SlideShare une entreprise Scribd logo
1  sur  34
By: Jaqueline Rosas
 Whitney Karow
        P.8
 It is the word order and sentence
 structure in a passage or poem.
 Designed to arrange words in a specific

  manner to create meaning.
 Poetry may use syntax to create emotional

  meaning or purpose.
 Shifts in the structure may also be altered to

  create an emphasis of a change.
 Sentence
fragments.

  Run on
Sentences.
Business: Syntax = as business makes up the
  economy, syntax structures the passage.
 The active voice in a passage is one that
  involves a subject acting (verb) upon the object.
Ex: The man feeds the dog.

 The passive voice is when the object becomes
  the subject.
Ex: The dog was fed by the man.
   The object in the active sentence switches as
    the subject of the passive sentence:

Active: The student read the book.

Passive: The book was read by the student.
   “You Act before you Pass the test”
   It is words or phrases used for repetition
    throughout a passage.
   Usually at the beginning of successive clauses,
    or multiple clauses after the other.
   Can be used to emphasize a point or add
    emotion in a passage.
    Example:
    “It was the best of times, it was the worst of times, it was the age of
    wisdom, it was the age of foolishness, it was the epoch of belief, it was
    the epoch of incredulity, it was the season of Light, it was the season of
    Darkness…”Tale of Two Cities.


    In this case, it emphasizes the past tense of “it was”, comparing
    and contrasting the atmosphere in the setting of the story.
   ANAPHORA

   In the word itself, the “A” is repeated between
    the letters, representing the clauses or phrases.
   It is the exchange of order between the noun
    and adjective in a sentence.
   It may be used to create dramatic focus, or
    emphasis on the content of the sentence.
   Used for euphony (Good sound) or rhythm.
   It is similar to inversion: change in the
    arrangement of words in a sentence.
 Example:
Original : “The tree is tall and old…”

Anastrophe: “Tall and old is the tree...”
    “ANASTROPHE is a CATASROPHE”
    Rearranges and causes dramatic effect
   It is the lack of conjunctions in a sentence or
    phrase.
   It is used to focus on the immediate message it
    tries to convey.

   Ex: “LIVE, LAUGH, LOVE”
   No “And, Or, But, As, However, Etc.”
   Straight-forward
ASYN/DETON[ATE]
       “As in/ Detonate”
*Creates a SUDDEN message
 It is when the first phrase is being reversed in
the second phrase of a sentence.

   It helps create a contradictory sentence to serve
    a new meaning.

   It rearranges the context of the sentence.
 Example:
 “Nations do not mistrust each other because
  they are armed, they are armed because they
  mistrust each other.”
Ronald Reagan
   CHIASMUS
   It is the reverse of words in the normal order,
    or syntax, of a sentence.
   The verb may come before the subject.
   It adds emphasis to the sentence.

   Ex: You will learn only when you study.
      Only when you study, will you learn.
INVERSION          INVERSE

       = REVERSE
   It is a sentence that contains additional
    information and may be long.
   Usually starts off with a predicate statement.
   May be used to create a narrative literature.
   Helps convey the main idea first.
  Example:
  "Halfway between West Egg and New York City
   sprawls a desolate plain, a gray valley where
   New York’s ashes are dumped." - The Great
   Gatsby
*It states what the story will be about, stating the
   setting and creating imagery.
   Loose sentence
   It flows freely, loose, not restrained.
   Technique in which words, phrases, or stanzas
    are used repeatedly.

   Causes emphasis to focus on the message.
   The tide rises, the tide falls,
    The twilight darkens, the curlew calls;
    Along the sea-sands damp and brown
    The traveler hastens toward the town,
    And the tide rises, the tide falls.
    Darkness settles on roofs and walls,
    But the sea, the sea in darkness calls;
    The little waves, with their soft, white hands
    Efface the footprints in the sands,
    And the tide rises, the tide falls.
    The morning breaks; the steeds in their stalls
    Stamp and neigh, as the hostler calls;
    The day returns, but nevermore
    Returns the traveler to the shore.
    And the tide rises, the tide falls.
   REPEAT
   The repetition of conjunctions in close
    succession.
   The opposite of asyndeton.

