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By
mitalee chowdhury
Maitregi vishwanathan
Aviva noronha
Atul mathews
Titan industries
Incorporated in 1984
Joint venture between tata group and TIDCO
QUARTZ watches was a global standard.
Repositioned titan as not just a timepiece but as
gifts, accessories & fashion.
Brands in the portfolio : sonata, fast track,
nebula.
Sonata – lower end brand
young affluent market
Nebula- high end
Target: Upper middle class
Two failures
1. International expansion in early 90’s
• Pricing pressure
• High frequency of new product introductions
• Demanding customers needed ordered
serviced at short notice
• Presence of low cost hongkong based
competitor
2. Introduction of jewellery watches under a
new brand tanishq.
Positioned it as a jewellery that tells time
Target market : income of more than 1lakh
High snob value, ego satisfier
• Design problem : heavy, appeared clunky &
high price
Jewellery in india
• Gold jewellery market :60000 crores annually
• Considered streedhan – womans wealth
• Indian wedding has 2 bangles , necklace,
earings, a ring, nosepin.
• Investment of $2550 ; per capita income $350
• Dhanteres- biggest gold buying day.
• no national competitor but local bigger than
tanishq
• 25000 family owned independent jewellers
• Buyers : men, target : woman
• Jewellers : Retail stockists
• Inventory owned by vendors
• Design ordered by jewellers
• Karigars ( craftsmen) controlled by vendors
• Received rs 30 per gram of gold
• Long standing relationships
Move from watches to jewellery
• 1996:manufacture &marketpreciousstudded
jewelleryundertanishq.
• Indianmarketwasbasedon22-karatgold.
• Studdedgoldjewellerywasbasedon18-karatgold
• Asfirstnationaljewellerybrandchallenges:
i. Establishitself as differentiated jeweller
ii. Paradigmshiftinusage&attitude, educate
customers
Positioneditselfas“adornmentofbothbody&mind”
Westerninstyle&design
• Injuly1996,1stboutiqueinchennai
• Advertising campaginsfocusedoncreatingdesirability
&boutiqueswereaspreciousastanishqjewellery.
• Createmystery&intrigue aroundthebrand
setback
Consumerswerestuckon22karatgold
Boutiqueswere5starhotel:intimidating &ltdinventory
Toowesternelicited:NOTFORMEreaction.
Repositioning tanishq : a gem of an
oppertunity.
• June 1997 ,piloted offering of 22 karat
• 400 designs + 1000 18 karat diamond studded
• Focused on traditional design to counter
perception
• Inuagral offer promoted to increase walk ins &
purchases
• Focused on jewellery for adornment not
investment
• Brandwasforlookinggood,feelinggoodunlike
weddingjewellery
• Salesrosetors.24croresbyapril1998bt
mainstreambuyereluded
• Changeofpaceproductnotmainstream
• In1999renewedpush,includedindianinspired
designs
• couldnottaptheweddingmarket
• Tanishqdifferentiation wasbasedonpurity&
quality
• Pionereedkaratmeter
• Adsreinforcedquality, highlighted manufacturing
process,invokedtatatradition oftrust
• 5000womenchecked;60%foundunderkaratage
• By2000,hadhitRs.100croremark.
• Newchallenges:markup15%to25%incontrastto
5%to15%
• Localjewellerswereovercharging.
Exhibit 7 & 8
• Through1999-2001spelledtrouble
• Shiftedtobelowthelinepromotions.
• Ran360launchesatthestores
• Perceivedas“exclusive&outofreach”
• “grand,historicaldesigns&latestbutlimitedrange”
• “modern,sophisticated,elegant&artistic”
• Consumersreliedontheirlongstandingrelations
• Offeredtotestjewelery
• By 2001 sales reached Rs.166 crores
• But struggled to maintain local brand
presence.
A changing of the guard
• A karigar park was set up
• Quick delivery, flexibility,reduced lead times &
logistics cost
• Continued to offer designs for wedding market,
karatmeter service & exchange schemes, running
promotions.
• Consumption habits changed
• A story was attached to each collection e.g. Aria
• In 2002, diva launched offering pearls &
diamonds
• Perception of “not for me”
• Target customer – woman
• Brand awareness was high but translation to
visits was low
• Perceived as too expensive, unapproachable,
with a low width and depth of product
offerings
• 2004 – titan underwent a brand valuation
exercise
2003 – high-end collection
• Daytimes , a diamond based collection to
reposition diamonds as affordable, casual,
young & contemporary.
