2. Afterthe Textual Analyses, the following
are things which could make it into
production:
The introduction of either one or two of the
main characters.
Like in Love Actually, a totally detached
event with the voiceover serving as an
introduction to one of the main characters.
A voiceover as in Bridget Jones’s Diary,
providing the exposition behind the lead
female character.
A typical romantic introduction, as seen in
the Holiday. This would start the film strongly
and introduce key generic conventions.
3. Relating to the narrative structure, some
sort of disequilibrium could be hinted at in
the sequence – bad relationship or a
need for change.
HIGH KEY LIGHTING!!
A FORM OF VOICEOVER/SOUNDTRACK –
perhaps not too much dialogue or no
dialogue at all?