   Ex:   I said, "Who killed him?" and he said, "I don't know
          who killed him but he's dead all right," and it was
          dark and there was water standing in the
          street and no lights and windows broke and boats
          all up in the town and trees blown
          down and everything all blown and I got a
          skiff and went out and found my boat where I had
          her inside Mango Key and she was all right only she
          was full of water.
          —Ernest Hemingway, "After the Storm."
   POLY        MANY/MORE THAN ONE

   Syndeton        is a rhetorical term for a
    sentence style in which words, phrases, or
    clauses are joined by conjunctions.

   Which equals a repetition of conjunctions
   The running over of a sentence from one line,
    couplet, stanza to the next.

              Legend By GILLIAN CLARKE
                 The rooms were mirrors
                  for that luminous face,
               the morning windows ferned
                     with cold. Outside
                   a level world of snow.
                Voiceless birds in the trees
                  like notes in the books
                     in the piano stool.
              She let us suck top-of-the-milk
             burst from the bottles like corks.
   ENJAMBENT: “Overflowing”
   The words that end the same in lines, phrases,
    clauses, and sentences.

   EX: “We are born to sorrow,
      pass our time in sorrow,
       end our days in sorrow.
   EPISTROPHE
   A break or division in the middle of the line,
    phrase, or stanza.
   EXAMPLE:
   Sing a song of sixpence, || a pocket full of rye.
    Four and twenty blackbirds, || baked in a pie.
    When the pie was opened, || the birds began to sing;
    Wasn’t that a dainty dish, || to set before the king?
   The king was in his counting house, || counting out his money;
    The queen was in the parlour, || eating bread and honey.
    The maid was in the garden, || hanging out the clothes;
    When down came a blackbird || and pecked off her nose.
Resources of language whitney karow and jackie rosas

Contenu connexe

Tendances

Literary devices
Literary devicesLiterary devices
Literary devices
kiaallen
 
Onomatopoeia and Alliteration
Onomatopoeia and AlliterationOnomatopoeia and Alliteration
Onomatopoeia and Alliteration
lvaldez2
 
Mentor Texts Keynote
Mentor Texts KeynoteMentor Texts Keynote
Mentor Texts Keynote
Julie Wise
 
The Eagle and Other Poems
The Eagle and Other PoemsThe Eagle and Other Poems
The Eagle and Other Poems
Mohammed Raiyah
 
Hurricane hitsenglandbygracenichols 2
Hurricane hitsenglandbygracenichols 2Hurricane hitsenglandbygracenichols 2
Hurricane hitsenglandbygracenichols 2
knave26
 
Copy of similes and metaphors
Copy of similes and metaphorsCopy of similes and metaphors
Copy of similes and metaphors
Sadaf Walliyani
 

Tendances (20)

poetry
poetrypoetry
poetry
 
Eng9 figures of speech
Eng9 figures of speechEng9 figures of speech
Eng9 figures of speech
 
Literary devices
Literary devicesLiterary devices
Literary devices
 
Literary terms
Literary termsLiterary terms
Literary terms
 
LESSON PLAN IN ENGLISH
LESSON PLAN IN ENGLISHLESSON PLAN IN ENGLISH
LESSON PLAN IN ENGLISH
 
Onomatopoeia and Alliteration
Onomatopoeia and AlliterationOnomatopoeia and Alliteration
Onomatopoeia and Alliteration
 
Mentor Texts Keynote
Mentor Texts KeynoteMentor Texts Keynote
Mentor Texts Keynote
 
Poetic devices
Poetic devicesPoetic devices
Poetic devices
 
Literary Devices/ Figure of Speech
Literary Devices/ Figure of SpeechLiterary Devices/ Figure of Speech
Literary Devices/ Figure of Speech
 
The Eagle and Other Poems
The Eagle and Other PoemsThe Eagle and Other Poems
The Eagle and Other Poems
 
Figures of speech
Figures of speechFigures of speech
Figures of speech
 
Hurricane hitsenglandbygracenichols 2
Hurricane hitsenglandbygracenichols 2Hurricane hitsenglandbygracenichols 2
Hurricane hitsenglandbygracenichols 2
 
