SlideShare une entreprise Scribd logo
1  sur  15
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
PARODY OF MUSICAL
COMPOSITION
S. Hari Vallabie
1 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
What is Copyright?
Copyright is the ownership of an
intellectual property within the limits
prescribed by a particular nation's or
international law. It is a legal right created
by the law of a country that grants the
creator of an original work exclusive rights
 for its use and distribution. The exclusive
rights include :-
Reproducing the work. To Prepare
derivative works based on the work.
Distribute copies of the work to the public2 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
What is Copyright
Infringement
What is Parody?
Parody has been defined as "writing in which the language
and style of [another] author or work is closely imitated for
comic effect or ridicule, often with certain peculiarities
greatly heightened or exaggerated."'
Parody is “the humorous use of an existing song, play, or
writing which changes the words to give farcical and ironic
meaning.” Usually its common to give a satirical meaning.
Parody has long been a viable part of entertainment. It allows
for comment, criticism, and humor of an existing work. 
Comedy sketches poking fun at an existing TV show or a
popular song have proved to be important forms of art.3 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
IS PARODY ALLOWED?
4 Parody of Musical Composition
Under Federal Copyright law, the owner of a copyright has certain
exclusive rights to the use of their copyrighted works, including the
right to make derivative works - works that are based upon or use
elements of the original, but incorporate new elements or changes.
One exception to this exclusive right has been the right of others to use
part of the work for purposes of criticism, comment, news reporting,
teaching, scholarship or research which would be considered a "fair
use." Such fair use has traditionally included the right to parody or
satirize the original work as such use has a public benefit of comment
and criticism, and because the parody, generally, does not compete
with the original, as it appeals to a different audience.
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
DOCTRI NE OF FAI R USE
5 Parody of Musical Composition
The doctrine of fair use developed over the years as courts tried to
balance the rights of copyright owners with society's interest in
allowing copying in certain, limited circumstances. This doctrine has
at its core a fundamental belief that not all copying should be banned,
particularly in socially important endeavors such as criticism, news
reporting, teaching, and research. the Fair Use Doctrine provides a
way for someone to use a copyrighted work—such as a photograph,
song, or film clip—without having to obtain the copyright owner’s
permission first, and without getting in trouble for copyright
infringement. The most common types of Fair Use involve criticism
or commentary [Campbell v. Acuff-Rose Music, Inc.]
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
UK
The concept of Parody has been in existence from the 14th
century
and its not a new one. And the very purpose of having a media is
entertainment. UK Copyright Law, implementing the EU 
Copyright Directive, provides an exception to copyright ‘for the
purposes of caricature, parody or pastiche’. This means that in principle
it is possible to create parodies that re-use works protected by
copyright without having to obtain permission from the rightsholders.
However, it is important to note that the use of copyright works for
parody purposes is only allowed insofar as it can be considered ‘fair
dealing’. 
However, the UK court lays down certain principles while following
the same:
1. Permission should be sought when possible
2. Consider the substance of work copied
3. Commercial harm
4. The importance of freedom of expression
6 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
INDIA
7 Parody of Musical Composition
 The fair use of copyrighted works for purposes such as criticism or
comment is not an infringement of copyright.