• Colors, aimed to correct the perception that
Tanishq only had modern designs
• Aarka high fashion 22-karat gold collection to
position tanishq’s design & image leadership
• Aamra a collection of studded jewellery to
tackle its unapproachable image
• Associated with high profile fashion events
Femina Miss India, apsara film awards, Milan
fashion week
• Sales exceeded Rs. 550 core target
• In October 2005, segmented the market into 5
psychographic segments
• Confidentmatriarch, sanction speaker,thebalancer,
theindividualist, uninvolvedconformist
37%
30%
20%
5%
8%
confident matriarch
sanction seeker
balancer
individualist
uninvolved conformist
• Confident matriarch:
- 37% of the market
- woman in the age group mid 30’s or older
- open to new ideas
- confidence to adapt and to adopt cange
• Sanction Seeker:
- 30% of the market
- spread across all ages and life stages
- most widespread segments in small towns
• Balancer:
- 20% of the market
- younger woman married or unmarried
- drawn to the modernity of designs
• Individualist:
- 5% of the market
- upper class working women, primarily in
urban centers
- strongly identified with being “modern”
• Uninvolved conformist:
- 8% of the market share
- similar to the sanction seeker
• Positioneditselfasprogressiveindianbrandthat
combinedtradition &heritage
• Tanishqdesignedjeweleryforthefilmpaheli.
• In2005,advertising customized regionallyinthe
locallanguage
• By2006,ithad80stores;designsweretraditional
indianpatterns
The GoldPlus Proposal
• The semi-urban/rural market was 36000
crores
• Leverage supply chain capabilities & compete
on price
• Erode & ratlam
• Goldplus ads “ girl next door look”
• Goldplus customers lived in small town &
wore jewlery in weddings & festivals
• Marketing expenses were 50lakhs
• Erode store had sales of 10 crores
• Ratlam hit 3 crores
The dilemma
• Multibrandstrategywontworkinjewellerymarket
• Goldpluspositioning wasbasedontatasname
• Couldcannablisetanishqssales
• Goldpluspermitting pricenegotitation complicated
matter
• Tanishqwasabrandtochargepremiumprice
• Government passed excise duty on branded
jewellery
• Goldplus was positioned to serve gold
wedding jewellery market in smaller cities
• Both had positive results
• Should tanishq or goldplus pursue gold
wedding jewellery market in smaller cities &
rural locations.??????
• The decision would impact the goal to reach a
billion dollar sale by 2010 (5000 cr)
Tanishq case study

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Tanishq case study

  • 2. Titan industries Incorporated in 1984 Joint venture between tata group and TIDCO QUARTZ watches was a global standard. Repositioned titan as not just a timepiece but as gifts, accessories & fashion. Brands in the portfolio : sonata, fast track, nebula.
  • 3. Sonata – lower end brand
  • 5. Nebula- high end Target: Upper middle class
  • 6. Two failures 1. International expansion in early 90’s • Pricing pressure • High frequency of new product introductions • Demanding customers needed ordered serviced at short notice • Presence of low cost hongkong based competitor
  • 7. 2. Introduction of jewellery watches under a new brand tanishq. Positioned it as a jewellery that tells time Target market : income of more than 1lakh High snob value, ego satisfier • Design problem : heavy, appeared clunky & high price
  • 8. Jewellery in india • Gold jewellery market :60000 crores annually • Considered streedhan – womans wealth • Indian wedding has 2 bangles , necklace, earings, a ring, nosepin. • Investment of $2550 ; per capita income $350 • Dhanteres- biggest gold buying day. • no national competitor but local bigger than tanishq
  • 9.
  • 10. • 25000 family owned independent jewellers • Buyers : men, target : woman • Jewellers : Retail stockists • Inventory owned by vendors • Design ordered by jewellers • Karigars ( craftsmen) controlled by vendors • Received rs 30 per gram of gold • Long standing relationships
  • 11.
  • 12. Move from watches to jewellery • 1996:manufacture &marketpreciousstudded jewelleryundertanishq. • Indianmarketwasbasedon22-karatgold. • Studdedgoldjewellerywasbasedon18-karatgold • Asfirstnationaljewellerybrandchallenges: i. Establishitself as differentiated jeweller ii. Paradigmshiftinusage&attitude, educate customers Positioneditselfas“adornmentofbothbody&mind” Westerninstyle&design
  • 13. • Injuly1996,1stboutiqueinchennai • Advertising campaginsfocusedoncreatingdesirability &boutiqueswereaspreciousastanishqjewellery. • Createmystery&intrigue aroundthebrand setback Consumerswerestuckon22karatgold Boutiqueswere5starhotel:intimidating &ltdinventory Toowesternelicited:NOTFORMEreaction.
