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Qatar Unified Imaging
Project
Tammi Moe, MLIS
Virginia Commonwealth University Qatar
Preliminary Findings…
   No centralized index on Qatari primary source material
   There are significant narrative objects in Qatar worthy of
    wider access.
   Primary source materials related to Qatar have limited
    access
   Qatar’s primary source materials are displaced
   Digitized material on Qatar is scarce and descriptive
    information is often lacking or inaccurate.
   No integration of primary source materials in the K-12
    classroom
Defining primary source…
   Original Documents
   Oral history
   Autobiographies, diaries, e-mail, interviews, letters,
    minutes, news film footage, official records,
    photographs, raw research data, speeches.
   Creative Works
   Art, drama, films, music, novels, poetry.
   Relics or Artifacts
   Buildings, clothing, DNA, furniture, jewelry,
    pottery.
“What Greek and Latin authors mention
concerning Arabia proves by its obscurity their
ignorance of almost everything respecting Arabs.
Prejudices relative to the inconveniences and
dangers of travelling Arabia have hitherto kept the
moderns in equal ignorance.”

– M. Niebuhr (1792)
Why?
   Economic decline
   Imperial occupation
   Control of information internally
   Arabian collections have limited access
   Internationally based collections outside
    of Qatar have limited access
QUIP Primitives:

   Discovery = structured, collaborative,
    serendipitous finding, keeping current
   Gathering = collecting, acquiring, organizing
   Creative = annotating, analyzing, describing,
    reviewing and rating, writing
   Sharing = rights, data sharing, teaching,
    publishing
Defining Archive

   Documentary by-product of human
    activity
   Irreplaceable witness to past events
   Fragile and vulnerable
Defining Metadata
Information for digital objects making them:

   Searchable
   Descriptive
   Accessible
   Useful
   Related
Defining Open Source
 Like exchanging cooking recipes but
  software code for cooking things up in the
  digital environment.
Examples:
 Operating Systems – that runs Macintosh
 Wiki Software – that runs Wikipedia
 Drupal – digital repository software
Year One

   Site visits
   Data collection
   Data normalization
   Publishing Index
OAI DC XML Schema
<element ref="dc:title"/>
<element ref="dc:creator"/>
<element ref="dc:subject"/>
<element ref="dc:description"/>
<element ref="dc:publisher"/>
<element ref="dc:contributor"/>
<element ref="dc:date"/>
<element ref="dc:type"/>
<element ref="dc:format"/>
<element ref="dc:identifier"/>
<element ref="dc:source"/>
<element ref="dc:language"/>
<element ref="dc:relation"/>
<element ref="dc:coverage"/>
<element ref="dc:rights"/>
Archival Descriptions
   Name
   Contact details
   Hours of operation
   Access policy
   Types of holdings
   Administrative structure
QUIP points of entry:
   National Integration and          Popular Literature (oral and
    Popular Culture                    written)
   Language and Ethnicity            Sports and Recreation
   History and Mythology             Painting, Design, and
   Tradition and Hierarchy            Sculpture
   Theater, Outdoor Events, and      Architecture, Public and
    Holidays                           Private
   Film and Photography              Religion and Pilgrimages
   Televisions and Video             Advertising and Propaganda
   Radio, Phonograph, Audio.         Gender and Race
   Lifestyles – Food Habits,         Cultural Geography and
    Clothes, etc.                      Geopolitics
   Music                             Oral Folklore Tales
                                      Rituals and Rites of Passage
Year Two
   Indian and Danish archives
   Selection for digitization
   Creation of digital substitutes
   Hosted Solution and collection building
   Translation of records
   Creation of thesauri
   Records for digital objects
Year Three
   Evaluation of Year-2 findings
   Secondary proposal
   Negotiating digitization of external
    materials
   Transfer of QUIP database
   Training consortium partners
   Creation of K-12 lessons
   QUIP Launch
Outcomes
   A centralized index on Qatari primary source
    materials is freely accessible
   Significant narrative objects about Qatar are
    given wider access
   We build bridges among cultural institutions
   Displaced primary sources are brought together
    digitally
   Stimulate awareness of Qatar’s rich history and
    traditions
Thank you for listening
if you are interested in
     participating…
 tmoe@qatar.vcu.edu

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Qatar unified imaging project