 But, In the case of a parody, it is not just copyright law which could
come into play but also tort law and general criminal law, including
the law of defamation, depending on content of the parody. 
 Parodies are neither explicitly allowed nor disallowed under the
Copyright Act. In the case of Civic Chandran, [1996 PTR 142], the
Kerala High Court had held that a ‘counter drama’ of a play — which,
from the decision, appears to have been in the nature of a parody —
did not infringe the copyright in the play. However, there is no body
of case law in India allowing parodies across the board.
 Indian case of RG Anand v. M/s Deluxe Films, 1978, the Supreme Court
had stated that: ‘Where the theme is the same but is presented and
treated differently so that the subsequent work becomes a completely
new work, no question of violation of copyright arises.’
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
INDIA
8 Parody of Musical Composition
 Section 52(1)(a) of the Copyright Act, which Section allows for
persons to engage in fair dealing with a work for certain specified
purposes (like criticism and review) without the permission of the
rights owner.
 Section 107 of the Copyright Act delineates a nonexclusive list of four
factors to assist courts in determining whether a given use of a
copyrighted work is fair. The factors include: 1. The purpose and
character of the use, including whether such use is of a commercial
nature or is for nonprofit educational purposes; 2. The nature of the
copyrighted work; 3. The amount and substantiality of the portion
used in relation to the copyrighted work as a whole; and 4. The effect
of the use upon the potential market for or value of the copyrighted
work
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
• There are other forms of Fair use of musical
composition like:
Mashup
Soramimi
Parody
Pastiche
Victorian burlesque
Comedy rock
Composer tributes (classical music)
9 Parody of Musical Composition
OTHER FORMS OF FAIR USE
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
 Open the links to see the different kind of parody
 BRUNO MARS- UPTOWN FUNK PARODY
 https://www.youtube.com/watch?v=OPf0YbXqDm0
 https://www.youtube.com/watch?v=sNK2qwx99Hc
 GANGNAM STYLE PARODY
 https://www.youtube.com/watch?v=9bZkp7q19f0
 https://www.youtube.com/watch?v=dg5LQwpTk1w
 TWINKLE TWINKLE LITTLE STAR
 https://www.youtube.com/watch?v=Rj2QkLaaj2E
 https://www.youtube.com/watch?v=T_XpbmWm0NI
EXAMPLES OF PARODY
10 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
Now the question is whether Parody amounts to plagarism
1. Two important aspects to keep in mind when comparing
plagiarism to parody are ownership and imitation. In the
instance of plagiarism, one artist has taken the work of
another artist and written his own name on it, thus
attempting to pass someone else’s work as his own. The
two works are identical except when considering who
“owns” them. In the instance of parody, one artist has
created a product based on another artist’s work but has
ridiculed or commented on aspects of it in such a way as
to make both creations separate products. The parody
imitates the original but does not copy it exactly.
11 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
WHY IS PARODY ALLOWED?
A parody is a work that ridicules another, usually
well-known work, by imitating it in a comic
way. Judges understand that, by its nature,
parody demands some taking from the original
work being parodied. Unlike other forms of fair
use, a fairly extensive use of the original work is
permitted in a parody in order to “conjure up”
the original.
12 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
ConClusion
 Bottom line: Courts (and lawyers!) often struggle in
parody cases to determine whether to classify as fair
use (no permission needed) or a derivative work
(permission needed) by using multi-factor balancing
tests. There are no bright line rules here so proceed
with caution.
 The fair use of copyrighted works for purposes such
as criticism or comment is not an infringement of
copyright.
13 Parody of Musical Composition
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
14
Parody of Musical Composition

