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UHDTV
10th September 2015
Vinayagam M
Next Generation Broadcasting Technology
2
Agenda
Article Review
Ultra HD
Ultra HD Quality Factors
Ultra HD Sound System
Next Generation Broadcasting Technology
Ultra HD Standardization
Ultra HD in Korea
3
ARTICLE REVIEW
4
ARTICLE TITLE : UHDTV Roadmap for Ultimate 8K from 4K (Page No.47)
REF ARTICLE : FROM NAB2015
ARTICLE AUTHOR : Toru Kuroda, NHK, Tokyo, Japan
5
ARTICLE REVIEW
• Focus on Next-Generation Television Standard beyond HDTV and 4K
Television called 8K Super Hi-Vision(SHV)
• Provides the viewers with a superior sensation of reality
• Discussed about
– Introduction about UHDTV
– Overview of 8K Broadcasting
 Satellite Transmission
 Video Source Coding
 Interface for Content Production
– Display Technologies
 Higher Definition
 Higher Frame rate
 Wider Color Gamut
 Flexible Displays
– Multichannel Sound System
6
TECHNOLOGY INVOLVED
• Display Technology – UHDTV 4K / 8K
• UHDTV Broadcasting Technology
• Multichannel Sound System Technology
7
ULTR HD
8
ULTRA HD
• Display Technology
• For Consumer
– Match Cinematic Quality in the Home
– Fully Utilize latest screen Technology
– Improve User Experience
• For Production
– Produce Immerse High Quality
Content
– Leverage Existing Digital Cinema
Content
– Future Proof both TV and Cinema
Material
– Improve HD Quality
9
ULTRA HD…
• Ultra HD Offers
– Higher Resolution
– Higher Frame rates
– More Colors
– Higher Dynamic Range (HDR)
– Immerge Audio
10
ULTRA HD 4K
11
ULTRA HD 8K
12
WHY IS MORE RESOLUTION IS BETTER?
• More Resolution Allows Closer Viewing of Larger Image
• Closer Viewing of Larger Image Increases Viewing Angle
• Increased Viewing Angle Produces Stronger Emotional Response
13
ULTRA HD APPLICATIONS
14
ULTRA HD SYSTEM – CAMERAS
15
ULTRA HD SYSTEM – DISPLAYS
16
ULTRA HD SYSTEM – CODECS
17
ULTRA HD QUALITY FACTORS
18
DISPLAY SYSTEM DESIGN
• Human Visual System
19
VISUAL QUALITY FACTORS
• Static resolution
• Dynamic resolution
• Color fidelity
• Contrast
• Contouring
• Artifacts
• Sound
• Depth cues
• Need: improving them in a way which
creates a ‘wow’?
20
Ultra HD QUALITY FACTORS TO CONSIDER
21
Ultra HD QUALITY VISUAL FACTORS TO CONSIDER
• From More Pixels to Better Pixels!
