2. T h e w r i t i n g s o n t h e s t o n e s o f K h a n d a g i r i C a v e i n
Or i s s a s u g g e s t t h a t t h e a r t o f we a v i n g wa s i n Or i s s a
b e f o r e 600 B .C .
S i mi l a r l y s o me c a r v i n g i n t h e t e mp l e s o f S o n e p u r
d i s t r i c t (B a i d y a n a t h t e m p l e ) i n d i c a t e s t h a t w e a v i n g
w a s i n e x i s t e n c e i n t h e a r e a d u r i n g p r i o r t o 9t h A .D .
Be s i d e s we a v i n g wi t h c o t t o n y a r n , t h e r e wa s a l s o
w e a n d ln o o w i it s tWi e d o s tl k m p a s s a rn ), Wor oa l d ia tn id o t n ha el f i i n bd eu r s st r y
H a v i g m h h l mSi i (T o r t a t t
o f r i s s a t L o u s .
f r oom s t e m . oTf h e hHea n d lt o o m I n d u s t r y i s f a m o u s f o r i t s
e x c e l l e n t a r t i s t i c a n d s u p e r i o r c r a f t s ma n s h i p . T h e
h a n d l o o m f a b r i c s o f Od i s h a wi t h e x q u i s i t e
c r a f t s ma n s h i p a n d c o l o r c o mb i n a t i o n w i t h t r a d i t i o n a l
design and motifs have established a pride of place in the domestic as well as international market. , i t h a s
a r i c h t r a d i t i o n o f p r o d u c i n g h a n d l o o m p r o d u c t s . Ev e n
t h e s k i l l a n d k n o w l e d g e i mb i b e d o v e r t h e
g e n e r a t i o n , h a s g i v e n t h e O d i s h a hand woven textiles an unparalleled
depth, range, strength and vigor.
11/3/2012 Aayush juyal
3. O r i s s a „s T e x t i l e s h a v e a c l o s e r e l a t i o n w i t h
t h e J a g a n n a t h c u l t u r e . T h e r i c h t e mp l e
a r c h i t e c t u r a l c u l t u r e a n d s t y l e wi t h h e a v y
d e s i g n s a n d v i v i d c o l o r s u s i n g f i n e f a b r i c
t h r e a d i s t h e t e s t i mo n y o f t h e s u p e r i o r
c r a f t s ma n s h i p o f O r i s s a . O r i g i n a l l y , t h e f o u r
b a s i c c o l o r s , wh i c h a r e f o u n d o n J a g a n n a t h —
b l a c k , wh i t e , r e d a n d y e l l o w — we r e e x t e n s i v e l y
u s e d i n O r i y a g a r me n t s . E v e n mo t i f s s u c h a s t h e
t e mp l e b o r d e r , l o t u s , s h a n k h a n d w h e e l , s i g n i f y
t h e a f f i n i t y wi t h t h e r e i g n i n g d e i t y .
T h e t r a d i t i o n a l Or i s s a we a v i n g h a v e u n d e r g o n e
v a s t c h a n g e s a s we a v e r s t r y t o a d a p t t h e d e s i g n s
t o p o p u l a r t a s t e .
T h e p e c u l i a r h a n d -w o v e n t e x t i l e s o f O r i s s a
i n u n u s u a l d e s i g n s , g o r g e o u s p a t t e r n s a n d
v i 11/3/2012a n t c o l o Aayush s h a v e s u p p o r t e d a t h r i v i n g
b r u r juyal
5. I k a t o r t i e a n d d y e f a b r i c s , k n o w n a s
"b a n d h a s " i n O r i s s a a r e r e c o g n i z e d a l l o v e r
t h e c o u n t r y a n d a b r o a d f o r t h e i r h i g h l y
a r t i s t i c d e s i g n s , c o l o r c o mb i n a t i o n s a n d
d u r a b i l i t y .
