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Early Medieval Art Roman influence largely lost in era of mass migrations
[object Object],[object Object],[object Object],[object Object],[object Object],Early Medieval Europe 7th and 8th Century Late 8th century, Charlemagne will unite and stabilize
Time Period:  500 - 1050 Germany 10th-early 11th Ottonian Art France, Germany 8th-9th century Charlemagne Carolingian Art Scandinavia (traveled to Brit) 8th - 11th century Viking Art British Isles 6th - 8th  cent. Hiberno Saxon Place Time Civilization/art
Early Medieval Painting ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Page with Man, Gospel of St. Matthew, Gospel Book of Durrow, 7th century, Scotland/N. Englane
Hiberno Saxon Art ,[object Object],[object Object],[object Object],[object Object],[object Object],6th century Eagle Brooch
Chi Rho Iota,  page from  The Book of Kells flashcard Oxgall inks & pigments on vellum, 12” x 9” Late 8th or early 9th century, Hiberno-Saxon period Monks fleeing Viking invasion of Scotland made this book Lavish, richly illustrated book with great complexity of design Horror vacui style  of interlacing patterns Initials are dominant motifs Heads & figures of people & animals appear in elaborate design What does Chi Rho Iota mean?
Can you find the animals with the  Communion wafer?
Where else do we see  horror vacui  styles? ? ? ?
Horror Vacui anyone?
Purse Cover  from Sutton Hoo Ship Burial, 600 CE, cloissone gold, garnet, enamels Hiberno-Saxon period;  flashcard . Sutton Hoo ship burial, of a major king or hero; Purse cover designs survive (ivory backing disintegrated). Animal Style hawks attacking ducks. Interlacing patterns of ornamental designs.  Cloissonne technique (enamelwork-colored areas sep. by bronze)
Viking Art ,[object Object],[object Object],[object Object],[object Object],[object Object],10th century  Rune Stones  ordered by King Harald Bluetooth
Viking ships were used both for transport, raids, and burials - 200 miles per day Ship symbolized dead warrior’s journey to Valhalla (heaven) Detail of Gripping Beasts from Oseberg Ship Date:  9th century Vikings traded, raided, explored, and colonized (todays) England, Scotland, France, and parts of Russia. Leif Ericcson reached North America.
Queen’s Ship , or  Oseberg Ship Burial  Wood, 815 CE, Viking burial ship from Oseberg  flashcard ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Carolingian Art - Charlemagne ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Equestrian Statue,  9th century, possibly Charlemagne- hierarchy of scale?
Carolingian Architecture ,[object Object],[object Object],[object Object],[object Object],[object Object],Abbey Church of Saint Riquier,  Carolingian interpretation of Roman basilica
Plan of the Abbey of St. Gall,  Original from 1092, (redrawn) Ideal monastic community Church symbolic and literal center Cloistered monks never leave except to farm Workshops for leather, pottery Carolingian church w/westwork Church was never built AFAIK
Palace Chapel of Charlemagne , 9th century, Aachen, Germany Odo of Metz (interior), Centrally planned chapel for Charlemagne; Dome made of spherical triangles.  Throne located in gallery halfway between heaven & earth Largest arches on 2nd floor, columns fill space, don’t support arch Design inspired by Church of San Vitale - Ravenna Italy. Byzantine syle mosaics. flashcard
Design inspired by Church of San Vitale on right
Matthew the Evangelist page from the Ebbo Gospels. Successor of Charlemagne, Louis the Pious… Ebbo was friend and patron of arts. Expressive intensity  Uses brush like a pen Created new style of writing Carolingians promoted learning & Christianity Imperial workshops-carefully edited texts RETURN OF THE HUMAN FIGURE in these books Each monastery had distinct style… Godelscalc, Ebbo, Etc. Influence on figure??? (REVIVAL)
Lindau Gospels, outer cover Late 9th century, Carolingian period Gold with pearls, sapphires, emeralds & garnets Monastic workshop of Charlemagne’s grandson Became the cover of magnificently illustrated Lindau Gospels  Goldsmith technique = ________ Jesus in classical pose Carolingian empire ended when Vikings took over at end of 9th century.
Ottonian Art & Architecture ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Church of St. Cyriakis, Belgium
Doors of Bishop Bernward, Church of St. Michael, 11th century Germany (Ottonian) 16’6” high, bronze doors FIRST Bronze major casing since antiquity, style looks like Utrecht Psalter Imperial influence: Pantheon, Aachen had bronze doors w/o decoration Rectangular panels with few figures, bare landscapes, lively gestures Bony figures, vitality and lively Emphasis on feet, hands, heads flashcard
Diagram of the Doors of Bishop Bernward
Gero Crucifix, Cologne Cathedral Ottonian period (10th century) Painted & gilded wood 6’2” figure Return of large monumental sculpture Emotional suffering Rounded forms Hanging from a cross for the first time!!!!!! flashcard
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Aachen Gospels of Otto III Page w/Christ washing the feet of his disciples Ink, gold, colors on vellum Early 11th century What influences do you see in the figures here?  The colors?