*This is also a meme parody, the original quote being
“one does not simple walk into mordor” in Lord of the
rings.
CHENNAI
3rd Floor, ‘Creative Enclave’,
148-150, Luz Church Road,
Mylapore,
Chennai - 600 004.
Tel: +91 - 44 - 2498 4821
BANGALORE
Suite 920, Level 9,
Raheja Towers,
26-27, M G Road,
Bangalore - 560 001.
Tel: +91 - 80 - 6546 2400
COIMBATORE
#1533, Trichy Road,
Coimbatore – 641018.
Tel: +91 - 422 - 6552921
HYDERABAD
Suite 132 & 133,
Level 1, Midtown,
Road No 1, Banjara Hills,
Hyderabad - 500034.
Tel: +91 - 40 - 6050 6009
EMAIL
info@altacit.com
WEBSITE
www.altacit.com
DisClAiMER
Any copyr ight ed mat erial in t his
pr esent at ion is used in f air use f or t he
pur pose of st udy, review or cr it ical
analysis only, and will be r emoved at t he
r equest of t he copyr ight owner (s).
15 Parody of Musical Composition

Contenu connexe

Tendances

Parliamentary privilege in india
Parliamentary privilege in indiaParliamentary privilege in india
Parliamentary privilege in india
Altacit Global
 
Legal action agaisnt credit card defaulters
Legal action agaisnt credit card defaultersLegal action agaisnt credit card defaulters
Legal action agaisnt credit card defaulters
Altacit Global
 

Tendances (20)

Will and codicils
Will and codicilsWill and codicils
Will and codicils
 
Visa indian context
Visa indian contextVisa indian context
Visa indian context
 
Mohenjodaro plagiarism case
Mohenjodaro plagiarism caseMohenjodaro plagiarism case
Mohenjodaro plagiarism case
 
Anti defection laws
Anti defection lawsAnti defection laws
Anti defection laws
 
Medical negligence in sports
Medical negligence in sportsMedical negligence in sports
Medical negligence in sports
 
Savelife foundation and; anr vs union of india and anr
Savelife foundation and; anr vs union of india and anrSavelife foundation and; anr vs union of india and anr
Savelife foundation and; anr vs union of india and anr
 
Patentability of graphical user interface designs
Patentability of graphical user interface designsPatentability of graphical user interface designs
Patentability of graphical user interface designs
 
Trademarking hashtags
Trademarking hashtagsTrademarking hashtags
Trademarking hashtags
 
Violation of duty of disclosure in patents
Violation of duty of disclosure in patentsViolation of duty of disclosure in patents
Violation of duty of disclosure in patents
 
Hate speech laws in india
Hate speech laws in indiaHate speech laws in india
Hate speech laws in india
 
Accounts payable and receivable introductions
Accounts payable and receivable introductionsAccounts payable and receivable introductions
Accounts payable and receivable introductions
 
Parliamentary privilege in india
Parliamentary privilege in indiaParliamentary privilege in india
Parliamentary privilege in india
 
Insolvency and bankruptcy code 2016
Insolvency and bankruptcy code 2016Insolvency and bankruptcy code 2016
Insolvency and bankruptcy code 2016
 
Anticipatory bail
Anticipatory bailAnticipatory bail
Anticipatory bail
 
Nation wants to know conundrum
Nation wants to know conundrumNation wants to know conundrum
Nation wants to know conundrum
 
Child labour in india
Child labour in indiaChild labour in india
Child labour in india
 
Ag domestic violence
Ag domestic violenceAg domestic violence
Ag domestic violence
 
Legal action agaisnt credit card defaulters
Legal action agaisnt credit card defaultersLegal action agaisnt credit card defaulters
Legal action agaisnt credit card defaulters
 
Insolvency & Bankruptcy code 2016
Insolvency & Bankruptcy code 2016Insolvency & Bankruptcy code 2016
Insolvency & Bankruptcy code 2016
 
List & sort
List & sortList & sort
List & sort
 

Similaire à Parody of musical composition

Evolution of right to freedom of speech and expression
Evolution of right to freedom of speech and expressionEvolution of right to freedom of speech and expression
Evolution of right to freedom of speech and expression
Altacit Global
 
Compulsory licensing of music
Compulsory licensing of musicCompulsory licensing of music
Compulsory licensing of music
Altacit Global
 

Similaire à Parody of musical composition (20)

Copyleft
CopyleftCopyleft
Copyleft
 
Evolution of right to freedom of speech and expression
Evolution of right to freedom of speech and expressionEvolution of right to freedom of speech and expression
Evolution of right to freedom of speech and expression
 
Right to publicity & possible contracutal breach
Right to publicity & possible contracutal breachRight to publicity & possible contracutal breach
Right to publicity & possible contracutal breach
 
Cafe madras case
Cafe madras caseCafe madras case
Cafe madras case
 
Registration of tm in foreign languages
Registration of tm in foreign languagesRegistration of tm in foreign languages
Registration of tm in foreign languages
 
Ip & the business of sports management
Ip & the business of sports managementIp & the business of sports management
Ip & the business of sports management
 