I k a t i s a t y p e o f we a v i n g i n g e n e r a l
t e r ms . T h e w e f t o r t h e w a r p o r b o t h a r e t i e -
d y e d b e f o r e we a v i n g t o c r e a t e d e s i g n s o n
f a b r i c i n t h i s m e t h o d . Wi t h e x q u i s i t e
c o l o r s a n d b e a u t i f u l mo t i f s , I k a t s a r i s
a r e c o n s i d e r e d a s a ma g n u m o p u s b e c a u s e
e a c h s a r i t a k e s n e a r l y s e v e n mo n t h s o f
c r a f t s ma n s h i p . T h e t r a d i t i o n a l I k a t s a r i s
o f Or i s s a a r e a l s o r e f e r r e d t o a s d o u b l e
P a t a n P a t o l a o r s a mb a l p u r i s a r e e s .
T h e O r i s s a n s t y l e o f i k a t (b a n d h a ) h a s a
l o n g t r a d i t i o n d a t i n g b a c k a t l e a s t t o t h e
12t h c e n t u r y . We a v e r s m i g r a t e d f r o m t h e
Pa t a n a r e a b r i n g i n g t h e b a s i c t e c h n i q u e s
w h i c h t h e n d e v e l o p e d o v e r t i me t o a u n i q u e
s t y l e o f f l o wi n g d e s i g n s . T h e r e s i s t t y i n g
i s d o n e f i n e l y o n t h r e a d u n i t s g i v i n g
g r e a t e r d e t a i l a n d f i n e c u r v e s .
T y p i c a l d e s i g n m o t i f s i n c l u d e r o w s o f
b i r d s a n d a n i ma l s , f i s h , s e a s h e l l s ,
11/3/2012 Aayush juyal
6. Th e wa r p , we f
t o r b o t h
a r e t i e -d y e d
b e f o r e
we a v i n g t o c
r e a t e
d e s i g n s o n t
h e f i n i s h e d
f a b r i c . Gr e a t c a r e i s t o b e t a k e n
i n t y i n g r e s i s t e d a r e a s
wi t h wa t e r r e p e l l e n t
m a t e r i a l (s u c h a s b i c y c l e
i n n e r t u b e s c u t i n t o
s t r i p s ). T h e p r e c i s i o n o f
Af t e r wr a p p i n g , t h e t h r e a d s
t h e w r a p p i n g d e t e r mi n e s
a r e d y e d . Wh e n f i n i s h e d a n d
t h e c l a r i t y o f t h e d e s i g n
u n wr a p p e d , t h e a r e a s u n d e r
t h e t i e s h a v e s t a y e d t h e
o r i g i n a l c o l o u r . N u me r o u s
c o l o u r s c a n b e a d d e d a f t e r
a d d i t i o n a l wr a p p i n g s .
D e s i g n s g e n e r a l l y a r Ger e a t c a r e m u s t b e
w o r k e d o u t o n g r a p h pt aa pk ee r n i n p u t t i n g t h e
b e f o r e d y e i n g wa r p o n t h e
l o o m, k e e p i n g a l l t h e
t h r e a d s i n p o s i t i o n
11/3/2012 Aayush juyal i s n e c e s s a r y f o r t h e
8. Th e p r o c e s s o f
t i e & d y e i s a
v e r y t e d i o u s
a n d t i me
c o n s u mi n g t a s k
a n d r e q u i r e s
g r e a t a mo u n t
o f p a t i e n c e
a n d p r e c i s i o n .
Th e f i b e r h a v e
t o b e p l a c e d
I k a t o f p r o p e r l y i n
o r i s s a i s a l i g n me n t i n
a n e x a mp l e o r d e r t o
o f a c h i e v e t h e
e x q u i s i t e d e s i r e d
c r a f t ma n s h Pa t t e r n o r
i p i n d e s i g n
c o mb i n a t i o
n wi t h
t r a d i t i o n a
l d e s i g n s
11/3/2012 Aayush juyal
9. As t h e f a b r i c i s
wo v e n , t h e p a t t e r n
e me r g e s .
Gr e a t c a r e i s t a k e n
i n a l i g n i n g t h e
y a r n s s o t h a t t h e
p a t t e r n a p p e a r s
c l e a r l y h o w e v e r ma n y
a t i me s t h e y a r n s d o
n o t c o mp l e t e l y f a l l
i n s y n c ,g i v i n g a
Tdh ee l ji a g g e d l l o o k g e d
g h t f u j a g
,a c h i k e tv h a t w b e s t to h e
l o o e d h e n ws
y I a kr an t s w or r e k a sr or m en g e d i t 's
a a o f
m.
wci ht ah r n o t t o o
p r e c i s e n e s s , g i v e t h e
f a b r i c s a g e n u i n e
e t h n i c f e e l .