22
HIGHER DEFINITION
• Larger Pixel Count is fundamental for 4/8K Display
• 8K Display Development History
(Liquid Crystal On silicon)
(Liquid Crystal Display)
(Plasma Display Panel)
(Organic Light-Emitting Diode)
23
HIGHER FRAME RATE (HFR)
• Improves the Motion Portrayal of Display System
• Determined by the balance between the improvement in picture
and the difficulty in increasing bandwidth
• Gain consensus worldwide in order to reduce motion blur by
shortening the duty time @ the display without flicker artifacts
• Proposed Frame rate is 120fps
24
WIDE COLOR GAMUT (WCG)
Source : Implications of High Dynamic Range on the Broadcast Chain for HD and Ultra-HD Content,
Lukasz Litwic, Olie Baumann, Matthew S. Goldman, Philip White, 2015 NAB BEC
Limited Dynamic Range for TV Compared to Film
Ultra HD to close gap by Higher Bit Depth
25
HIGH DYNAMIC RANGE (HDR)
• Dynamic Range represents Luminance Level
• HVS has a significantly larger dynamic range
• Achieved by extending the range both towards darker as well as
lighter values as a result of fitting a conventional Display with a
spatially varying backlight
26
HIGH DYNAMIC RANGE (HDR)…
Source : Implications of High Dynamic Range on the Broadcast Chain for HD and Ultra-HD Content,
Lukasz Litwic, Olie Baumann, Matthew S. Goldman, Philip White, 2015 NAB BEC
Pixel Luminance Histogram
27
HIGHER BIT DEPTH
• Higher Bit Depth
Source : Implications of High Dynamic Range on the Broadcast Chain for HD and Ultra-HD Content,
Lukasz Litwic, Olie Baumann, Matthew S. Goldman, Philip White, 2015 NAB BEC
28
FLEXIBLE DISPLAYS
• Larger Screens on the Order of Displays
• Development proceeding on thin and light sheet displays
• Organic Light-Emitting Diodes(OLEDs) negative for Backlighting
and thin displays
• Flexible active-matrix OLED (AMOLED) displays used to design
Ultra HD 4K/8K Displays
– Ranging from 8 to 18 inches have been developed
– Use plastic substrates and are still small to medium sized
13.5-inch diagonal 4K flexible AMOLED display
29
8K SUPER HI-VISION (SHV)
• 8K SHV has been developed as the next-generation television of
current HDTV to provide the viewers a superior sensation of reality
• Japan aims to conduct trial broadcasting in 2016 and start a broadcast
service in 2018
30
8K SHV SYSTEM – VIDEO PARAMETERS
31
ULTRA HD SOUND SYSTEM
32
UHDTV SOUND SYSTEM
• 22.2 Multichannel Sound
– Channel based audio system comprising three vertical layers:
 Top layer with 9 channels
 Middle layer with 10 channels
 Bottom layer with 3 channels
 2 channels for low-frequency effects
– NHK (Nippon Hōsō Kyōkai - Japan Broadcasting Corporation) has
developed 22.2 channel audio system for
 Program Production
 Transmission
 Reproduction System
33
UHDTV SOUND SYSTEM…
• 22.2 Multichannel Sound
– 24 channels distributed in three layers and its audio channel mapping are
standardized in ITU-R Recommendation BS.2051 (2014), and also in
SMPTE and ISO/IEC
34
NEXT GENERATION BROADCASTING
35
NEXT GENERATION BROADCASTING SYSTEM
• UHDTV Terrestrial Full Link System
Sourcing Capture HEVC Encoding
HEVC Decoding
Editing and Production
Display Presentation
• Leading UHDTV System in the world
• 40% Spectrum Efficiency Enhanced
Channel
Transmission
36
NEXT GENERATION BROADCASTING SYSTEM…
• Evolution of Terrestrial TV
# Hybrid Broadcast
# Personalization
# Targeted Ad
# UHD
# Multi-view/i-Screen, 3D
# Immersive Audio
# High Dynamic Rage Image
# Flexible Spectrum
# Robust Reception
# Mobile Reception
# PLPs
Immersive
Experience
Ubiqitous
Access
Interactive
Demand
# Emergence
# Public Service
37
UHD CONTRIBUTION VS (RE) DISTRIBUTION
38
BROADCAST INDUSTRY CHAIN
Verificatiion
ISO
Production
Standards
IP, Patents
TV SetsNetwork