Doctrine of originality copyright
Doctrine of originality copyrightDoctrine of originality copyright
Doctrine of originality copyright
 
Copyright in performance
Copyright in performanceCopyright in performance
Copyright in performance
 
Pokemon go and right to panorama
Pokemon go and right to panoramaPokemon go and right to panorama
Pokemon go and right to panorama
 
Compulsory licensing of music
Compulsory licensing of musicCompulsory licensing of music
Compulsory licensing of music
 
Times now case
Times now caseTimes now case
Times now case
 
Overlap between copyright & trademark
Overlap between copyright & trademarkOverlap between copyright & trademark
Overlap between copyright & trademark
 
Critical analysis of the surrogacy bill
Critical analysis of the surrogacy billCritical analysis of the surrogacy bill
Critical analysis of the surrogacy bill
 
Trademarking emotions
Trademarking emotionsTrademarking emotions
Trademarking emotions
 
Trademarking emotions
Trademarking emotionsTrademarking emotions
Trademarking emotions
 
Colour as a pharmaceutical trade dress
Colour as a pharmaceutical trade dressColour as a pharmaceutical trade dress
Colour as a pharmaceutical trade dress
 
Protection for yoga under ip laws
Protection for yoga under ip lawsProtection for yoga under ip laws
Protection for yoga under ip laws
 
WIPO
WIPOWIPO
WIPO
 
Dabur india vs_rajeshkumar
Dabur india vs_rajeshkumarDabur india vs_rajeshkumar
Dabur india vs_rajeshkumar
 
Copyright society
Copyright societyCopyright society
Copyright society
 

Plus de Altacit Global

Plus de Altacit Global (20)

Unmanned aircraft system rules, 2020
Unmanned aircraft system rules, 2020Unmanned aircraft system rules, 2020
Unmanned aircraft system rules, 2020
 
Sexual harassment during work from home
Sexual harassment during work from homeSexual harassment during work from home
Sexual harassment during work from home
 
Information technology guidelines for intermediaries and digital media ethics...
Information technology guidelines for intermediaries and digital media ethics...Information technology guidelines for intermediaries and digital media ethics...
Information technology guidelines for intermediaries and digital media ethics...
 
Returns and refunds consumer protection act
Returns and refunds  consumer protection actReturns and refunds  consumer protection act
Returns and refunds consumer protection act
 
Rights of an unborn child
Rights of an unborn childRights of an unborn child
Rights of an unborn child
 
Grounds for divorce in India
Grounds for divorce in IndiaGrounds for divorce in India
Grounds for divorce in India
 
Alimony laws in India
Alimony laws in IndiaAlimony laws in India
Alimony laws in India
 
Patent licensing
Patent licensingPatent licensing
Patent licensing
 
Surrogacy laws-in-India
Surrogacy laws-in-IndiaSurrogacy laws-in-India
Surrogacy laws-in-India
 
I r s form w-9
I r s form w-9I r s form w-9
I r s form w-9
 
Tamilnadu regulation of rights and responsibilities of landlords and tenants ...
Tamilnadu regulation of rights and responsibilities of landlords and tenants ...Tamilnadu regulation of rights and responsibilities of landlords and tenants ...
Tamilnadu regulation of rights and responsibilities of landlords and tenants ...
 
Requirements for operation of civil remotely piloted aircraft system
Requirements for operation of civil remotely piloted aircraft systemRequirements for operation of civil remotely piloted aircraft system
Requirements for operation of civil remotely piloted aircraft system
 
Rights of employees under insolvent companies
Rights of employees under insolvent companiesRights of employees under insolvent companies
Rights of employees under insolvent companies
 
Restoration of lapsed patents in India
Restoration of lapsed patents in IndiaRestoration of lapsed patents in India
Restoration of lapsed patents in India
 
Celebrity rights in India
Celebrity rights in IndiaCelebrity rights in India
Celebrity rights in India
 
Technology Development Board
Technology Development BoardTechnology Development Board
Technology Development Board
 