Emeterius & Ende, scribe Senior Page with the Bird and the  Serpent Islamic influence in Spanish art ART OF THE BOOK PROJECT!!!

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Earlymedievalart

  • 1. Early Medieval Art Roman influence largely lost in era of mass migrations
  • 2.
  • 3. Time Period: 500 - 1050 Germany 10th-early 11th Ottonian Art France, Germany 8th-9th century Charlemagne Carolingian Art Scandinavia (traveled to Brit) 8th - 11th century Viking Art British Isles 6th - 8th cent. Hiberno Saxon Place Time Civilization/art
  • 4.
  • 5.
  • 6. Chi Rho Iota, page from The Book of Kells flashcard Oxgall inks & pigments on vellum, 12” x 9” Late 8th or early 9th century, Hiberno-Saxon period Monks fleeing Viking invasion of Scotland made this book Lavish, richly illustrated book with great complexity of design Horror vacui style of interlacing patterns Initials are dominant motifs Heads & figures of people & animals appear in elaborate design What does Chi Rho Iota mean?
  • 7. Can you find the animals with the Communion wafer?
  • 8. Where else do we see horror vacui styles? ? ? ?
  • 10. Purse Cover from Sutton Hoo Ship Burial, 600 CE, cloissone gold, garnet, enamels Hiberno-Saxon period; flashcard . Sutton Hoo ship burial, of a major king or hero; Purse cover designs survive (ivory backing disintegrated). Animal Style hawks attacking ducks. Interlacing patterns of ornamental designs. Cloissonne technique (enamelwork-colored areas sep. by bronze)
  • 11.
  • 12. Viking ships were used both for transport, raids, and burials - 200 miles per day Ship symbolized dead warrior’s journey to Valhalla (heaven) Detail of Gripping Beasts from Oseberg Ship Date: 9th century Vikings traded, raided, explored, and colonized (todays) England, Scotland, France, and parts of Russia. Leif Ericcson reached North America.
  • 13.
  • 14.
  • 15.
  • 16. Plan of the Abbey of St. Gall, Original from 1092, (redrawn) Ideal monastic community Church symbolic and literal center Cloistered monks never leave except to farm Workshops for leather, pottery Carolingian church w/westwork Church was never built AFAIK
  • 17. Palace Chapel of Charlemagne , 9th century, Aachen, Germany Odo of Metz (interior), Centrally planned chapel for Charlemagne; Dome made of spherical triangles. Throne located in gallery halfway between heaven & earth Largest arches on 2nd floor, columns fill space, don’t support arch Design inspired by Church of San Vitale - Ravenna Italy. Byzantine syle mosaics. flashcard
  • 18. Design inspired by Church of San Vitale on right
  • 19. Matthew the Evangelist page from the Ebbo Gospels. Successor of Charlemagne, Louis the Pious… Ebbo was friend and patron of arts. Expressive intensity Uses brush like a pen Created new style of writing Carolingians promoted learning & Christianity Imperial workshops-carefully edited texts RETURN OF THE HUMAN FIGURE in these books Each monastery had distinct style… Godelscalc, Ebbo, Etc. Influence on figure??? (REVIVAL)
  • 20. Lindau Gospels, outer cover Late 9th century, Carolingian period Gold with pearls, sapphires, emeralds & garnets Monastic workshop of Charlemagne’s grandson Became the cover of magnificently illustrated Lindau Gospels Goldsmith technique = ________ Jesus in classical pose Carolingian empire ended when Vikings took over at end of 9th century.
  • 21.
  • 22. Doors of Bishop Bernward, Church of St. Michael, 11th century Germany (Ottonian) 16’6” high, bronze doors FIRST Bronze major casing since antiquity, style looks like Utrecht Psalter Imperial influence: Pantheon, Aachen had bronze doors w/o decoration Rectangular panels with few figures, bare landscapes, lively gestures Bony figures, vitality and lively Emphasis on feet, hands, heads flashcard
  • 23. Diagram of the Doors of Bishop Bernward
  • 24. Gero Crucifix, Cologne Cathedral Ottonian period (10th century) Painted & gilded wood 6’2” figure Return of large monumental sculpture Emotional suffering Rounded forms Hanging from a cross for the first time!!!!!! flashcard
  • 25.
  • 26. Aachen Gospels of Otto III Page w/Christ washing the feet of his disciples Ink, gold, colors on vellum Early 11th century What influences do you see in the figures here? The colors?
  • 27. Emeterius & Ende, scribe Senior Page with the Bird and the Serpent Islamic influence in Spanish art ART OF THE BOOK PROJECT!!!