IP Core
SOC
Head Ends
通信塔
Operation
39
UHD USED APPLICATION FIELD
40
MEDIA DELIVERY SYSTEM : SMT
Multimedia Contents
TS
Broadcasting
USA—ATSC
EU—DVB
JPN—ISDB
CHN—DTMB
Connective
DLNA, UPnP
AirPlay, Miracast
TCP:MPEG-DASH, HLS
UDP:FLUTE
Multimedia Contents
Streaming
IP
Files
Broadband
41
MEDIA DELIVERY SYSTEM : SMT
Smart Media Transport
Presentation Engine
NGB
IP
Broadband
 Network convergence
 IP based for broadcasting
 Traffic sharing cooperative network
 Push and pull combined delivery
42
8K SATELLITE BROADCASTING
• Every part of the ecosystem from production at a studio or in the field
to reception at home has to be complete and connected to each other
before starting an 8K satellite broadcast
• Various technologies and broadcast standards have to be developed
• Standardization process has been ongoing at the Association of Radio
Industries and Businesses (ARIB) in conformance with the report of
the Telecommunications Council, Japan
43
8K SATELLITE BROADCASTING…
• Satellite Transmission
– Difficult to assign a new spectrum band to a new service owing to the
extremely high demand for spectrum from various industries
– Use of the current band for broadcasting is also beneficial for the rapid
proliferation of a service to homes
– Roadmap described in the previous section specifies a 12- GHz-band
satellite as one of the main transmission paths for 4K and 8K broadcasting
– Transmission system for advanced wideband digital satellite broadcasting,
which was standardized at ARIB, has been recently revised to be
compliant with the specifications
– Transmission capacity of 100 Mbps was achieved with 16 APSK, an
LDPC coding rate of 7/9, and a roll-off of 0.03
Satellite transmission van used in the test (Jan. 28, 2014)
44
8K SATELLITE BROADCASTING…
• Video Source Coding
– Compression for a video source signal is vital for a broadcast service that
uses a limited bandwidth
– Technology advances in each generation, and the newest one is
H.265/HEVC, which was standardized in 2013
– Real-Time 8K encoder compliant with this standard was developed by
NHK
– Picture-quality assessment concluded that a bit rate of 80 to 100 Mbps is
required for 8K/60P
– ARIB standard was revised to use H.265/HEVC
H.265/HEVC real-time encoder for 8K
45
8K SATELLITE BROADCASTING…
• Interface for Content Production
– Interface is indispensable for the construction of a production system
– Extensive efforts are being made to develop a UHDTV interface having a
similar role to that of an HD-SDI in an HDTV system
– An interface based on 10Gbps multifiber optics technology was
standardized at ARIB
– Production equipment such as a camera, recorder, and display has been
developed
– The connector and cable used are similar to those of an HD-SDI and
widespread use is
– expected with cost reduction
– Interface is called “U-SDI” and is under standardization at ITU-R and
SMPTE globally
(a) an optical cable for the new interface and (b) a conventional coaxial cable
46
UHDTV BROADCASTING SYSTEM SPECIFICATION
• Technical specifications for UHDTV broadcasting systems in Japan
47
ULTRA HD STANDARDIZATION
48
UHD STANDARDIZATION
• What about compression?
– HEVC (H.265 and MPEG H Part 2):High Efficiency Video Coding
– Version 1(Jan 2013): Main and Main 10(8-10bits, 4:2:0)
– Version 2(July 2014): Range Extensions (≥10bits, 4:X:X) + Scalabilities
– On going: MPEG XYZ, HDR working group (CFE July 2015)
• What about Signalization/transport?
– MPEG-2 TS, MPEG-DASH, .mp4
– MMT (MPEG Media Transport)? HLS?
– SMPTE : 6G/12G SDI ?, Video Over IP (SMPTE 2022) ?
– HDMI 2.0 : supports up to 4kp60
• What about Application standards?
– ARIB B-32, DVB (UHD Phase1)
– SCTE, ATSC 3.0
• What about Audio?