Motor accident mediation authority (MAMA)
Motor accident mediation authority (MAMA)Motor accident mediation authority (MAMA)
Motor accident mediation authority (MAMA)
 
Sebi (prohibition of insider trading) regulations, 2015
Sebi (prohibition of insider trading) regulations, 2015Sebi (prohibition of insider trading) regulations, 2015
Sebi (prohibition of insider trading) regulations, 2015
 
Legality of cryptocurrency in India
Legality of cryptocurrency in IndiaLegality of cryptocurrency in India
Legality of cryptocurrency in India
 
Hague apositille convention
Hague apositille conventionHague apositille convention
Hague apositille convention
 

Dernier

一比一原版(UC毕业证书)堪培拉大学毕业证如何办理
一比一原版(UC毕业证书)堪培拉大学毕业证如何办理一比一原版(UC毕业证书)堪培拉大学毕业证如何办理
一比一原版(UC毕业证书)堪培拉大学毕业证如何办理
bd2c5966a56d
 
一比一原版赫瑞瓦特大学毕业证如何办理
一比一原版赫瑞瓦特大学毕业证如何办理一比一原版赫瑞瓦特大学毕业证如何办理
一比一原版赫瑞瓦特大学毕业证如何办理
Airst S
 
Code_Ethics of_Mechanical_Engineering.ppt
Code_Ethics of_Mechanical_Engineering.pptCode_Ethics of_Mechanical_Engineering.ppt
Code_Ethics of_Mechanical_Engineering.ppt
JosephCanama
 
一比一原版伦敦南岸大学毕业证如何办理
一比一原版伦敦南岸大学毕业证如何办理一比一原版伦敦南岸大学毕业证如何办理
一比一原版伦敦南岸大学毕业证如何办理
Airst S
 
COPYRIGHTS - PPT 01.12.2023 part- 2.pptx
COPYRIGHTS - PPT 01.12.2023 part- 2.pptxCOPYRIGHTS - PPT 01.12.2023 part- 2.pptx
COPYRIGHTS - PPT 01.12.2023 part- 2.pptx
RRR Chambers
 
Appeal and Revision in Income Tax Act.pdf
Appeal and Revision in Income Tax Act.pdfAppeal and Revision in Income Tax Act.pdf
Appeal and Revision in Income Tax Act.pdf
PoojaGadiya1
 
一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理
一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理
一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理
bd2c5966a56d
 
一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理
一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理
一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理
Airst S
 

Dernier (20)

Presentation on Corporate SOCIAL RESPONSIBILITY- PPT.pptx
Presentation on Corporate SOCIAL RESPONSIBILITY- PPT.pptxPresentation on Corporate SOCIAL RESPONSIBILITY- PPT.pptx
Presentation on Corporate SOCIAL RESPONSIBILITY- PPT.pptx
 
一比一原版(UC毕业证书)堪培拉大学毕业证如何办理
一比一原版(UC毕业证书)堪培拉大学毕业证如何办理一比一原版(UC毕业证书)堪培拉大学毕业证如何办理
一比一原版(UC毕业证书)堪培拉大学毕业证如何办理
 
KEY NOTE- IBC(INSOLVENCY & BANKRUPTCY CODE) DESIGN- PPT.pptx
KEY NOTE- IBC(INSOLVENCY & BANKRUPTCY CODE) DESIGN- PPT.pptxKEY NOTE- IBC(INSOLVENCY & BANKRUPTCY CODE) DESIGN- PPT.pptx
KEY NOTE- IBC(INSOLVENCY & BANKRUPTCY CODE) DESIGN- PPT.pptx
 
一比一原版赫瑞瓦特大学毕业证如何办理
一比一原版赫瑞瓦特大学毕业证如何办理一比一原版赫瑞瓦特大学毕业证如何办理
一比一原版赫瑞瓦特大学毕业证如何办理
 
Code_Ethics of_Mechanical_Engineering.ppt
Code_Ethics of_Mechanical_Engineering.pptCode_Ethics of_Mechanical_Engineering.ppt
Code_Ethics of_Mechanical_Engineering.ppt
 
