressure, the deeper the revelation, the truer the choice to the character’s essential nature.”
  • 11. THE ANTAGONIST COMPETES FOR THE SAME GOAL AS THE PROTAGONIST 3 FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
  • 12. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE “Gotham’s Soul” Both Batman and the Joker are vying for i n fl u e n c e o v e r G o t h a m , w h i c h i s repeatedly referred to as Gotham’s “soul.” While Batman defends law & order, the Joker battles for chaos. Since each of these men are totally dedicated to their beliefs and principles, their fight becomes a highly personal one. Why and how they go about achieving this goal is what defines the them.
  • 13. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE John Truby Author, The Anatomy of a Story “It is only by competing for the same goal that the hero and the opponent are forced to come into direct conflict, and to do so again and again throughout the story.”
  • 14. A POWERFUL ANTAGONIST CAUSES THE HERO TO GROW. 4 FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
  • 15. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE In the beginning of the film, Batman believes that criminal bosses seek money and power and are driven by logic, order, and self-interest. As a result, they can be defeated with force and incentive.
  • 16. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE In the battle for “Gotham’s Soul,” he faces an opponent who operates outside these limits. As a result, he is forced to make progressively more difficult choices that puts his strengths to the test.
  • 17. By the end, Batman develops a deeper understanding of heroism and sacrifice. No longer infatuated with manufacturing Gotham’s “hero,” he grows wiser. He grows because of the Joker. FILM PROJECT MANAGEMENT SOFTWARE FILM PROJECT MANAGEMENT SOFTWARE
  • 18. THANKS FOR READING! VISUALIZED & WRITTEN BY StudioBinder CONCEPTED BY Lessons from the Screenplay
  • 19. Read the full article here: bit.ly/2cznF5v Want to learn more about crafting the ultimate antagonist?
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