– Nothing new for phase 1
– Audio 3D/Object / Spatialization => MPEG-H part 3, AC4
49
UHD STANDARDIZATION…
• Standardization bodies are working on defining what UHD is:
– ISO/ITU : Format, Compression and Transport
– SMPTE & HDMI : Baseband transport
– DVB, ARIB, SCTE, ATSC : End-to-End Solutions
50
UHD STANDARDIZATION…
• Phase 1 standardization (almost) finished
– 3840x2160@60fps max
– 4:2:0, 8–10 bits
– Rec 709 (BT2020 optional and discouraged)
– Video codec is HEVC Main and Main 10
– Audio: current toolbox
• Phase 2 will address
– 3840x2160p
– Up to 4:2:2 and 4:4:4
– Higher frame-rates (i.e. 100/120Hz)
– Wider Color Gamut (i.e. BT2020 or subset)
– High Dynamic Range
– Scalable Video Codec, HEVC
– Audio: beyond 5.1, 3D Audio
51
UHD STANDARDIZATION – JAPAN TRENDS
52
ATSC3.0 STANDARDS
System Proposal
1. DVB(DVB-T2 and DVB-NGH)
2. LG / Harris / Zenith(OFDM with optional MIMO technology)
3. NERC / SJTU / SARI(OFDM with distributed MIMO,Uplink)
4. Qualcomm / Ericsson(3GPP LTE eMBMS)
5. Sinclair Broadcasting / Coherent Logix
6. Samsung / Sony(Enhanced DVB-T2)
7. Technicolor(DVB-T2 DVB-T2 Lite DVB-NGH features)
Technology Module
1. NHK
2. CRC / ETRI(Cloud transmission technology)
3. Allen Limberg
4. Guarneri Communcations
53
UHDTV INTERNATIONAL PROMOTION TREANDS
• UHD Alliance (UHDA)
• Founding Members : Leading
Companies in Entertainment,
Technology, Consumer Electronics
and Distribution
• UHD Alliance aims to deliver the
premium entertainment experience to
the consumer on UHD
• To do essential quality technology on
– HDR (High Dynamic Range)
– WCG (Wide Color Gamut)
– HFR (High Frame Rate)
– Advance Audio
• Technical Specifications and
Certifications
- 2015.4.7. Press Release
Source : http://www.uhdalliance.org/uhd-alliance-calls-for-contributor-members-to-define-the-next-generation-entertainment-experience/
54
ULTRA HD IN KOREA
55
UHD IN KOREA
• UHD over DVB-T2
• 3 free to air experimental licenses have been granted to KBS, MBC
and SBS
– Licenses until Dec 2014, coverage on metro Seoul, >25% of the
population
– Experiment live UHD60P broadcast using DVB-T2, 25 to 27 Mbps
– FIFA WC + Asian games (South Korea)in Sept.2014 was a major
highlight
56
ASIAN GAMES 2014 : UHD OVER DVB-T2
57
ASIAN GAMES 2014 : SBS DELIVERY MODEL
58
TO SUMMARIZE
59
THANK YOU

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Next Generation Broadcasting Technology: Ultra HD and 8K

  • 1. UHDTV 10th September 2015 Vinayagam M Next Generation Broadcasting Technology
  • 2. 2 Agenda Article Review Ultra HD Ultra HD Quality Factors Ultra HD Sound System Next Generation Broadcasting Technology Ultra HD Standardization Ultra HD in Korea
  • 4. 4 ARTICLE TITLE : UHDTV Roadmap for Ultimate 8K from 4K (Page No.47) REF ARTICLE : FROM NAB2015 ARTICLE AUTHOR : Toru Kuroda, NHK, Tokyo, Japan
  • 5. 5 ARTICLE REVIEW • Focus on Next-Generation Television Standard beyond HDTV and 4K Television called 8K Super Hi-Vision(SHV) • Provides the viewers with a superior sensation of reality • Discussed about – Introduction about UHDTV – Overview of 8K Broadcasting  Satellite Transmission  Video Source Coding  Interface for Content Production – Display Technologies  Higher Definition  Higher Frame rate  Wider Color Gamut  Flexible Displays – Multichannel Sound System
  • 6. 6 TECHNOLOGY INVOLVED • Display Technology – UHDTV 4K / 8K • UHDTV Broadcasting Technology • Multichannel Sound System Technology
  • 8. 8 ULTRA HD • Display Technology • For Consumer – Match Cinematic Quality in the Home – Fully Utilize latest screen Technology – Improve User Experience • For Production – Produce Immerse High Quality Content – Leverage Existing Digital Cinema Content – Future Proof both TV and Cinema Material – Improve HD Quality
  • 9. 9 ULTRA HD… • Ultra HD Offers – Higher Resolution – Higher Frame rates – More Colors – Higher Dynamic Range (HDR) – Immerge Audio
  • 12. 12 WHY IS MORE RESOLUTION IS BETTER? • More Resolution Allows Closer Viewing of Larger Image • Closer Viewing of Larger Image Increases Viewing Angle • Increased Viewing Angle Produces Stronger Emotional Response
  • 14. 14 ULTRA HD SYSTEM – CAMERAS
  • 15. 15 ULTRA HD SYSTEM – DISPLAYS
  • 16. 16 ULTRA HD SYSTEM – CODECS
  • 18. 18 DISPLAY SYSTEM DESIGN • Human Visual System
  • 19. 19 VISUAL QUALITY FACTORS • Static resolution • Dynamic resolution • Color fidelity • Contrast • Contouring • Artifacts • Sound • Depth cues • Need: improving them in a way which creates a ‘wow’?