Figures of Speech
Figures of SpeechFigures of Speech
Figures of Speech
 
Writing tips
Writing tipsWriting tips
Writing tips
 
Hope is the thing with feathers - Emily Dickinson
Hope is the thing with feathers - Emily DickinsonHope is the thing with feathers - Emily Dickinson
Hope is the thing with feathers - Emily Dickinson
 
Psy dorfman2
Psy dorfman2Psy dorfman2
Psy dorfman2
 
Rhetorical Devices (Part 1)
Rhetorical Devices (Part 1)Rhetorical Devices (Part 1)
Rhetorical Devices (Part 1)
 
Coleman Ppt
Coleman PptColeman Ppt
Coleman Ppt
 
Copy of similes and metaphors
Copy of similes and metaphorsCopy of similes and metaphors
Copy of similes and metaphors
 
OCC GATE Workshop: BRUSH STROKES Main INTRO 2010 parts 3-6
OCC GATE Workshop: BRUSH STROKES Main INTRO 2010 parts 3-6OCC GATE Workshop: BRUSH STROKES Main INTRO 2010 parts 3-6
OCC GATE Workshop: BRUSH STROKES Main INTRO 2010 parts 3-6
 

Similaire à Resources of language whitney karow and jackie rosas

LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptxLITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
jonnapillas
 
Black Cowboy Wild Horses
Black Cowboy Wild HorsesBlack Cowboy Wild Horses
Black Cowboy Wild Horses
stellalindsey
 
Literary devices presentation
Literary devices presentationLiterary devices presentation
Literary devices presentation
Josannnekassie
 
Poetry and figurative language 2012
Poetry and figurative language 2012Poetry and figurative language 2012
Poetry and figurative language 2012
stewby_123
 
Poetry and figurative language
Poetry and figurative languagePoetry and figurative language
Poetry and figurative language
mmcminn
 
Poetic devices revision booklet for each student
Poetic devices revision booklet for each studentPoetic devices revision booklet for each student
Poetic devices revision booklet for each student
Jemma83
 
Figurative language
Figurative languageFigurative language
Figurative language
hpuengprof
 

Similaire à Resources of language whitney karow and jackie rosas (20)

4.-POETRY.pptx
4.-POETRY.pptx4.-POETRY.pptx
4.-POETRY.pptx
 
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptxLITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
 
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptxLITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
LITERARY GENRES, TRADITIONS, AND FORMS ACROSS THE WORLD - LESSON 2.pptx
 
Poetry
PoetryPoetry
Poetry
 
Black Cowboy Wild Horses
Black Cowboy Wild HorsesBlack Cowboy Wild Horses
Black Cowboy Wild Horses
 
Literary devices presentation
Literary devices presentationLiterary devices presentation
Literary devices presentation
 
Introduction to Poetry
Introduction to PoetryIntroduction to Poetry
Introduction to Poetry
 
Poetry and figurative language 2012
Poetry and figurative language 2012Poetry and figurative language 2012
Poetry and figurative language 2012
 
Rhetorical devices
Rhetorical devicesRhetorical devices
Rhetorical devices
 
Introduction to-poetry
Introduction to-poetryIntroduction to-poetry
Introduction to-poetry
 
Literary devices
Literary devicesLiterary devices
Literary devices
 
Poetic Devices.pptx
Poetic Devices.pptxPoetic Devices.pptx
Poetic Devices.pptx
 
Poetry in literature
Poetry in literature Poetry in literature
Poetry in literature
 
Introduction to literary forms
Introduction to literary formsIntroduction to literary forms
Introduction to literary forms
 
Week 1 introduction to poetry
Week 1 introduction to poetryWeek 1 introduction to poetry
Week 1 introduction to poetry
 
Poetry and figurative language
Poetry and figurative languagePoetry and figurative language
Poetry and figurative language
 
An introduction to poetry terms and types
An introduction to poetry terms and typesAn introduction to poetry terms and types
An introduction to poetry terms and types
 
Poetic devices revision booklet for each student
Poetic devices revision booklet for each studentPoetic devices revision booklet for each student
Poetic devices revision booklet for each student
 
Repetition (tool in stylistic)
Repetition (tool in stylistic)Repetition (tool in stylistic)
Repetition (tool in stylistic)
 