Ho we v e r , wh e n
a b s o l u t e p r e c i s e n e s s
i s r e q u i r e d t h e
w e a v e r ma y a l s o
ma n u a l l y p u l l t h e
11/3/2012 Aayush juyal y a r n s t o ma k e t h e m
10. I k a t h a s
u n d e r g o n e ma n y
c h a n g e s wi t h
t i me . A l t o u g h
i n n o v a t i o n h a s
b r o u g h t
e v o l u t i o n s i n
t h i s a r t f o r m ,
Or i s s a s t i l l
u p h o l d s t h e
p u r i t y o f i t s
t r a d i t i o n a l
f l a i r , wh i c h c a n
b e s e e n i n t h e
Sonia gandhi wearing a sambalpuri saree
g a r me n t s w o v e n
h e r e .
Sa r e e b e i n g t h e
11/3/2012 Aayush juyal t r a d i t i o n a l
11. Th e t r a d i t i o n a l i k a t
d e s i g n i s a n
i n t e g r a t i o n o f
c o n v e n t i o n a l mo t i f s
l i k e Sh a n k h a ( Co n c h
S h e l l s ), C h a k r a ( Wh e e l ),
P h u l a ( f l o w e r s ), m i n a (
f i s h ) a n d o t h e r
w i l d l i f e a n i ma l s l i k e
e l e p h a n t s ,d e e r s ,
p e a c o c k s e t c . Th I k a t s
i n O r i s s a are d y e d u s i n g
e c o -f r i e n d l y c o l o r s
e x t r a c t e d f r o m p l a n t s ,
f l o we r s , l e a v e s a n d
b a r k s o f t r e e s . Bu t t h e
i n c r e a s i n g d e ma n d o f
t h e I k a t ma t e r i a l s i s
f o r c i n g t h e we a v e r s t o
u s e c h e mi c a l d y e s .
A c c l a i me d I n t e r n a t i o n a l
C a se hm i o c adl e s i y gen d rI sk la i t kse
f
h i n
d e
c s cs at r l d e sl sa tR h n tn a t h e s i o n i ,
O o e e a ,M i s
n h a nuer B al r n e se d l o n e w i . t h
J a t a d y a o n g s
11/3/2012 Aayush juyal a c c l aayi ,mi e td sn a t oi t o n a l s t
To d n j u
13. Pa s a p a l l i i s o n e o f t h e
v a r i a t i o n s o f
s a mb a l p u r i s a r e e s .
Pa s a p a l l i s a r i i s a
h a n d wo v e n s a r i
g e n e r a l l y ma d e o f s i l k
f a b r i c a n d h a s a
b e a u t i f u l a n d
e x c l u s i v e ` a a n c h a l `.
Pa s a p a l l i s a r i i s
wo v e n ma i n l y i n p l a c e s
l i k e So n e p u r , Ba r p a l i
a n d Ba u n s h r i .
T h e s p e c i a l t y o f t h e
s a r i i s , i t h a s c h e s s
b o a r d l i k e p a t t e r n s i n
t h e e n t i r e b o d y wi t h
c h a r a c t e r i s t i c wh i t e
a n d b l a c k /r e d s q u a r e s .
Th e s a r i i s n o r ma l l y
ma d e f r o m
c o t t o n , t a s s a r , mu l b e r r
11/3/2012 Aayush juyal
y s i l k a n d mu l b e r r y
s i l k a n d t a s s a r
16. B o m k a i is a t r a d i t i o n a l e x t r a w e f t
t e c h n i q u e f r o m Or i s s a wo v e n o n a
p i t l o o m . T h e v i l l a g e o f B o m k a i lends
its name to the b o m k a i s a r i .B o m k a i saris
combine b a n d h a (a n o t h e r t e r m f o r
i k a t ) and s u p p l e m e n t a r y
t The rb e a d w o r sari ,wcaasl t r a d i t i o n a l l y
h o mk a i k l e d
o r h -c a s
kwa p t n a b j y a h ia gwhich r e ft e r B r ta o m i h ne s d o b b y
l s h t
m e cr h a n i rs imt (j a ll s ) n d c e r e m o n i e s
d u i n g u a a a
ma k i n g e a c h p i e c e a n e x c l u s i v e
o n e . T h e we a v e r s c r e a t e b r i g h t l y
colored panels with extra weft motifs on a contrasting background.
