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Twitter as a public service medium?
           A comparative content analysis of the use of Twitter by Radio RAI and RNE

                                              2




                                                  Toni Sellas. Universitat Internacional de Catalunya.
                                                          Tiziano Bonini. IULM University of Milan
  ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Aim of the research
  Over the recent years, Social Media have been increasingly used by radio broadcasters as an opportunity to engage with their audience
  and to build communities of listeners. Among these new media, the microblogging platform Twitter has become one of the most
  popular services. Since its launch in 2006, Twitter adoption has evolved and now it is used in a variety of contexts, combining elements
  of blogging, social networking, text messaging and mobile communication. Since its very beginning radio always dreamt and sought
  tools for pushing the audiences toward its contents (Lazarsfeld 1940). Twitter seems to be, among the other social media, one of the best
  new tools for drawing back the audience from internet to radio. For mass media, Twitter may be useful for purposes like to deliver
  breaking news, content, to share links or to let audience participate to discussion. This paper analyses the practices of public radio in
  Social Media focusing on the use of Twitter by two European public broadcasters: RAI (Italy) and RNE (Spain). In a context of
  transformation of radio and the rising of network society, PSM role in society is being questioned and asked to extend its service to
  include a new media strategy to include citizens and interact with them (Gunn, 2008). We want to study how Public Service Media are
  adopting new technologies to reach the audience and to extend their offer. The study also aims to know how public service operators
  adapt themselves to the new multi platform scenario which should drive them to change the relationship with their listeners.

  The analysis of RAI and RNE tweets should help understanding:


  1) How the Twitter strategy (use and language) of both public broadcasters is applied
  in practise

  2) If PSM are exploring new ways of communicating with listeners and sharing
  knowlwdge with them




                                                                                             ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Method of the research
    The method for this research combines a quantitative analysis together with a qualitative approach. The data
    collection will is held by monitoring the official Twitter profiles of the two main stations of RAI and RNE for two
    weeks.


     The survey will include a comparative           analysis of the tweets published by:
    @rairadio2 (the light entertainment public channel in the RAI group),
    @radio3tweets (the RAI cultural channel),


    @radio1_rne (the main talk radio station of RNE) and
     @radio3_rne (the cultural and musical channel).


    The study also includes a description and comparison of the information of each profile, regarding issues as the
    number of followers and following, number of tweets, ratio followers/following, date of birth or average tweets per
    day. Combining with the quantitative study, this paper analyses and assesses the general strategy in Twitter use by
    the Italian and the Spanish national public broadcasters, as well as the integration of this new platform in the
    production routines of each station and the professional profiles involved in it.




                                                                                ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Radio stations involved




                                              ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
The Data Set
                            842 tweets




                                         ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Analysis methodology
                                     Quantitative data collection
              Twitter profile
              general data:
              1.	 Profile name

              2.	 general information (bio)

              3.	 date of registration in TW

              4.	 Tweets (number of tweets at the start of the survey;
                  number of tweets at the end of the survey) n.b.: the
                  number of tweets contents also the retweets

              5.	 average tweets per day

              6.	 Ratio Retweet/Tweet

              7.	 Followers (number of followers at the start of the
                  survey; number of followers at the end of the survey)

              8.	 increasing of followers (in percentual)

              9.	 Following (number of following at the start of the
                  survey; number of following at the end of the survey)

              10.	 increasing of following (in percentual)

              11.	 Ratio Following/followers                              ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Analysis methodology
                                              Content Analysis of the enunciations (tweets)
   Existing literature review on Radio and Twitter use and/or content analysis of Tweets related to radio broadcasters/listeners is very
   few and recent (Gree, Ferguson, 2011). Drawing from their experience we extended the content analysis model adding more
   quantitative analysis and linguistic function analysis (Jakobson, 1963)

    The tweets have been collected into 8 Storify and have been labelled according to
    the Jakobson’s distinction of the linguistic functions (1963)

   1. The REFERENTIAL Function
   Tweets Broadcasting information about radio
   tweets Broadcasting opinion
   tweets Broadcasting contents produced by the channel (without promoting them, just presenting them, es tweets that don't use imperatives)


   2. The EXPRESSIVE (alternatively called "emotive" or "affective") function

   3. The CONATIVE Function
   tweets pushing users to participate/act/do something
   tweets promoting channel's contents and products

   4. The POETIC Function

   5. The PHATIC Function (es. an automatic RT of                    a follower's TW)

   “Phatic exchange is a term first used by Malinowski to describe a communicative gesture that does not inform or exchange any meaningful information or facts about
   theworld. Its purpose is a social one, to express sociability and maintain connections or bonds.” (Miller 2010:393)