Figurative language
Figurative languageFigurative language
Figurative language
 

Plus de aplitper7

Poetic styles and forms
Poetic styles and formsPoetic styles and forms
Poetic styles and forms
aplitper7
 
Resources of language syntax
Resources of language syntaxResources of language syntax
Resources of language syntax
aplitper7
 
Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2
aplitper7
 
Casey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabalCasey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabal
aplitper7
 
Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2
aplitper7
 
Casey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabalCasey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabal
aplitper7
 
Resources of language syntax
Resources of language syntaxResources of language syntax
Resources of language syntax
aplitper7
 
Dylan & jennifer poetic structure
Dylan & jennifer poetic structureDylan & jennifer poetic structure
Dylan & jennifer poetic structure
aplitper7
 
Resources of language syntax
Resources of language syntaxResources of language syntax
Resources of language syntax
aplitper7
 
Presentation jenny eric emelie
Presentation jenny eric emeliePresentation jenny eric emelie
Presentation jenny eric emelie
aplitper7
 
Resources of language whitney karow and jackie rosas
Resources of language whitney karow and jackie rosasResources of language whitney karow and jackie rosas
Resources of language whitney karow and jackie rosas
aplitper7
 
Sylvia’s and rachel’s presentation
Sylvia’s and rachel’s presentationSylvia’s and rachel’s presentation
Sylvia’s and rachel’s presentation
aplitper7
 
Narrative Techniques & Other Literary Devices
Narrative Techniques & Other Literary DevicesNarrative Techniques & Other Literary Devices
Narrative Techniques & Other Literary Devices
aplitper7
 
Sara pace, krista taggart
Sara pace, krista taggartSara pace, krista taggart
Sara pace, krista taggart
aplitper7
 
Sound and Grammatical Devices
Sound and Grammatical Devices Sound and Grammatical Devices
Sound and Grammatical Devices
aplitper7
 
Ap Lit Vocabulary
Ap Lit VocabularyAp Lit Vocabulary
Ap Lit Vocabulary
aplitper7
 
Figurative Language
Figurative LanguageFigurative Language
Figurative Language
aplitper7
 
Sound Devices
Sound DevicesSound Devices
Sound Devices
aplitper7
 

Plus de aplitper7 (20)

Poetic styles and forms
Poetic styles and formsPoetic styles and forms
Poetic styles and forms
 
Resources of language syntax
Resources of language syntaxResources of language syntax
Resources of language syntax
 
Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2
 
Casey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabalCasey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabal
 
Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2Casey, pablo, clayton -part 2
Casey, pablo, clayton -part 2
 
Casey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabalCasey diehl, clayton fischer, pablo olazabal
Casey diehl, clayton fischer, pablo olazabal
 
Resources of language syntax
Resources of language syntaxResources of language syntax
Resources of language syntax
 
Dylan & jennifer poetic structure
Dylan & jennifer poetic structureDylan & jennifer poetic structure
Dylan & jennifer poetic structure
 
Resources of language syntax
Resources of language syntaxResources of language syntax
Resources of language syntax
 
Presentation jenny eric emelie
Presentation jenny eric emeliePresentation jenny eric emelie
Presentation jenny eric emelie
 
Resources of language whitney karow and jackie rosas
Resources of language whitney karow and jackie rosasResources of language whitney karow and jackie rosas
Resources of language whitney karow and jackie rosas
 
Sylvia’s and rachel’s presentation
Sylvia’s and rachel’s presentationSylvia’s and rachel’s presentation
Sylvia’s and rachel’s presentation
 
Narrative Techniques & Other Literary Devices
Narrative Techniques & Other Literary DevicesNarrative Techniques & Other Literary Devices
Narrative Techniques & Other Literary Devices
 
Sara pace, krista taggart
Sara pace, krista taggartSara pace, krista taggart
Sara pace, krista taggart
 
Sound and Grammatical Devices
Sound and Grammatical Devices Sound and Grammatical Devices
Sound and Grammatical Devices
 