The motifs are freely composed, commonly
including k a r e l a (bitter
gourd), the a t a s i flower, the k a n t h i p h u l (small
flower), m a c c h i (fish), r u i m a c c h i (carp-
T r a k o it n c h a l(tortoise), e g e t a b l o t d ys e), m a y
fish), d i i o n a l y , v p a d m a (l e u s
w e ra e u s e d : m c h a r a il a n i fr o r) b l a c k ,
u r (peacock), and y r o b a (b d
t u r m e r i c f o r y e l l o w , l a c for dark red or
maroon, g i r m a t i (o c h r e t r e a t e d w i t h
g h e e ) f o r l i g h t r e d , a n d a c a c i a
11/3/2012 s k i Aayush f o r c h r o m e o r a n g e .
n juyal
17. Once the dyed yarn is
fitted in, the pattern is
worked using extra weft
Th e t e c h n i q u e i s i n i t s e l f a
technique. This gives a
saree an almost woven, f u r t h e r i n g o f t h e t i e a n d d y e
carpet like effect.The t e c h n i q u e . To u c h e s o f I k k a t
Bomkai design both the wo r k c a n e a s i l y b e
warp and weft is dyed f o u n d , h o we v e r , I n c a s e o f
according to the Bo mk a i , t h e y a r n i s t i e d y e d
requirement. For border b u t t h e f o c u s i s n o t o n
design, warp alone is p a
Us i n g ear t is m eh c o n seum ei r ngge o u t o f
t t n w i c h m
processed, while for
Palavas and anchal of
t y
we a v i n ga t e cdhynei i qnuge. It th e s h rs e a d s
i n g n d i t u e d
sarees, weft is processed t o
a r e g u t t n d c h e n r r aest t i e d l t oou r s
c e a h e t o n t c o
and overall saree designs, d i f
n f t ehr ee s a r ceoel . o r e d y a r n s t o
n t
both the warp and weft are c r e a t e t h e u n u s u a l l y l a r g e
processed. p a l l u . Th i s t e c h n i q u e i s
l o c a l l y c a l l e d m u h a j o r h i (o r
p a l l u wi t h j o i n e d t h r e a d s )
11/3/2012 Aayush juyal
18. T h e b o mk a i s a r e e s ,
a r e mo r e
p o p u l a r l y k n o w a s
s o n e p u r i s a r e e s ,
a n d a r e p r o d u c e d
b y t h e “B h u l i a ”
community of S u b a r n a p u r
d i s t r i c t of Orissa
T h e So n e p u r i
p a a t a s a n d s i l k
s a r e e s a r e
p o p u l a r i t e ms
d i s p l a y e d a t
v a r i o u s f a s h i o n
s h o w s a n d ma n y
d e s i g n e r s a r e n o w
i n c l u d i n g b o mk a i
i n t h e i r
c o l l e c t i o n s , wi t h
e a c h o n e
s h o wc a s i n g h i s
o w n c o n t e mp o r a r y
11/3/2012 Aayush juyal v e r s i o n o f b o mk a i .
20. Ap p l i q u e ', i s a F r e n c h
t e r m t h a t r e f e r s t o
a n a r t f o r m o f
s u p e r i mp o s i n g
p a t c h e s o f c o l o r e d
f a b r i c s o n a p i e c e o f
b a s i c f a b r i c /c l o t h
t o g i v e i t a n
a l t o g e t h e r a n e w
l o o k .
Th o u g h t h i s f o r m o f a r t i s n o t
u n k n o wn i n o t h e r p a r t s o f
I n d i a , i t i s Or i s s a a n d e s p e c i a l l y
i n Pi p l i t h a t t h e c r a f t h a s a
l i v i n g a n d a c t i v e t r a d i t i o n
c o n t i n u i n g o v e r c e n t u r i e s .