  • 20. 20 Ultra HD QUALITY FACTORS TO CONSIDER
  • 21. 21 Ultra HD QUALITY VISUAL FACTORS TO CONSIDER • From More Pixels to Better Pixels!
  • 22. 22 HIGHER DEFINITION • Larger Pixel Count is fundamental for 4/8K Display • 8K Display Development History (Liquid Crystal On silicon) (Liquid Crystal Display) (Plasma Display Panel) (Organic Light-Emitting Diode)
  • 23. 23 HIGHER FRAME RATE (HFR) • Improves the Motion Portrayal of Display System • Determined by the balance between the improvement in picture and the difficulty in increasing bandwidth • Gain consensus worldwide in order to reduce motion blur by shortening the duty time @ the display without flicker artifacts • Proposed Frame rate is 120fps
  • 24. 24 WIDE COLOR GAMUT (WCG) Source : Implications of High Dynamic Range on the Broadcast Chain for HD and Ultra-HD Content, Lukasz Litwic, Olie Baumann, Matthew S. Goldman, Philip White, 2015 NAB BEC Limited Dynamic Range for TV Compared to Film Ultra HD to close gap by Higher Bit Depth
  • 25. 25 HIGH DYNAMIC RANGE (HDR) • Dynamic Range represents Luminance Level • HVS has a significantly larger dynamic range • Achieved by extending the range both towards darker as well as lighter values as a result of fitting a conventional Display with a spatially varying backlight
  • 26. 26 HIGH DYNAMIC RANGE (HDR)… Source : Implications of High Dynamic Range on the Broadcast Chain for HD and Ultra-HD Content, Lukasz Litwic, Olie Baumann, Matthew S. Goldman, Philip White, 2015 NAB BEC Pixel Luminance Histogram
  • 27. 27 HIGHER BIT DEPTH • Higher Bit Depth Source : Implications of High Dynamic Range on the Broadcast Chain for HD and Ultra-HD Content, Lukasz Litwic, Olie Baumann, Matthew S. Goldman, Philip White, 2015 NAB BEC
  • 28. 28 FLEXIBLE DISPLAYS • Larger Screens on the Order of Displays • Development proceeding on thin and light sheet displays • Organic Light-Emitting Diodes(OLEDs) negative for Backlighting and thin displays • Flexible active-matrix OLED (AMOLED) displays used to design Ultra HD 4K/8K Displays – Ranging from 8 to 18 inches have been developed – Use plastic substrates and are still small to medium sized 13.5-inch diagonal 4K flexible AMOLED display
  • 29. 29 8K SUPER HI-VISION (SHV) • 8K SHV has been developed as the next-generation television of current HDTV to provide the viewers a superior sensation of reality • Japan aims to conduct trial broadcasting in 2016 and start a broadcast service in 2018
  • 30. 30 8K SHV SYSTEM – VIDEO PARAMETERS
  • 32. 32 UHDTV SOUND SYSTEM • 22.2 Multichannel Sound – Channel based audio system comprising three vertical layers:  Top layer with 9 channels  Middle layer with 10 channels  Bottom layer with 3 channels  2 channels for low-frequency effects – NHK (Nippon Hōsō Kyōkai - Japan Broadcasting Corporation) has developed 22.2 channel audio system for  Program Production  Transmission  Reproduction System
  • 33. 33 UHDTV SOUND SYSTEM… • 22.2 Multichannel Sound – 24 channels distributed in three layers and its audio channel mapping are standardized in ITU-R Recommendation BS.2051 (2014), and also in SMPTE and ISO/IEC
  • 35. 35 NEXT GENERATION BROADCASTING SYSTEM • UHDTV Terrestrial Full Link System Sourcing Capture HEVC Encoding HEVC Decoding Editing and Production Display Presentation • Leading UHDTV System in the world • 40% Spectrum Efficiency Enhanced Channel Transmission