  • 1. Qatar Unified Imaging Project Tammi Moe, MLIS Virginia Commonwealth University Qatar
  • 2. Preliminary Findings…  No centralized index on Qatari primary source material  There are significant narrative objects in Qatar worthy of wider access.  Primary source materials related to Qatar have limited access  Qatar’s primary source materials are displaced  Digitized material on Qatar is scarce and descriptive information is often lacking or inaccurate.  No integration of primary source materials in the K-12 classroom
  • 3. Defining primary source…  Original Documents  Oral history  Autobiographies, diaries, e-mail, interviews, letters, minutes, news film footage, official records, photographs, raw research data, speeches.  Creative Works  Art, drama, films, music, novels, poetry.  Relics or Artifacts  Buildings, clothing, DNA, furniture, jewelry, pottery.
  • 4. “What Greek and Latin authors mention concerning Arabia proves by its obscurity their ignorance of almost everything respecting Arabs. Prejudices relative to the inconveniences and dangers of travelling Arabia have hitherto kept the moderns in equal ignorance.” – M. Niebuhr (1792)
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. Why?  Economic decline  Imperial occupation  Control of information internally  Arabian collections have limited access  Internationally based collections outside of Qatar have limited access
  • 15. QUIP Primitives:  Discovery = structured, collaborative, serendipitous finding, keeping current  Gathering = collecting, acquiring, organizing  Creative = annotating, analyzing, describing, reviewing and rating, writing  Sharing = rights, data sharing, teaching, publishing
  • 16. Defining Archive  Documentary by-product of human activity  Irreplaceable witness to past events  Fragile and vulnerable
  • 17. Defining Metadata Information for digital objects making them:  Searchable  Descriptive  Accessible  Useful  Related
  • 18. Defining Open Source  Like exchanging cooking recipes but software code for cooking things up in the digital environment. Examples:  Operating Systems – that runs Macintosh  Wiki Software – that runs Wikipedia  Drupal – digital repository software
  • 19. Year One  Site visits  Data collection  Data normalization  Publishing Index
  • 20.
  • 21. OAI DC XML Schema <element ref="dc:title"/> <element ref="dc:creator"/> <element ref="dc:subject"/> <element ref="dc:description"/> <element ref="dc:publisher"/> <element ref="dc:contributor"/> <element ref="dc:date"/> <element ref="dc:type"/> <element ref="dc:format"/> <element ref="dc:identifier"/> <element ref="dc:source"/> <element ref="dc:language"/> <element ref="dc:relation"/> <element ref="dc:coverage"/> <element ref="dc:rights"/>
  • 22. Archival Descriptions  Name  Contact details  Hours of operation  Access policy  Types of holdings  Administrative structure
  • 23. QUIP points of entry:  National Integration and  Popular Literature (oral and Popular Culture written)  Language and Ethnicity  Sports and Recreation  History and Mythology  Painting, Design, and  Tradition and Hierarchy Sculpture  Theater, Outdoor Events, and  Architecture, Public and Holidays Private  Film and Photography  Religion and Pilgrimages  Televisions and Video  Advertising and Propaganda  Radio, Phonograph, Audio.  Gender and Race  Lifestyles – Food Habits,  Cultural Geography and Clothes, etc. Geopolitics  Music  Oral Folklore Tales  Rituals and Rites of Passage
  • 24. Year Two  Indian and Danish archives  Selection for digitization  Creation of digital substitutes  Hosted Solution and collection building  Translation of records  Creation of thesauri  Records for digital objects
  • 25. Year Three  Evaluation of Year-2 findings  Secondary proposal  Negotiating digitization of external materials  Transfer of QUIP database  Training consortium partners  Creation of K-12 lessons  QUIP Launch
  • 26. Outcomes  A centralized index on Qatari primary source materials is freely accessible  Significant narrative objects about Qatar are given wider access  We build bridges among cultural institutions  Displaced primary sources are brought together digitally  Stimulate awareness of Qatar’s rich history and traditions
  • 27. Thank you for listening if you are interested in participating… tmoe@qatar.vcu.edu

Notes de l'éditeur

  1. I believe that this quote from the 18 th century still frames the problem that the Qatar Unified Imaging Project responds to today. Arabia is a land of perpetual interest. Since Niebuhr’s day many intrepid travelers have surveyed the coast and penetrated the interior, but his charge that we are ignorant of the real character of the vast peninsula is still true as far as it relates to the southern and south eastern districts.
  2. Insert slide of Pearl Fishery map
  3. Insert slide of Hasa map
  4. Insert a picture of transnational population
  5. Baseline level for interoperability 15 fields