  • 14.
  • 15.
  • 16.
  • 17. Repositioning tanishq : a gem of an oppertunity. • June 1997 ,piloted offering of 22 karat • 400 designs + 1000 18 karat diamond studded • Focused on traditional design to counter perception • Inuagral offer promoted to increase walk ins & purchases • Focused on jewellery for adornment not investment
  • 18. • Brandwasforlookinggood,feelinggoodunlike weddingjewellery • Salesrosetors.24croresbyapril1998bt mainstreambuyereluded • Changeofpaceproductnotmainstream • In1999renewedpush,includedindianinspired designs • couldnottaptheweddingmarket • Tanishqdifferentiation wasbasedonpurity& quality
  • 19. • Pionereedkaratmeter • Adsreinforcedquality, highlighted manufacturing process,invokedtatatradition oftrust • 5000womenchecked;60%foundunderkaratage • By2000,hadhitRs.100croremark. • Newchallenges:markup15%to25%incontrastto 5%to15% • Localjewellerswereovercharging.
  • 21.
  • 22. • Through1999-2001spelledtrouble • Shiftedtobelowthelinepromotions. • Ran360launchesatthestores • Perceivedas“exclusive&outofreach” • “grand,historicaldesigns&latestbutlimitedrange” • “modern,sophisticated,elegant&artistic” • Consumersreliedontheirlongstandingrelations • Offeredtotestjewelery
  • 23. • By 2001 sales reached Rs.166 crores • But struggled to maintain local brand presence.
  • 24. A changing of the guard • A karigar park was set up • Quick delivery, flexibility,reduced lead times & logistics cost • Continued to offer designs for wedding market, karatmeter service & exchange schemes, running promotions. • Consumption habits changed • A story was attached to each collection e.g. Aria • In 2002, diva launched offering pearls & diamonds
  • 25.
  • 26.
  • 27. • Perception of “not for me” • Target customer – woman • Brand awareness was high but translation to visits was low • Perceived as too expensive, unapproachable, with a low width and depth of product offerings • 2004 – titan underwent a brand valuation exercise
  • 28. 2003 – high-end collection
  • 29. • Daytimes , a diamond based collection to reposition diamonds as affordable, casual, young & contemporary. • Colors, aimed to correct the perception that Tanishq only had modern designs • Aarka high fashion 22-karat gold collection to position tanishq’s design & image leadership • Aamra a collection of studded jewellery to tackle its unapproachable image
  • 30.
  • 31.
  • 32. • Associated with high profile fashion events Femina Miss India, apsara film awards, Milan fashion week • Sales exceeded Rs. 550 core target • In October 2005, segmented the market into 5 psychographic segments • Confidentmatriarch, sanction speaker,thebalancer, theindividualist, uninvolvedconformist
  • 34. • Confident matriarch: - 37% of the market - woman in the age group mid 30’s or older - open to new ideas - confidence to adapt and to adopt cange • Sanction Seeker: - 30% of the market - spread across all ages and life stages - most widespread segments in small towns
  • 35. • Balancer: - 20% of the market - younger woman married or unmarried - drawn to the modernity of designs • Individualist: - 5% of the market - upper class working women, primarily in urban centers - strongly identified with being “modern”
  • 36. • Uninvolved conformist: - 8% of the market share - similar to the sanction seeker
  • 37.
  • 38. • Positioneditselfasprogressiveindianbrandthat combinedtradition &heritage • Tanishqdesignedjeweleryforthefilmpaheli. • In2005,advertising customized regionallyinthe locallanguage • By2006,ithad80stores;designsweretraditional indianpatterns
  • 39.
  • 40. The GoldPlus Proposal • The semi-urban/rural market was 36000 crores • Leverage supply chain capabilities & compete on price • Erode & ratlam • Goldplus ads “ girl next door look” • Goldplus customers lived in small town & wore jewlery in weddings & festivals
  • 41. • Marketing expenses were 50lakhs • Erode store had sales of 10 crores • Ratlam hit 3 crores
  • 42.
  • 43. The dilemma • Multibrandstrategywontworkinjewellerymarket • Goldpluspositioning wasbasedontatasname • Couldcannablisetanishqssales • Goldpluspermitting pricenegotitation complicated matter • Tanishqwasabrandtochargepremiumprice • Government passed excise duty on branded jewellery
  • 44. • Goldplus was positioned to serve gold wedding jewellery market in smaller cities • Both had positive results • Should tanishq or goldplus pursue gold wedding jewellery market in smaller cities & rural locations.??????
  • 45. • The decision would impact the goal to reach a billion dollar sale by 2010 (5000 cr)