  • 36. 36 NEXT GENERATION BROADCASTING SYSTEM… • Evolution of Terrestrial TV # Hybrid Broadcast # Personalization # Targeted Ad # UHD # Multi-view/i-Screen, 3D # Immersive Audio # High Dynamic Rage Image # Flexible Spectrum # Robust Reception # Mobile Reception # PLPs Immersive Experience Ubiqitous Access Interactive Demand # Emergence # Public Service
  • 37. 37 UHD CONTRIBUTION VS (RE) DISTRIBUTION
  • 38. 38 BROADCAST INDUSTRY CHAIN Verificatiion ISO Production Standards IP, Patents TV SetsNetwork IP Core SOC Head Ends 通信塔 Operation
  • 40. 40 MEDIA DELIVERY SYSTEM : SMT Multimedia Contents TS Broadcasting USA—ATSC EU—DVB JPN—ISDB CHN—DTMB Connective DLNA, UPnP AirPlay, Miracast TCP:MPEG-DASH, HLS UDP:FLUTE Multimedia Contents Streaming IP Files Broadband
  • 41. 41 MEDIA DELIVERY SYSTEM : SMT Smart Media Transport Presentation Engine NGB IP Broadband  Network convergence  IP based for broadcasting  Traffic sharing cooperative network  Push and pull combined delivery
  • 42. 42 8K SATELLITE BROADCASTING • Every part of the ecosystem from production at a studio or in the field to reception at home has to be complete and connected to each other before starting an 8K satellite broadcast • Various technologies and broadcast standards have to be developed • Standardization process has been ongoing at the Association of Radio Industries and Businesses (ARIB) in conformance with the report of the Telecommunications Council, Japan
  • 43. 43 8K SATELLITE BROADCASTING… • Satellite Transmission – Difficult to assign a new spectrum band to a new service owing to the extremely high demand for spectrum from various industries – Use of the current band for broadcasting is also beneficial for the rapid proliferation of a service to homes – Roadmap described in the previous section specifies a 12- GHz-band satellite as one of the main transmission paths for 4K and 8K broadcasting – Transmission system for advanced wideband digital satellite broadcasting, which was standardized at ARIB, has been recently revised to be compliant with the specifications – Transmission capacity of 100 Mbps was achieved with 16 APSK, an LDPC coding rate of 7/9, and a roll-off of 0.03 Satellite transmission van used in the test (Jan. 28, 2014)
  • 44. 44 8K SATELLITE BROADCASTING… • Video Source Coding – Compression for a video source signal is vital for a broadcast service that uses a limited bandwidth – Technology advances in each generation, and the newest one is H.265/HEVC, which was standardized in 2013 – Real-Time 8K encoder compliant with this standard was developed by NHK – Picture-quality assessment concluded that a bit rate of 80 to 100 Mbps is required for 8K/60P – ARIB standard was revised to use H.265/HEVC H.265/HEVC real-time encoder for 8K
  • 45. 45 8K SATELLITE BROADCASTING… • Interface for Content Production – Interface is indispensable for the construction of a production system – Extensive efforts are being made to develop a UHDTV interface having a similar role to that of an HD-SDI in an HDTV system – An interface based on 10Gbps multifiber optics technology was standardized at ARIB – Production equipment such as a camera, recorder, and display has been developed – The connector and cable used are similar to those of an HD-SDI and widespread use is – expected with cost reduction – Interface is called “U-SDI” and is under standardization at ITU-R and SMPTE globally (a) an optical cable for the new interface and (b) a conventional coaxial cable