   “In phatic media culture, content is not king, but ʻkeeping in touchʼ is” (Miller 2010:396)

   tweets strengthening the links with the users (ie.: RT of the listeners' tweets)


   6. The METALINGUAL (alternatively called "metalinguistic" or "reflexive") Function 


                                                                                                                      ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Analysis methodology
                          How Tweets have been coded
                                          ex.: http://storify.com/ilbertolucci/radio-2




                                                          ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Analysis methodology
                                            Quantitative data collection

                    A)	 Rebroadcast          of messages (RT: retweet          (a. No; b.Yes, but automatic, no comment; c. Yes, with comments)



                    B)
 Mentions of others users (to map how much “democratic”, partecipative, horizontal, bidirectional the TW channel is

                               1.	No; 2.Yes, linked to the programme or channel; 3. Yes, not linked to the programme or channel)


                    C)	 Links (to map how much autoreferential the TW channel is)

                               1.	No; 2.	 Yes, to the programme web site or channel website; 3.	 Yes, to the Facebook page of the programme or ch
                                  Yes, to the You Tube channel of the programme/channel; 5. Yes, to external websites, not linked with the prog
                                  channel


                    D) Additional         contents (1. No; 2.
 Audio; 3.
Vídeo; 4.
Images)


                    E)	 #   (hashtags) 1. No; 2. Yes; 3. Yes, more than one)



                                                                                                 ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Functions of the enunciations




                                                  ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Ratio Tweet/RT




                                           ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Ratio ReTweets/Retweets of the listeners




                                                        ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Tweets containing links




                                               ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Ratio Internal Links/External links




                                                     ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Additional Contents




                                                ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Some conclusions (work in progress)
      The use of Twitter revealed to be of strategic importance especially for cultural programmes and stations like Radio3,
      because it can provide to potential listeners a frame of reference to their listening experience. As Lazarsfeld already
      discovered (1940) the listeners informed in advance about the contents of a “serious listening” programme were more likely
      to listen to it. The proper frame of reference, a list of informations about the contents of the upcoming programme, can
      positively influence the listening of what Lazarsfeld called “serious” programmes (educative, cultural).
      As Ferguson and Greer (2011) demonstrated observing more than 100 U.S. radio station’s activities on Twitter, the average
      quarter hour share and the number of followers showed only a weak correlation. No one so far have been able to discover the
      “transformation rate” of Twitter followers into listeners. Probably Twitter is not yet a powerful tool of audience growing but
      it can still be an important tool for serving the audiences of public service media, providing them with background
      informations to prepare followers to the listening experience.


      According to Gauntlett (2012) “Making is connecting”: the real aim of participatory cultures and productive publics is to
      nurture social connections and knowledge exchange: for a public radio service maintaining and nurturing a networked public
      (Boyd, 2011) - a partecipative public whose internal connections are tight - means to accomplish with one of its primary
      functions: make people connect and let knowledge flow

      SNS reinforce the strong relationships, strengthen the weak ones and generate new latent connections that need to be face-to-
      face activated later (Ellison, Steinfeld & Lampe, 2006). Broadcasters analysed are not stimulating relationships among listeners


      This “connecting” aim of the public service is not well developed by the use of Twitter made by the
      broadcasters we mapped




                                                                                                ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Some conclusions (work in progress)
                                                     Broadcasting its own contents
                           RNE 1 (broadcasting
                            without sharing)

                               Radio 3
                                RAI
                                             RNE 3

                      Radio 2 RAI




Communicating                                                                                         Sharing




                                                     Broadcasting listeners’ contents


                                                                                        ECREA, Istanbul, 24-27 October 2012
venerdì 26 ottobre 2012
Literature review
         Reinventing Public service:

         Reinventing public service broadcasting in Europe: prospects, promises and problems Johannes Bardoel and Leen d'Haenens
         Media Culture Society 2008; 30; 337

         Bonet M., Fernandez-Quijada D., Ribes X. (2011), “The Changing Nature of Public Service Radio: A Case Study of iCat fm”,
         Convergence 17:2, pp. 177-192.

          Enli Gunn S. (2008), “Redefining Public Service Broadcasting. Multi-Platform Participation”, Convergence, 14:1, pp. 105-120.

          Syvertsen T. (1999), “The many uses of the ‘public service’ concept”, in Nordicom Review, 1:99, pp. 5-12.