I n f a c t a p p l i q u e works are a vivid expression
of O r i s s a C r a f t s . It is generally accepted that appliqué
w o r k s o f O r i s s a date b a c k t o m o r e
11/3/2012 t h a Aayush juyal y e a r s . T h e p r o c e s s o f
n 850
22. The appliqué c r a f t i s o n e o f t h e
mo s t p o p u l a r t r a d i t i o n a l
n e e d l e wo r k s f r o m t h e p i p l i
v i l l a g e o f P u r i district of Orissa. As the
tradition of making appliqué w o r k i s
l o c a t e d i n Pi p l i i t i s c a l l e d
O n e o f t h e mo s t i mp o r t a n t c o t t a g e
a s p i p l i c r a f t a n d l o c a l l y i t
i n d u s t r i e s e n c o u r a g e d b y t e mp l e
i s k n o wn a s Ch a n d u a
r i t u a l s wa s t h e c r e a t i o n o f a p p l i q u e
wo r k A p p l i q u e i n Or i s s a i s a n o l d
t e mp l e a r t , w h i c h h a s b e e n r e f i n e d t o
p e r f e c t i o n . A f i n e e x a mp l e o f t h e c r a f t
i s t h e e n o r mo u s a p p l i q u e c a n o p i e s
a b o v e t h e r e i g n i n g d e i t y o f Pu r i , L o r d
J a g a n n a t h r . a d i e t p o p u ll a ry a n f d o tr rma o f i th ia o n i c r a f t
T Th i o n a l a d n d
d e c o r a t e d saer dt i c l m asn u f a c t ausr C h a ngdaur am e n t s a n d
u i n e s u c h i n g
(r e c t a n g uCl haar r a c t e r i s t t i r ca s a o(h e aar nt d f e e l
c a n o p y ), l o k s
s h a p e d wi t h wo o d e n s t a n d ) a n d Ch a t t i
(u m b r e l l a ) w e r e u s e d f o r t h e p u r p o s e o f
t e mp l e r i t u a l s i n c l u d i n g o t h e r
t a i l o r e d a r t i c l e s .
11/3/2012 Aayush juyal
25. “D o n g o r ” m e a n s
h i l l , “K o n d h ”, means “inhabitant”. O n e
wh o i n h a b i t s t h e h i l l s i n
R a y a g a d a d i s t r i c t of O r i s s a a r e
t h e D o n g o r i a K o n d h s . This tribe has a
rich culture of art, dance and music over the last few
centuries. The most eye-catching of
the h a n d i c r a f t s are the colorful unique
embroidery shawls. T h e s e a r e a l s o
k n o w n a s “K a p a d a G o n d a ” (m a i n
c l o t h ) a n d s i g n i f y a n
i mp o r t a n t s i g n a t u r e i n t h e i r
T h e st or naadl i i t t i yo n nodf dm aeksi sn g s h a w l
p e r a r
i s p r a c t i c e d i n t h e v i l l a g e s
o f
Kh a j u r i , Hu n d i j a l i , Ku r l i , Ka d r
a k u ma a n d o t h e r s u r r o u n d i n g
v i l l a g e s .
Th e d e s i g n a n d p a t t e r n s a r e
n o t t r a c e d o r d r a wn ; t h e y c o u n t
t h e t h r e a d s i n o r d e r t o
11/3/2012
c o n s t r u c t t h e s y mme t r i c a l
Aayush juyal
26. These natural colored shawls are generally woven
by young girls for themselves, their brothers or
family members. The colors of
the e m b r o i d e r y t h r e a d s are
vibrant vegetable colors like red, g r e e n
o r yellow. These dyes are extracted from
juices of leaves, roots and turmeric.
It g e n e r a l l y a k e s 3 to 4
months to c o m p l e t e
o n e shawl. T t h e girls do t h e
w e a v i n g and embroidery while they
tend the crops or look after the
cattle. While o l d e r m e n sport
simple motifs on their shawls, the young
ones wears an artistic piece.