  • 46. 46 UHDTV BROADCASTING SYSTEM SPECIFICATION • Technical specifications for UHDTV broadcasting systems in Japan
  • 48. 48 UHD STANDARDIZATION • What about compression? – HEVC (H.265 and MPEG H Part 2):High Efficiency Video Coding – Version 1(Jan 2013): Main and Main 10(8-10bits, 4:2:0) – Version 2(July 2014): Range Extensions (≥10bits, 4:X:X) + Scalabilities – On going: MPEG XYZ, HDR working group (CFE July 2015) • What about Signalization/transport? – MPEG-2 TS, MPEG-DASH, .mp4 – MMT (MPEG Media Transport)? HLS? – SMPTE : 6G/12G SDI ?, Video Over IP (SMPTE 2022) ? – HDMI 2.0 : supports up to 4kp60 • What about Application standards? – ARIB B-32, DVB (UHD Phase1) – SCTE, ATSC 3.0 • What about Audio? – Nothing new for phase 1 – Audio 3D/Object / Spatialization => MPEG-H part 3, AC4
  • 49. 49 UHD STANDARDIZATION… • Standardization bodies are working on defining what UHD is: – ISO/ITU : Format, Compression and Transport – SMPTE & HDMI : Baseband transport – DVB, ARIB, SCTE, ATSC : End-to-End Solutions
  • 50. 50 UHD STANDARDIZATION… • Phase 1 standardization (almost) finished – 3840x2160@60fps max – 4:2:0, 8–10 bits – Rec 709 (BT2020 optional and discouraged) – Video codec is HEVC Main and Main 10 – Audio: current toolbox • Phase 2 will address – 3840x2160p – Up to 4:2:2 and 4:4:4 – Higher frame-rates (i.e. 100/120Hz) – Wider Color Gamut (i.e. BT2020 or subset) – High Dynamic Range – Scalable Video Codec, HEVC – Audio: beyond 5.1, 3D Audio
  • 52. 52 ATSC3.0 STANDARDS System Proposal 1. DVB(DVB-T2 and DVB-NGH) 2. LG / Harris / Zenith(OFDM with optional MIMO technology) 3. NERC / SJTU / SARI(OFDM with distributed MIMO,Uplink) 4. Qualcomm / Ericsson(3GPP LTE eMBMS) 5. Sinclair Broadcasting / Coherent Logix 6. Samsung / Sony(Enhanced DVB-T2) 7. Technicolor(DVB-T2 DVB-T2 Lite DVB-NGH features) Technology Module 1. NHK 2. CRC / ETRI(Cloud transmission technology) 3. Allen Limberg 4. Guarneri Communcations
  • 53. 53 UHDTV INTERNATIONAL PROMOTION TREANDS • UHD Alliance (UHDA) • Founding Members : Leading Companies in Entertainment, Technology, Consumer Electronics and Distribution • UHD Alliance aims to deliver the premium entertainment experience to the consumer on UHD • To do essential quality technology on – HDR (High Dynamic Range) – WCG (Wide Color Gamut) – HFR (High Frame Rate) – Advance Audio • Technical Specifications and Certifications - 2015.4.7. Press Release Source : http://www.uhdalliance.org/uhd-alliance-calls-for-contributor-members-to-define-the-next-generation-entertainment-experience/
  • 54. 54 ULTRA HD IN KOREA
  • 55. 55 UHD IN KOREA • UHD over DVB-T2 • 3 free to air experimental licenses have been granted to KBS, MBC and SBS – Licenses until Dec 2014, coverage on metro Seoul, >25% of the population – Experiment live UHD60P broadcast using DVB-T2, 25 to 27 Mbps – FIFA WC + Asian games (South Korea)in Sept.2014 was a major highlight
  • 56. 56 ASIAN GAMES 2014 : UHD OVER DVB-T2
  • 57. 57 ASIAN GAMES 2014 : SBS DELIVERY MODEL