         Twitter Analysis:

         Potter R., (2002) Give the people what they want, A content analysis of FM Radio Stations Home page, Journal of Broadcasting and
         Electronic Media, 369-385

         Cory L. Armstrong and Fangfang Gao (2010), Now Tweet this: How news organizations use Twitter, Electronic News

         Clark F. Greer & Douglas A. Ferguson (2011), Using Twitter for Promotion and Branding: A Content Analysis of Local Television Twitter Sites,
         Journal of Broadcasting & Electronic Media, 55:2, 198-214




venerdì 26 ottobre 2012

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Is Twitter a Public service social medium? A comparative content analysis of the Twitter use by Radio RAI and RNE

  • 1. Twitter as a public service medium? A comparative content analysis of the use of Twitter by Radio RAI and RNE 2 Toni Sellas. Universitat Internacional de Catalunya. Tiziano Bonini. IULM University of Milan ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 2. Aim of the research Over the recent years, Social Media have been increasingly used by radio broadcasters as an opportunity to engage with their audience and to build communities of listeners. Among these new media, the microblogging platform Twitter has become one of the most popular services. Since its launch in 2006, Twitter adoption has evolved and now it is used in a variety of contexts, combining elements of blogging, social networking, text messaging and mobile communication. Since its very beginning radio always dreamt and sought tools for pushing the audiences toward its contents (Lazarsfeld 1940). Twitter seems to be, among the other social media, one of the best new tools for drawing back the audience from internet to radio. For mass media, Twitter may be useful for purposes like to deliver breaking news, content, to share links or to let audience participate to discussion. This paper analyses the practices of public radio in Social Media focusing on the use of Twitter by two European public broadcasters: RAI (Italy) and RNE (Spain). In a context of transformation of radio and the rising of network society, PSM role in society is being questioned and asked to extend its service to include a new media strategy to include citizens and interact with them (Gunn, 2008). We want to study how Public Service Media are adopting new technologies to reach the audience and to extend their offer. The study also aims to know how public service operators adapt themselves to the new multi platform scenario which should drive them to change the relationship with their listeners. The analysis of RAI and RNE tweets should help understanding: 1) How the Twitter strategy (use and language) of both public broadcasters is applied in practise 2) If PSM are exploring new ways of communicating with listeners and sharing knowlwdge with them ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 3. Method of the research The method for this research combines a quantitative analysis together with a qualitative approach. The data collection will is held by monitoring the official Twitter profiles of the two main stations of RAI and RNE for two weeks. The survey will include a comparative analysis of the tweets published by: @rairadio2 (the light entertainment public channel in the RAI group), @radio3tweets (the RAI cultural channel), @radio1_rne (the main talk radio station of RNE) and @radio3_rne (the cultural and musical channel). The study also includes a description and comparison of the information of each profile, regarding issues as the number of followers and following, number of tweets, ratio followers/following, date of birth or average tweets per day. Combining with the quantitative study, this paper analyses and assesses the general strategy in Twitter use by the Italian and the Spanish national public broadcasters, as well as the integration of this new platform in the production routines of each station and the professional profiles involved in it. ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 4. Radio stations involved ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 5. The Data Set 842 tweets ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 6. Analysis methodology Quantitative data collection Twitter profile general data: 1. Profile name 2. general information (bio) 3. date of registration in TW 4. Tweets (number of tweets at the start of the survey; number of tweets at the end of the survey) n.b.: the number of tweets contents also the retweets 5. average tweets per day 6. Ratio Retweet/Tweet 7. Followers (number of followers at the start of the survey; number of followers at the end of the survey) 8. increasing of followers (in percentual) 9. Following (number of following at the start of the survey; number of following at the end of the survey) 10. increasing of following (in percentual) 11. Ratio Following/followers ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 7. Analysis methodology Content Analysis of the enunciations (tweets) Existing literature review on Radio and Twitter use and/or content analysis of Tweets related to radio broadcasters/listeners is very few and recent (Gree, Ferguson, 2011). Drawing from their experience we extended the content analysis model adding more quantitative analysis and linguistic function analysis (Jakobson, 1963) The tweets have been collected into 8 Storify and have been labelled according to the Jakobson’s distinction of the linguistic functions (1963) 1. The REFERENTIAL Function Tweets Broadcasting information about radio tweets Broadcasting opinion tweets Broadcasting contents produced by the channel (without promoting them, just presenting them, es tweets that don't use imperatives) 2. The EXPRESSIVE (alternatively called "emotive" or "affective") function 3. The CONATIVE Function tweets pushing users to participate/act/do something tweets promoting channel's contents and products 4. The POETIC Function 5. The PHATIC Function (es. an automatic RT of a follower's TW) “Phatic exchange is a term first used by Malinowski to describe a communicative gesture that does not inform or exchange any meaningful information or facts about theworld. Its purpose is a social one, to express sociability and maintain connections or bonds.” (Miller 2010:393) “In phatic media culture, content is not king, but ʻkeeping in touchʼ is” (Miller 2010:396) tweets strengthening the links with the users (ie.: RT of the listeners' tweets) 6. The METALINGUAL (alternatively called "metalinguistic" or "reflexive") Function  ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 8. Analysis methodology How Tweets have been coded ex.: http://storify.com/ilbertolucci/radio-2 ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 9. Analysis methodology Quantitative data collection A) Rebroadcast of messages (RT: retweet (a. No; b.Yes, but automatic, no comment; c. Yes, with comments) B) Mentions of others users (to map how much “democratic”, partecipative, horizontal, bidirectional the TW channel is 1. No; 2.Yes, linked to the programme or channel; 3. Yes, not linked to the programme or channel) C) Links (to map how much autoreferential the TW channel is) 1. No; 2. Yes, to the programme web site or channel website; 3. Yes, to the Facebook page of the programme or ch Yes, to the You Tube channel of the programme/channel; 5. Yes, to external websites, not linked with the prog channel D) Additional contents (1. No; 2. Audio; 3. Vídeo; 4. Images) E) # (hashtags) 1. No; 2. Yes; 3. Yes, more than one) ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 10. ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 11. Functions of the enunciations ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 12. Ratio Tweet/RT ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 13. Ratio ReTweets/Retweets of the listeners ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 14. Tweets containing links ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 15. Ratio Internal Links/External links ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 16. Additional Contents ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 17. Some conclusions (work in progress) The use of Twitter revealed to be of strategic importance especially for cultural programmes and stations like Radio3, because it can provide to potential listeners a frame of reference to their listening experience. As Lazarsfeld already discovered (1940) the listeners informed in advance about the contents of a “serious listening” programme were more likely to listen to it. The proper frame of reference, a list of informations about the contents of the upcoming programme, can positively influence the listening of what Lazarsfeld called “serious” programmes (educative, cultural). As Ferguson and Greer (2011) demonstrated observing more than 100 U.S. radio station’s activities on Twitter, the average quarter hour share and the number of followers showed only a weak correlation. No one so far have been able to discover the “transformation rate” of Twitter followers into listeners. Probably Twitter is not yet a powerful tool of audience growing but it can still be an important tool for serving the audiences of public service media, providing them with background informations to prepare followers to the listening experience. According to Gauntlett (2012) “Making is connecting”: the real aim of participatory cultures and productive publics is to nurture social connections and knowledge exchange: for a public radio service maintaining and nurturing a networked public (Boyd, 2011) - a partecipative public whose internal connections are tight - means to accomplish with one of its primary functions: make people connect and let knowledge flow SNS reinforce the strong relationships, strengthen the weak ones and generate new latent connections that need to be face-to- face activated later (Ellison, Steinfeld & Lampe, 2006). Broadcasters analysed are not stimulating relationships among listeners This “connecting” aim of the public service is not well developed by the use of Twitter made by the broadcasters we mapped ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 18. Some conclusions (work in progress) Broadcasting its own contents RNE 1 (broadcasting without sharing) Radio 3 RAI RNE 3 Radio 2 RAI Communicating Sharing Broadcasting listeners’ contents ECREA, Istanbul, 24-27 October 2012 venerdì 26 ottobre 2012
  • 19. Literature review Reinventing Public service: Reinventing public service broadcasting in Europe: prospects, promises and problems Johannes Bardoel and Leen d'Haenens Media Culture Society 2008; 30; 337 Bonet M., Fernandez-Quijada D., Ribes X. (2011), “The Changing Nature of Public Service Radio: A Case Study of iCat fm”, Convergence 17:2, pp. 177-192. Enli Gunn S. (2008), “Redefining Public Service Broadcasting. Multi-Platform Participation”, Convergence, 14:1, pp. 105-120. Syvertsen T. (1999), “The many uses of the ‘public service’ concept”, in Nordicom Review, 1:99, pp. 5-12. Twitter Analysis: Potter R., (2002) Give the people what they want, A content analysis of FM Radio Stations Home page, Journal of Broadcasting and Electronic Media, 369-385 Cory L. Armstrong and Fangfang Gao (2010), Now Tweet this: How news organizations use Twitter, Electronic News Clark F. Greer & Douglas A. Ferguson (2011), Using Twitter for Promotion and Branding: A Content Analysis of Local Television Twitter Sites, Journal of Broadcasting & Electronic Media, 55:2, 198-214 venerdì 26 ottobre 2012