A beautifully embroidered shawl is the
cynosure of all eyes in a
marketplace. T h e s e s h a w l s
s e l l i n t h e
ma r k e t p l a c e a t
11/3/2012 Aayush juyal
p r i c e s r a n g i n g
28. Th e
d y e i n g
p r o c e s
s i s T h e t r i b a l we a v e o f Ko t p a d
d o n e b y v i l l a g e i n Ko r a p u t Di s t r i c t i s
w o me n t r a d i t i o n a l l y wo v e n i n h e a v y
wh i l e c o t t o n r a n g i n g f r o m c o u n t s o f
we a v i n 10s t o 20s . T h e u s e o f n a t u r a l d y e
g i s e x t r a c t e d f r o m t h e
d o n e b y r o o t s o f t h e I n d i a n Ma d d e r t r e e
me n . I t (a a l t r e e ) m a k e s i t d i f f e r e n t
i s f r o m o t h e r we a v e s .
ma i n l y The weaver uses a three‐shuttle i n t e r l o c k
t h e p a t t e r n i n g , wh i c h a l l o ws f o r
Pa n k a i n n u me r a b l e c o mb i n a t i o n s i n
tribe engaged s c a l e a n d v o l u me
in
practicing K o
r a p u t wea
v e .
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29. Wh i l e t r a d i t i o n a l
mo t i f s c o n t i n u e t o b e
u s e d , t h e p r o d u c t s
wo v e n h a v e e v o l v e d
f r o m t h e s a r i t o
i n c l u d e mo r e
c o n t e mp o r a r y
p r o d u c t s .
Th e we a v i n g i s d o n e
u s u a l l y o n u n b l e a c h e d
c o t t o n ,h o w e v e r
n o wa d a y s we a v e r s a r e
u s i n g b l e a h e d f i n e r
y a r n s t o s u i t e t h e
r e q u i r e me n t s o f t h e
u r b a n ma r k e t
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31. K h a n d u a (Also M a n i a b a n d i or K a t a k i ) i s a
t r a d i t i o n a l "b a n d h a " or i k a t sari produced from Orissa worn by
worn by women during wedding and a s p e c i a l t y p e o f w h i c h
i s wo r n b y J a g a n n a t h .K e n d u l i K h a n d u a , a
s p e c i a l f o r m o f K h a n d u a of 12 ft and
2 k a n i (each k a n i measures t h e l e n g t h o f a h a n d ) i s
o f f e r e d t o J a g a n n a t h to w e a r a s k h a n d u a w i t h
s t a n z a s a n d i l l u s t r a t i o n f r o m Gi t a
Go v i n d a . K h a n d u a is traditionally red or
orange in color. The red color is prepared
naturally from the s h o r e a
r o b u s t a (s a l tree). The design
motif has an auspicious elephant that
represents Buddha s u r r o u n d e d
b y t r a i l i n g v i n e
wi t h p e a c o c k s i n i t ,
a l a r g e ma n y p e t a l e d
f l o we r , a u n i q u e
O r i s s a n animal
called N a b a g u n j a r a ,
a d e u l a k u mb h a . T h e
e l e p h a n t i n Kh a n d u a
i k a t f r o m Nu a p a t a n a
u s u a l l y v a r i e s f r o m
11/3/2012 Aayush juyal e l e p h a n t mo t i v e s i n
34. Ha v i n g a n a n c i e n t t r a d i t i o n
o f ma k i n g s p l e n d i d p i e c e s o f
a r t b y h a n d s Or i y a a r t i s t s
h a v e l o n g b e e n p r e s e n t i n g
t h e i r a w e i n s p i r i n g ma s t e r
p i e c e s t o t h e wo r l d . T h e r e a r e
a l o t o f h a n d i c r a f t s t h a t h a v e
b e e n r u n n i n g a s t h e l i f e f o r c e
i n t h e c u l t u r a l l a n d o f Od i s h a
(O r i s s a ). S o m e o f w h i c h i n c l u d e -
P a t t a C h i t r a , S a n d A r t , Me t a l
Wo r k , S i l v e r F i l i g r e e , S t o n e
C a r v i n g a n d ma k i n g P u p p e t s
a n d Ma s k s e t c .