Vocab
VocabVocab
Vocab
 
Tone Vocab
Tone VocabTone Vocab
Tone Vocab
 
Ap Lit Vocabulary
Ap Lit VocabularyAp Lit Vocabulary
Ap Lit Vocabulary
 
Figurative Language
Figurative LanguageFigurative Language
Figurative Language
 
Sound Devices
Sound DevicesSound Devices
Sound Devices
 

Dernier

Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Safe Software
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Safe Software
 

Dernier (20)

Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot TakeoffStrategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
 
MINDCTI Revenue Release Quarter One 2024
MINDCTI Revenue Release Quarter One 2024MINDCTI Revenue Release Quarter One 2024
MINDCTI Revenue Release Quarter One 2024
 
MS Copilot expands with MS Graph connectors
MS Copilot expands with MS Graph connectorsMS Copilot expands with MS Graph connectors
MS Copilot expands with MS Graph connectors
 
Emergent Methods: Multi-lingual narrative tracking in the news - real-time ex...
Emergent Methods: Multi-lingual narrative tracking in the news - real-time ex...Emergent Methods: Multi-lingual narrative tracking in the news - real-time ex...
Emergent Methods: Multi-lingual narrative tracking in the news - real-time ex...
 
"I see eyes in my soup": How Delivery Hero implemented the safety system for ...
"I see eyes in my soup": How Delivery Hero implemented the safety system for ..."I see eyes in my soup": How Delivery Hero implemented the safety system for ...
"I see eyes in my soup": How Delivery Hero implemented the safety system for ...
 
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
Navigating the Deluge_ Dubai Floods and the Resilience of Dubai International...
 
Rising Above_ Dubai Floods and the Fortitude of Dubai International Airport.pdf
Rising Above_ Dubai Floods and the Fortitude of Dubai International Airport.pdfRising Above_ Dubai Floods and the Fortitude of Dubai International Airport.pdf
Rising Above_ Dubai Floods and the Fortitude of Dubai International Airport.pdf
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
 
How to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected WorkerHow to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected Worker
 
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost SavingRepurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
 
CNIC Information System with Pakdata Cf In Pakistan
CNIC Information System with Pakdata Cf In PakistanCNIC Information System with Pakdata Cf In Pakistan
CNIC Information System with Pakdata Cf In Pakistan
 
Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...
 
AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024
 
AWS Community Day CPH - Three problems of Terraform
AWS Community Day CPH - Three problems of TerraformAWS Community Day CPH - Three problems of Terraform
AWS Community Day CPH - Three problems of Terraform
 
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
 
Artificial Intelligence Chap.5 : Uncertainty
Artificial Intelligence Chap.5 : UncertaintyArtificial Intelligence Chap.5 : Uncertainty
Artificial Intelligence Chap.5 : Uncertainty
 
presentation ICT roal in 21st century education
presentation ICT roal in 21st century educationpresentation ICT roal in 21st century education
presentation ICT roal in 21st century education
 
Ransomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdfRansomware_Q4_2023. The report. [EN].pdf
Ransomware_Q4_2023. The report. [EN].pdf
 
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, AdobeApidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
 