Municipal-Council-Ratlam-vs-Vardi-Chand-A-Landmark-Writ-Case.pptx
Municipal-Council-Ratlam-vs-Vardi-Chand-A-Landmark-Writ-Case.pptxMunicipal-Council-Ratlam-vs-Vardi-Chand-A-Landmark-Writ-Case.pptx
Municipal-Council-Ratlam-vs-Vardi-Chand-A-Landmark-Writ-Case.pptx
 
LITERAL RULE OF INTERPRETATION - PRIMARY RULE
LITERAL RULE OF INTERPRETATION - PRIMARY RULELITERAL RULE OF INTERPRETATION - PRIMARY RULE
LITERAL RULE OF INTERPRETATION - PRIMARY RULE
 
一比一原版伦敦南岸大学毕业证如何办理
一比一原版伦敦南岸大学毕业证如何办理一比一原版伦敦南岸大学毕业证如何办理
一比一原版伦敦南岸大学毕业证如何办理
 
The doctrine of harmonious construction under Interpretation of statute
The doctrine of harmonious construction under Interpretation of statuteThe doctrine of harmonious construction under Interpretation of statute
The doctrine of harmonious construction under Interpretation of statute
 
Jim Eiberger Redacted Copy Of Tenant Lease.pdf
Jim Eiberger Redacted Copy Of Tenant Lease.pdfJim Eiberger Redacted Copy Of Tenant Lease.pdf
Jim Eiberger Redacted Copy Of Tenant Lease.pdf
 
ARTICLE 370 PDF about the indian constitution.
ARTICLE 370 PDF about the  indian constitution.ARTICLE 370 PDF about the  indian constitution.
ARTICLE 370 PDF about the indian constitution.
 
Hely-Hutchinson v. Brayhead Ltd .pdf
Hely-Hutchinson v. Brayhead Ltd         .pdfHely-Hutchinson v. Brayhead Ltd         .pdf
Hely-Hutchinson v. Brayhead Ltd .pdf
 
IBC (Insolvency and Bankruptcy Code 2016)-IOD - PPT.pptx
IBC (Insolvency and Bankruptcy Code 2016)-IOD - PPT.pptxIBC (Insolvency and Bankruptcy Code 2016)-IOD - PPT.pptx
IBC (Insolvency and Bankruptcy Code 2016)-IOD - PPT.pptx
 
COPYRIGHTS - PPT 01.12.2023 part- 2.pptx
COPYRIGHTS - PPT 01.12.2023 part- 2.pptxCOPYRIGHTS - PPT 01.12.2023 part- 2.pptx
COPYRIGHTS - PPT 01.12.2023 part- 2.pptx
 
WhatsApp 📞 8448380779 ✅Call Girls In Nangli Wazidpur Sector 135 ( Noida)
WhatsApp 📞 8448380779 ✅Call Girls In Nangli Wazidpur Sector 135 ( Noida)WhatsApp 📞 8448380779 ✅Call Girls In Nangli Wazidpur Sector 135 ( Noida)
WhatsApp 📞 8448380779 ✅Call Girls In Nangli Wazidpur Sector 135 ( Noida)
 
Appeal and Revision in Income Tax Act.pdf
Appeal and Revision in Income Tax Act.pdfAppeal and Revision in Income Tax Act.pdf
Appeal and Revision in Income Tax Act.pdf
 
The Active Management Value Ratio: The New Science of Benchmarking Investment...
The Active Management Value Ratio: The New Science of Benchmarking Investment...The Active Management Value Ratio: The New Science of Benchmarking Investment...
The Active Management Value Ratio: The New Science of Benchmarking Investment...
 
