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Mid-Twentieth
Century and
Later
European and US Reactions
to WWII




―Hell is other people.‖ from Sartre’s
No Exit
In the last chapter we determined…

 War can be framed as a cleansing
 agent
 Optimism about social change can
 bring war
 But war with modern technology is
 devastating (flame throwers,
 poison gas)
     WWI  razes Europe
     WWI brings Europe to hysteria (Dada,
      Surrealism)
     The US responds to WWI with stoicism
Guiding Question(s)
 What are the emotional and psychological effects of
 modern warfare with modern technology?
 What do we seek (the US) after the trauma of War?
Guiding Historical Events
   1945-Hiroshima and Nagasaki
       The acute effects killed 90,000–166,000 people in Hiroshima and 60,000–80,000
        in Nagasaki
       In both cities, most of the dead were civilians
   The Cold War
       After WWII and into the early 1990s
       Characterized by an amped up disdain for Communism
   1945-1973 US involvement in Vietnam
       The US, feeling quite powerful after WWII, is involved in a drawn-out war, much
        of which is opposed by the US citizenry
       The US involvement comes indirectly out of the Cold War attitude to stamp out
        communism, but also out of a bravado of imperialism that seeks to establish
        democracy outside of the US
   1966-“The Pill”
       Oral contraceptives become widely available allowing women to choose when to
        be pregnant and not
       Also brings to cultural consciousness the fact that women are sexual beings
European
                                          Reactions
                                          Despair
                                          Atheism
                                          Self-Reliance




FRANCIS BACON (British), Painting, 1946
Reflections of European Reactions to
                 WWII:
              LITERATURE and PHILOSOPHY
 Jean-Paul     Sartre’s No
 Exit
    ―Torture‖ is the inability to    SimoneDebeauvoir’s
     live with who we are,            The Second Sex
    Characters in ―Hell‖              ―One  is not born, but rather
     because of the choices             becomes, a woman.‖
     they made                         A study of how women
                                        have BECOME
 Samuel Beckett’s                       From prehistory, through
 Waiting for Godot                        the mythological age, to
                                          contemporary times
    From the Theatre of the
     Absurd
    Contemplates what
                                                     Click on links to see videos
     makes life worth living—
     suicide is an option, but
US Reactions
                       Optimism
                       Prosperity in Consumerism
                       A sense of Uniqueness




ANDY WARHOL, Marilyn
Abstract
Expressionism
 Not philosophical like Kandinsky—primal
 An emphasis on the visual elements—an exploration of the
medium’s elements
 An image of the painter’s psyche, state of mind in order to
create emotional responses
Jackson Pollack’s Autumn
Rhythm, Number 30, 1950

                     Seeking   the
                     intuitive, the pure
                     (spiritualism
                     without God)

                     Action   Painting
                         Artistis dead so
                          the process
                          becomes the art
                          object
Jackson Pollack
Drip Painting
Used non-traditional
media—house and
automobile paint

Used non-traditional
methods—canvas on
floor, brushes are
―flipped‖

Artist uses automatism
to make work anti-
mneumonic
Mark Rothko’s No.61, Rust and
Blue, 1953
 Color   meant to
  evoke emotion,
  weeping
  (Spiritualism without
  God)
 Interpretation MUST
  be engaged, so
  Reader becomes the
  artist, the one to
  create meaning
In Architecture
                           Frank Lloyd Wright’s
Le Corbusier’s Ronchamp,   Guggenheim Museum, New
France, 1950--55           York, 1957—60




                                Architecture as sculpture

                              Like painting, it lacks a central
                            form and moves more organically
Pop Art               the art of reification

 POP art is an outgrowth of A. Expressionism, which deified
the transcendent
 Rejects symbolism (transcendent and decontextualized)
and embraces signs (semiotic and contextualized)
 Choose to represent the banal, the mundane
Reflections of the Pop Period
  LITERATURE
                                       Allen
    Jack Kerouac                     Ginsberg
   On the Road,                   Howl, 1956
    1951
                                     A celebration of the
      The American
              Western rewritten       madness that arises
              for the slums of        out of a consumer
              Denver and              culture
              Cheyenne,
              Wyoming                   Moloch
          Writing influenced
Click on linksby automatism
               to see videos
Reflections of the Pop Period
     MUSICAL
     THEATRE
    Leonard    Bernstein’s            Leonard    Bernstein’s Mass
        West Side Story                   A religious Mass with
            Romeo and Juliet for a        performers, dancers, street
             modern, multiethnic           singers
             age                          Intention is to reach popular
            Explores globalization        culture with a new kind of
             as it affects personal        music
             relationships, what we
             hold most noble—love
                                       AndrewLloyd Webber’s
                                       Jesus Christ Superstar
                                          Christianity for the rock age of
Click on links to see videos
                                           popular culture
                                          Accompanies the rise of
John Cage
 Redefines  what
 music is and the
 role of the musician

 Experimentedwith
 sounds and forms
 of music
    Used dishes, tubs,
     and different
     metals for sounds
    Forms are more
     organic
Andy Warhol’s
Vegetarian Vegetable
from Campbell Soup
II, 1969
We are what we eat
We are what we
consume
Roy Lichtenstein’s Drowning Girl,
1963
 Defies  the
  eternality of art
 Subjects are
  from pulp fiction,
  which can be
  thrown away
 Depicted with
  ben day dots of
  commercial
  printing
In Subsequent Presentations you
will learn more about:
 The Language of Pop art
 Curating Abstract
 Expressionist work at MOMA