11/3/2012 Aayush juyal
36. Pa t t a c h i t r a s a r e
mi n i a t u r e p a i n t i n g s ,
u s e d a s wa l l h a n g i n g s
wi t h r e l i g i o u s t h e me s
a s t h e i r s u b j e c t ma t t e r .
L e g e n d s f r o m t h e l i v e s
o f L o r d Kr i s h n a a r e
ma i n l y d e p i c t e d o n t h i s
s p e c i a l l y t r e a t e d
c l o t h k n o wn a s Pa t t a .
De v e l o p e d o v e r t h e
y e a r s , t h i s a r t f o r m h a s
h e l p e d a d i s t i n c t
s c h o o l o f p a i n t i n g t o
e v o l v e . Ha v i n g i t s
o r i g i n i n Sa n s k r i t
l a n g u a g e , t h e wo r d Pa t t a
C h i t r a l i t e r a l l y me a n s
a p a i n t e d p i e c e o f
c l o t h . Th i s r i t u a l i s t i c
a r t o b s e r v e s a f i n e
b l e n d o f s o p h i s t i c a t e d
a r t a n d f o l k e l e me n t i n
t h e f o r m o f r i c h c o l o r s .
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38. P o t t e r s o f Or i s s a
s t i l l ma k e
e a r t h e n p o t s t o b e
u s e d i n v a r i o u s
r e l i g i o u s a n d
s o c i a l f u n c t i o n s .
T h e y a r e ma d e i n
v a r i o u s s h a p e s
a n d s i z e s a n d a r e
a d o r n e d wi t h f i s h
a n d f l o w e r mo t i f s
a n d g e o me t r i c a l
d e s i g n s . Ho r s e s
a n d e l e p h a n t s i n
t e r r a c o t t a a r e
ma d e t o me e t l o c a l
d e ma n d s d u r i n g
r e l i g i o u s
o c c a s i o n s . Th e s e
a r e o f f e r e d t o t h e
v i l l a g e -g o d d e s s
(g r a m a -d e v a t i ) t o
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wa r d o f f d i s e a s e
a n d d a n g e r . I n
40. Ba s k e t s , h a n d f a n s
a n d t a b l e ma t s a r e
wo v e n f r o m g o l d e n
g r a s s b y t h e f e ma l e
f o l k . F l o o r ma t s a r e
a l s o wo v e n o u t o f
g o l d e n g r a s s wh i c h
i s a l o c a l p r o d u c t ,
T o d a y t h e d e ma n d f o r
t h e s e g o o d s h a s
i n c r e a s e d a n d t h i s
t e s t i f i e s t o t h e i r
b e a u t y , u t i l i t y a n d
l a s t i n g q u a l i t y .
Ca n e i s u s e d f o r
we a v i n g b a s k e t s a n d
11/3/2012 Aayushv e r a l
s e juyal i t e ms o f
42. Stone carving i s a n a g e -o l d c r a f t o f O r i s s a .
T h e d e s c e n d a n t s o f t h e a r t i s a n s wh o
o n c e s c a l e d t h e d i z z y h e i g h t s o f
e x c e l l e n c e i n t e mp l e b u i l d i n g h a v e
k e p t t h e s c u l p t u r a l t r a d i t i o n a l i v e
t h r o u g h t h e i r h e r e d i t a r y c r a f t o f
s t o n e c a r v i n g . Th e c a r v e d p r o d u c t s
i n c l u d e r e p l i c a s o f t e mp l e s , i ma g e s o f
g o d s a n d g o d d e s s e s , t h e Ko n a r k wh e e l
a n d h o r s e , a n d d e c o r a t i v e f i g u r i n e s
l i k e a l a s a k a n y a (t h e i n d o l e n t d a m s e l )
s a l a b h a n j i k a (l a d y l e a n i n g a g a i n s t a
s a l b r a n c h ), s u r a s u n d a r i (h e a v e n l y .
b e a u t y ), l e k h i k a (l a d y w r i t i n g a
letter), etc. which are popular items of household decoration. Wood carvings of
Orissa are almost equally popular. They d i f f e r f r o m t h e
a r t i f a c t s o f o t h e r s t a t e s i n s o f a r a s
11/3/2012 Aayush juyal
t h e y a r e p l a i n a n d s h i n i n g w i t h s mo o t h