一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理
一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理
一比一原版(QUT毕业证书)昆士兰科技大学毕业证如何办理
 
一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理
一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理
一比一原版(JCU毕业证书)詹姆斯库克大学毕业证如何办理
 
Relationship Between International Law and Municipal Law MIR.pdf
Relationship Between International Law and Municipal Law MIR.pdfRelationship Between International Law and Municipal Law MIR.pdf
Relationship Between International Law and Municipal Law MIR.pdf
 

Parody of musical composition

  • 1. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com PARODY OF MUSICAL COMPOSITION S. Hari Vallabie 1 Parody of Musical Composition
  • 2. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com What is Copyright? Copyright is the ownership of an intellectual property within the limits prescribed by a particular nation's or international law. It is a legal right created by the law of a country that grants the creator of an original work exclusive rights  for its use and distribution. The exclusive rights include :- Reproducing the work. To Prepare derivative works based on the work. Distribute copies of the work to the public2 Parody of Musical Composition
  • 3. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com What is Copyright Infringement What is Parody? Parody has been defined as "writing in which the language and style of [another] author or work is closely imitated for comic effect or ridicule, often with certain peculiarities greatly heightened or exaggerated."' Parody is “the humorous use of an existing song, play, or writing which changes the words to give farcical and ironic meaning.” Usually its common to give a satirical meaning. Parody has long been a viable part of entertainment. It allows for comment, criticism, and humor of an existing work.  Comedy sketches poking fun at an existing TV show or a popular song have proved to be important forms of art.3 Parody of Musical Composition
  • 4. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com IS PARODY ALLOWED? 4 Parody of Musical Composition Under Federal Copyright law, the owner of a copyright has certain exclusive rights to the use of their copyrighted works, including the right to make derivative works - works that are based upon or use elements of the original, but incorporate new elements or changes. One exception to this exclusive right has been the right of others to use part of the work for purposes of criticism, comment, news reporting, teaching, scholarship or research which would be considered a "fair use." Such fair use has traditionally included the right to parody or satirize the original work as such use has a public benefit of comment and criticism, and because the parody, generally, does not compete with the original, as it appeals to a different audience.
  • 5. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com DOCTRI NE OF FAI R USE 5 Parody of Musical Composition The doctrine of fair use developed over the years as courts tried to balance the rights of copyright owners with society's interest in allowing copying in certain, limited circumstances. This doctrine has at its core a fundamental belief that not all copying should be banned, particularly in socially important endeavors such as criticism, news reporting, teaching, and research. the Fair Use Doctrine provides a way for someone to use a copyrighted work—such as a photograph, song, or film clip—without having to obtain the copyright owner’s permission first, and without getting in trouble for copyright infringement. The most common types of Fair Use involve criticism or commentary [Campbell v. Acuff-Rose Music, Inc.]
  • 6. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com UK The concept of Parody has been in existence from the 14th century and its not a new one. And the very purpose of having a media is entertainment. UK Copyright Law, implementing the EU  Copyright Directive, provides an exception to copyright ‘for the purposes of caricature, parody or pastiche’. This means that in principle it is possible to create parodies that re-use works protected by copyright without having to obtain permission from the rightsholders. However, it is important to note that the use of copyright works for parody purposes is only allowed insofar as it can be considered ‘fair dealing’.  However, the UK court lays down certain principles while following the same: 1. Permission should be sought when possible 2. Consider the substance of work copied 3. Commercial harm 4. The importance of freedom of expression 6 Parody of Musical Composition