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Week 13. abstract expressionism

  • 1. Mid-Twentieth Century and Later European and US Reactions to WWII ―Hell is other people.‖ from Sartre’s No Exit
  • 2. In the last chapter we determined…  War can be framed as a cleansing agent  Optimism about social change can bring war  But war with modern technology is devastating (flame throwers, poison gas)  WWI razes Europe  WWI brings Europe to hysteria (Dada, Surrealism)  The US responds to WWI with stoicism
  • 3. Guiding Question(s)  What are the emotional and psychological effects of modern warfare with modern technology?  What do we seek (the US) after the trauma of War?
  • 4. Guiding Historical Events  1945-Hiroshima and Nagasaki  The acute effects killed 90,000–166,000 people in Hiroshima and 60,000–80,000 in Nagasaki  In both cities, most of the dead were civilians  The Cold War  After WWII and into the early 1990s  Characterized by an amped up disdain for Communism  1945-1973 US involvement in Vietnam  The US, feeling quite powerful after WWII, is involved in a drawn-out war, much of which is opposed by the US citizenry  The US involvement comes indirectly out of the Cold War attitude to stamp out communism, but also out of a bravado of imperialism that seeks to establish democracy outside of the US  1966-“The Pill”  Oral contraceptives become widely available allowing women to choose when to be pregnant and not  Also brings to cultural consciousness the fact that women are sexual beings
  • 5. European Reactions Despair Atheism Self-Reliance FRANCIS BACON (British), Painting, 1946
  • 6. Reflections of European Reactions to WWII: LITERATURE and PHILOSOPHY  Jean-Paul Sartre’s No Exit  ―Torture‖ is the inability to  SimoneDebeauvoir’s live with who we are, The Second Sex  Characters in ―Hell‖  ―One is not born, but rather because of the choices becomes, a woman.‖ they made  A study of how women have BECOME  Samuel Beckett’s  From prehistory, through Waiting for Godot the mythological age, to contemporary times  From the Theatre of the Absurd  Contemplates what Click on links to see videos makes life worth living— suicide is an option, but
  • 7. US Reactions Optimism Prosperity in Consumerism A sense of Uniqueness ANDY WARHOL, Marilyn
  • 8. Abstract Expressionism  Not philosophical like Kandinsky—primal  An emphasis on the visual elements—an exploration of the medium’s elements  An image of the painter’s psyche, state of mind in order to create emotional responses
  • 9. Jackson Pollack’s Autumn Rhythm, Number 30, 1950  Seeking the intuitive, the pure (spiritualism without God)  Action Painting  Artistis dead so the process becomes the art object
  • 10. Jackson Pollack Drip Painting Used non-traditional media—house and automobile paint Used non-traditional methods—canvas on floor, brushes are ―flipped‖ Artist uses automatism to make work anti- mneumonic
  • 11. Mark Rothko’s No.61, Rust and Blue, 1953  Color meant to evoke emotion, weeping (Spiritualism without God)  Interpretation MUST be engaged, so Reader becomes the artist, the one to create meaning
  • 12. In Architecture Frank Lloyd Wright’s Le Corbusier’s Ronchamp, Guggenheim Museum, New France, 1950--55 York, 1957—60 Architecture as sculpture Like painting, it lacks a central form and moves more organically
  • 13. Pop Art the art of reification  POP art is an outgrowth of A. Expressionism, which deified the transcendent  Rejects symbolism (transcendent and decontextualized) and embraces signs (semiotic and contextualized)  Choose to represent the banal, the mundane
  • 14. Reflections of the Pop Period LITERATURE Allen Jack Kerouac Ginsberg  On the Road,  Howl, 1956 1951  A celebration of the  The American Western rewritten madness that arises for the slums of out of a consumer Denver and culture Cheyenne, Wyoming  Moloch  Writing influenced Click on linksby automatism to see videos
  • 15. Reflections of the Pop Period MUSICAL THEATRE  Leonard Bernstein’s  Leonard Bernstein’s Mass West Side Story  A religious Mass with  Romeo and Juliet for a performers, dancers, street modern, multiethnic singers age  Intention is to reach popular  Explores globalization culture with a new kind of as it affects personal music relationships, what we hold most noble—love  AndrewLloyd Webber’s Jesus Christ Superstar  Christianity for the rock age of Click on links to see videos popular culture  Accompanies the rise of
  • 16. John Cage  Redefines what music is and the role of the musician  Experimentedwith sounds and forms of music  Used dishes, tubs, and different metals for sounds  Forms are more organic
  • 17. Andy Warhol’s Vegetarian Vegetable from Campbell Soup II, 1969 We are what we eat We are what we consume
  • 18. Roy Lichtenstein’s Drowning Girl, 1963  Defies the eternality of art  Subjects are from pulp fiction, which can be thrown away  Depicted with ben day dots of commercial printing
  • 19. In Subsequent Presentations you will learn more about:  The Language of Pop art  Curating Abstract Expressionist work at MOMA