Notes de l'éditeur

  1. Artist: n/a Title: Europe of the Early Middle Ages Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a
  2. Artist: n/a Title: Page with Man, Gospel of Saint Matthew , Gospel Book of Durrow, Medium: Ink and tempera on parchment Size: 9 ⅝ X 6 ⅛ " (24.4 X 15.5 cm) Date: Second half of 7th century Source/ Museum: Probably made at Iona, Scotland, or northern England, / The Board of Trinity College, Dublin. MS 57 fol, 21v.
  3. Artist: n/a Title: Chi Rho Iota page, Matt. 1:18 from the Book of Kells Medium: Oxgall inks and pigments on vellum Size: 12 ¾ X 9½" (325 X 24 cm) Date: Late 8th or early 9th century Source/ Museum: Probably made at Iona, Scotland / The Board of Trinity College, Dublin. MS 58, fol. 34r.
  4. Artist: n/a Title: Cats and Mice with Host. Detail of Chi Rho Iota page, Matt.1:18, Book of Kells Medium: Oxgall inks and pigments on vellum Size: 12 ¾ X 9½" (325 X 24 cm) Date: Late 8th or early 9th century Source/ Museum: Probably made at Iona, Scotland. / The Board of Trinity College, Dublin. MS 58, fol. 34r.
  5. Artist: n/a Title: Purse Cover, from the Sutton Hoo Burial Ship Medium: Cloisonné plaques of gold, garnet, and checked millefiore glass Size: length 8" (20.3 cm) Date: First half of 7th century Source/ Museum: Suffolk, England / The British Museum, London
  6. Artist: n/a Title: Gripping Beasts, detail of Oseberg Ship Medium: Wood Size: n/a Date: c. 815–20 Source/ Museum: Vikingskiphuset, Universitets Oldsaksamling, Oslo, Norway
  7. Artist: n/a Title: Queen’s Ship Medium: Wood Size: length 75' 6" (23 m) Date: c. 815–20; burial 834 Source/ Museum: Vikingskiphuset, Universitets Oldsaksamling,Oslo, Norway
  8. Artist: n/a Title: Plan of the Abbey of Saint Gall (Redrawn), c. 817. Original in red ink on parchment, 28 X 44 ⅛ " (71.1 X 112.1 Cm). Stiftsbibliothek, St. Gallen, Switzerland. Cod. Sang. 1092 Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a
  9. Artist: n/a Title: Palace Chapel of Charlemagne, interior view Medium: n/a Size: n/a Date: 792–805 Source/ Museum: Aachen (Aix-la-Chapelle), Germany
  10. Artist: n/a Title: Palace Chapel of Charlemagne, interior view Medium: n/a Size: n/a Date: 792–805 Source/ Museum: Aachen (Aix-la-Chapelle), Germany
  11. Artist: n/a Title: Page with Matthew the Evangelist , Gospel of Matthew, Ebbo Gospels Medium: Ink, gold, and colors on vellum Size: 10 ¼ X 8¾" (26 X 22.2 cm) Date: Second quarter of 9th century Source/ Museum: Bibliothèque Municipale, Épernay, France. MS 1, fol. 18v.
  12. Artist: n/a Title: Crucifixion with Angels and Mourning Figures, outer cover, Lindau Gospels Medium: Gold, pearls, sapphires, garnets, and emeralds Size: 13¾ X 10 ⅜ " (36.9 X 26.7 cm) Date: c. 870–80 Source/ Museum: The Pierpont Morgan Library, New York. MS 1
  13. Artist: n/a Title: Doors of Bishop Bernward Medium: Bronze Size: height 16' 6" (5 m) Date: 1015 Source/ Museum: Made for the Abbey Church of Saint Michael, Hildesheim, Germany
  14. Artist: n/a Title: Schematic Diagram of the message of the Doors of Bishop Bernward of Hildesheim Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a
  15. Artist: n/a Title: Gero Crucifix Medium: Painted and gilded wood Size: height of figure 6'2" (1.88 m) Date: c. 970 Source/ Museum: Cologne Cathedral, Germany
  16. Artist: n/a Title: Page with Otto III Enthroned, Liuthar Gospels (Aachen Gospels) Medium: Ink, gold, and colors on vellum Size: 10 ⅞ X 8½" (27.9 X 21.8 m) Date: c. 996 Source/ Museum: Cathedral Treasury, Aachen
  17. Artist: n/a Title: Page with Christ Washing the Feet of His Disciples, Aachen Gospels of Otto III Medium: Ink, gold, and colors on vellum Size: approx. 8 X 6" (20.5 X 14.5 cm) Date: c. 1000 Source/ Museum: n/a
  18. Artist: Emeterius and Ende, with the scribe Senior Title: Page with Battle of the Bird and the Serpent, Commentary on the Apocalypse by Beatus and Commentary on Daniel by Jerome (Detail) Medium: Tempera on parchment Size: 15 ¾ X 10¼" (40 X 26 cm) Date: Completed July 6, 975 Source/ Museum: Made for Abbot Dominicus, probably at the Monastery of San Salvador at Tábara, León, Spain / Cathedral Library, Gerona, Spain. MS 7[11], fol. 18v.