  • 7. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com INDIA 7 Parody of Musical Composition  The fair use of copyrighted works for purposes such as criticism or comment is not an infringement of copyright.  But, In the case of a parody, it is not just copyright law which could come into play but also tort law and general criminal law, including the law of defamation, depending on content of the parody.   Parodies are neither explicitly allowed nor disallowed under the Copyright Act. In the case of Civic Chandran, [1996 PTR 142], the Kerala High Court had held that a ‘counter drama’ of a play — which, from the decision, appears to have been in the nature of a parody — did not infringe the copyright in the play. However, there is no body of case law in India allowing parodies across the board.  Indian case of RG Anand v. M/s Deluxe Films, 1978, the Supreme Court had stated that: ‘Where the theme is the same but is presented and treated differently so that the subsequent work becomes a completely new work, no question of violation of copyright arises.’
  • 8. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com INDIA 8 Parody of Musical Composition  Section 52(1)(a) of the Copyright Act, which Section allows for persons to engage in fair dealing with a work for certain specified purposes (like criticism and review) without the permission of the rights owner.  Section 107 of the Copyright Act delineates a nonexclusive list of four factors to assist courts in determining whether a given use of a copyrighted work is fair. The factors include: 1. The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2. The nature of the copyrighted work; 3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole; and 4. The effect of the use upon the potential market for or value of the copyrighted work
  • 9. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com • There are other forms of Fair use of musical composition like: Mashup Soramimi Parody Pastiche Victorian burlesque Comedy rock Composer tributes (classical music) 9 Parody of Musical Composition OTHER FORMS OF FAIR USE
  • 10. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com  Open the links to see the different kind of parody  BRUNO MARS- UPTOWN FUNK PARODY  https://www.youtube.com/watch?v=OPf0YbXqDm0  https://www.youtube.com/watch?v=sNK2qwx99Hc  GANGNAM STYLE PARODY  https://www.youtube.com/watch?v=9bZkp7q19f0  https://www.youtube.com/watch?v=dg5LQwpTk1w  TWINKLE TWINKLE LITTLE STAR  https://www.youtube.com/watch?v=Rj2QkLaaj2E  https://www.youtube.com/watch?v=T_XpbmWm0NI EXAMPLES OF PARODY 10 Parody of Musical Composition
  • 11. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com Now the question is whether Parody amounts to plagarism 1. Two important aspects to keep in mind when comparing plagiarism to parody are ownership and imitation. In the instance of plagiarism, one artist has taken the work of another artist and written his own name on it, thus attempting to pass someone else’s work as his own. The two works are identical except when considering who “owns” them. In the instance of parody, one artist has created a product based on another artist’s work but has ridiculed or commented on aspects of it in such a way as to make both creations separate products. The parody imitates the original but does not copy it exactly. 11 Parody of Musical Composition
  • 12. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com WHY IS PARODY ALLOWED? A parody is a work that ridicules another, usually well-known work, by imitating it in a comic way. Judges understand that, by its nature, parody demands some taking from the original work being parodied. Unlike other forms of fair use, a fairly extensive use of the original work is permitted in a parody in order to “conjure up” the original. 12 Parody of Musical Composition
  • 13. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com ConClusion  Bottom line: Courts (and lawyers!) often struggle in parody cases to determine whether to classify as fair use (no permission needed) or a derivative work (permission needed) by using multi-factor balancing tests. There are no bright line rules here so proceed with caution.  The fair use of copyrighted works for purposes such as criticism or comment is not an infringement of copyright. 13 Parody of Musical Composition
  • 14. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com 14 Parody of Musical Composition  *This is also a meme parody, the original quote being “one does not simple walk into mordor” in Lord of the rings.
  • 15. CHENNAI 3rd Floor, ‘Creative Enclave’, 148-150, Luz Church Road, Mylapore, Chennai - 600 004. Tel: +91 - 44 - 2498 4821 BANGALORE Suite 920, Level 9, Raheja Towers, 26-27, M G Road, Bangalore - 560 001. Tel: +91 - 80 - 6546 2400 COIMBATORE #1533, Trichy Road, Coimbatore – 641018. Tel: +91 - 422 - 6552921 HYDERABAD Suite 132 & 133, Level 1, Midtown, Road No 1, Banjara Hills, Hyderabad - 500034. Tel: +91 - 40 - 6050 6009 EMAIL info@altacit.com WEBSITE www.altacit.com DisClAiMER Any copyr ight ed mat erial in t his pr esent at ion is used in f air use f or t he pur pose of st udy, review or cr it ical analysis only, and will be r emoved at t he r equest of t he copyr ight owner (s). 15 Parody of Musical Composition