Resources of language whitney karow and jackie rosas

  • 1. By: Jaqueline Rosas Whitney Karow P.8
  • 2.  It is the word order and sentence structure in a passage or poem.  Designed to arrange words in a specific manner to create meaning.  Poetry may use syntax to create emotional meaning or purpose.  Shifts in the structure may also be altered to create an emphasis of a change.
  • 3.  Sentence fragments.  Run on Sentences.
  • 4. Business: Syntax = as business makes up the economy, syntax structures the passage.
  • 5.  The active voice in a passage is one that involves a subject acting (verb) upon the object. Ex: The man feeds the dog.  The passive voice is when the object becomes the subject. Ex: The dog was fed by the man.
  • 6. The object in the active sentence switches as the subject of the passive sentence: Active: The student read the book. Passive: The book was read by the student.
  • 7. “You Act before you Pass the test”
  • 8. It is words or phrases used for repetition throughout a passage.  Usually at the beginning of successive clauses, or multiple clauses after the other.  Can be used to emphasize a point or add emotion in a passage.
  • 9. Example: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness…”Tale of Two Cities. In this case, it emphasizes the past tense of “it was”, comparing and contrasting the atmosphere in the setting of the story.
  • 10. ANAPHORA  In the word itself, the “A” is repeated between the letters, representing the clauses or phrases.
  • 11. It is the exchange of order between the noun and adjective in a sentence.  It may be used to create dramatic focus, or emphasis on the content of the sentence.  Used for euphony (Good sound) or rhythm.  It is similar to inversion: change in the arrangement of words in a sentence.
  • 12.  Example: Original : “The tree is tall and old…” Anastrophe: “Tall and old is the tree...”
  • 13. “ANASTROPHE is a CATASROPHE” Rearranges and causes dramatic effect
  • 14. It is the lack of conjunctions in a sentence or phrase.  It is used to focus on the immediate message it tries to convey.  Ex: “LIVE, LAUGH, LOVE”  No “And, Or, But, As, However, Etc.”  Straight-forward
  • 15. ASYN/DETON[ATE] “As in/ Detonate” *Creates a SUDDEN message
  • 16.  It is when the first phrase is being reversed in the second phrase of a sentence.  It helps create a contradictory sentence to serve a new meaning.  It rearranges the context of the sentence.
  • 17.  Example: “Nations do not mistrust each other because they are armed, they are armed because they mistrust each other.” Ronald Reagan
  • 18. CHIASMUS
  • 19. It is the reverse of words in the normal order, or syntax, of a sentence.  The verb may come before the subject.  It adds emphasis to the sentence.  Ex: You will learn only when you study. Only when you study, will you learn.
  • 20. INVERSION INVERSE = REVERSE
  • 21. It is a sentence that contains additional information and may be long.  Usually starts off with a predicate statement.  May be used to create a narrative literature.  Helps convey the main idea first.
  • 22.  Example:  "Halfway between West Egg and New York City sprawls a desolate plain, a gray valley where New York’s ashes are dumped." - The Great Gatsby *It states what the story will be about, stating the setting and creating imagery.
  • 23. Loose sentence  It flows freely, loose, not restrained.
  • 24. Technique in which words, phrases, or stanzas are used repeatedly.  Causes emphasis to focus on the message.
  • 25. The tide rises, the tide falls, The twilight darkens, the curlew calls; Along the sea-sands damp and brown The traveler hastens toward the town, And the tide rises, the tide falls. Darkness settles on roofs and walls, But the sea, the sea in darkness calls; The little waves, with their soft, white hands Efface the footprints in the sands, And the tide rises, the tide falls. The morning breaks; the steeds in their stalls Stamp and neigh, as the hostler calls; The day returns, but nevermore Returns the traveler to the shore. And the tide rises, the tide falls.
  • 26. REPEAT
  • 27. The repetition of conjunctions in close succession.  The opposite of asyndeton.  Ex: I said, "Who killed him?" and he said, "I don't know who killed him but he's dead all right," and it was dark and there was water standing in the street and no lights and windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was all right only she was full of water. —Ernest Hemingway, "After the Storm."
  • 28. POLY MANY/MORE THAN ONE  Syndeton is a rhetorical term for a sentence style in which words, phrases, or clauses are joined by conjunctions.  Which equals a repetition of conjunctions
  • 29. The running over of a sentence from one line, couplet, stanza to the next. Legend By GILLIAN CLARKE The rooms were mirrors for that luminous face, the morning windows ferned with cold. Outside a level world of snow. Voiceless birds in the trees like notes in the books in the piano stool. She let us suck top-of-the-milk burst from the bottles like corks.
  • 30. ENJAMBENT: “Overflowing”
  • 31. The words that end the same in lines, phrases, clauses, and sentences.  EX: “We are born to sorrow, pass our time in sorrow, end our days in sorrow.
  • 32. EPISTROPHE
  • 33. A break or division in the middle of the line, phrase, or stanza.  EXAMPLE:  Sing a song of sixpence, || a pocket full of rye. Four and twenty blackbirds, || baked in a pie. When the pie was opened, || the birds began to sing; Wasn’t that a dainty dish, || to set before the king?  The king was in his counting house, || counting out his money; The queen was in the parlour, || eating bread and honey. The maid was in the garden, || hanging out the clothes; When down came a blackbird || and pecked off her nose.

Notes de l'éditeur

  1. dfdfdf