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Discovering relationships
between artefacts using 3D and
semantic data
June 2015 – May 2018
https://www.flickr.com/photos/lunamodule/
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Cyprus
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
We can all do this jigsaw
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
What if lots of pieces
were missing?
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
What if it was in 3D?
Front Back
Faded
Cracked
Eroded
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
What if the pieces were 2500 years old, were all
faded, cracked and with the edges worn away so
that they didn’t actually fit together any more?
British Museum Cyprus Museum
Ashmolean Museum Fitzwilliam Museum
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
What if the pieces were
in 4 different museums?
Jigsaws
in 3D
most pieces missing
all the edges worn off
many puzzles jumbled together
pieces spread across many countries
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Re-Assembly
Re-Unification
Re-Association
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Re-Assembly
You have some (eroded) pieces.
The computer fits them together.
This is hard in 2 dimensions, never mind in 3D!
Localised geometry
Surface texture
descriptorsLocalised detail
Colour descriptors
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Re-Unification
Head in the British
Museum
Statue in the
Cyprus Museum
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
 Re-unify 3D models of the statue
 3D print copies for re-unification
 Re-unify statue in a virtual tour
Re-Unification
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Re-Association
Artefact with semantic description
Material, decoration, size, shape, period, style, glaze, …
Data in another museum catalogue
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Re-Association
Find similarities leading to
new insights about past cultures
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
How?
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Geometric data, material data
 Point cloud, mesh
 Photos
 Shape, geometry
 reassembly
 Curvature
 Colour(s)
 UV light, pigments
 Pattern
 Texture
 markings front & back
 manufacturing methods
 Chemical composition
 x-ray fluorescence
 Microscopic composition
 clay matrix, porosity
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Fracture
Fracture
External
Internal
3D model processing
Left Ear
Faceting
Describing
Annotating
Mating
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
“
Semantic data, natural language data
 CIDOC-CRM (“conceptual reference model”)
 ISO 21127:2006
 Object type, place, date, material, style, people, institution,
bibliography, dimensions, school, production technique, …
 Object  hasNote  “…lots of free-form text added by the curator”
 Natural Language Processing (NLP) required to extract further information
 The CRM harmonises knowledge to support discovery and enables
knowledge collaboration
 The British Museum has 2.5M objects described in CRM
provides definitions and a formal structure for describing the
implicit and explicit concepts and relationships used in cultural
heritage documentation.
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
Interactive Dashboard
© Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
GRAVITATE-PROJECT.EU
Coordinator:
Stephen C Phillips
scp@it-innovation.soton.ac.uk

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Gravitate overview

  • 1. Discovering relationships between artefacts using 3D and semantic data June 2015 – May 2018
  • 2. https://www.flickr.com/photos/lunamodule/ © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016 Cyprus
  • 3. © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016 We can all do this jigsaw
  • 4. © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016 What if lots of pieces were missing?
  • 5. © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016 What if it was in 3D?
  • 6. Front Back Faded Cracked Eroded © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016 What if the pieces were 2500 years old, were all faded, cracked and with the edges worn away so that they didn’t actually fit together any more?
  • 7. British Museum Cyprus Museum Ashmolean Museum Fitzwilliam Museum © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016 What if the pieces were in 4 different museums?
  • 8. Jigsaws in 3D most pieces missing all the edges worn off many puzzles jumbled together pieces spread across many countries © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 9. Re-Assembly Re-Unification Re-Association © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 10. Re-Assembly You have some (eroded) pieces. The computer fits them together. This is hard in 2 dimensions, never mind in 3D! Localised geometry Surface texture descriptorsLocalised detail Colour descriptors © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 11. Re-Unification Head in the British Museum Statue in the Cyprus Museum © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 12.  Re-unify 3D models of the statue  3D print copies for re-unification  Re-unify statue in a virtual tour Re-Unification © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 13. Re-Association Artefact with semantic description Material, decoration, size, shape, period, style, glaze, … Data in another museum catalogue © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 14. Re-Association Find similarities leading to new insights about past cultures © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 15. How? © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 16. Geometric data, material data  Point cloud, mesh  Photos  Shape, geometry  reassembly  Curvature  Colour(s)  UV light, pigments  Pattern  Texture  markings front & back  manufacturing methods  Chemical composition  x-ray fluorescence  Microscopic composition  clay matrix, porosity © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 17. Fracture Fracture External Internal 3D model processing Left Ear Faceting Describing Annotating Mating © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 18. “ Semantic data, natural language data  CIDOC-CRM (“conceptual reference model”)  ISO 21127:2006  Object type, place, date, material, style, people, institution, bibliography, dimensions, school, production technique, …  Object  hasNote  “…lots of free-form text added by the curator”  Natural Language Processing (NLP) required to extract further information  The CRM harmonises knowledge to support discovery and enables knowledge collaboration  The British Museum has 2.5M objects described in CRM provides definitions and a formal structure for describing the implicit and explicit concepts and relationships used in cultural heritage documentation. © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016
  • 19. Interactive Dashboard © Copyright University of Southampton IT Innovation Centre and other GRAVITATE partners, 2015-2016

Notes de l'éditeur

  1. This is Cyprus
  2. This is a jigsaw of Cyprus – I expect we could all do it
  3. What if lots of pieces were missing?
  4. What if it was in 3D?
  5. What if the pieces were 2500 years old and were all faded, cracked and with the edges worn away so that they didn’t actually fit together any more?
  6. What if they were dispersed across 4 museums and private collections?
  7. So this is the problem
  8. This is what GRAVITATE will do